The City & the City

by China Miéville

“Alright,” Billy said as colleagues passed him. “Kath,” he said to an ichthyologist, “Brendan,” to another curator, who answered him, “Alright Tubular?”

  “Onward please,” said Billy. “And don’t worry, we’re getting to the good stuff.”

  Tubular? Billy could see one or two of his escortees wondering if they had misheard.

  The nickname resulted from a drinking session in Liverpool with colleagues, back in his first year at the centre. It was the annual conference of the Professional Curatorial Society. After a day of talks on methodologies and histories of preservation, on museum schemes and the politics of display, the evening’s wind down had started with polite how-did-you-get-into-this?, turned into everyone at the bar one by one talking about their childhoods, these meanderings, in boozy turn, becoming a session of what someone had christened Biography Bluff. Everyone had to cite some supposedly extravagant fact about themselves—they once ate a slug, they’d been part of a foursome, they tried to burn their school down, and so on—the truth of which the others would then brayingly debate.

  Billy had straight faced claimed that he had been the result of the world’s first-ever successful in vitro fertilisation, but that he had been disavowed by the laboratory because of internal politics and a question mark over issues of consent, which was why the official laurel had gone to someone else a few months after his birth. Interrogated about details, he had with drunken effortlessness named doctors, the location, a minor complication of the procedure. But before bets were made and his reveal, the conversation had taken a sudden turn and the game had been abandoned. It was two days later, back in London, before a labmate asked him if it were true.

  “Absolutely,” Billy had said, in an expressionless teasing way that meant either “of course”, or “of course not”. He had stuck by that response since. Though he doubted anyone believed him, the nickname “Test-tube” and variants were still used.

  They passed another guard, a big, truculent man, all shaved head and muscular fatness. He was some years older than Billy, named Dane Something, from what Billy had overheard. Billy nodded and tried to meet his eyes, as he always did. Dane Whatever, as he always did, ignored the little greeting, to Billy’s disproportionate resentment.

  As the door swung shut, though, Billy saw Dane acknowledge someone else. The guard nodded momentarily at the intense young man with the lapel pin, the obsessive, whose eyes flickered in the briefest response. Billy saw that, and just before the door closed between them Billy saw Dane see him looking.

  Dane’s acquaintance did not meet his eyes. “You feel it get cool?” Billy said, shaking his head. He sped them through time-release doors. “To stop evaporation. We have to be careful about fire. Because, you know, there’s a fair old bit of alcohol in here, so …” With his hands he made a soft explosion.

  The visitors stopped still. They were in a specimen maze. Ranked intricacies. Kilometres of shelves and jars. In each was a motionless floating animal. Even sound sounded bottled suddenly, as if something had put a lid on it all.

  The specimens mindlessly concentrated, some posing with their own colourless guts. Flatfish in browning tanks. Jars of huddled mice gone sepia, grotesque mouthfuls like pickled onions. There were sports with excess limbs, foetuses in arcane shapes. They were as carefully shelved as books. “See?” Billy said.

  One more door and they would be with what they were there to see. Billy knew from repeated experience how this would go.

  When they entered the tank room, the chamber at the heart of the Darwin Centre, he would give the visitors a moment without prattle. The big room was walled with more shelves. There were hundreds more bottles, from those chest high down to those the size of a glass of water. All of them contained lugubrious animal faces. It was a Linnaean décor; species clined into each other. There were steel bins, pulleys that hung like vines. No one would notice. Everyone would be staring at the great tank in the centre of the room.

  This was what they came for, that pinkly enormous thing. For all its immobility; the wounds of its slow-motion decay, the scabbing that clouded its solution; despite its eyes being shrivelled and lost; its sick colour; despite the twist in its skein of limbs, as if it were being wrung out. For all that, it was what they were there for.

  It would hang, an absurdly massive tentacled sepia event. Architeuthis Dux. The giant squid.

  Read on for an excerpt from China Miéville’s

  Embassytown

  The children of the embassy all saw the boat land. Their teachers and shiftparents had had them painting it for days. One wall of the room had been given over to their ideas. It’s been centuries since any voidcraft vented fire, as they imagined this one doing, but it’s a tradition to represent them with such trails. When I was young, I painted ships the same way.

  I looked at the pictures and the man beside me leaned in too. “Look,” I said. “See? That’s you.” A face at the boat’s window. The man smiled. He gripped a pretend wheel like the simply rendered figure.

  “You have to excuse us,” I said, nodding at the decorations. “We’re a bit parochial.”

  “No, no,” the pilot said. I was older than him, dressed up and dropping slang to tell him stories. He enjoyed me flustering him. “Anyway,” he said, “that’s not … It is amazing though. Coming here. To the edge. With Lord knows what’s beyond.” He looked into the Arrival Ball.

  There were other parties: seasonals, comings-out, graduations and yearsends, the three Christmases of December; but the Arrival Ball was always the most important. Dictated by the vagaries of trade winds, it was irregular and rare. It had been years since the last.

  Diplomacy Hall was crowded. Mingling with the embassy staffwere security, teachers and physicians, local artists. There were delegates from isolated outsider communities, hermit-farmers. There were a very few newcomers from the out, in clothes the locals would soon emulate. The crew was due to leave the next day or the one after; Arrival Balls always came at the end of a visit, as if celebrating an arrival and a departure at once.

  A string septet played. One of the members was my friend Gharda, who saw me and frowned an apology for the unsubtle jig she was halfway through. Young men and women were dancing. They were licensed embarrassments to their bosses and elders, who would themselves, to their younger colleagues’ delight, sometimes sway or turn a humorously stilted pirouette.

  By the temporary display of children’s illustrations were Diplomacy Hall’s permanent hangings: oils and gouaches, flat and trid photographs of staff, Ambassadors and attachés; even Hosts. They tracked the city’s history. Creepers reached the height of the panelling to a deco cornice, spread into a thicket canopy. The wood was designed to sustain them. Their leaves were disturbed by thumb-sized vespcams hunting for images to transmit.

  A security man I’d been friends with years before waved a brief greeting with his prosthesis. He was silhouetted in a window metres high and wide, which overlooked the city and Lilypad Hill. Behind that slope was the boat, loaded with cargo. Beyond kilometres of roofs, past rotating church-beacons, were the power stations. They had been made uneasy by the landing, and were still skittish, days later. I could see them stamping.

  “That’s you,” I said, pointing them out to the steersman. “That’s your fault.” He laughed but he was only half looking. He was distracted by pretty much everything. This was his first descent.

  I thought I recognised a lieutenant from a previous party. On his last arrival, years before, it had been a mild autumn in the embassy. He’d walked with me through the leaves of the high-floor gardens and stared into the city, where it had not been autumn, nor any other season he could have known.

  I walked through smoke from salvers of stimulant resin and said goodbyes. A few outlanders who’d finished commissions were leaving, and with them a tiny number of locals who’d requested, and been granted, egress.

  “Darling, are you weepy?” said Kayliegh. I wasn’t. “I’ll see you tomorrow, and maybe even the day after
. And you can …” But she knew that communication would be so difficult it would end. We hugged until she, at least, was a little teary, and laughing too, saying, “You of all people, you must know why I’m off,” and I was saying, “I know, you cow, I’m so jealous!”

  I could see her thinking, You chose, and it was true. I’d been going to leave, until half a year before, until the last miab had descended, with the shocking news of what, who, was on the way. Even then I’d told myself I’d stick to my plan, head into the out when the next relief came. But it was no real revelation to me when at last the yawl had crossed the sky and left it howling, and I’d realised I was going to stay. Scile, my husband, had probably suspected before I did that I would.

  “When will they be here?” asked the pilot. He meant the Hosts.

  “Soon,” I said, having no idea. It wasn’t the Hosts I wanted to see.

  Ambassadors had arrived. People came close to them but they didn’t get jostled. There was always space around them, a moat of respect. Outside, rain hit the windows. I’d been able to ascertain nothing of what had been going on behind doors from any of my friends, any usual sources. Only the top bureaucrats and their advisors had met our most important, controversial newcomers, and I was hardly among them.

  People were glancing at the entrance. I smiled at the pilot. More Ambassadors were entering. I smiled at them, too, until they acknowledged me.

  The city Hosts would come before long, and the last of the new arrivals. The captain and the rest of the ship’s crew; the attachés; the consuls and researchers; perhaps a few late immigrants; and the point of all this, the impossible new Ambassador.

  0.1

  When we were young in Embassytown, we played a game with coins and coin-sized crescent offcuts from a workshop. We always did so in the same place, by a particular house, beyond the rialto in a steep-sloping backstreet of tenements, where advertisements turned in colours under the ivy. We played in the smothered light of those old screens, by a wall we christened for the tokens we played with. I remember spinning a heavy two-sou piece on its edge and chanting as it went, turnabout, incline, pig-snout, sunshine, until it wobbled and fell. The face that showed and the word I’d reached when the motion stopped would combine to specify some reward or forfeit.

  I see myself clearly in wet spring and in summer, with a deuce in my hand, arguing over interpretations with other girls and with boys. We would never have played elsewhere, though that house, about which and about the inhabitant of which there were stories, could make us uneasy.

  Like all children we mapped our hometown carefully, urgently and idiosyncratically. In the market we were less interested in the stalls than in a high cubby left by lost bricks in a wall, which we always failed to reach. I disliked the enormous rock that marked the town’s edge, which had been split and set again with mortar (for a purpose I did not yet know), and the library, the crenellations and armature of which felt unsafe to me. We all loved the college for thesmooth plastone of its courtyard, on which tops and hovering toys travelled for metres.

  We were a hectic little tribe and constables would frequently challenge us, but we needed only say, “It’s alright sir, madam, we have to just …” and keep on. We would come fast down the steep and crowded grid of streets, past the houseless automa of Embassytown, with animals running among us or by us on low roofs, and while we might pause to climb trees and vines, we always eventually reached the interstice.

  At this edge of town the angles and piazzas of our home alleys were interrupted by at first a few uncanny geometries of Hosts’ buildings; then more and more, until our own were all replaced. Of course we would try to enter the Host city, where the streets changed their looks, and brick, cement or plasm walls surrendered to other more lively materials. I was sincere in these attempts but comforted that I knew I’d fail.

  We’d compete, daring each other to go as far as we could, marking our limits. “We’re being chased by wolves, and we have to run,” or “Whoever goes farthest’s vizier,” we said. I was the third-best southgoer in my gang. In our usual spot, there was a Hostnest in fine alien colours tethered by creaking ropes of muscle to a stockade, that in some affectation the Hosts had fashioned like one of our wicker fences. I’d creep up on it while my friends whistled from the crossroads.

  See images of me as a child and there’s no surprise: my face then was just my face now not-yet-finished, the same suspicious mouth-pinch or smile, the same squint of effort that sometimes got me laughed at later, and then as now I was rangy and restless. I’d hold my breath and go forward on a lungful through where the airs mixed—past what was not quite a hard border but was still remarkably abrupt a gaseous transition, breezes sculpted with nanotech particle-machines and consummate atmosphere artistry—to write Avice on the white wood. Once on a whim of bravado I patted the nest’s flesh anchor where it interwove the slats. It felt as taut as a gourd. I ran back, gasping, to my friends.

  “You touched it.” They said that with admiration. I stared at my hand. We would head north to where aeoli blew, and compare our achievements.

  A quiet, well-dressed man lived in the house where we played with coins. He was a source of local disquiet. Sometimes he came out while we were gathered. He would regard us and purse his lips in what might have been greeting or disapproval, before he turned and walked.

  We thought we understood what he was. We were wrong, of course, but we’d picked up whatever we had from around the place and considered him broken and his presence inappropriate. “Hey,” I said more than once to my friends, when he emerged, pointing at him behind his back, “hey.” We would follow when we were brave, as he walked alleys of hedgerow toward the river or a market, or in the direction of the archive ruins or the Embassy. Twice I think one of us jeered nervously. Passersby instantly hushed us.

  “Have some respect,” an altoysterman told us firmly. He put down his basket of shellfish and aimed a quick cuff at Yohn, who had shouted. The vendor watched the old man’s back. I remember suddenly knowing, though I didn’t have the words to express it, that not all his anger was directed at us, that those tutting in our faces were disapproving, at least in part, of the man.

  “They’re not happy about where he lives,” said that evening’s shiftfather, Dad Berdan, when I told him about it. I told the story more than once, describing the man we had followed carefully and confusedly, asking the dad about him. I asked him why the neighbours weren’t happy and he smiled in embarrassment and kissed me good night. I stared out of my window and didn’t sleep. I watched the stars and the moons, the glimmering of Wreck.

  I can date the following events precisely, as they occurred on the day after my birthday. I was melancholic in a way I’m now amused by. It was late afternoon. It was the third sixteenth of September, a Dominday. I was sitting alone, reflecting on my age (absurd little Buddha!), spinning my birthday money by the coin wall. I heard a door open but I didn’t look up, so it may have been seconds that the man from the house stood before me while I played. When I realised, I looked up at him in bewildered alarm.

  “Girl,” he said. He beckoned. “Please come with me.” I don’t remember considering running. What could I do, it seemed, but obey?

  His house was astonishing. There was a long room full of dark colours, cluttered with furniture, screens and figurines. Things were moving, automa on their tasks. We had creepers on the walls of our nursery but nothing like these shining black-leaved sinews in ogees and spirals so perfect they looked like prints. Paintings covered the walls, and plasmings, their movements altering as we entered. Information changed on screens in antique frames. Hand-sized ghosts moved among potted plants on a trid like a mother-of-pearl games board.

  “Your friend.” The man pointed at his sofa. On it lay Yohn.

  I said his name. His booted feet were up on the upholstery, his eyes were closed. He was red and wheezing.

  I looked at the man, afraid that whatever he’d done to Yohn, as he must have done, he would do to me. He
did not meet my eyes, instead fussing with a bottle. “They brought him to me,” he said. He looked around, as if for inspiration on how to speak to me. “I’ve called the constables.”

  He sat me on a stool by my barely breathing friend and held out a glass of cordial to me. I stared at it suspiciously until he drank from it himself, swallowed and showed me he had by sighing with his mouth open. He put the vessel in my hand. I looked at his neck, but I could not see a link.

  I sipped what he had given me. “The constables are coming,” he said. “I heard you playing. I thought it might help him to have a friend with him. You could hold his hand.” I put the glass down and did so. “You could tell him you’re here, tell him he’ll be alright.”

  “Yohn, it’s me, Avice.” After a silence I patted Yohn on the shoulder. “I’m here. You’ll be alright, Yohn.” My concern was quite real. I looked up for more instructions, and the man shook his head and laughed.

  “Just hold his hand then,” he said.

  “What happened, sir?” I said.

  “They found him. He went too far.”

  Poor Yohn looked very sick. I knew what he’d done.

  Yohn was the second-best southgoer in our group. He couldn’t compete with Simmon, the best of all, but Yohn could write his name on the picket fence several slats farther than I. Over some weeks I’d strained to hold my breath longer and longer, and mymarks had been creeping closer to his. So he must have been secretly practicing. He’d run too far from the breath of the aeoli. I could imagine him gasping, letting his mouth open and sucking in air with the sour bite of the interzone, trying to go back but stumbling with the toxins, the lack of clean oxygen. He might have been down, unconscious, breathing that nasty stew for minutes.

  “They brought him to me,” the man said again. I made a tiny noise as I suddenly noticed that, half-hidden by a huge ficus, something was moving. I don’t know how I’d failed to see it.