And as she drove, we may seize the opportunity, since the landscape was of a simple English kind which needs no description, to draw the reader’s attention more particularly than we could at the moment to one or two remarks which have slipped in here and there in the course of the narrative. For example, it may have been observed that Orlando hid her manuscripts when interrupted. Next, that she looked long and intently in the glass; and now, as she drove to London, one might notice her starting and suppressing a cry when the horses galloped faster than she liked. Her modesty as to her writing, her vanity as to her person, her fears for her safety all seem to hint that what was said a short time ago about there being no change in Orlando the man and Orlando the woman, was ceasing to be altogether true. She was becoming a little more modest, as women are, of her brains, and a little more vain, as women are, of her person. Certain susceptibilities were asserting themselves, and others were diminishing. The change of clothes had, some philosophers will say, much to do with it. Vain trifles as they seem, clothes have, they say, more important offices than merely to keep us warm. They change our view of the world and the world’s view of us. For example, when Captain Bartolus saw Orlando’s skirt, he had an awning stretched for her immediately, pressed her to take another slice of beef, and invited her to go ashore with him in the long-boat. These compliments would certainly not have been paid her had her skirts, instead of flowing, been cut tight to her legs in the fashion of breeches. And when we are paid compliments, it behoves us to make some return. Orlando curtseyed; she complied; she flattered the good man’s humours as she would not have done had his neat breeches been a woman’s skirts, and his braided coat a woman’s satin bodice. Thus, there is much to support the view that it is clothes that wear us and not we them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking. So, having now worn skirts for a considerable time, a certain change was visible in Orlando, which is to be found if the reader will look at page III, even in her face.26 If we compare the picture of Orlando as a man with that of Orlando as a woman we shall see that though both are undoubtedly one and the same person, there are certain changes. The man has his hand free to seize his sword, the woman must use hers to keep the satins from slipping from her shoulders. The man looks the world full in the face, as if it were made for his uses and fashioned to his liking. The woman takes a sidelong glance at it, full of subtlety, even of suspicion. Had they both worn the same clothes, it is possible that their outlook might have been the same.
That is the view of some philosophers and wise ones, but on the whole, we incline to another. The difference between the sexes is, happily, one of great profundity. Clothes are but a symbol of something hid deep beneath. It was a change in Orlando herself that dictated her choice of a woman’s dress and of a woman’s sex. And perhaps in this she was only expressing rather more openly than usual – openness indeed was the soul of her nature – something that happens to most people without being thus plainly expressed. For here again, we come to a dilemma. Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above. Of the complications and confusions which thus result everyone has had experience; but here we leave the general question and note only the odd effect it had in the particular case of Orlando herself.
For it was this mixture in her of man and woman, one being uppermost and then the other, that often gave her conduct an unexpected turn. The curious of her own sex would argue, for example, if Orlando was a woman,27 how did she never take more than ten minutes to dress? And were not her clothes chosen rather at random, and sometimes worn rather shabby? And then they would say, still, she has none of the formality of a man, or a man’s love of power. She is excessively tender-hearted. She could not endure to see a donkey beaten or a kitten drowned. Yet again, they noted, she detested household matters, was up at dawn and out among the fields in summer before the sun had risen. No farmer knew more about the crops than she did. She could drink with the best and liked games of hazard. She rode well and drove six horses at a gallop over London Bridge. Yet again, though bold and active as a man, it was remarked that the sight of another in danger brought on the most womanly palpitations. She would burst into tears on slight provocation. She was unversed in geography, found mathematics intolerable, and held some caprices which are more common among women than men, as for instance that to travel south is to travel downhill. Whether, then, Orlando was most man or woman, it is difficult to say and cannot now be decided. For her coach was now rattling on the cobbles. She had reached her home in the city. The steps were being let down; the iron gates were being opened. She was entering her father’s house at Blackfriars, which, though fashion was fast deserting that end of the town, was still a pleasant, roomy mansion, with gardens running down to the river, and a pleasant grove of nut trees to walk in.
Here she took up her lodging and began instantly to look about her for what she had come in search of – that is to say, life and a lover. About the first there might be some doubt; the second she found without the least difficulty two days after her arrival. It was a Tuesday that she came to town. On Thursday she went for a walk in the Mall, as was then the habit of persons of quality. She had not made more than a turn or two of the avenue before she was observed by a little knot of vulgar people who go there to spy upon their betters. As she came past them, a common woman carrying a child at her breast stepped forward, peered familiarly into Orlando’s face, and cried out, ‘Lawk upon us, if it ain’t the Lady Orlando!’ Her companions came crowding round, and Orlando found herself in a moment the centre of a mob of staring citizens and tradesmen’s wives, all eager to gaze upon the heroine of the celebrated lawsuit.28 Such was the interest that the case excited in the minds of the common people. She might, indeed, have found herself gravely discommoded by the pressure of the crowd – she had forgotten that ladies are not supposed to walk in public places alone – had not a tall gentleman at once stepped forward and offered her the protection of his arm. It was the Archduke. She was overcome with distress and yet with some amusement at the sight. Not only had this magnanimous nobleman forgiven her, but in order to show that he took her levity with the toad in good part, he had procured a jewel made in the shape of that reptile which he pressed upon her with a repetition of his suit as he handed her to her coach.
What with the crowd, what with the Duke, what with the jewel, she drove home in the vilest temper imaginable. Was it impossible then to go for a walk without being half-suffocated, presented with a toad set in emeralds, and asked in marriage by an Archduke? She took a kinder view of the case next day when she found on her breakfast table half a dozen billets29 from some of the greatest ladies in the land – Lady Suffolk, Lady Salisbury, Lady Chesterfield, Lady Tavistock, and others who reminded her in the politest manner of old alliances between their families and her own, and desired the honour of her acquaintance. Next day, which was a Saturday, many of these great ladies waited on her in person. On Tuesday, about noon, their footmen brought cards of invitation to various routs,30 dinners, and assemblies in the near future; so that Orlando was launched without delay, and with some splash and foam at that, upon the waters of London society.
To give a truthful account of London society at that or indeed at any other time, is beyond the powers of the biographer or the historian. Only those who have little need of the truth, and no respect for it – the poets and the novelists – can be trusted to do it, for this is one of the cases where the truth does not exist. Nothing exists. The whole thing is a miasma – a mirage. To make our meaning plain – Orlando would come home from one of these routs at three or four in the morning with cheeks like a Christmas tree and eyes like stars. She would untie a lace, pace the room a score of times, untie another lace, stop, and pace the room again. Often the sun would be blazing over South
wark chimneys before she could persuade herself to get into bed, and there she would lie, pitching and tossing, laughing and sighing for an hour or longer before she slept at last. And what was all this stir about? Society. And what had society said or done to throw a reasonable lady into such an excitement? In plain language, nothing. Rack her memory as she would, next day Orlando could never remember a single word to magnify into the name something. Lord O. had been gallant. Lord A. polite. The Marquis of C. charming. Mr. M. amusing. But when she tried to recollect in what their gallantry, politeness, charm, or wit had consisted, she was bound to suppose her memory at fault, for she could not name a thing. It was the same always. Nothing remained over the next day, yet the excitement of the moment was intense. Thus we are forced to conclude that society is one of those brews such as skilled housekeepers serve hot about Christmas time, whose flavour depends upon the proper mixing and stirring of a dozen different ingredients. Take one out, and it is in itself insipid. Take away Lord O., Lord A., Lord C, or Mr. M. and separately each is nothing. Stir them all together and they combine to give off the most intoxicating of flavours, the most seductive of scents. Yet this intoxication, this seductiveness, entirely evade our analysis. At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever. Such monsters the poets and the novelists alone can deal with; with such something-nothings their works are stuffed out to prodigious size; and to them with the best will in the world we are content to leave it.
Following the example of our predecessors, therefore, we will only say that society in the reign of Queen Anne31 was of unparalleled brilliance. To have the entry there was the aim of every well-bred person. The graces were supreme. Fathers instructed their sons, mothers their daughters. No education was complete for either sex which did not include the science of deportment, the art of bowing and curtseying, the management of the sword and the fan, the care of the teeth, the conduct of the leg, the flexibility of the knee, the proper methods of entering and leaving the room, with a thousand etceteras, such as will immediately suggest themselves to anybody who has himself been in society. Since Orlando had won the praise of Queen Elizabeth for the way she handed a bowl of rose water as a boy, it must be supposed that she was sufficiently expert to pass muster. Yet it is true that there was an absent-mindedess about her which sometimes made her clumsy; she was apt to think of poetry when she should have been thinking of taffeta; her walk was a little too much of a stride for a woman, perhaps, and her gestures, being abrupt, might endanger a cup of tea on occasion.
Whether this slight disability was enough to counterbalance the splendour of her bearing, or whether she inherited a drop too much of that black humour which ran in the veins of all her race, certain it is that she had not been in the world more than a score of times before she might have been heard to ask herself, had there been anybody but her spaniel Pippin32 to hear her, ‘What the devil is the matter with me?’ The occasion was Tuesday, the 16th of June 1712; she had just returned from a great ball at Arlington House; the dawn was in the sky, and she was pulling off her stockings. ‘I don’t care if I never meet another soul as long as I live,’ cried Orlando, bursting into tears. Lovers she had in plenty, but life, which is, after all, of some importance in its way, escaped her. ‘Is this’, she asked – but there was none to answer, ‘is this’, she finished her sentence all the same, ‘what people call life?’ The spaniel raised her forepaw in token of sympathy. The spaniel licked Orlando with her tongue. Orlando stroked the spaniel with her hand. Orlando kissed the spaniel with her lips. In short, there was the truest sympathy between them that can be between a dog and its mistress, and yet it cannot be denied that the dumbness of animals is a great impediment to the refinements of intercourse. They wag their tails; they bow the front part of the body and elevate the hind; they roll, they jump, they paw, they whine, they bark, they slobber, they have all sorts of ceremonies and artifices of their own, but the whole thing is of no avail, since speak they cannot. Such was her quarrel, she thought, setting the dog gently on to the floor, with the great people at Arlington House. They, too, wag their tails, bow, roll, jump, paw, and slobber, but talk they cannot. ‘All these months that I’ve been out in the world’, said Orlando, pitching one stocking across the room, ‘I’ve heard nothing but what Pippin might have said. I’m cold. I’m happy. I’m hungry. I’ve caught a mouse. I’ve buried a bone. Please kiss my nose.’ And it was not enough.
How, in so short a time, she had passed from intoxication to disgust we will only seek to explain by supposing that this mysterious composition which we call society, is nothing absolutely good or bad in itself, but has a spirit in it, volatile but potent, which either makes you drunk when you think it, as Orlando thought it, delightful, or gives you a headache when you think it, as Orlando thought it, repulsive. That the faculty of speech has much to do with it either way, we take leave to doubt. Often a dumb hour is the most ravishing of all; brilliant wit can be tedious beyond description. But to the poets we leave it, and so on with our story.
Orlando threw the second stocking after the first and went to bed dismally enough, determined that she would forswear society for ever. But again as it turned out, she was too hasty in coming to her conclusions. For the very next morning she woke to find, among the usual cards of invitation upon her table, one from a certain great Lady, the Countess of R. Having determined overnight that she would never go into society again, we can only explain Orlando’s behaviour – she sent a messenger hot-foot to R— House to say that she would attend her Ladyship with all the pleasure in the world – by the fact that she was still suffering from the effect of three honeyed words dropped into her ear on the deck of the Enamoured Lady by Captain Nicholas Benedict Bartolus as they sailed down the Thames. Addison, Dryden, Pope, he had said, pointing to the Cocoa Tree, and Addison, Dryden, Pope had chimed in her head like an incantation ever since. Who can credit such folly? but so it was. All her experience with Nick Greene had taught her nothing. Such names still exercised over her the most powerful fascination. Something, perhaps, we must believe in, and as Orlando, we have said, had no belief in the usual divinities she bestowed her credulity upon great men – yet with a distinction. Admirals, soldiers, statesmen, moved her not at all. But the very thought of a great writer stirred her to such a pitch of belief that she almost believed him to be invisible.33 Her instinct was a sound one. One can only believe entirely, perhaps, in what one cannot see. The little glimpse she had of these great men from the deck of the ship was of the nature of a vision. That the cup was china, or the gazette paper, she doubted. When Lord O. said one day that he had dined with Dryden the night before, she flatly disbelieved him. Now, the Lady R.’s reception room had the reputation of being the antechamber to the presence room of genius; it was the place where men and women met to swing censers and chant hymns to the bust of genius in a niche in the wall. Sometimes the God himself vouchsafed his presence for a moment. Intellect alone admitted the suppliant, and nothing (so the report ran) was said inside that was not witty.
It was thus with great trepidation that Orlando entered the room. She found a company already assembled in a semicircle round the fire. Lady R., an oldish lady, of dark complexion, with a black lace mantilla on her head, was seated in a great arm-chair in the centre. Thus being somewhat deaf, she could control the conversation on both sides of her. On both sides of her sat men and women of the highest distinction. Every man, it was said, had been a Prime Minister and every woman, it was whispered, had been the mistress of a king. Certain it is that all were brilliant, and all were famous. Orlando took her seat with a deep reverence in silence … After three hours, she curtseyed profoundly and left.
But what, the reader may ask with some exasperation, happened in between? In three hours, such a company must have said the wittiest, the profoundest, the most interesting things in the world. So it would seem indeed. But the fact appears to be that
they said nothing. It is a curious characteristic which they share with all the most brilliant societies that the world has seen. Old Madame du Deffand34 and her friends talked for fifty years without stopping. And of it all, what remains? Perhaps three witty sayings. So that we are at liberty to suppose either that nothing was said, or that nothing witty was said, or that the fraction of three witty sayings lasted eighteen thousand two hundred and fifty nights, which does not leave a liberal allowance of wit for any one of them.
The truth would seem to be – if we dare use such a word in such a connection – that all these groups of people lie under an enchantment. The hostess is our modern Sibyl.35 She is a witch who lays her guests under a spell. In this house they think themselves happy; in that witty; in a third profound. It is all an illusion (which is nothing against it, for illusions are the most valuable and necessary of all things, and she who can create one is among the world’s greatest benefactors), but as it is notorious that illusions are shattered by conflict with reality, so no real happiness, no real wit, no real profundity are tolerated where the illusion prevails. This serves to explain why Madame du Deffand said no more than three witty things in the course of fifty years. Had she said more, her circle would have been destroyed. The witticism, as it left her lips, bowled over the current conversation as a cannon ball lays low the violets and the daisies. When she made her famous ‘mot de Saint Denis’ the very grass was singed. Disillusionment and desolation followed. Not a word was uttered. ‘Spare us another such, for Heaven’s sake, Madame!’ her friends cried with one accord. And she obeyed. For almost seventeen years she said nothing memorable and all went well. The beautiful counterpane of illusion lay unbroken on her circle as it lay unbroken on the circle of Lady R. The guests thought that they were happy, thought that they were witty, thought that they were profound, and, as they thought this, other people thought it still more strongly; and so it got about that nothing was more delightful than one of Lady R.’s assemblies; everyone envied those who were admitted; those who were admitted envied themselves because other people envied them; and so there seemed no end to it – except that which we have now to relate.
Orlando Page 18
