For about the third time Orlando went there a certain incident occurred. She was still under the illusion that she was listening to the most brilliant epigrams in the world, though, as a matter of fact, old General C. was only saying, at some length, how the gout had left his left leg and gone to his right, while Mr. L. interrupted when any proper name was mentioned, ‘R.? Oh! I know Billy R. as well as I know myself. S.? My dearest friend. T.? Stayed with him a fortnight in Yorkshire’ – which, such is the force of illusion, sounded like the wittiest repartee, the most searching comment upon human life, and kept the company in a roar; when the door opened and a little gentleman entered whose name Orlando did not catch. Soon a curiously disagreeable sensation came over her. To judge from their faces, the rest began to feel it as well. One gentleman said there was a draught. The Marchioness of C. feared a cat must be under the sofa. It was as if their eyes were being slowly opened after a pleasant dream and nothing met them but a cheap wash-stand and a dirty counter-pane. It was as if the fumes of some delicious wine were slowly leaving them. Still the General talked and still Mr. L. remembered. But it became more and more apparent how red the General’s neck was, how bald Mr. L.’s head was. As for what they said – nothing more tedious and trivial could be imagined. Everybody fidgeted and those who had fans yawned behind them. At last Lady R. rapped with hers upon the arm of her great chair. Both gentlemen stopped talking.
Then the little gentleman said,
He said next,
He said finally,*
Here, it cannot be denied, was true wit, true wisdom, true profundity. The company was thrown into complete dismay. One such saying was bad enough; but three, one after another, on the same evening! No society could survive it.
‘Mr. Pope,’ said old Lady R. in a voice trembling with sarcastic fury, ‘you are pleased to be witty.’ Mr. Pope flushed red. Nobody spoke a word. They sat in dead silence some twenty minutes. Then, one by one, they rose and slunk from the room. That they would ever come back after such an experience was doubtful. Link-boys36 could be heard calling their coaches all down South Audley Street. Doors were slammed and carriages drove off. Orlando found herself near Mr. Pope on the staircase. His lean and misshapen frame was shaken by a variety of emotions. Darts of malice, rage, triumph, wit, and terror (he was shaking like a leaf) shot from his eyes. He looked like some squat reptile set with a burning topaz in its forehead. At the same time, the strangest tempest of emotion seized now upon the luckless Orlando. A disillusionment so complete as that inflicted not an hour ago leaves the mind rocking from side to side. Everything appears ten times more bare and stark than before. It is a moment fraught with the highest danger for the human spirit. Women turn nuns and men priests in such moments. In such moments, rich men sign away their wealth; and happy men cut their throats with carving knives. Orlando would have done all willingly, but there was a rasher thing still for her to do, and this she did. She invited Mr. Pope to come home with her.
For if it is rash to walk into a lion’s den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on the top of St. Paul’s, it is still more rash to go home alone with a poet. A poet is Atlantic and lion in one. While one drowns us the other gnaws us. If we survive the teeth, we succumb to the waves. A man who can destroy illusions is both beast and flood. Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is marl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. ‘Tis waking that kills us. He who robs us of our dreams robs us of our life – (and so on for six pages if you will, but the style is tedious and may well be dropped).
On this showing, however, Orlando should have been a heap of cinders by the time the chariot drew up at her house in Blackfriars. That she was still flesh and blood, though certainly exhausted, is entirely due to a fact to which we drew attention earlier in the narrative. The less we see the more we believe. Now the streets that lie between Mayfair and Blackfriars were at that time very imperfectly lit. True, the lighting was a great improvement upon that of the Elizabethan age. Then the benighted traveller had to trust to the stars or the red flame of some night watchman to save him from the gravel pits at Park Lane or the oak woods where swine rootled in the Tottenham Court Road. But even so it wanted much of our modern efficiency. Lamp-posts lit with oil-lamps occurred every two hundred yards or so, but between lay a considerable stretch of pitch darkness. Thus for ten minutes Orlando and Mr. Pope would be in blackness; and then for about half a minute again in the light. A very strange state of mind was thus bred in Orlando. As the light faded, she began to feel steal over her the most delicious balm. ‘This is indeed a very great honour for a young woman, to be driving with Mr. Pope’ she began to think, looking at the outline of his nose. ‘I am the most blessed of my sex. Half an inch from me – indeed, I feel the knot of his knee ribbons pressing against my thigh – is the greatest wit in Her Majesty’s dominions. Future ages will think of us with curiosity and envy me with fury.’ Here came the lamp-post again. ‘What a foolish wretch I am!’ she thought. ‘There is no such thing as fame and glory. Ages to come will never cast a thought on me or on Mr. Pope either. What’s an “age”, indeed? What are “we”?’ and their progress through Berkeley Square seemed the groping of two blind ants, momentarily thrown together without interest or concern in common, across a blackened desert. She shivered. But here again was darkness. Her illusion revived. ‘How noble his brow is,’ she thought (mistaking a hump on a cushion for Mr. Pope’s forehead in the darkness). ‘What a weight of genius lives in it! What wit, wisdom, and truth – what a wealth of all those jewels, indeed, for which people are ready to barter their lives! Yours is the only light that burns for ever. But for you the human pilgrimage would be performed in utter darkness’; (here the coach gave a great lurch as it fell into a rut in Park Lane) ‘without genius we should be upset and undone. Most august, most lucid of beams’ – thus she was apostrophising the hump on the cushion when they drove beneath one of the street lamps in Berkeley Square and she realised her mistake. Mr. Pope had a forehead no bigger than another man’s. ‘Wretched man,’ she thought, ‘how you have deceived me! I took that hump for your forehead. When one sees you plain, how ignoble, how despicable you are! Deformed and weakly, there is nothing to venerate in you, much to pity, most to despise.’
Again they were in darkness and her anger became modified directly she could see nothing but the poet’s knees.
‘But it is I that am a wretch’ she reflected, once they were in complete obscurity again, ‘for base as you may be, am I not still baser? It is you who nourish and protect me, you who scare the wild beast, frighten the savage, make me clothes of the silkworm’s wool, and carpets of the sheep’s. If I want to worship, have you not provided me with an image of yourself and set it in the sky? Are not evidences of your care everywhere? How humble, how grateful, how docile, should I not be, therefore? Let it be all my joy to serve, honour, and obey you.’
Here they reached the big lamp-post at the corner of what is now Piccadilly Circus. The light blazed in her eyes, and she saw, besides some degraded creatures of her own sex,37 two wretched pigmies on a stark desert land. Both were naked, solitary, and defenceless. The one was powerless to help the other. Each had enough to do to look after itself. Looking Mr. Pope full in the face, ‘It is equally vain’, she thought, ‘for you to think you can protect me, or for me to think I can worship you. The light of truth beats upon us without shadow, and the light of truth is damnably unbecoming to us both.’
All this time, of course, they went on talking agreeably, as people of birth and education use, about the Queen’s temper and the Prime Minister’s gout, while the coach went from light to darkness down the Haymarket, along the Strand, up Fleet Street, and reached, at length, her house in Blackfriars. For some time the dark spaces between the lamps had been becoming brighter and the lamps themselves less brig
ht – that is to say, the sun was rising, and it was in the equable but confused light of a summer’s morning in which everything is seen but nothing is seen distinctly that they alighted, Mr. Pope handing Orlando from her carriage and Orlando curtseying Mr. Pope to precede her into her mansion with the most scrupulous attention to the rites of the Graces.
From the foregoing passage, however, it must not be supposed that genius (but the disease is now stamped out in the British Isles, the late Lord Tennyson, it is said, being the last person to suffer from it) is constantly alight, for then we should see everything plain and perhaps should be scorched to death in the process. Rather it resembles the lighthouse in its working, which sends one ray and then no more for a time; save that genius is much more capricious in its manifestations and may flash six or seven beams in quick succession (as Mr. Pope did that night) and then lapse into darkness for a year or for ever. To steer by its beams is therefore impossible, and when the dark spell is on them men of genius are, it is said, much like other people.
It was happy for Orlando, though at first disappointing, that this should be so, for she now began to live much in the company of men of genius. Nor were they so different from the rest of us as one might have supposed. Addison, Pope, Swift, proved, she found, to be fond of tea. They liked arbours. They collected little bits of coloured glass. They adored grottos. Rank was not distasteful to them. Praise was delightful. They wore plum-coloured suits one day and grey another. Mr. Swift had a fine malacca cane. Mr. Addison scented his handkerchiefs. Mr. Pope suffered with his head. A piece of gossip did not come amiss. Nor were they without their jealousies. (We are jotting down a few reflections that came to Orlando higgledy-piggledy.) At first, she was annoyed with herself for noticing such trifles, and kept a book in which to write down their memorable sayings, but the page remained empty. All the same, her spirits revived, and she took to tearing up her cards of invitation to great parties; kept her evenings free; began to look forward to Mr. Pope’s visit, to Mr. Addison’s, to Mr. Swift’s – and so on and so on. If the reader will here refer to the Rape of the Lock, to the Spectator, to Gulliver’s Travels, he will understand precisely what these mysterious words may mean. Indeed, biographers and critics might save themselves all their labours if readers would only take this advice. For when we read:
Whether the Nymph shall break Diana’s Law,
Or some frail China Jar receive a Flaw,
Or stain her Honour, or her new Brocade,
Forget her Pray’rs or miss a Masquerade,
Or lose her Heart, or Necklace, at a Ball.38
– we know as if we heard him how Mr. Pope’s tongue flickered like a lizard’s, how his eyes flashed, how his hand trembled, how he loved, how he lied, how he suffered. In short, every secret of a writer’s soul, every experience of his life, every quality of his mind is written large in his works, yet we require critics to explain the one and biographers to expound the other. That time hangs heavy on people’s hands is the only explanation of the monstrous growth.
So, now that we have read a page or two of the Rape of the Lock, we know exactly why Orlando was so much amused and so much frightened and so very bright-cheeked and bright-eyed that afternoon.
Mrs. Nelly then knocked at the door to say that Mr. Addison waited on her Ladyship. At this, Mr. Pope got up with a wry smile, made his congee,39 and limped off. In came Mr. Addison. Let us, as he takes his seat, read the following passage from the Spectator:40
‘I consider woman as a beautiful, romantic animal, that may be adorned with furs and feathers, pearls and diamonds, ores and silks. The lynx shall cast its skin at her feet to make her a tippet, the peacock, parrot and swan shall pay contributions to her muff; the sea shall be searched for shells, and the rocks for gems, and every part of nature furnish out its share towards the embellishment of a creature that is the most consummate work of it. All this, I shall indulge them in, but as for the petticoat I have been speaking of, I neither can, nor will allow it.’
We hold that gentleman, cocked hat and all, in the hollow of our hands. Look once more into the crystal. Is he not clear to the very wrinkle in his stocking? Does not every ripple and curve of his wit lie exposed before us, and his benignity and his timidity and his urbanity and the fact that he would marry a Countess and die very respectably in the end? All is clear. And when Mr. Addison has said his say, there is a terrific rap at the door, and Mr. Swift, who had these arbitrary ways with him, walks in unannounced. One moment, where is Gulliver’s Travels?41 Here it is! Let us read a passage from the voyage to the Houyhnhnms:
‘I enjoyed perfect Health of Body and Tranquillity of Mind; I did not find the Treachery or Inconstancy of a Friend, nor the Injuries of a secret or open Enemy. I had no occasion of bribing, flattering or pimping, to procure the Favour of any great Man or of his Minion. I wanted no Fence against Fraud or Oppression; Here was neither Physician to destroy my Body, nor Lawyer to ruin my Fortune; No Informer to watch my Words, and Actions, or forge Accusations against me for Hire: Here were no Gibers, Censurers, Backbiters, Pickpockets, Highwaymen, House-breakers, Attorneys, Bawds, Buffoons, Gamesters, Politicians, Wits, splenetick tedious Talkers …’
But stop, stop your iron pelt of words, lest you flay us all alive, and yourself too! Nothing can be plainer than that violent man. He is so coarse and yet so clean; so brutal, yet so kind; scorns the whole world, yet talks baby language to a girl, and will die, can we doubt it? in a madhouse.
So Orlando poured out tea for them all; and sometimes, when the weather was fine, she carried them down to the country with her, and feasted them royally in the Round Parlour,42 which she had hung with their pictures all in a circle, so that Mr. Pope could not say that Mr. Addison came before him, or the other way about. They were very witty, too (but their wit is all in their books), and taught her the most important part of style, which is the natural run of the voice in speaking – a quality which none that has not heard it can imitate, not Greene even, with all his skill; for it is born of the air, and breaks like a wave on the furniture, and rolls and fades away, and is never to be recaptured, least of all by those who prick up their ears, half a century later, and try. They taught her this, merely by the cadence of their voices in speech; so that her style changed somewhat, and she wrote some very pleasant, witty verses and characters in prose. And so she lavished her wine on them and put bank-notes, which they took very kindly, beneath their plates at dinner,43 and accepted their dedications, and thought herself highly honoured by the exchange.
Thus time ran on, and Orlando could often be heard saying to herself with an emphasis which might, perhaps, make the hearer a little suspicious, ‘Upon my soul, what a life this is!’ (For she was still in search of that commodity.) But circumstances soon forced her to consider the matter more narrowly.
One day she was pouring out tea for Mr. Pope while, as anyone can tell from the verses quoted above, he sat very bright-eyed, observant, and all crumpled up in a chair by her side.
‘Lord,’ she thought, as she raised the sugar tongs, ‘how women in ages to come will envy me! And yet—’ she paused; for Mr. Pope needed her attention. And yet – let us finish her thought for her – when anybody says ‘How future ages will envy me’, it is safe to say that they are extremely uneasy at the present moment. Was this life quite so exciting, quite so flattering, quite so glorious as it sounds when the memoir writer has done his work upon it? For one thing, Orlando had a positive hatred of tea; for another, the intellect, divine as it is, and all-worshipful, has a habit of lodging in the most seedy of carcases, and often, alas, acts the cannibal among the other faculties so that often, where the Mind is biggest, the Heart, the Senses, Magnanimity, Charity, Tolerance, Kindliness, and the rest of them scarcely have room to breathe. Then the high opinion poets have of themselves; then the low one they have of others; then the enmities, injuries, envies, and repartees in which they are constantly engaged; then the volubility with which they impart them; then the rapacity with which they demand
sympathy for them; all this, one may whisper, lest the wits may overhear us, makes pouring out tea a more precarious and, indeed, arduous occupation than is generally allowed. Added to which (we whisper again lest the women may overhear us), there is a little secret which men share among them; Lord Chesterfield44 whispered it to his son with strict injunctions to secrecy, ‘Women are but children of a larger growth s A man of sense only trifles with them, plays with them, humours and flatters them’, which, since children always hear what they are not meant to, and sometimes, even, grow up, may have somehow leaked out, so that the whole ceremony of pouring out tea is a curious one. A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run her through the body with his pen. All this, we say, whisper it as low as we can, may have leaked out by now; so that even with the cream jug suspended and the sugar tongs distended the ladies may fidget a little, look out of the window a little, yawn a little, and so let the sugar fall with a great plop – as Orlando did now – into Mr. Pope’s tea. Never was any mortal so ready to suspect an insult or so quick to avenge one as Mr. Pope. He turned to Orlando and presented her instantly with the rough draught of a certain famous line in the ‘Characters of Women’.45 Much polish was afterwards bestowed on it, but even in the original it was striking enough. Orlando received it with a curtsey. Mr. Pope left her with a bow. Orlando, to cool her cheeks, for really she felt as if the little man had struck her, strolled in the nut grove at the bottom of the garden. Soon the cool breezes did their work. To her amazement she found that she was hugely relieved to find herself alone. She watched the merry boatloads rowing up the river. No doubt the sight put her in mind of one or two incidents in her past life. She sat herself down in profound meditation beneath a fine willow tree. There she sat till the stars were in the sky. Then she rose, turned, and went into the house, where she sought her bedroom and locked the door. Now she opened a cupboard in which hung still many of the clothes she had worn as a young man of fashion, and from among them she chose a black velvet suit richly trimmed with Venetian lace. It was a little out of fashion, indeed, but it fitted her to perfection and dressed in it she looked the very figure of a noble Lord. She took a turn or two before the mirror to make sure that her petticoats had not lost her the freedom of her legs, and then let herself secretly out of doors.
Orlando Page 19
