The Dragon of Jin-Sayeng
Page 73
The Old Bazaar was on the outskirts of the city. It was far enough from the regent’s mahal that Priya had a vague hope it wouldn’t have been shut yet. And today, she was lucky. As she arrived, breathless, sweat dampening the back of her blouse, she could see that the streets were still seething with people: parents tugging along small children; traders carrying large sacks of flour or rice on their heads; gaunt beggars, skirting the edges of the market with their alms bowls in hand; and women like Priya, plain ordinary women in even plainer saris, stubbornly shoving their way through the crowd in search of stalls with fresh vegetables and reasonable prices.
If anything, there seemed to be even more people at the bazaar than usual—and there was a distinct sour note of panic in the air. News of the patrols had clearly passed from household to household with its usual speed.
People were afraid.
Three months ago, an important Parijati merchant had been murdered in his bed, his throat slit, his body dumped in front of the temple of the mothers of flame just before the dawn prayers. For an entire two weeks after that, the regent’s men had patrolled the streets on foot and on horseback, beating or arresting Ahiranyi suspected of rebellious activity and destroying any market stalls that had tried to remain open in defiance of the regent’s strict orders.
The Parijatdvipan merchants had refused to supply Hiranaprastha with rice and grain in the weeks that followed. Ahiranyi had starved.
Now it looked as though it was happening again. It was natural for people to remember and fear; remember, and scramble to buy what supplies they could before the markets were forcibly closed once more.
Priya wondered who had been murdered this time, listening for any names as she dove into the mass of people, toward the green banner on staves in the distance that marked the apothecary’s stall. She passed tables groaning under stacks of vegetables and sweet fruit, bolts of silky cloth and gracefully carved idols of the yaksa for family shrines, vats of golden oil and ghee. Even in the faint early-morning light, the market was vibrant with color and noise.
The press of people grew more painful.
She was nearly to the stall, caught in a sea of heaving, sweating bodies, when a man behind her cursed and pushed her out of the way. He shoved her hard with his full body weight, his palm heavy on her arm, unbalancing her entirely. Three people around her were knocked back. In the sudden release of pressure, she tumbled down onto the ground, feet skidding in the wet soil.
The bazaar was open to the air, and the dirt had been churned into a froth by feet and carts and the night’s monsoon rainfall. She felt the wetness seep in through her sari, from hem to thigh, soaking through draped cotton to the petticoat underneath. The man who had shoved her stumbled into her; if she hadn’t snatched her calf swiftly back, the pressure of his boot on her leg would have been agonizing. He glanced down at her—blank, dismissive, a faint sneer to his mouth—and looked away again.
Her mind went quiet.
In the silence, a single voice whispered, You could make him regret that.
There were gaps in Priya’s childhood memories, spaces big enough to stick a fist through. But whenever pain was inflicted on her—the humiliation of a blow, a man’s careless shove, a fellow servant’s cruel laughter—she felt the knowledge of how to cause equal suffering unfurl in her mind. Ghostly whispers, in her brother’s patient voice.
This is how you pinch a nerve hard enough to break a handhold. This is how you snap a bone. This is how you gouge an eye. Watch carefully, Priya. Just like this.
This is how you stab someone through the heart.
She carried a knife at her waist. It was a very good knife, practical, with a plain sheath and hilt, and she kept its edge finely honed for kitchen work. With nothing but her little knife and a careful slide of her finger and thumb, she could leave the insides of anything—vegetables, unskinned meat, fruits newly harvested from the regent’s orchard—swiftly bared, the outer rind a smooth, coiled husk in her palm.
She looked back up at the man and carefully let the thought of her knife drift away. She unclenched her trembling fingers.
You’re lucky, she thought, that I am not what I was raised to be.
The crowd behind her and in front of her was growing thicker. Priya couldn’t even see the green banner of the apothecary’s stall any longer. She rocked back on the balls of her feet, then rose swiftly. Without looking at the man again, she angled herself and slipped between two strangers in front of her, putting her small stature to good use and shoving her way to the front of the throng. A judicious application of her elbows and knees and some wriggling finally brought her near enough to the stall to see the apothecary’s face, puckered with sweat and irritation.
The stall was a mess, vials turned on their sides, clay pots upended. The apothecary was packing away his wares as fast as he could. Behind her, around her, she could hear the rumbling noise of the crowd grow more tense.
“Please,” she said loudly. “Uncle, please. If you’ve got any beads of sacred wood to spare, I’ll buy them from you.”
A stranger to her left snorted audibly. “You think he’s got any left? Brother, if you do, I’ll pay double whatever she offers.”
“My grandmother’s sick,” a girl shouted, three people deep behind them. “So if you could help me out, uncle—”
Priya felt the wood of the stall begin to peel beneath the hard pressure of her nails.
“Please,” she said, her voice pitched low to cut across the din.
But the apothecary’s attention was raised toward the back of the crowd. Priya didn’t have to turn her own head to know he’d caught sight of the white-and-gold uniforms of the regent’s men, finally here to close the bazaar.
“I’m closed up,” he shouted out. “There’s nothing more for any of you. Get lost!” He slammed his hand down, then shoved the last of his wares away with a shake of his head.
The crowd began to disperse slowly. A few people stayed, still pleading for the apothecary’s aid, but Priya didn’t join them. She knew she would get nothing here.
She turned and threaded her way back out of the crowd, stopping only to buy a small bag of kachoris from a tired-eyed vendor. Her sodden petticoat stuck heavily to her legs. She plucked the cloth, pulling it from her thighs, and strode in the opposite direction of the soldiers.
BY K. S. VILLOSO
CHRONICLES OF THE WOLF QUEEN
The Wolf of Oren-Yaro
The Ikessar Falcon
The Dragon of Jin-Sayeng
Praise for K. S. Villoso and the
CHRONICLES OF THE WOLF QUEEN
“The Wolf of Oren-Yaro is intricate, intimate, and intensely plotted. Full of subtle poignancy and remarkably genuine characters—even the rotten ones. I loved this book.”
—Nicholas Eames, author of Kings of the Wyld
“Intimate and epic. It compels you to read on, because it’s a story about people not characters, civilizations not settings, and deadly power plays not sanitized throne-room politics.”
—Evan Winter, author of The Rage of Dragons
“A powerful new voice in epic fantasy. Villoso deftly creates an intricate and compelling world of high fantasy intrigue and adventure dominated by a crafty, whip-smart heroine determined to unite her kingdom at any cost.”
—Kameron Hurley, author of The Light Brigade
“Deeply compelling and wonderfully entertaining, The Wolf of Oren-Yaro feels at once timely and timeless. K. S. Villoso’s lush and finely crafted world envelops readers from the first page, as she takes us on an adventure full of heartache, hope, and triumph. It’s a fabulous read!”
—Josiah Bancroft, author of Senlin Ascends
“A tale balanced on the blade’s-edge between intrigue and action—and then Villoso twists the knife.”
—Gareth Hanrahan, author of The Gutter Prayer
“Delivers complex and intriguing characters, and an action-packed plot full of surprising twists and deep, vivid worldbuilding.”
—Melissa Caruso, author of The Tethered Mage
“[A] remarkable tale of nonstop tension, action, and betrayal.… This excellent work will appeal to all readers of epic fantasy.”
—Publishers Weekly (starred review)
“Readers will be swept in by this strong protagonist and stunning worldbuilding, with a plot full of questions and surprises. Villoso’s cunning, exciting debut is a new fantasy epic that readers will clamor for.”
—Library Journal (starred review)
“Villoso’s debut draws on Filipino culture and myths to create a detailed fantasy world and uses the first person narrative of a beleaguered queen to explore a tale of secrets, lies, betrayal, and treason.”
—Booklist
“K. S. Villoso’s The Wolf of Oren-Yaro is a fascinating read, driven by a well-drawn cast of characters in a beautifully imagined world.”
—BookPage
“The Wolf of Oren-Yaro is a high-fantasy thrill ride that fans of the genre will appreciate, particularly those thirsting for a strong female main character.”
—Ars Technica
“K. S. Villoso dismantled the heavily stereotyped strong female character within epic fantasy and built it anew. Queen Talyien is flawed, beautifully so, making her one of the more realistic female characters I’ve read to date.”
—Hypable
“Villoso crafts believable, complex characters and spices up the politics with dragons and magic. Fantasy readers will enjoy this intricate epic and be pleased by the broadening scope of the series.”
—Publishers Weekly
“A must for epic fantasy readers.”
—Library Journal (starred review)