The COMPLEAT Collected SFF Works 1911-1987

by C. L. Moore

  She came from their country, Oliver told himself dizzily. So someone else nearby had mysterious tenants in this month of perfect May weather. Someone else was puzzling in vain today over the strangeness of the people from that nameless land.

  In silence he went back to Sue.

  -

  The door stood invitingly ajar in the brown dimness of the upper hall. Oliver's steps slowed as he drew near it, and his heart began to quicken correspondingly. It was the red-haired woman's room, and he thought the door was not open by accident. Her name, he knew now, was Kleph.

  The door creaked a little on its hinges and from within a very sweet voice said lazily, "Won't you come in?"

  The room looked very different indeed. The big bed had been pushed back against the wall and a cover thrown over it that brushed the floor all around looked like soft-haired fur except that it was a pale blue-green and sparkled as if every hair were tipped with invisible crystals. Three books lay open on the fur, and a very curious-looking magazine with faintly luminous printing and a page of pictures that at first glance appeared three-dimensional. Also a tiny porcelain pipe encrusted with porcelain flowers, and a thin wisp of smoke floating from the bowl.

  Above the bed a broad picture hung, framing a square of blue water so real Oliver had to look twice to be sure it was not rippling gently from left to right. From the ceiling swung a crystal globe on a glass cord. It turned gently, the light from the windows making curved rectangles in its sides.

  Under the center window a sort of chaise longue stood which Oliver had not seen before. He could only assume it was at least partly pneumatic and had been brought in the luggage. There was a very rich-looking quilted cloth covering and hiding it, embossed all over in shining metallic patterns.

  Kleph moved slowly from the door and sank upon the chaise longue with a little sigh of content. The couch accommodated itself to her body with what looked like delightful comfort. Kleph wriggled a little and then smiled up at Oliver.

  "Do come on in. Sit over there, where you can see out the window. I love your beautiful spring weather. You know, there never was a May like it in civilized times." She said that quite seriously, her blue eyes on Oliver's, and there was a hint of patronage in her voice, as if the weather had been arranged especially for her.

  Oliver started across the room and then paused and looked down in amazement at the floor, which felt unstable. He had not noticed before that the carpet was pure white, unspotted, and sank about an inch under the pressure of the feet. He saw then that Kleph's feet were bare, or almost bare. She wore something like gossamer buskins of filmy net, fitting her feet exactly. The bare soles were pink as if they had been rouged, and the nails had a liquid gleam like tiny mirrors. He moved closer, and was not as surprised as he should have been to see that they really were tiny mirrors, painted with some lacquer that gave them reflecting surfaces.

  "Do sit down," Kleph said again, waving a white-sleeved arm toward a chair by the window. She wore a garment that looked like short, soft down, loosely cut but following perfectly every motion she made. And there was something curiously different about her very shape today. When Oliver saw her in street clothes, she had the square-shouldered, slim-flanked figure that all women strive for, but here in her lounging robe she looked—well, different. There was an almost swanlike slope to her shoulders today, a roundness and softness to her body that looked unfamiliar and very appealing.

  "Will you have some tea?" Kleph asked, and smiled charmingly.

  -

  A low table beside her held a tray and several small covered cups, lovely things with an inner glow like rose quartz, the color shining deeply as if from within layer upon layer of translucence. She took up one of the cups—there were no saucers—and offered it to Oliver.

  It felt fragile and thin as paper in his hand. He could not see the contents because of the cup's cover, which seemed to be one with the cup itself and left only a thin open crescent at the rim. Steam rose from the opening.

  Kleph took up a cup of her own and tilted it to her lips, smiling at Oliver over the rim. She was very beautiful. The pale red hair lay in shining loops against her head and the corona of curls like a halo above her forehead might have been pressed down like a wreath. Every hair kept order as perfectly as if it had been painted on, though the breeze from the window stirred now and then among the softly shining strands.

  Oliver tried the tea. Its flavor was exquisite, very hot, and the taste that lingered upon his tongue was like the scent of flowers. It was an extremely feminine drink. He sipped again, surprised to find how much he liked it.

  The scent of flowers seemed to increase as he drank, swirling through his head like smoke. After the third sip there was a faint buzzing in his ears. The bees among the flowers, perhaps, he thought incoherently—and sipped again.

  Kleph watched him, smiling.

  "The others will be out all afternoon," she told Oliver comfortably. "I thought it would give us a pleasant time to be acquainted."

  Oliver was rather horrified to hear himself saying, "What makes you talk like that?" He had had no idea of asking the question; something seemed to have loosened his control over his own tongue.

  Kleph's smile deepened. She tipped the cup to her lips and there was indulgence in her voice when she said, "What do you mean by that?"

  He waved his hand vaguely, noting with some surprise that at a glance it seemed to have six or seven fingers as it moved past his face.

  "I don't know—precision, I guess. Why don't you say 'don't,' for instance?"

  "In our country we are trained to speak with precision," Kleph explained. "Just as we are trained to move and dress and think with precision. Any slovenliness is trained out of us in childhood. With you, of course—" She was polite. "With you, this does not happen to be a national fetish. With us, we have time for the amenities. We like them."

  Her voice had grown sweeter and sweeter as she spoke, until by now it was almost indistinguishable from the sweetness of the flower-scent in Oliver's head, and the delicate flavor of the tea.

  "What country do you come from?" he asked, and tilted the cup again to drink, mildly surprised to notice that it seemed inexhaustible.

  Kleph's smile was definitely patronizing this time. It didn't irritate him. Nothing could irritate him just now. The whole room swam in a beautiful rosy glow as fragrant as the flowers.

  "We must not speak of that, Mr. Wilson."

  "But—" Oliver paused. After all, it was, of course, none of his business. "This is a vacation?" he asked vaguely.

  "Call it a pilgrimage, perhaps."

  "Pilgrimage?" Oliver was so interested that for an instant his mind came back into sharp focus. "To—what?"

  "I should not have said that, Mr. Wilson. Please forget it. Do you like the tea?"

  "Very much."

  "You will have guessed by now that it is not only tea, but an euphoriac."

  Oliver stared. "Euphoriac?"

  Kleph made a descriptive circle in the air with one graceful hand, and laughed. "You do not feel the effects yet? Surely you do?"

  "I feel," Oliver said, "the way I'd feel after four whiskeys."

  Kleph shuddered delicately. "We get our euphoria less painfully. And without the after-effects your barbarous alcohols used to have." She bit her lip. "Sorry. I must be euphoric myself to speak so freely. Please forgive me. Shall we have some music?"

  -

  Kleph leaned backward on the chaise longue and reached toward the wall beside her. The sleeve, falling away from her round tanned arm, left bare the inside of the wrist, and Oliver was startled to see there a long, rosy streak of fading scar. His inhibitions had dissolved in the fumes of the fragrant tea; he caught his breath and leaned forward to stare.

  Kleph shook the sleeve back over the scar with a quick gesture. Color came into her face beneath the softly tinted tan and she would not meet Oliver's eyes. A queer shame seemed to have fallen upon her.

  Oliver said tactlessly, "What
is it? What's the matter?"

  Still she would not look at him. Much later he understood that shame and knew she had reason for it. Now he listened blankly as she said:

  "Nothing ... nothing at all. A ... an inoculation. All of us ... oh, never mind. Listen to the music."

  This time she reached out with the other arm. She touched nothing, but when she had held her hand near the wall a sound breathed through the room. It was the sound of water, the sighing of waves receding upon long, sloped beaches. Oliver followed Kleph's gaze toward the picture of the blue water above the bed.

  The waves there were moving. More than that, the point of vision moved. Slowly the seascape drifted past, moving with the waves, following them toward shore. Oliver watched, half-hypnotized by a motion that seemed at the time quite acceptable and not in the least surprising.

  The waves lifted and broke in creaming foam and ran seething up a sandy beach. Then through the sound of the water music began to breathe, and through the water itself a man's face dawned in the frame, smiling intimately into the room. He held an oddly archaic musical instrument, lute-shaped, its body striped light and dark like a melon and its long neck bent back over his shoulder. He was singing, and Oliver felt mildly astonished at the song. It was very familiar and very odd indeed. He groped through the unfamiliar rhythms and found at last a thread to catch the tune by—it was "Make-Believe," from "Showboat," but certainly a showboat that had never steamed up the Mississippi.

  "What's he doing to it?" he demanded after a few moments of outraged listening. "I never heard anything like it!"

  Kleph laughed and stretched out her arm again. Enigmatically she said, "We call it kyling. Never mind. How do you like this?"

  It was a comedian, a man in semi-clown make-up, his eyes exaggerated so that they seemed to cover half his face. He stood by a broad glass pillar before a dark curtain and sang a gay, staccato song interspersed with patter that sounded impromptu, and all the while his left hand did an intricate, musical tattoo of the nailtips on the glass of the column. He strolled around and around it as he sang. The rhythms of his fingernails blended with the song and swung widely away into patterns of their own, and blended again without a break.

  It was confusing to follow. The song made even less sense than the monologue, which had something to do with a lost slipper and was full of allusions which made Kleph smile, but were utterly unintelligible to Oliver. The man had a dry, brittle style that was not very amusing, though Kleph seemed fascinated. Oliver was interested to see in him an extension and a variation of that extreme smooth confidence which marked all three of the Sanciscos. Clearly a racial trait, he thought.

  Other performances followed, some of them fragmentary as if lifted out of a completer version. One he knew. The obvious, stirring melody struck his recognition before the figures—marching men against a haze, a great banner rolling backward above them in the smoke, foreground figures striding gigantically and shouting in rhythm, "Forward, forward the lily banners go!"

  The music was tinny, the images blurred and poorly colored, but there was a gusto about the performance that caught at Oliver's imagination. He stared, remembering the old film from long ago. Dennis King and a ragged chorus, singing "The Song of the Vagabonds" from—was it "Vagabond King?"

  "A very old one," Kleph said apologetically. "But I like it."

  -

  The steam of the intoxicating tea swirled between Oliver and the picture. Music swelled and sank through the room and the fragrant fumes and his own euphoric brain. Nothing seemed strange. He had discovered how to drink the tea. Like nitrous oxide, the effect was not cumulative. When you reached a peak of euphoria, you could not increase the peak. It was best to wait for a slight dip in the effect of the stimulant before taking more.

  Otherwise it had most of the effects of alcohol—everything after awhile dissolved into a delightful fog through which all he saw was uniformly enchanting and partook of the qualities of a dream. He questioned nothing. Afterward he was not certain how much of it he really had dreamed.

  There was the dancing doll, for instance. He remembered it quite clearly, in sharp focus—a tiny, slender woman with a long-nosed, dark-eyed face and a pointed chin. She moved delicately across the white rug—knee-high, exquisite. Her features were as mobile as her body, and she danced lightly, with resounding strokes of her toes, each echoing like a bell. It was a formalized sort of dance, and she sang breathlessly in accompaniment, making amusing little grimaces. Certainly it was a portrait-doll, animated to mimic the original perfectly in voice and motion. Afterward, Oliver knew he must have dreamed it.

  What else happened he was quite unable to remember later. He knew Kleph had said some curious things, but they all made sense at the time, and afterward he couldn't remember a word. He knew he had been offered little glittering candies in a transparent dish, and that some of them had been delicious and one or two so bitter his tongue still curled the next day when he recalled them, and one—Kleph sucked luxuriantly on the same kind—of a taste that was actively nauseating.

  As for Kleph herself—he was frantically uncertain the next day what had really happened. He thought he could remember the softness of her white-downed arms clasped at the back of his neck, while she laughed up at him and exhaled into his face the flowery fragrance of the tea. But beyond that he was totally unable to recall anything, for awhile.

  There was a brief interlude later, before the oblivion of sleep. He was almost sure he remembered a moment when the other two Sanciscos stood looking down at him, the man scowling, the smoky-eyed woman smiling a derisive smile.

  The man said, from a vast distance, "Kleph, you know this is against every rule—" His voice began in a thin hum and soared in fantastic flight beyond the range of hearing. Oliver thought he remembered the dark woman's laughter, thin and distant too, and the hum of her voice like bees in flight.

  "Kleph, Kleph, you silly little fool, can we never trust you out of sight?"

  Kleph's voice then said something that seemed to make no sense. "What does it matter, here?"

  The man answered in that buzzing, faraway hum. "—matter of giving your bond before you leave, not to interfere. You know you signed the rules—"

  Kleph's voice, nearer and more intelligible: "But here the difference is ... it does not matter here! You both know that. How could it matter?"

  Oliver felt the downy brush of her sleeve against his cheek, but he saw nothing except the slow, smokelike ebb and flow of darkness past his eyes. He heard the voices wrangle musically from far away, and he heard them cease.

  When he woke the next morning, alone in his own room, he woke with the memory of Kleph's eyes upon him very sorrowfully, her lovely tanned face looking down on him with the red hair falling fragrantly on each side of it and sadness and compassion in her eyes. He thought he had probably dreamed that. There was no reason why anyone should look at him with such sadness.

  -

  Sue telephoned that day.

  "Oliver, the people who want to buy the house are here. That madwoman and her husband. Shall I bring them over?"

  Oliver's mind all day had been hazy with the vague, bewildering memories of yesterday. Kleph's face kept floating before him, blotting out the room. He said, "What? I ... oh, well, bring them if you want to. I don't see what good it'll do."

  "Oliver, what's wrong with you? We agreed we needed the money, didn't we? I don't see how you can think of passing up such a wonderful bargain without even a struggle. We could get married and buy our own house right away, and you know we'll never get such an offer again for that old trash-heap. Wake up, Oliver!"

  Oliver made an effort. "I know, Sue—I know. But—"

  "Oliver, you've got to think of something!" Her voice was imperious.

  He knew she was right. Kleph or no Kleph, the bargain shouldn't be ignored if there were any way at all of getting the tenants out. He wondered again what made the place so suddenly priceless to so many people. And what the last week in May had
to do with the value of the house.

  A sudden sharp curiosity pierced even the vagueness of his mind today. May's last week was so important that the whole sale of the house stood or fell upon occupancy by then. Why? Why?

  "What's going to happen next week?" he asked rhetorically of the telephone. "Why can't they wait till these people leave? I'd knock a couple of thousand off the price if they'd—"

  "You would not, Oliver Wilson! I can buy all our refrigeration units with that extra money. You'll just have to work out some way to give possession by next week, and that's that. You hear me?"

  "Keep your shirt on," Oliver said pacifically. "I'm only human, but I'll try."

  "I'm bringing the people over right away," Sue told him. "While the Sanciscos are still out. Now you put your mind to work and think of something, Oliver." She paused, and her voice was reflective when she spoke again. "They're ... awfully odd people, darling."

  "Odd?"

  "You'll see."

  -

  It was an elderly woman and a very young man who trailed Sue up the walk. Oliver knew immediately what had struck Sue about them. He was somehow not at all surprised to see that both wore their clothing with the familiar air of elegant self-consciousness he had come to know so well. They, too, looked around them at the beautiful, sunny afternoon with conscious enjoyment and an air of faint condescension. He knew before he heard them speak how musical their voices would be and how meticulously they would pronounce each word.

  There was no doubt about it. The people of Kleph's mysterious country were arriving here in force—for something. For the last week of May? He shrugged mentally; there was no way of guessing—yet. One thing only was sure: all of them must come from that nameless land where people controlled their voices like singers and their garments like actors who could stop the reel of time itself to adjust every disordered fold.

  The elderly woman took full charge of the conversation from the start. They stood together on the rickety, unpainted porch, and Sue had no chance even for introductions.