The Maxim Gorky

by Maxim Gorky

  “Eh, little rascals. Eh, rogues. Where have they hidden themselves? Eh?”

  And the sun shone cheerfully and playfully upon the old worn-out body, which yet retained a youthful soul, and upon the old life, that was adorning, according to its strength and abilities, the life-path of two children.

  Ignat used to go to the Exchange early in the morning and sometimes stayed away until evening; in the evening he used to go to the town council or visiting or elsewhere. Sometimes he returned home intoxicated. At first Foma, on such occasions, ran from him and hid himself, then he became accustomed to it, and learned that his father was better when drunk than sober: he was kinder and plainer and was somewhat comical. If it happened at night, the boy was usually awakened by his trumpet-like voice:

  “Anfisa! Dear sister! Let me in to my son; let me in to my successor!”

  And auntie answered him in a crying and reproachful voice:

  “Go on. You better go to sleep, you cursed devil! Drunk again, eh? You are gray already?”

  “Anfisa! May I see my son, with one eye?” Foma knew that Anfisa would not let him in, and he again fell asleep in spite of the noise of their voices. But when Ignat came home intoxicated during the day he immediately seized his son with his enormous paws and carried him about the rooms, asking him with an intoxicated, happy laughter:

  “Fomka! What do you wish? Speak! Presents? Playthings? Ask! Because you must know there’s nothing in this world that I wouldn’t buy for you. I have a million! Ha, ha, ha! And I’ll have still more! Understand? All’s yours! Ha, ha!”

  And suddenly his enthusiasm was extinguished like a candle put out by a violent puff of the wind. His flushed face began to shake, his eyes, burning red, filled with tears, and his lips expanded into a sad and frightened smile.

  “Anfisa, in case he should die, what am I to do then?”

  And immediately after these words he was seized with fury.

  “I’d burn everything!” he roared, staring wildly into some dark corner of the room. “I’d destroy everything! I’d blow it up with dynamite!”

  “Enough, you ugly brute! Do you wish to frighten the child? Or do you want him to take sick?” interposed Anfisa, and that was sufficient for Ignat to rush off hastily, muttering:

  “Well, well, well! I am going, I am going, but don’t cry! Don’t make any noise. Don’t frighten him.”

  And when Foma was somewhat sick, his father, casting everything aside, did not leave the house for a moment, but bothered his sister and his son with stupid questions and advice; gloomy, sighing, and with fear in his eyes, he walked about the house quite out of sorts.

  “Why do you vex the Lord?” said Anfisa. “Beware, your grumblings will reach Him, and He will punish you for your complaints against His graces.”

  “Eh, sister!” sighed Ignat. “And if it should happen? My entire life is crumbling away! Wherefore have I lived? No one knows.”

  Similar scenes and the striking transitions of his father from one mood to another frightened the child at first, but he soon became accustomed to all this, and when he noticed through the window that his father, on coming home, was hardly able to get out of the sledge, Foma said indifferently:

  “Auntie, papa came home drunk again.”

  .…………………

  Spring came, and, fulfilling his promise, Ignat took his son along on one of his steamers, and here a new life, abounding in impressions, was opened before Foma’s eyes.

  The beautiful and mighty “Yermak,” Gordyeeff’s steam tow-boat, was rapidly floating down the current, and on each side the shores of the powerful and beautiful Volga were slowly moving past him—the left side, all bathed in sunshine, stretching itself to the very end of the sky like a pompous carpet of verdure; the right shore, its high banks overgrown with woods, swung skyward, sinking in stern repose.

  The broad-bosomed river stretched itself majestically between the shores; noiselessly, solemnly and slowly flowed its waters, conscious of their invincible power; the mountainous shore is reflected in the water in a black shadow, while on the left side it is adorned with gold and with verdant velvet by a border of sand and the wide meadows. Here and there villages appear on mountain and on meadow, the sun shines bright on the window-panes of the huts and on the yellow roofs of straw, the church crosses sparkle amid the verdure of the trees, gray wind-mill wings revolve lazily in the air, smoke from the factory chimney rises skyward in thick, black curling clouds. Crowds of children in blue, red or white shirts, standing on the banks, shouted loudly at the sight of the steamer, which had disturbed the quiet of the river, and from under the steamer’s wheels the cheerful waves are rushing toward the feet of the children and splash against the bank. Now a crowd of children, seated in a boat, rowed toward the middle of the river to rock there on the waves as in a cradle. Trees stood out above the water; sometimes many of them are drowned in the overflow of the banks, and these stand in the water like islands. From the shore a melancholy song is heard:

  “Oh, o-o-o, once more!”

  The steamer passes many rafts, splashing them with waves. The beams are in continual motion under the blows of the waves; the men on the rafts in blue shirts, staggering, look at the steamer and laugh and shout something. The big, beautiful vessel goes sidewise on the river; the yellow scantlings with which it is loaded sparkle like gold and are dimly reflected in the muddy, vernal water. A passenger steamer comes from the opposite side and whistles—the resounding echo of the whistle loses itself in the woods, in the gorges of the mountainous bank, and dies away there. In the middle of the river the waves stirred up by the two vessels strike against one another and splash against the steamers’ sides, and the vessels are rocked upon the water. On the slope of the mountainous bank are verdant carpets of winter corn, brown strips of fallow ground and black strips of ground tilled for spring corn. Birds, like little dots, soar over them, and are clearly seen in the blue canopy of the sky; nearby a flock is grazing; in the distance they look like children’s toys; the small figure of the shepherd stands leaning on a staff, and looks at the river.

  The glare of the water—freedom and liberty are everywhere, the meadows are cheerfully verdant and the blue sky is tenderly clear; a restrained power is felt in the quiet motion of the water; above it the generous May sun is shining, the air is filled with the exquisite odour of fir trees and of fresh foliage. And the banks keep on meeting them, caressing the eyes and the soul with their beauty, as new pictures constantly unfold themselves.

  Everything surrounding them bears the stamp of some kind of tardiness: all—nature as well as men—live there clumsily, lazily; but in that laziness there is an odd gracefulness, and it seems as though beyond the laziness a colossal power were concealed; an invincible power, but as yet deprived of consciousness, as yet without any definite desires and aims. And the absence of consciousness in this half-slumbering life throws shades of sadness over all the beautiful slope. Submissive patience, silent hope for something new and more inspiriting are heard even in the cry of the cuckoo, wafted to the river by the wind from the shore. The melancholy songs sound as though imploring someone for help. And at times there is in them a ring of despair. The river answers the songs with sighs. And the tree-tops shake, lost in meditation. Silence.

  Foma spent all day long on the captain’s bridge beside his father. Without uttering a word, he stared wide-eyed at the endless panorama of the banks, and it seemed to him he was moving along a broad silver path in those wonderful kingdoms inhabited by the sorcerers and giants of his familiar fairy-tales. At times he would load his father with questions about everything that passed before them. Ignat answered him willingly and concisely, but the boy was not pleased with his answers; they contained nothing interesting and intelligible to him, and he did not hear what he longed to hear. Once he told his father with a sigh:

  “Auntie Anfisa knows better than you.”

  �
�What does she know?” asked Ignat, smiling.

  “Everything,” replied the boy, convincedly.

  No wonderful kingdom appeared before him. But often cities appeared on the banks of the river, just such cities as the one where Foma lived. Some of them were larger, some smaller, but the people, and the houses, and the churches—all were the same as in his own city. Foma examined them in company with his father, but was still unsatisfied and returned to the steamer gloomy and fatigued.

  “Tomorrow we shall be in Astrakhan,” said Ignat one day.

  “And is it just the same as the other cities?”

  “Of course. How else should it be?”

  “And what is beyond Astrakhan?”

  “The sea. The Caspian Sea it is called.”

  “And what is there?”

  “Fishes, queer fellow! What else can there be in the water?”

  “There’s the city Kitezh standing in the water.”

  “That’s a different thing! That’s Kitezh. Only righteous people live there.”

  “And are there no righteous cities on the sea?”

  “No,” said Ignat, and, after a moment’s silence, added: “The sea water is bitter and nobody can drink it.”

  “And is there more land beyond the sea?”

  “Certainly, the sea must have an end. It is like a cup.”

  “And are there cities there too?”

  “Again cities. Of course! Only that land is not ours, it belongs to Persia. Did you see the Persians selling pistachio-nuts and apricots in the market?”

  “Yes, I saw them,” replied Foma, and became pensive.

  One day he asked his father:

  “Is there much more land left?”

  “The earth is very big, my dear! If you should go on foot, you couldn’t go around it even in ten years.”

  Ignat talked for a long time with his son about the size of the earth, and said at length:

  “And yet no one knows for certain how big it really is, nor where it ends.”

  “And is everything alike on earth?”

  “What do you mean?”

  “The cities and all?”

  “Well, of course, the cities are like cities. There are houses, streets—and everything that is necessary.”

  After many similar conversations the boy no longer stared so often into the distance with the interrogative look of his black eyes.

  The crew of the steamer loved him, and he, too, loved those fine, sun-burnt and weather-beaten fellows, who laughingly played with him. They made fishing tackles for him, and little boats out of bark, played with him and rowed him about the anchoring place, when Ignat went to town on business. The boy often heard the men talking about his father, but he paid no attention to what they said, and never told his father what he heard about him. But one day, in Astrakhan, while the steamer was taking in a cargo of fuel, Foma heard the voice of Petrovich, the machinist:

  “He ordered such a lot of wood to be taken in. What an absurd man! First he loads the steamer up to the very deck, and then he roars. ‘You break the machinery too often,’ he says. ‘You pour oil,’ he says, ‘at random.’”

  The voice of the gray and stern pilot replied:

  “It’s all his exorbitant greediness. Fuel is cheaper here, so he is taking all he can. He is greedy, the devil!”

  “Oh, how greedy!”

  This word, repeated many times in succession, fixed itself in Foma’s memory, and in the evening, at supper, he suddenly asked his father:

  “Papa!”

  “What?”

  “Are you greedy?”

  In reply to his father’s questions Foma told him of the conversation between the pilot and the machinist. Ignat’s face became gloomy, and his eyes began to flash angrily.

  “That’s how it is,” ejaculated Ignat, shaking his head. “Well, you—don’t you listen to them. They are not your equals; don’t have so much to do with them. You are their master, they are your servants, understand that. If we choose to, we can put every one of them ashore. They are cheap and they can be found everywhere like dogs. Understand? They may say many bad things about me. But they say them, because I am their master. The whole thing arises because I am fortunate and rich, and the rich are always envied. A happy man is everybody’s enemy.”

  About two days later there was a new pilot and another machinist on the steamer.

  “And where is Yakov?” asked the boy.

  “I discharged him. I ordered him away.”

  “For that?” queried Foma.

  “Yes, for that very thing.”

  “And Petrovich, too?”

  “Yes, I sent him the same way.”

  Foma was pleased with the fact that his father was able to change the men so quickly. He smiled to his father, and, coming out on the deck, walked up to a sailor, who sat on the floor, untwisting a piece of rope and making a swab.

  “We have a new pilot here,” announced Foma.

  “I know. Good health to you, Foma Ignatich! How did you sleep?”

  “And a new machinist, too.”

  “And a new machinist. Are you sorry for Petrovich?”

  “Really? And he was so good to you.”

  “Well, why did he abuse my father?”

  “Oh? Did he abuse him?”

  “Of course he did. I heard it myself.”

  “Mm—and your father heard it, too?”

  “No, I told him.”

  “You—so”—drawled the sailor and became silent, taking up his work again.

  “And papa says to me: ‘You,’ he says, ‘you are master here—you can drive them all away if you wish.’”

  “So,” said the sailor, gloomily looking at the boy, who was so enthusiastically boasting to him of his supreme power. From that day on Foma noticed that the crew did not regard him as before. Some became more obliging and kind, others did not care to speak to him, and when they did speak to him, it was done angrily, and not at all entertainingly, as before. Foma liked to watch while the deck was being washed: their trousers rolled up to their knees, or sometimes taken off altogether, the sailors, with swabs and brushes in their hands, cleverly ran about the deck, emptying pails of water on it, besprinkling one another, laughing, shouting, falling. Streams of water ran in every direction, and the lively noise of the men intermingled with the gray splash of the water. Before, the boy never bothered the sailors in this playful and light work; nay, he took an active part, besprinkling them with water and laughingly running away, when they threatened to pour water over him. But after Yakov and Petrovich had been discharged, he felt that he was in everybody’s way, that no one cared to play with him and that no one regarded him kindly. Surprised and melancholy, he left the deck, walked up to the wheel, sat down there, and, offended, he thoughtfully began to stare at the distant green bank and the dented strip of woods upon it. And below, on the deck, the water was splashing playfully, and the sailors were gaily laughing. He yearned to go down to them, but something held him back.

  “Keep away from them as much as possible,” he recalled his father’s words; “you are their master.” Then he felt like shouting at the sailors—something harsh and authoritative, so his father would scold them. He thought a long time what to say, but could not think of anything. Another two, three days passed, and it became perfectly clear to him that the crew no longer liked him. He began to feel lonesome on the steamer, and amid the parti-coloured mist of new impressions, still more often there came up before Foma the image of his kind and gentle Aunt Anfisa, with her stories, and smiles, and soft, ringing laughter, which filled the boy’s soul with a joyous warmth. He still lived in the world of fairy-tales, but the invisible and pitiless hand of reality was already at work tearing the beautiful, fine web of the wonderful, through which the boy had looked at everything about him. The incident with the machini
st and the pilot directed his attention to his surroundings; Foma’s eyes became more sharp-sighted. A conscious searchfulness appeared in them and in his questions to his father rang a yearning to understand which threads and springs were managing the deeds of men.

  One day a scene took place before him: the sailors were carrying wood, and one of them, the young, curly-haired and gay Yefim, passing the deck of the ship with hand-barrows, said loudly and angrily:

  “No, he has no conscience whatever! There was no agreement that I should carry wood. A sailor—well, one’s business is clear—but to carry wood into the bargain—thank you! That means for me to take off the skin I have not sold. He is without conscience! He thinks it is clever to sap the life out of us.”

  The boy heard this grumbling and knew that it was concerning his father. He also noticed that although Yefim was grumbling, he carried more wood on his stretcher than the others, and walked faster than the others. None of the sailors replied to Yefim’s grumbling, and even the one who worked with him was silent, only now and then protesting against the earnestness with which Yefim piled up the wood on the stretchers.

  “Enough!” he would say, morosely, “you are not loading a horse, are you?”

  “And you had better keep quiet. You were put to the cart—cart it and don’t kick—and should your blood be sucked—keep quiet again. What can you say?”

  Suddenly Ignat appeared, walked up to the sailor and, stopping in front of him, asked sternly:

  “What were you talking about?”

  “I am talking—I know,” replied Yefim, hesitating. “There was no agreement—that I must say nothing.”

  “And who is going to suck blood?” asked Ignat, stroking his beard.

  The sailor understood that he had been caught unawares, and seeing no way out of it, he let the log of wood fall from his hands, rubbed his palms against his pants, and, facing Ignat squarely, said rather boldly:

  “And am I not right? Don’t you suck it?”

  “I?”

  “You.”

  Foma saw that his father swung his hand. A loud blow resounded, and the sailor fell heavily on the wood. He arose immediately and worked on in silence. Blood was trickling from his bruised face on to the white bark of the birch wood; he wiped the blood off his face with the sleeve of his shirt, looked at his sleeve and, heaving a sigh, maintained silence, and when he went past Foma with the hand-harrows, two big, turbid tears were trembling on his face, near the bridge of his nose, and Foma noticed them.