Shatterday

by Harlan Ellison

  “Gotta stop by the Center,” I said. “Gotta drop off something. It’ll only take a minute.”

  “Okay,” Jeffty said. “But we won’t be late, will we?”

  “Not on your tintype, kiddo,” I said.

  When I pulled into the parking lot behind the Center, he decided to come in with me and we’d walk over to the theater. It’s not a large town. There are only two movie houses, the Utopia and the Lyric. We were going to the Utopia and it was only three blocks from the Center.

  I walked into the store with the pad of forms, and it was bedlam. David and Jan were handling two customers each, and there were people standing around waiting to be helped. Jan turned a look on me and her face was a horror-mask of pleading. David was running from the stockroom to the showroom and all he could murmur as he whipped past was “Help!” and then he was gone.

  “Jeffty,” I said, crouching down, “listen, give me a few minutes. Jan and David are in trouble with al: these people. We won’t be late, I promise. Just let me get rid of a couple of these customers.” He looked nervous, but nodded okay.

  I motioned to a chair and said, “Just sit down for a while and I’ll be right with you.”

  He went to the chair, good as you please, though he knew what was happening, and he sat down.

  I started taking care of people who wanted color television sets. This was the first really substantial batch of units we’d gotten in-color television was only now becoming reasonably priced and this was Sony’s first promotion—and it was bonanza time for me. I could see paying off the loan and being out in front for the first time with the Center. It was business.

  In my world, good business comes first.

  Jeffty sat there and stared at the wall. Let me tell you about the wall.

  Stanchion and bracket designs had been rigged from floor to within two feet of the ceiling. Television sets had been stacked artfully on the wall. Thirty-three television sets. All playing at the same time. Black and white, color, little ones, big ones, all going at the same time.

  Jeffty sat and watched thirty-three television sets, on a Saturday afternoon. We can pick up a total of thirteen channels including the UHF educational stations. Golf was on one channel; baseball was on a second; celebrity bowling was on a third; the fourth channel was a religious seminar; a teenage dance show was on the fifth; the sixth was a rerun of a situation comedy; the seventh was a rerun of a police show; eighth was a nature program showing a man flycasting endlessly; ninth was news and conversation; tenth was a stock car race; eleventh was a man doing logarithms on a blackboard; twelfth was a woman in a leotard doing sitting-up exercises; and on the thirteenth channel was a badly animated cartoon show in Spanish. All but six of the shows were repeated on three sets. Jeffty sat and watched that wall of television on a Saturday afternoon while I sold as fast and as hard as I could, to pay back my Aunt Patricia and stay in touch with my world. It was business.

  I should have known better. I should have understood about the present and the way it kills the past. But I was selling with both hands. And when I finally glanced over at Jeffty, half an hour later, he looked like another child.

  He was sweating. That terrible fever sweat when you have stomach flu. He was pale, as pasty and pale as a worm, and his little hands were gripping the arms of the chair so tightly I could see his knuckles in bold relief. I dashed over to him, excusing myself from the middle-aged couple looking at the new 21” Mediterranean model.

  “Jeffty!”

  He looked at me, but his eyes didn’t track. He was in absolute terror. I pulled him out of the chair and started toward the front door with him, but the customers I’d deserted yelled at me, “Hey!” The middle-aged man said, “You wanna sell this thing or don’t you?”

  I looked from him to Jeffty and back again. Jeffty was like a zombie. He had come where I’d pulled him. His legs were rubbery and his feet dragged. The past, being eaten by the present, the sound of something in pain.

  I clawed some money out of my pants pocket and jammed it into Jeffty’s hand. “Kiddo… listen to me… get out of here right now!” He still couldn’t focus properly. “Jeffty,” I said as tightly as I could, “listen to me!” The middle-aged customer and his wife were walking toward us. “Listen, kiddo, get out of here right this minute. Walk over to the Utopia and buy the tickets. I’ll be right behind you.” The middle-aged man and his wife were almost on us. I shoved Jeffty through the door and watched him stumble away in the wrong direction, then stop as if gathering his wits, turn and go back past the front of the Center and in the direction of the Utopia. “Yes sir,” I said, straightening up and facing them, “yes, ma’am, that is one terrific set with some sensational features! If you’ll just step back here with me…”

  There was a terrible sound of something hurting, but I couldn’t tell from which channel, or from which set, it was coming.

  Most of it I learned later, from the girl in the ticket booth, and from some people I knew who came to me to tell me what had happened. By the time I got to the Utopia, nearly twenty minutes later, Jeffty was already beaten to a pulp and had been taken to the manager’s office.

  “Did you see a very little boy, about five years old, with big brown eyes and straight brown hair… he was waiting for me?”

  “Oh, I think that’s the little boy those kids beat up?”

  “What!?! Where is he?”

  “They took him to the manager’s office. No one knew who he was or where to find his parents—”

  A young girl wearing an usher’s uniform was kneeling down beside the couch, placing a wet paper towel on his face.

  I took the towel away from her and ordered her out of the office. She looked insulted and snorted something rude, but she left. I sat on the edge of the couch and tried to swab away the blood from the lacerations without opening the wounds where the blood had caked. Both his eyes were swollen shut. His mouth was ripped badly. His hair was matted with dried blood.

  He had been standing in line behind two kids in their teens. They started selling tickets at 12:30 and the show started at 1:00. The doors weren’t opened till 12:45. He had been waiting, and the kids in front of him had had a portable radio. They were listening to the ball game. Jeffty had wanted to hear some program, God knows what it might have been, Grand Central Station, Let’s Pretend, The Land of the Lost, God only knows which one it might have been.

  He had asked if he could borrow their radio to hear the program for a minute, and it had been a commercial break or something, and the kids had given him the radio, probably out of some malicious kind of courtesy that would permit them to take offense and rag the little boy. He had changed the station… and they’d been unable to get it to go back to the ball game. It was locked into the past, on a station that was broadcasting a program that didn’t exist for anyone but Jeffty.

  They had beaten him badly… as everyone watched.

  And then they had run away.

  I had left him alone, left him to fight off the present without sufficient weaponry. I had betrayed him for the sale of a 21” Mediterranean console television, and now his face was pulped meat. He moaned something inaudible and sobbed softly.

  “Shhh, it’s okay, kiddo, it’s Donny. I’m here. I’ll get you home, it’ll be okay.”

  I should have taken him straight to the hospital. I don’t know why I didn’t. I should have. I should have done that.

  When I carried him through the door, John and Leona Kinzer just stared at me. They didn’t move to take him from my arms. One of his hands was hanging down. He was conscious, but just barely. They stared, there in the semi-darkness of a Saturday afternoon in the present. I looked at them. “ A couple of kids peat him up at the theater.” I raised him a few inches in my arms and extended him. They stared at me, at both of us, with nothing in their eyes, without movement. “Jesus Christ,” I shouted, “he’s been beaten! He’s your son! Don’t you even want to touch him? What the hell kind of people are you?!”

  Then Leo
na moved toward me very slowly. She stood in front of us for a few seconds, and there was a leaden stoicism in her face that was terrible to see. It said, I have been in this place before, many times, and I cannot bear to be in it again; but I am here now.

  So I gave him to her. God help me, I gave him over to her.

  And she took him upstairs to bathe away his blood and his pain.

  John Kinzer and I stood in our separate places in the dim living room of their home, and we stared at each other. He had nothing to say to me.

  I shoved past him and fell into a chair. I was shaking.

  I heard the bath water running upstairs.

  After what seemed a very long time Leona came downstairs, wiping her hands on her apron. She sat down on the sofa and after a moment John sat down beside her. I heard the sound of rock music from upstairs.

  “Would you like a piece of nice pound cake?” Leona said.

  I didn’t answer. I was listening to the sound of the music. Rock music. On the radio. There was a table lamp on the end table beside the sofa. It cast a dim and futile light in the shadowed living room. Rock music from the present, on a radio upstairs? I started to say something, and then knew… Oh, God… no!

  I jumped up just as the sound of hideous crackling blotted out the music, and the table lamp dimmed and dimmed and flickered. I screamed something, I don’t know what it was, and ran for the stairs.

  Jeffty’s parents did not move. They sat there with their hands folded, in that place they had been for so many years.

  I fell twice rushing up the stairs.

  There isn’t much on television that can hold my interest. I bought an old cathedral-shaped Philco radio in a second-hand store, and I replaced all the burnt-out parts with the original tubes from old radios I could cannibalize that still worked. I don’t use transistors or printed circuits. They wouldn’t work. I’ve sat in front of that set for hours sometimes, running the dial back and forth as slowly as you can imagine, so slowly it doesn’t look as if it’s moving at all sometimes.

  But I can’t find Captain Midnight or The Land of the Lost or The Shadow or Quiet, Please.

  So she did love him, still, a little bit, even after all those years. I can’t hate them: they only wanted to live in the present world again. That isn’t such a terrible thing.

  It’s a good world, all things considered. It’s much better than it used to be, in a lot of ways. People don’t die from the old diseases any more. They die from new ones, but that’s Progress, isn’t it?

  Isn’t it?

  Tell me.

  Somebody please tell me.

  How’s the Night Life on Cissalda?

  Introduction

  Writers take tours in other people’s lives. As I write this, I’m sitting on an American Airlines flight between Toronto and Los Angeles. I’ve just come back from delivering a lecture at Queen’s University in Kingston, Ontario, about 265 kilometers from Toronto and I’m sitting here at 37,000 feet above Bryce Canyon annoying the other passengers with the tippy-tap of my portable Olympia.

  I tell you this because it happened again in Kingston:

  Some wiseass took a tour through my life.

  The feep in question is Gary Crawford, an otherwise nice guy who attempted to encapsulate me for a female housemate of his by quoting out of context one line from the introduction to my collection Love Ain’t Nothing but Sex Misspelled.

  Her response to that line, when Gary suggested she attend my lecture, was something akin to this: “Go see that sexist pig asshole? Forget it.”

  For the introduction to that book, I wrote an essay in which I attempted to summarize everything I thought I knew for sure about love; everything I’d learned in the forty-one years I’d been around at that point, five years ago. It was not a very long essay.

  But in that essay I recounted an anecdote concerning myself and the woman who was to become my fourth wife. We had just met, were just beginning to date, and she asked me how many women I had been with. “Been with”: that’s one of those phrases we use.

  After a few days of hemming and hawing, and avoiding answering the question because I didn’t think she really wanted to hear the truth, I was pressured into answering, and I did. It was a substantive number of liaisons.

  Gary Crawford read that line about how many women I’d “been with” to this total stranger, this Anne who shares the cost of renting a house up in Kingston; and with a demonstration of provincial audacity that resonated perfectly with the concretized tenets of the Judeo-Christian Ethos, she concluded I was a brutalizer of women, a shallow gigolo or profligate tramp; a womanizer of the most odious sort.

  Ah, lady, would that it were so. Too much pain and visceral material expended during the course of my love life ever to garner me such unassailable encomiums. No, kiddo, I’m just a slave of love like you.

  The judgment is one, clearly, of geography… not morality.

  But there it was happening to me again: some reader taking a tour through my life and doing it with considerable ineptitude, and then reporting back to strangers the skewed visions he had had while on his jaunt. And there goes Anne, getting all pruney around the lips and calling me bad names.

  I won’t run my credentials. Call me what you will. It’s your problem and none of my own, friends. Anarchist, rakehell, asshole, monster, pyromaniac, child molester, assassin, lover of the music of Lawrence Welk… the most awful things you or I could think of. What the hell do I care? I’m still the one who can write these stories.

  And no one ever said Dostoevski was a paragon of the virtues; but I’ll bet he bought his way into Heaven with The Idiot.

  Why does he tell us all this?

  I tell you all this because the next story you’ll read here is about fucking. No, not lovemaking, or “being with,” or anything more meaningful sexually than fucking. And I tell you all this ahead of time so you will understand that I think love and sex are separate and only vaguely similar. Like the word bear and the word bare. You can get in trouble mistaking one for the other.

  The same goes for love and sex.

  Writers take tours in other people’s lives. This is a hippity-hop through all of yours; even you too, Anne; you who engage in all that deep breathing about love and romance and the intricate pavane of sexual encounter when the truth of the matter is… the whole damn subject is mostly just funny.

  When they unscrewed the time capsule, preparatory to helping temponaut Enoch Mirren to disembark, they found him doing a disgusting thing with a disgusting thing.

  Every head turned away. The word that sprang to mind first was, “Feh!”

  They wouldn’t tell Enoch Mirren’s wife he was back. They evaded the question when Enoch Mirren’s mother demanded to know the state of her son’s health after his having taken the very first journey into another time/universe. The new President was given dissembling answers. No one bothered to call San Clemente. The Chiefs of Staff were kept in the dark. Inquiries from the CIA and the FBI were met with responses in pig Latin and the bureaus were subtly diverted into investigating each other. Walter Cronkite found out, but after all, there are even limits to how tight security can get.

  Their gorges buoyant, every one of them, the rescue crew and the medical team and the chrono-experts at TimeSep Central did their best, but found it impossible to pry temponaut Enoch Mirren’s penis from the (presumably) warm confines of the disgusting thing’s (presumed) sexual orifice.

  A cadre of alien morphologists was assigned to make an evaluation: to decide if the disgusting thing was male or female. After a sleepless week they gave up. The head of the group made a good case for his team’s failure. “It’d be a damned sight easier to decide if we could get that clown out of her…him…it…that thing!”

  They tried cajoling, they tried threatening, they tried rational argument, they tried inductive logic, they tried deductive logic, they tried salary incentives, they tried profit sharing, they tried tickling his risibilities, they tried tickling his feet, they tr
ied punching him, they tried shocking him, they tried arresting him, they tried crowbars, they tried hosing him down with cold water, then hot water, then seltzer water, they tried suction devices, they tried sensory deprivation, they tried doping him into unconsciousness. They tried shackling him to a team of Percherons pulling north and the disgusting thing to a team of Clydesdales pulling south. They gave up after three and a half weeks.

  The word somehow leaked out that the capsule had come back from time/universe Earth2 and the Russians rattled swords—suggesting that the decadent American filth had brought back a decimating plague that was even now oozing toward Minsk. (TimeSep Central quarantined anyone even remotely privy to the truth.) The OPEC nations announced that the Americans, in league with Zionist Technocrats, had found a way to siphon off crude oil from the time/universe next to our own, and promptly raised the price of gasoline another forty-one cents a gallon. (TimeSep Central moved Enoch Mirren and the disgusting thing to its supersecret bunker headquarters sunk beneath the Painted Desert.) The Pentagon demanded the results of the debriefing and threatened to cut throats; Congress demanded the results and threatened to cut appropriations. (TimeSep Central bit the bullet—they had no other choice, there had been no debriefing—and they stonewalled: we cannot relay the requested data at this time.)

  Temponaut Enoch Mirren continued coitusing.

  The expert from Johns Hopkins, a tall, gray gentleman who wore three-piece suits, and whose security clearance was so stratospheric ally high the President called him on the red phone, sequestered himself with the temponaut and the disgusting thing for three days. When he emerged, he called in the TimeSep Central officials and said, “Ladies and gentlemen, quite simply put, Enoch Mirren has brought back from Earth2 the most perfect fuck in the universe.”