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The Poetics of Sovereignty

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by Chen Jack W




  The Poetics of Sovereignty

  Harvard-Yenching Institute Monograph Series 71

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  THE POETICS OF SOVEREIGNTY

  On Emperor Taizong of the Tang Dynasty

  Jack W. Chen

  Published by the Harvard University Asia Center

  for the Harvard-Yenching Institute

  Distributed by Harvard University Press

  Cambridge (Massachusetts) and London 2010

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  © 2010 by the President and Fellows of Harvard College

  Printed in the United States of America

  The Harvard-Yenching Institute, founded in 1928 and headquartered at Harvard University, is a foundation dedicated to the advancement of higher education in the humanities and social sciences in East and Southeast Asia. The Institute supports advanced research at Harvard by faculty members of certain Asian universities and doctoral studies at Harvard and other universities by junior faculty at the same universities. It also supports East Asian studies at Harvard through contributions to the Harvard-Yenching Library and publication of the Harvard Journal of Asiatic Studies and books on premodern East Asian history and literature.

  Library of Congress Cataloging-in-Publication Data

  Chen, Jack Wei.

  The poetics of sovereignty : on Emperor Taizong of the Tang Dynasty / Jack W. Chen.

  p. cm. -- (Harvard-Yenching Institute monograph series ; 71)

  Includes bibliographical references and index.

  ISBN 978-0-674-05608-4

  1. Tang Taizong, Emperor of China, 597-649--Criticism and interpretation. 2. Chinese poetry--

  Tang dynasty, 618-907.--History and criticism. 3. Sovereignty in literature. I. Title.

  PL2677.T39Z55 2010

  895.1'13--dc22

  2010029504

  Index by the author

  Printed on acid-free paper

  Last number below indicates year of this printing

  19 18 17 16 15 14 13 12 11 10

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  this book is dedicated to my family

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  Contents

  Acknowledgments xi

  Conventions xiv

  Dynasties and Periods

  xvi

  Introduction

  1

  1 Reading the Reign of Tang Taizong (r. 626–649)

  13

  Li Shimin’s Early Years / 14

  The Taiyuan Uprising and the Founding of the Tang / 16

  The Xuanwu Gate Incident / 21

  Problems of Historiography during Taizong’s Reign / 26

  The “Good Government of the Zhenguan Reign” / 32

  Taizong’s Victory over the Turks / 38

  The End of Taizong’s Reign / 42

  2 On Sovereignty and Representation

  48

  The True King and the Tyrant / 51

  The Problem of Foundational Violence / 55

  The Zhou Ideal and the Anxiety of Empire / 59

  Qin Shihuang: Empire and Body / 63

  Denying the Imperial Body / 72

  “The Golden Mirror” / 81

  “Model for the Emperor” / 91

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  viii

  Contents

  3 The Reception of Literature in Tang Taizong’s Court

  106

  Defining Poetry in Early China / 107

  The Mao “Great Preface” / 110

  Cao Pi’s “Discourse on Literature” / 115

  Pei Ziye’s Critique of Poetry / 118

  Li E’s Petition on Rectifying Literature / 124

  Taizong’s Academy of Literature / 131

  The

  Sui shu Preface to the “Biographies of Literary Men” / 134

  Two Anecdotes about Taizong and Literature / 144

  The

  Jin shu and Its Literary Preface / 148

  Taizong’s Essay on Lu Ji / 153

  4 The Writing of Imperial Poetry in Medieval China

  161

  Han Gaozu (r. 206–195 bc) / 162

  Han Wudi (r. 141–87 bc) / 165

  Cao Pi or Wei Wendi (r. 220–26) / 170

  Three Poet-Emperors of the South / 174

  Zhou Mingdi (r. 557–60) / 179

  Sui Yangdi (r. 604–17) / 182

  Tang Taizong and the Northern Style / 190

  A Hunting Poem / 198

  Two Visits to Qingshan Palace / 201

  5 The Significance of Court Poetry

  210

  Yongwu

  Poetry, or “Poems on Things” / 214

  A Poetic Genealogy of Snow / 218

  Taizong

  and

  Yongwu Poetry / 228

  Taizong on Snow / 233

  The

  Hanlin xueshi ji / 237

  “Traveling Past the Battlefield Where I Crushed Xue Ju” / 241

  Matching Poems by Zhangsun Wuji, Yang Shidao, Chu Suiliang,

  and Xu Jingzong / 247

  Shangguan Yi’s Matching Poem / 258

  6 Palatial Form and the Rhapsodic Imagination

  267

  Sima Xiangru and the Poetry of Imperial Representation / 268

  An Anecdote about Taizong and Rhapsodies / 273

  The Early Discourse on Palaces / 275

  Palaces and Tyranny / 280

  Qin Shihuang and Palatial Ideology / 284

  The Question of the Palace during the Han / 287

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  Contents

  ix

  Taizong and Palatial Ideology / 292

  The Rhapsody on Daming Palace / 296

  7 On “The Imperial Capital Poems”: Ritual Sovereignty and

  311

  Imperial Askēsis

  Ritual and Territorialization / 313

  Sui Yangdi’s Pleasure Excursions / 318

  The Feng and Shan Sacrifices during Taizong’s Reign / 328

  The Final Refusal of the Feng and Shan / 343

  “The Imperial Capital Poems” / 352

  Conclusion

  377

  Reference Matter

  Bibliography

  387

  Index

  425

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  Acknowledgments

  I would first like to acknowledge my doctoral adviser Stephen Owen, who

  taught me many things in my time at Harvard, not least of which was how

  to read Chinese poetry. I am grateful for having had the
chance to study

  with him and for his continuing generosity and guidance. I also owe much

  to my other advisers, Marc Shell and Michael Puett, whose insights and

  comments helped shape my thinking on the topic of sovereignty. Special

  thanks are due to Wilt Idema and Xiaofei Tian, who have served as unof-

  ficial mentors both during graduate school and afterwards.

  In

  2002–2003, I spent a fruitful year at the University of California,

  Berkeley, where I began to rethink the project and to convert it from the

  dissertation that it had been. I thank Liu Xin, who was director of the

  Center for Chinese Studies at the time, for his invitation to spend a year

  there as a postdoctoral fellow and for allowing me to present an early ver-

  sion of the fourth chapter in the Center’s lecture series. Prof. Liu also

  kindly invited me to participate in a conference entitled “The Question of

  Violence,” where I presented on material that has found its way into the

  first chapter. Robert Ashmore, Michael Nylan, and Stephen West were

  kind and generous hosts.

  Portions of the book were written while I was teaching at Wellesley

  College from 2003 to 2006. Encouragement was warmly and unstintingly

  provided by Ann Huss, Jens Kruse, Kathryn Lynch, Larry Rosenwald, Liu

  Heping, Andrew Shennan, and Eve Zimmerman. I would also like to

  thank the Department of East Asian Languages and Literatures.

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  xii

  Acknowledgments

  My friends and colleagues in the Department of Asian Languages and

  Cultures at the University of California, Los Angeles, were unfailingly

  supportive as the book neared completion, offering advice both on intel-

  lectual matters and on institutional ones. I owe special debts to John

  Duncan and David Schaberg. I would also like to acknowledge William

  Bodiford, Robert Buswell, Torquil Duthie, Ted Huters, Michael Marra,

  Gregory Schopen, Shu-mei Shih, and Tim Tangherlini for their friend-

  ship and advice.

  David Knechtges and Paul Kroll, who read and commented on the

  manuscript for the Harvard University Asia Center, have been extraordi-

  narily generous to me, taking time that could have been spent more pro-

  ductively on their own scholarship. I hope that the resulting book reflects

  their high standards.

  Atsuko Sakaki invited me to give a talk at the University of Toronto,

  where I presented material on imperial bodies that would become part of

  the second chapter. Wendy Swartz organized an Association of Asian

  Studies panel at which I presented portions of the sixth chapter; she also

  provided an annual forum at Columbia University for the discussion of

  medieval China, where I presented part of the fifth chapter. Cheng Yu-yu

  and the Department of Chinese Literature at National Taiwan Univer-

  sity hosted me for a pleasant week, in which I presented a synopsis of the

  last chapter. Robert Ashmore and Paula Varsano served as discussants at

  various points, providing much valuable insight and correction. Christo-

  pher Dakin and Meow Hui Goh gave me valuable advice on poetic rhyme

  categories and rhyme transcription conventions. Robert Harrist, Jr. kind-

  ly shared with me his work on Taizong and calligraphy. Sarah Allen, Ste-

  ven Carter, David Graff, Christoph Harbsmeier, Robert Hymes, Indra

  Levy, Mark Edward Lewis, Li Wai-yee, Lu Yang, Michael Nylan, Chris-

  topher Nugent, and Stephen Platt have all made helpful comments on

  chapters and portions of the manuscript. My graduate students at UCLA

  have provided support and help, particularly in the last stages of the proj-

  ect. I would like to single out Matthew Cochran and Nathaniel Isaacson

  for special thanks.

  Without family, none of this would have been possible. I would like to

  thank my parents, Sze-chin and Jai-Hwen Chen, and my grandparents for

  their constant love and support, as well as my brother Thomas and sister-

  in-law Lesley. My parents-in-law, Lynn and Bobette, have been unfail-

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  Acknowledgments

  xiii

  ingly thoughtful and loving. Finally, I cannot express how important my

  wife Natasha and my son Damien have been to me—they have been the

  ground that has anchored me throughout the prolonged abstractions of

  reading and writing. While they know that they have my love, they have

  not always had my time. I hope they will forgive my preoccupations, ne-

  glect, and absent-mindedness over the last several years. This book is dedi-

  cated to them.

  Of course, no thanks are owed to our cats, Mieke and Jasper, who have

  tried to impede progress at all stages of the project.

  J. W. C.

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  Conventions

  For biographical dates, I have generally relied on those given in Zheng

  Tianting 鄭天挺 and Tan Qixiang 譚其驤, gen. eds., Zhongguo lishi da-

  cidian 中 國 歷 史 大 辭 典 , (Shanghai: Shanghai cishu chubanshe,

  1983–2000). For dynastic dates and for the dates of the completion of dy-

  nastic histories, I follow Endymion Wilkinson, Chinese History: A Man-

  ual, rev. ed. (Cambridge, Mass.: Harvard University Asia Center, 2000).

  Western Zhou reign dates follow those given in Edward L. Shaughnessy,

  Sources of Western Zhou History (Berkeley: University of California Press,

  1992).

  For official titles, I have used (with some modifications) Charles O.

  Hucker, A Dictionary of Official Titles in Imperial China (Stanford:

  Stanford University Press, 1985). For information on Han and pre-Han

  texts, including their textual histories and attributions, I have consulted

  Michael Loewe, ed., Early Chinese Texts: A Bibliographical Guide (Berkeley:

  The Society for the Study of Early China, University of California, Berkeley,

  1993).

  For phonetic transcriptions of medieval Chinese, I employ a simplified

  version of the system proposed in David Prager Branner, “A Neutral Tran-

  scription System for Teaching Medieval Chinese,” T’ang Studies 17 (1999):

  1–111; and utilized in “Yīntōng: Chinese Phonological Database”音通:聲

  韻學數據庫, online at http://yintong.americanorientalsociety.org/public.

  Unless indicated otherwise, I discuss rhyme-categories in terms of

  the Song dynasty Guangyun 廣韻 ( Extensive [Articulation of] Rhymes), relying on the modern editions prepared by Zhou Zumo 周祖謨, ed.,

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  Conventions

  xv

  Guangyun jiaoben: fu jiaokanji 廣韻校本:附校勘記, (Beijing: Zhong-

  hua shuju, 1960); and Yu Naiyong 余迺永, ed. and annot., Xinjiao huzhu

  Songben Guangyun 新校互註宋本廣韻 (Shanghai: Shanghai cishu chu-

  banshe, 2000).

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  Dynasties and Periods

  Shang

  ca. 1600–1045 bc

  Zhou

  1045–256

  Western

  Zhou

  1045–771

  Eastern

  Zhou

  770–256

  Spring and Autumn

  770–476

  Warring

  States

  475–221

  Qin

  221–206

  Han

  202 bc–ad 220

  Western

  Han

  202 bc–ad 23

  Xin

  ad 9–23

  Eastern

  Han

  25–220

  Wei

  220–265

  Jin

  265–420

  Western

  Jin

  265–316

  Eastern

  Jin

  317–420

  Southern Dynasties

  420–589

  Liu Song

  420–579

  Qi

  479–502

  Liang

  502–557

  Chen

  557–589

  Northern Dynasties

 

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