The New York Stories of Henry James

by Henry James

  It must not be supposed that Dr. Sloper visited his disappointment upon the poor girl, or ever let her suspect that she had played him a trick. On the contrary, for fear of being unjust to her, he did his duty with exemplary zeal, and recognised that she was a faithful and affectionate child. Besides, he was a philosopher; he smoked a good many cigars over his disappointment, and in the fulness of time he got used to it. He satisfied himself that he had expected nothing, though, indeed, with a certain oddity of reasoning. “I expect nothing,” he said to himself, “so that if she gives me a surprise, it will be all clear again. If she doesn’t, it will be no loss.” This was about the time Catherine had reached her eighteenth year, so that it will be seen her father had not been precipitate. At this time she seemed not only incapable of giving surprises; it was almost a question whether she could have received one—she was so quiet and irresponsive. People who expressed themselves roughly called her stolid. But she was irresponsive because she was shy, uncomfortably, painfully shy. This was not always understood, and she sometimes produced an impression of insensibility. In reality she was the softest creature in the world.

  III

  AS A CHILD she had promised to be tall, but when she was sixteen she ceased to grow, and her stature, like most other points in her composition, was not unusual. She was strong, however, and properly made, and, fortunately, her health was excellent. It has been noted that the Doctor was a philosopher, but I would not have answered for his philosophy if the poor girl had proved a sickly and suffering person. Her appearance of health constituted her principal claim to beauty, and her clear, fresh complexion, in which white and red were very equally distributed, was, indeed, an excellent thing to see. Her eye was small and quiet, her features were rather thick, her tresses brown and smooth. A dull, plain girl she was called by rigorous critics—a quiet, ladylike girl, by those of the more imaginative sort; but by neither class was she very elaborately discussed. When it had been duly impressed upon her that she was a young lady—it was a good while before she could believe it—she suddenly developed a lively taste for dress: a lively taste is quite the expression to use. I feel as if I ought to write it very small, her judgment in this matter was by no means infallible; it was liable to confusions and embarrassments. Her great indulgence of it was really the desire of a rather inarticulate nature to manifest itself; she sought to be eloquent in her garments, and to make up for her diffidence of speech by a fine frankness of costume. But if she expressed herself in her clothes it is certain that people were not to blame for not thinking her a witty person. It must be added that though she had the expectation of a fortune—Dr. Sloper for a long time had been making twenty thousand dollars a year by his profession and laying aside the half of it—the amount of money at her disposal was not greater than the allowance made to many poorer girls. In those days in New York there were still a few altar-fires flickering in the temple of Republican simplicity, and Dr. Sloper would have been glad to see his daughter present herself, with a classic grace, as a priestess of this mild faith. It made him fairly grimace, in private, to think that a child of his should be both ugly and overdressed. For himself, he was fond of the good things of life, and he made a considerable use of them; but he had a dread of vulgarity and even a theory that it was increasing in the society that surrounded him. Moreover, the standard of luxury in the United States thirty years ago was carried by no means so high as at present, and Catherine’s clever father took the old-fashioned view of the education of young persons. He had no particular theory on the subject; it had scarcely as yet become a necessity of self-defence to have a collection of theories. It simply appeared to him proper and reasonable that a well-bred young woman should not carry half her fortune on her back. Catherine’s back was a broad one, and would have carried a good deal; but to the weight of the paternal displeasure she never ventured to expose it, and our heroine was twenty years old before she treated herself, for evening wear, to a red satin gown trimmed with gold fringe; though this was an article which, for many years, she had coveted in secret. It made her look, when she sported it, like a woman of thirty; but oddly enough, in spite of her taste for fine clothes, she had not a grain of coquetry, and her anxiety when she put them on was as to whether they, and not she, would look well. It is a point on which history has not been explicit, but the assumption is warrantable; it was in the royal raiment just mentioned that she presented herself at a little entertainment given by her aunt, Mrs. Almond. The girl was at this time in her twenty-first year, and Mrs. Almond’s party was the beginning of something very important.

  Some three or four years before this, Dr. Sloper had moved his household gods up town, as they say in New York. He had been living ever since his marriage in an edifice of red brick, with granite copings and an enormous fanlight over the door, standing in a street within five minutes’ walk of the City Hall, which saw its best days (from the social point of view) about 1820. After this, the tide of fashion began to set steadily northward, as, indeed, in New York, thanks to the narrow channel in which it flows, it is obliged to do, and the great hum of traffic rolled farther to the right and left of Broadway. By the time the Doctor changed his residence, the murmur of trade had become a mighty uproar, which was music in the ears of all good citizens interested in the commercial development, as they delighted to call it, of their fortunate isle. Dr. Sloper’s interest in this phenomenon was only indirect—though, seeing that, as the years went on, half his patients came to be over-worked men of business, it might have been more immediate—and when most of his neighbours’ dwellings (also ornamented with granite copings and large fanlights) had been converted into offices, warehouses, and shipping agencies, and otherwise applied to the base uses of commerce, he determined to look out for a quieter home. The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of white marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history. It was here, as you might have been informed on good authority, that you had come into a world which appeared to offer a variety of sources of interest; it was here that your grandmother lived, in venerable solitude, and dispensed a hospitality which commended itself alike to the infant imagination and the infant palate; it was here that you took your first walks abroad, following the nursery-maid with unequal step and sniffing up the strange odour of the ailantus-trees which at that time formed the principal umbrage of the square, and diffused an aroma that you were not yet critical enough to dislike as it deserved; it was here, finally, that your first school, kept by a broad-bosomed, broad-based old lady with a ferule, who was always having tea in a blue cup, with a saucer that didn’t match, enlarged the circle both of your observations and your sensations. It was here, at any rate, that my heroine spent many years of her life; which is my excuse for this topographical parenthesis.

  Mrs. Almond lived much farther up town, in an embryonic street with a high number—a region where the extension of the city began to assume a theoretic ai
r, where poplars grew beside the pavement (when there was one), and mingled their shade with the steep roofs of desultory Dutch houses, and where pigs and chickens disported themselves in the gutter. These elements of rural picturesqueness have now wholly departed from New York street scenery; but they were to be found within the memory of middle-aged persons, in quarters which now would blush to be reminded of them. Catherine had a great many cousins, and with her Aunt Almond’s children, who ended by being nine in number, she lived on terms of considerable intimacy. When she was younger, they had been rather afraid of her; she was believed, as the phrase is, to be highly educated, and a person who lived in the intimacy of their Aunt Penniman had something of reflected grandeur. Mrs. Penniman, among the little Almonds, was an object of more admiration than sympathy. Her manners were strange and formidable, and her mourning robes—she dressed in black for twenty years after her husband’s death, and then suddenly appeared, one morning, with pink roses in her cap—were complicated in odd, unexpected places with buckles, bugles, and pins, which discouraged familiarity. She took children too hard, both for good and for evil, and had an oppressive air of expecting subtle things of them; so that going to see her was a good deal like being taken to church and made to sit in a front pew. It was discovered after a while, however, that Aunt Penniman was but an accident in Catherine’s existence, and not a part of its essence, and that when the girl came to spend a Saturday with her cousins, she was available for “follow-my-master,” and even for leap-frog. On this basis an understanding was easily arrived at, and for several years Catherine fraternised with her young kinsmen. I say young kinsmen, because seven of the little Almonds were boys, and Catherine had a preference for those games which are most conveniently played in trousers. By degrees, however, the little Almonds’ trousers began to lengthen, and the wearers to disperse and settle themselves in life. The elder children were older than Catherine, and the boys were sent to college or placed in counting-rooms. Of the girls, one married very punctually, and the other as punctually became engaged. It was to celebrate this latter event that Mrs. Almond gave the little party I have mentioned. Her daughter was to marry a stout young stockbroker, a boy of twenty; it was thought a very good thing.

  IV

  MRS. PENNIMAN, with more buckles and bangles than ever, came of course to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine’s acquaintance, and as a cousin of Arthur Townsend, her own intended.

  Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend’s cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian’s ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian’s little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people—her new acquaintance at this moment, for instance—should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year.

  “What a delightful party! What a charming house! What an interesting family! What a pretty girl your cousin is!”

  These observations, in themselves of no great profundity, Mr. Townsend seemed to offer for what they were worth, and as a contribution to an acquaintance. He looked straight into Catherine’s eyes. She answered nothing; she only listened, and looked at him; and he, as if he expected no particular reply, went on to say many other things in the same comfortable and natural manner. Catherine, though she felt tongue-tied, was conscious of no embarrassment; it seemed proper that he should talk, and that she should simply look at him. What made it natural was that he was so handsome, or rather, as she phrased it to herself, so beautiful. The music had been silent for a while, but it suddenly began again; and then he asked her, with a deeper, intenser smile, if she would do him the honour of dancing with him. Even to this inquiry she gave no audible assent; she simply let him put his arm round her waist—as she did so it occurred to her more vividly than it had ever done before, that this was a singular place for a gentleman’s arm to be—and in a moment he was guiding her round the room in the harmonious rotation of the polka. When they paused she felt that she was red; and then, for some moments, she stopped looking at him. She fanned herself, and looked at the flowers that were painted on her fan. He asked her if she would begin again, and she hesitated to answer, still looking at the flowers.

  “Does it make you dizzy?” he asked, in a tone of great kindness.

  Then Catherine looked up at him; he was certainly beautiful, and not at all red. “Yes,” she said; she hardly knew why, for dancing had never made her dizzy.

  “Ah, well, in that case,” said Mr. Townsend, “we will sit still and talk. I will find a good place to sit.”

  He found a good place—a charming place; a little sofa that seemed meant only for two persons. The rooms by this time were very full; the dancers increased in number, and people stood close in front of them, turning their backs, so that Catherine and her companion seemed secluded and unobserved. “We will talk,” the young man had said; but he still did all the talking. Catherine leaned back in her place, with her eyes fixed upon him, smiling and thinking him very clever. He had features like young men in pictures; Catherine had never seen such features—so delicate, so chiselled and finished—among the young New Yorkers whom she passed in the streets and met at parties. He was tall and slim, but he looked extremely strong. Catherine thought he looked like a statue. But a statue would not talk like that, and, above all, would not have eyes of so rare a colour. He had never been at Mrs. Almond’s before; he felt very much like a stranger; and it was very kind of Catherine to take pity on him. He was Arthur Townsend’s cousin—not very near; several times removed—and Arthur had brought him to present him to the family. In fact, he was a great stranger in New York. It was his native place; but he had not been there for many years. He had been knocking about the world, and living in far-away lands; he had only come back a month or two before. New York was very pleasant, only he felt lonely.

  “You see, people forget you,” he said, smiling at Catherine with his delightful gaze, while he leaned forward obliquely, turning towards her, with his elbows on his knees.

  It seemed to Catherine that no one who had once seen him would ever forget him; but though she made this reflection she kept it to herself, almost as you would keep something precious.

  They sat there for some time. He was very amusing. He asked her about the people that were near them; he tried to guess who some of them were, and he made the most laughable mistakes. He criticised them very freely, in a positive, off-hand way. Catherine had never heard any one—especially any young man—talk just like that. It was the way a young man might talk in a novel; or better still, in a play, on the stage, close before the footlights, looking at the audience, and with every one looking at him, so that you wondered at his presence of mind. And yet Mr. Townsend was not like an actor; he seemed so sincere, so natural. This was very interesting; but in the midst of it, Marian Almond came pushing through the crowd, with a little ironical cry, when she found these young people still together, which made every one turn round
, and cost Catherine a conscious blush. Marian broke up their talk, and told Mr. Townsend—whom she treated as if she were already married, and he had become her cousin—to run away to her mother, who had been wishing for the last half-hour to introduce him to Mr. Almond.