A Little Life

by Hanya Yanagihara

  Ten minutes or so into his conversation with Rachel, his phone buzzed, and he apologized and checked the message from Jude: Leaving. Don’t want to interrupt your conversation with the future Mrs. Ragnarsson. See you at home.

  “Shit,” he said, and then to Rachel, “Sorry.” Suddenly, the spell of the party ended, and he was desperate to leave. Their participation in these parties were a kind of theater that the four of them agreed to stage for themselves, but once one of the actors left the stage, there seemed little point in continuing. He said goodbye to Rachel, whose expression changed from perplexed to hostile once she realized he was truly leaving and she wasn’t being invited to leave with him, and then to a group of other people—Marta, Francesca, JB, Malcolm, Edie, Carolina—at least half of whom seemed deeply annoyed with him. It took him another thirty minutes to extricate himself from the apartment, and on his way downstairs, he texted Jude back, hopefully, You still here? Leaving now, and then, when he didn’t get a reply, Taking train. Picking something up at the apt—see you soon.

  He took the L to Eighth Avenue and then walked the few blocks south to his apartment. Late October was his favorite time in the city, and he was always sad to miss it. He lived on the corner of Perry and West Fourth, in a third-floor unit whose windows were just level with the tops of the gingko trees; before he’d moved in, he’d had a vision that he would lie in bed late on the weekends and watch the tornado the yellow leaves made as they were shaken loose from their branches by the wind. But he never had.

  He had no special feelings for the apartment, other than it was his and he had bought it, the first and biggest thing he had ever bought after paying off the last of his student loans. When he had begun looking, a year and a half ago, he had known only that he wanted to live downtown and that he needed a building with an elevator, so that Jude would be able to visit him.

  “Isn’t that a little codependent?” his girlfriend at the time, Philippa, had asked him, teasing but also not teasing.

  “Is it?” he had asked, understanding what she meant but pretending not to.

  “Willem,” Philippa had said, laughing to conceal her irritation. “It is.”

  He had shrugged, unoffended. “I can’t live somewhere he can’t come visit,” he said.

  She sighed. “I know.”

  He knew that Philippa had nothing against Jude; she liked him, and Jude liked her as well, and had even one day gently told Willem that he thought he should spend more time with Philippa when he was in town. When he and Philippa had begun dating—she was a costume designer, mostly for theater—she had been amused, charmed even, by his friendships. She had seen them, he knew, as proof of his loyalty, and dependability, and consistency. But as they continued dating, as they got older, something changed, and the amount of time he spent with JB and Malcolm and, especially, Jude became evidence instead of his fundamental immaturity, his unwillingness to leave behind the comfort of one life—the life with them—for the uncertainties of another, with her. She never asked him to abandon them completely—indeed, one of the things he had loved about her was how close she was to her own group of friends, and that the two of them could spend a night with their own people, in their own restaurants, having their own conversations, and then meet at its end, two distinct evenings ending as a single shared one—but she wanted, finally, a kind of surrender from him, a dedication to her and their relationship that superseded the others.

  Which he couldn’t bring himself to do. But he felt he had given more to her than she recognized. In their last two years together, he hadn’t gone to Harold and Julia’s for Thanksgiving nor to the Irvines’ at Christmas, so he could instead go to her parents’ in Vermont; he had forgone his annual vacation with Jude; he had accompanied her to her friends’ parties and weddings and dinners and shows, and had stayed with her when he was in town, watching as she sketched designs for a production of The Tempest, sharpening her expensive colored pencils while she slept and he, his mind still stuck in a different time zone, wandered through the apartment, starting and stopping books, opening and closing magazines, idly straightening the containers of pasta and cereal in the pantry. He had done all of this happily and without resentment. But it still hadn’t been enough, and they had broken up, quietly and, he thought, well, the previous year, after almost four years together.

  Mr. Irvine, hearing that they had broken up, shook his head (this had been at Flora’s baby shower). “You boys are really turning into a bunch of Peter Pans,” he said. “Willem, what are you? Thirty-six? I’m not sure what’s going on with you lot. You’re making money. You’ve achieved something. Don’t you think you guys should stop clinging to one another and get serious about adulthood?”

  But how was one to be an adult? Was couplehood truly the only appropriate option? (But then, a sole option was no option at all.) “Thousands of years of evolutionary and social development and this is our only choice?” he’d asked Harold when they were up in Truro this past summer, and Harold had laughed. “Look, Willem,” he said, “I think you’re doing just fine. I know I give you a hard time about settling down, and I agree with Malcolm’s dad that couplehood is wonderful, but all you really have to do is just be a good person, which you already are, and enjoy your life. You’re young. You have years and years to figure out what you want to do and how you want to live.”

  “And what if this is how I want to live?”

  “Well, then, that’s fine,” said Harold. He smiled at Willem. “You boys are living every man’s dream, you know. Probably even John Irvine’s.”

  Lately, he had been wondering if codependence was such a bad thing. He took pleasure in his friendships, and it didn’t hurt anyone, so who cared if it was codependent or not? And anyway, how was a friendship any more codependent than a relationship? Why was it admirable when you were twenty-seven but creepy when you were thirty-seven? Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified. Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.

  More troubling to him than his possible immaturity, though, were his capabilities as a friend. He had always taken pride in the fact that he was a good friend; friendship had always been important to him. But was he actually any good at it? There was the unresolved JB problem, for example; a good friend would have figured something out. And a good friend would certainly have figured out a better way to deal with Jude, instead of telling himself, chantlike, that there simply was no better way to deal with Jude, and if there was, if someone (Andy? Harold? Anyone?) could figure out a plan, then he’d be happy to follow it. But even as he told himself this, he knew that he was just making excuses for himself.

  Andy knew it, too. Five years ago, Andy had called him in Sofia and yelled at him. It was his first shoot; it had been very late at night, and from the moment he answered the phone and heard Andy say, “For someone who claims to be such a great friend, you sure as fuck haven’t been around to prove it,” he had been defensive, because he knew Andy was right.

  “Wait a minute,” he said, sitting upright, fury and fear clearing away any residual sleepiness.

  “He’s sitting at home fucking cutting himself to shreds, he’s essentially all scar tissue now, he looks like a fucking skeleton, and where are you, Willem?” asked Andy. “And don’t say ‘I’m on a shoot.’ Why aren’t you checking in on him?”

  “I call him every single day,” he began, yelling himself.

  “You knew this was going to be hard for him,” Andy continued, talking over him. “You knew the adoption was going to make him feel more vulnerable. So why didn’t you put an
y safeguards in place, Willem? Why aren’t your other so-called friends doing anything?”

  “Because he doesn’t want them to know that he cuts himself, that’s why! And I didn’t know it was going to be this hard for him, Andy,” he said. “He never tells me anything! How was I supposed to know?”

  “Because! You’re supposed to! Fucking use your brain, Willem!”

  “Don’t you fucking shout at me,” he shouted. “You’re just mad, Andy, because he’s your patient and you can’t fucking figure out a way to make him better and so you’re blaming me.”

  He regretted it the moment he said it, and in that instant they were both silent, panting into their phones. “Andy,” he began.

  “Nope,” said Andy. “You’re right, Willem. I’m sorry. I’m sorry.”

  “No,” he said, “I’m sorry.” He was abruptly miserable, thinking of Jude in the ugly Lispenard Street bathroom. Before he had left, he had looked everywhere for Jude’s razors—beneath the toilet tank lid; in the back of the medicine cabinet; even under the drawers in the cupboard, taking each out and examining them from all angles—but couldn’t find them. But Andy was right—it was his responsibility. He should have done a better job. And he hadn’t, so really, he had failed.

  “No,” said Andy. “I’m really sorry, Willem; it’s totally inexcusable. And you’re right—I don’t know what to do.” He sounded tired. “It’s just that he’s had—he’s had such a shitty life, Willem. And he trusts you.”

  “I know,” he mumbled. “I know he does.”

  So they’d worked out a plan, and when he got back home, he’d monitored Jude more closely than he had before, a process that had proved singularly unrevealing. Indeed, in the month or so after the adoption, Jude was different than he’d seen him before. He couldn’t exactly define how: except on rare occasions, he wasn’t ever able to determine the days Jude was unhappy and the days he wasn’t. It wasn’t as if he normally moped around and was unemotive and then, suddenly, wasn’t—his fundamental behavior and rhythms and gestures were the same as before. But something had changed, and for a brief period, he had the strange sensation that the Jude he knew had been replaced by another Jude, and that this other Jude, this changeling, was someone of whom he could ask anything, who might have funny stories about pets and friends and scrapes from childhood, who wore long sleeves only because he was cold and not because he was trying to hide something. He was determined to take Jude at his word as often and as much as he could: after all, he wasn’t his doctor. He was his friend. His job was to treat him as he wanted to be treated, not as a subject to be spied on.

  And so, after a certain point, his vigilance diminished, and eventually, that other Jude departed, back to the land of fairies and enchantments, and the Jude he knew reclaimed his space. But then, every once in a while, there would be troubling reminders that what he knew of Jude was only what Jude allowed him to know: he called Jude daily when he was away shooting, usually at a prearranged time, and one day last year he had called and they’d had a normal conversation, Jude sounding no different than he always did, and the two of them laughing at one of Willem’s stories, when he heard in the background the clear and unmistakable intercom announcement of the sort one only hears at hospitals: “Paging Dr. Nesarian, Dr. Nesarian to OR Three.”

  “Jude?” he’d asked.

  “Don’t worry, Willem,” he’d said. “I’m fine. I just have a slight infection; I think Andy’s gone a little crazy.”

  “What kind of infection? Jesus, Jude!”

  “A blood infection, but it’s nothing. Honestly, Willem, if it was serious, I would’ve told you.”

  “No, you fucking wouldn’t have, Jude. A blood infection is serious.”

  He was silent. “I would’ve, Willem.”

  “Does Harold know?”

  “No,” he said, sharply. “And you’re not to tell him.”

  Exchanges like this left him stunned and bothered, and he spent the rest of the evening trying to remember the previous week’s conversations, picking through them for clues that something might have been amiss and he might have simply, stupidly overlooked it. In more generous, wondering moments, he imagined Jude as a magician whose sole trick was concealment, but every year, he got better and better at it, so that now he had only to bring one wing of the silken cape he wore before his eyes and he would become instantly invisible, even to those who knew him best. But at other times, he bitterly resented this trick, the year-after-year exhaustion of keeping Jude’s secrets and yet never being given anything in return but the meanest smidges of information, of not being allowed the opportunity to even try to help him, to publicly worry about him. This isn’t fair, he would think in those moments. This isn’t friendship. It’s something, but it’s not friendship. He felt he had been hustled into a game of complicity, one he never intended to play. Everything Jude communicated to them indicated that he didn’t want to be helped. And yet he couldn’t accept that. The question was how you ignored someone’s request to be left alone—even if it meant jeopardizing the friendship. It was a wretched little koan: How can you help someone who won’t be helped while realizing that if you don’t try to help, then you’re not being a friend at all? Talk to me, he sometimes wanted to shout at Jude. Tell me things. Tell me what I need to do to make you talk to me.

  Once, at a party, he had overheard Jude tell someone that he told him, Willem, everything, and he had been both flattered and perplexed, because really: he knew nothing. It was sometimes incredible to him how much he cared about someone who refused to tell him any of the things friends shared with each other—how he had lived before they met, what he feared, what he craved, who he was attracted to, the mortifications and sadnesses of daily life. In the absence of talking to Jude himself, he often wished he could talk to Harold about Jude, and figure out how much he knew, and whether, if they—and Andy—braided together all their knowledge, they might be able to find some sort of solution. But this was dreaming: Jude would never forgive him, and instead of the connection he did have with him, he would have none at all.

  Back in his apartment, he shuffled quickly through his mail—he rarely got anything of any interest: everything business-related went to his agent or lawyer; anything personal went to Jude’s—found the copy of the script he’d forgotten there the week before when he stopped by the apartment after the gym, and left again; he didn’t even take off his coat.

  Since he’d bought the apartment a year ago, he’d spent a total of six weeks there. There was a futon in the bedroom, and the coffee table from Lispenard Street in the living room, and the scuffed Eames fiberglass chair that JB had found in the street, and his boxes of books. But that was it. In theory, Malcolm was meant to be renovating the space, converting the airless little study near the kitchen into a dining alcove and addressing a list of other issues as well, but Malcolm, as if sensing Willem’s lack of interest, had made the apartment his last priority. He complained about this sometimes, but he knew it wasn’t Malcolm’s fault: after all, he hadn’t answered Malcolm’s e-mails about finishes or tiles or the dimensions of the built-in bookcase or banquette that Malcolm needed him to approve before he ordered the millwork. It was only recently that he’d had his lawyer’s office send Malcolm the final paperwork he needed to begin construction, and the following week, they were finally going to sit down and he was going to make some decisions, and when he returned home in mid-January, the apartment would be, Malcolm promised him, if not totally transformed, then at least greatly improved.

  In the meantime, he still more or less lived with Jude, into whose apartment on Greene Street he’d moved directly after he and Philippa had broken up. He used his unfinished apartment, and the promise he’d made to Andy, as the reasons for his apparently interminable occupancy of Jude’s extra bedroom, but the fact was that he needed Jude’s company and the constancy of his presence. When he was away in England, in Ireland, in California, in France, in Tangiers, in Algeria, in India, in the Philippines, in Canada,
he needed to have an image of what was waiting for him back home in New York, and that image never included Perry Street. Home for him was Greene Street, and when he was far away and lonely, he thought of Greene Street, and his room there, and how on weekends, after Jude finished working, they would stay up late, talking, and he would feel time slow and expand, letting him believe the night might stretch out forever.

  And now he was finally going home. He ran down the stairs and out the front door and onto Perry Street. The evening had turned cold, and he walked quickly, almost trotting, enjoying as he always did the pleasure of walking by himself, of feeling alone in a city of so many. It was one of the things he missed the most. On film sets, you were never alone. An assistant director walked you to your trailer and back to the set, even if the trailer and the set were fifty yards away. When he was getting used to sets, he was first startled, then amused, and then, finally, annoyed by the culture of actor infantilization that moviemaking seemed to encourage. He sometimes felt that he had been strapped, upright, to a dolly and was being wheeled from place to place: he was walked to the makeup department and then to the costume department. Then he was walked to the set, and then he was walked back to his trailer, and then, an hour or two later, he would be collected from the trailer and escorted to the set once again.

  “Don’t let me ever get used to this,” he’d instruct Jude, begging him, almost. It was the concluding line to all his stories: about the lunches at which everyone segregated themselves by rank and caste—actors and the director at one table, cameramen at another, electricians at a third, the grips at a fourth, the costume department at a fifth—and you made small talk about your workouts, and restaurants you wanted to try, and diets you were on, and trainers, and cigarettes (how much you wanted one), and facials (how much you needed one); about the crew, who both hated the actors and yet were embarrassingly susceptible to even the slightest attention from them; about the cattiness of the hair and makeup team, who knew an almost bewildering amount of information about all the actors’ lives, having learned to keep perfectly quiet and make themselves perfectly invisible as they adjusted hairpieces and dabbed on foundation and listened to actresses screaming at their boyfriends and actors whisperingly arranging late-night hookups on their phones, all while sitting in their chairs. It was on these sets that he realized he was more guarded than he’d always imagined himself, and also how easy, how tempting, it was to begin to believe that the life of the set—where everything was fetched for you, and where the sun could literally be made to shine on you—was actual life.