A Little Life

by Hanya Yanagihara

He shook his head, just slightly. “He won’t,” he said, in his new mumbly voice.

  I was beginning to feel light-headed from the effort of suppressing the need to run out and find Caleb and kill him, from the effort of accepting that someone had done this to him, from seeing him, someone who was so dignified, who made certain to always be composed and neat, so beaten, so helpless. “Where’s your chair?” I asked him.

  He made a sound like a bleat, and said something so quietly I had to ask him to repeat it, though I could see how much pain it caused him to speak. “Down the stairs,” he finally said, and this time, I was certain he was crying, although he couldn’t even open his eyes enough for tears. He began to shake.

  I was shaking myself by this point. I left him there, sitting on the floor, and went to retrieve his wheelchair, which had been thrown down the stairs so hard that it had bounced off the far wall and was halfway down to the fourth floor. On the way back to him, I noticed the floor was tacky with something, and saw too a large bright splash of vomit near the dining-room table, congealed into paste.

  “Put your arm around my neck,” I told him, and he did, and as I lifted him, he cried out, and I apologized and settled him in his chair. As I did, I noticed that the back of his shirt—he was wearing one of those gray thermal-weave sweatshirts he liked to sleep in—was bloody, with new and old blood, and the back of his pants were bloody as well.

  I stepped away from him and called Andy, told him I had an emergency. I was lucky: Andy had stayed in the city that weekend, and he would meet us at his office in twenty minutes.

  I drove us there. I helped him out of the car—he seemed unwilling to use his left arm, and when I had him stand, he held his right leg aloft, so that it wouldn’t touch the ground, and made a strange noise, a bird’s noise, as I wrapped my arm around his chest to lower him into the chair—and when Andy opened the door and saw him, I thought he was going to throw up.

  “Jude,” Andy said once he could speak, crouching beside him, but he didn’t respond.

  Once we’d installed him in an examination room, we spoke in the receptionist’s area. I told him about Caleb. I told him what I thought had happened. I told him what I thought was wrong: that I thought he had broken his left arm, that something was wrong with his right leg, that he was bleeding and where, that the floors had blood on them. I told him he wouldn’t report it to the police.

  “Okay,” Andy said. He was in shock, I could see. He kept swallowing. “Okay, okay.” He stopped and rubbed at his eyes. “Will you wait here for a little while?”

  He came out from the examining room forty minutes later. “I’m going to take him to the hospital to get some X-rays,” he said. “I’m pretty sure his left wrist is broken, and some of his ribs. And if his leg is—” He stopped. “If it is, this is really going to be a problem,” he said. He seemed to have forgotten I was in the room. Then he recalled himself. “You should go,” he said. “I’ll call you when I’m almost done.”

  “I’ll stay,” I said.

  “Don’t, Harold,” he said, and then, more gently, “you have to call his office; there’s no way he can go into work this week.” He paused. “He said—he said you should tell them he was in a car accident.”

  As I was leaving, he said, quietly, “He told me he was playing tennis.”

  “I know,” I said. I felt bad for us, then, for being so stupid. “He told me that, too.”

  I went back to Greene Street with his keys. For a long time, many minutes, I just stood there in the doorway, looking at the space. Some of the cloud cover had parted, but it didn’t take much sun—even with the shades drawn—to make that apartment feel light. I had always thought it a hopeful place, with its high ceilings, its cleanliness, its visibility, its promise of transparency.

  This was his apartment, and so of course there were lots of cleaning products, and I started cleaning. I mopped the floors; the sticky areas were dried blood. It was difficult to distinguish because the floors were so dark, but I could smell it, a dense, wild scent that the nose instantly recognizes. He had clearly tried to clean the bathroom, but here too there were swipes of blood on the marble, dried into the rusty pinks of sunsets; these were difficult to remove, but I did the best I could. I looked in the trash cans—for evidence, I suppose, but there was nothing: they had all been cleaned and emptied. His clothes from the night before were scattered near the living-room sofa. The shirt was so ripped, clawed at almost, that I threw it away; the suit I took to be dry-cleaned. Otherwise, the apartment was very tidy. I had entered the bedroom with dread, expecting to find lamps broken, clothes strewn about, but it was so unruffled that you might have thought that no one lived there at all, that it was a model house, an advertisement for an enviable life. The person who lived here would have parties, and would be carefree and sure of himself, and at night he would raise the shades and he and his friends would dance, and people passing by on Greene Street, on Mercer, would look up at that box of light floating in the sky, and imagine its inhabitants above unhappiness, or fear, or any concerns at all.

  I e-mailed Lucien, whom I’d met once, and who was a friend of a friend of Laurence’s, actually, and said there had been a terrible car accident, and that Jude was in the hospital. I went to the grocery store and bought things that would be easy for him to eat: soups, puddings, juices. I looked up Caleb Porter’s address, and repeated it to myself—Fifty West Twenty-ninth Street, apartment 17J—until I had it memorized. I called the locksmith and said it was an emergency and that I needed to have all the locks changed: front door, elevator, apartment door. I opened the windows to let the damp air carry away the fragrance of blood, of disinfectant. I left a message with the law school secretary saying there was a family emergency and I wouldn’t be able to teach that week. I left messages for a couple of my colleagues asking if they could cover for me. I thought about calling my old law school friend, who worked at the D.A.’s office. I would explain what had happened; I wouldn’t use his name. I would ask how we could have Caleb Porter arrested.

  “But you’re saying the victim won’t report it?” Avi would say.

  “Well, yes,” I’d have to admit.

  “Can he be convinced?”

  “I don’t think so,” I’d have to admit.

  “Well, Harold,” Avi would say, perplexed and irritated. “I don’t know what to tell you, then. You know as well as I do that I can’t do anything if the victim won’t speak.” I remembered thinking, as I very rarely thought, what a flimsy thing the law was, so dependent on contingencies, a system of so little comfort, of so little use to those who needed its protections the most.

  And then I went into his bathroom and felt under the sink and found his bag of razors and cotton pads and threw it down the incinerator. I hated that bag, I hated that I knew I would find it.

  Seven years before, he had come to the house in Truro in early May. It had been a spontaneous visit: I was up there trying to write, there were cheap tickets, I told him he should come, and to my surprise—he never left the offices of Rosen Pritchard, even then—he did. He was happy that day, and so was I. I left him chopping a head of purple cabbage in the kitchen and took the plumber upstairs, where he was installing a new toilet in our bathroom, and then on his way out asked him if he could come take a look at the sink in the downstairs bathroom, the one in Jude’s room, which had been leaking.

  He did, tightened something, changed something else, and then, as he was emerging from the cabinet, handed something to me. “This was taped under the basin,” he said.

  “What is it?” I asked, taking the package from him.

  He shrugged. “Dunno. But it was stuck there pretty good, with duct tape.” He repacked his things as I stood there dumbly, staring at the bag, and gave me a wave and left; I heard him say goodbye to Jude as he walked out, whistling.

  I looked at the bag. It was a regular, pint-size clear plastic bag, and inside it was a stack of ten razor blades, and individually packaged alcohol wipes, and pieces of
gauze, folded into springy squares, and bandages. I stood there, holding this bag, and I knew what it was for, even though I had never seen proof of it, and had indeed never seen anything like it. But I knew.

  I went to the kitchen, and there he was, washing off a bowlful of fingerlings, still happy. He was even humming something, very softly, which he did only when he was very contented, like how a cat purrs to itself when it’s alone in the sun. “You should’ve told me you needed help installing the toilet,” he said, not looking up. “I could have done it for you and saved you a bill.” He knew how to do all those things: plumbing, electrical work, carpentry, gardening. We once went to Laurence’s so he could explain to Laurence how, exactly, he could safely unearth the young crabapple tree from one corner of his backyard and successfully move it to another, one that got more sun.

  For a while I stood there watching him. I felt so many things at once that together, they combined to make nothing, a numbness, an absence of feeling caused by a surplus of feeling. Finally I said his name, and he looked up. “What’s this?” I asked him, and held the bag in front of him.

  He went very still, one hand suspended above the bowl, and I remember watching how little droplets of water beaded and dripped off the ends of his fingertips, as if he had slashed himself with a knife and was bleeding water. He opened his mouth, and shut it.

  “I’m sorry, Harold,” he said, very softly. He lowered his hand, and dried it, slowly, on the dish towel.

  That made me angry. “I’m not asking you to apologize, Jude,” I told him. “I’m asking you what this is. And don’t say ‘It’s a bag with razors in it.’ What is this? Why did you tape it beneath your sink?”

  He stared at me for a long time with that look he had—I know you know the one—where you can see him receding even as he looks at you, where you can see the gates within him closing and locking themselves, the bridges being cranked above the moat. “You know what it’s for,” he finally said, still very quietly.

  “I want to hear you say it,” I told him.

  “I just need it,” he said.

  “Tell me what you do with these,” I said, and watched him.

  He looked down into the bowl of potatoes. “Sometimes I need to cut myself,” he said, finally. “I’m sorry, Harold.”

  And suddenly I was panicked, and my panic made me irrational. “What the fuck does that mean?” I asked him—I may have even shouted it.

  He was moving backward now, toward the sink, as if I might lunge at him and he wanted some distance. “I don’t know,” he said. “I’m sorry, Harold.”

  “How often is sometimes?” I asked.

  He too was panicking now, I could see. “I don’t know,” he said. “It varies.”

  “Well, estimate. Give me a ballpark.”

  “I don’t know,” he said, desperate, “I don’t know. A few times a week, I guess.”

  “A few times a week!” I said, and then stopped. Suddenly I had to get out of there. I took my coat from the chair and crammed the bag into its inside pocket. “You’d better be here when I get back,” I told him, and left. (He was a bolter: whenever he thought Julia or I were displeased with him, he would try as quickly as he could to get out of our sight, as if he were an offending object that needed to be removed.)

  I walked downstairs, toward the beach, and then through the dunes, feeling the sort of rage that comes with the realization of one’s gross inadequacy, of knowing for certain that you are at fault. It was the first time I realized that as much as he was two people around us, so were we two people around him: we saw of him what we wanted, and allowed ourselves not to see anything else. We were so ill-equipped. Most people are easy: their unhappinesses are our unhappinesses, their sorrows are understandable, their bouts of self-loathing are fast-moving and negotiable. But his were not. We didn’t know how to help him because we lacked the imagination needed to diagnose the problems. But this is making excuses.

  By the time I returned to the house it was almost dark, and I could see, through the window, his outline moving about in the kitchen. I sat on a chair on the porch and wished Julia were there, that she wasn’t in England with her father.

  The back door opened. “Dinner,” he said, quietly, and I got up to go inside.

  He’d made one of my favorite meals: the sea bass I had bought the day before, poached, and potatoes roasted the way he knew I liked them, with lots of thyme and carrots, and a cabbage salad that I knew would have the mustard-seed dressing I liked. But I didn’t have an appetite for any of it. He served me, and then himself, and sat.

  “This looks wonderful,” I told him. “Thank you for making it.” He nodded. We both looked at our plates, at his lovely meal that neither of us would eat.

  “Jude,” I said, “I have to apologize. I’m really sorry—I never should have run out on you like that.”

  “It’s all right,” he said, “I understand.”

  “No,” I told him. “It was wrong of me. I was just so upset.”

  He looked back down. “Do you know why I was upset?” I asked him.

  “Because,” he began, “because I brought that into your house.”

  “No,” I said. “That’s not why. Jude, this house isn’t just my house, or Julia’s: it’s yours, too. I want you to feel you can bring anything you’d have at home here.

  “I’m upset because you’re doing this terrible thing to yourself.” He didn’t look up. “Do your friends know you do this? Does Andy?”

  He nodded, slightly. “Willem knows,” he said, in a low voice. “And Andy.”

  “And what does Andy say about this?” I asked, thinking, Goddammit, Andy.

  “He says—he says I should see a therapist.”

  “And have you?” He shook his head, and I felt rage build up in me again. “Why not?” I asked him, but he didn’t say anything. “Is there a bag like this in Cambridge?” I said, and after a silence, he looked up at me and nodded again.

  “Jude,” I said, “why do you do this to yourself?”

  For a long time, he was quiet, and I was quiet too. I listened to the sea. Finally, he said, “A few reasons.”

  “Like what?”

  “Sometimes it’s because I feel so awful, or ashamed, and I need to make physical what I feel,” he began, and glanced at me before looking down again. “And sometimes it’s because I feel so many things and I need to feel nothing at all—it helps clear them away. And sometimes it’s because I feel happy, and I have to remind myself that I shouldn’t.”

  “Why?” I asked him once I could speak again, but he only shook his head and didn’t answer, and I too went silent.

  He took a breath. “Look,” he said, suddenly, decisively, looking at me directly, “if you want to dissolve the adoption, I’ll understand.”

  I was so stunned that I was angry—that hadn’t even occurred to me. I was about to bark something back when I looked at him, at how he was trying to be brave, and saw that he was terrified: He really did think this was something I might want to do. He really would understand if I said I did. He was expecting it. Later, I realized that in those years just after the adoption, he was always wondering how permanent it was, always wondering what he would eventually do that would make me disown him.

  “I would never,” I said, as firmly as I could.

  That night, I tried to talk to him. He was ashamed of what he did, I could see that, but he genuinely couldn’t understand why I cared so much, why it so upset you and me and Andy. “It’s not fatal,” he kept saying, as if that were the concern, “I know how to control it.” He wouldn’t see a shrink, but he couldn’t tell me why. He hated doing it, I could tell, but he also couldn’t conceive of a life without it. “I need it,” he kept saying. “I need it. It makes things right.” But surely, I told him, there was a time in your life when you didn’t have it?, and he shook his head. “I need it,” he repeated. “It helps me, Harold, you have to believe me on this one.”

  “Why do you need it?” I asked.

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nbsp; He shook his head. “It helps me control my life,” he said, finally.

  At the end, there was nothing more I could say. “I’m keeping this,” I said, holding the bag up, and he winced, and nodded. “Jude,” I said, and he looked back at me. “If I throw this away, are you going to make another one?”

  He was very quiet, then, looking at his plate. “Yes,” he said.

  I threw it out anyway, of course, stuffing it deep into a garbage bag that I carried to the Dumpster at the end of the road. We cleaned the kitchen in silence—we were both exhausted, and neither of us had eaten anything—and then he went to bed, and I did as well. In those days I was still trying to be respectful of his personal space, or I’d have grabbed him and held him, but I didn’t.

  But as I was lying awake in bed, I thought of him, his long fingers craving the slice of the razor between them, and went downstairs to the kitchen. I got the big mixing bowl from the drawer beneath the oven, and began loading it with everything sharp I could find: knives and scissors and corkscrews and lobster picks. And then I took it with me to the living room, where I sat in my chair, the one facing the sea, clasping the bowl in my arms.

  I woke to a creaking. The kitchen floorboards were noisy, and I sat up in the dark, willing myself to stay silent, and listened to his walk, the distinctive soft stamp of his left foot followed by the swish of his right, and then a drawer opening and, a few seconds later, shutting. Then another drawer, then another, until he had opened and shut every drawer, every cupboard. He hadn’t turned on the light—there was moonlight enough—and I could envision him standing in the newly blunt world of the kitchen, understanding that I’d taken everything from him: I had even taken the forks. I sat, holding my breath, listening to the silence from the kitchen. For a moment it was almost as if we were having a conversation, a conversation without words or sight. And then, finally, I heard him turn and his footsteps retreating, back to his room.

  When I got home to Cambridge the next night, I went to his bathroom and found another bag, a double of the Truro one, and threw it away. But I never found another of those bags again in either Cambridge or Truro. He must have found some other place to hide them, someplace I never discovered, because he couldn’t have carried those blades back and forth on the plane. But whenever I was at Greene Street, I would find an opportunity to sneak off to his bathroom. Here, he kept the bag in his same old hiding place, and every time, I would steal it, and shove it into my pocket, and then throw it away after I left. He must have known I did this, of course, but we never discussed it. Every time it would be replaced. Until he learned he had to hide it from you as well, there was not a single time I checked that I failed to find it. Still, I never stopped checking: whenever I was at the apartment, or later, the house upstate, or the flat in London, I would go to his bathroom and look for that bag. I never found it again. Malcolm’s bathrooms were so simple, so clean-lined, and yet even in them he had found somewhere to conceal it, somewhere I would never again discover.