A Little Life

by Hanya Yanagihara

  And then there was the matter of sex. He knew Andy had warned him about sex, but Jude’s fear of and antipathy toward it disturbed and occasionally frightened him. One night toward the end of November, after they’d been together six months, he had reached his hands down Jude’s underwear and Jude had made a strange, strangled noise, the kind of noise an animal makes when it’s being caught in another animal’s jaws, and had jerked himself away with such violence that he had cracked his head against his nightstand. “I’m sorry,” they had apologized to each other, “I’m sorry.” And that was the first moment that Willem, too, had felt a certain fear. All along he had assumed that Jude was shy, profoundly so, but that eventually, he would abandon some of his self-consciousness, that he would feel comfortable enough to have sex. But in that moment, he realized that what he had thought was a reluctance to have sex was actually a terror of it: that Jude would perhaps never be comfortable, that if and when they did eventually have sex, it would be because Jude decided he had to or Willem decided he had to force him. Neither option appealed to him. People had always given themselves to him; he had never had to wait, never had to try to convince someone that he wasn’t dangerous, that he wasn’t going to hurt them. What am I going to do? he asked himself. He wasn’t smart enough to figure this out on his own—and yet there was no one else he could ask. And then there was the fact that with every week, his desire grew sharper and less ignorable, his determination greater. It had been a long time since he had wanted to have sex with anyone so keenly, and the fact that it was someone he loved made the waiting both more unbearable and more absurd.

  As Jude slept that night, he watched him. Maybe I made a mistake, he thought.

  Aloud, he said, “I didn’t know it was going to be this complicated.” Next to him, Jude breathed, ignorant of Willem’s treachery.

  And then the morning arrived and he was reminded why he had decided to pursue this relationship to begin with, his own naïveté and arrogance aside. It was early, but he had woken anyway, and he watched as, through the half-open closet door, Jude got dressed. This had been a recent development, and Willem knew how difficult it was for him. He saw how hard Jude tried; he saw how everything he and everyone he knew took for granted—getting dressed in front of someone; getting undressed in front of someone—were things Jude had to practice again and again: he saw how determined he was, he saw how brave he was being. And this reminded him that he, too, had to keep trying. Both of them were uncertain; both of them were trying as much as they could; both of them would doubt themselves, would progress and recede. But they would both keep trying, because they trusted the other, and because the other person was the only other person who would ever be worth such hardships, such difficulties, such insecurities and exposure.

  When he opened his eyes again, Jude was sitting on the edge of the bed and smiling at him, and he was filled with affection for him: for how beautiful he was, for how dear he was, for how easy it was to love him. “Don’t go,” he said.

  “I have to,” Jude said.

  “Five minutes,” he said.

  “Five,” Jude said, and slid beneath the covers, and Willem wrapped his arms around him, careful not to wrinkle his suit, and closed his eyes. And this too he loved: he loved knowing that in those moments, he was making Jude happy, loved knowing that Jude wanted affection and that he was the person who was allowed to provide it. Was this arrogance? Was this pride? Was this self-congratulation? He didn’t think so; he didn’t care. That night, he told Jude that he thought they should tell Harold and Julia that they were together when they went up for Thanksgiving that week. “Are you sure, Willem?” Jude had asked him, looking worried, and he knew that Jude was really asking if he was sure about the relationship itself: he was always holding the door open for him, letting him know he could leave. “I want you to really think about this, especially before we tell them.” He didn’t need to say it, but Willem knew, once again, what the consequences would be if they told Harold and Julia and, later, he changed his mind: they would forgive him, but things would never be the same. They would always, always pick Jude over him. He knew this: it was the way it should be.

  “I’m positive,” he’d said, and so they had.

  He thought of this conversation as he poured Kit a glass of water and carried the plate of sandwiches to the table. “What is this?” Kit asked, looking suspiciously at the sandwiches.

  “Grilled peasant bread with Vermont cheddar and figs,” he said. “And escarole salad with pears and jamón.”

  Kit sighed. “You know I’m trying not to eat bread, Willem,” he said, although he didn’t know. Kit bit into a sandwich. “Good,” he said, reluctantly. “Okay,” he continued, putting it down, “tell me.”

  And so he did, and added that while he wasn’t planning on announcing the relationship, he wasn’t going to pretend otherwise about it, either, and Kit groaned. “Fuck,” he said. “Fuck. I thought it might be this. I don’t know why, I just did. Fuck, Willem.” He put his forehead down on the table. “I need a minute,” Kit said to the table. “Have you told Emil?”

  “Yeah,” he said. Emil was Willem’s manager. Kit and Emil worked with each other best when they were united against Willem. When they agreed, they liked each other. When they didn’t, they didn’t.

  “And what did he say?”

  “He said, ‘God, Willem, I’m so happy that you’ve finally committed to someone you truly love and feel comfortable around, and I couldn’t be happier for you as your friend and longtime supporter.’ ” (What Emil had actually said was, “Christ, Willem. Are you sure? Did you talk to Kit yet? What did he say?”)

  Kit lifted his head and glared at him (he didn’t have much of a sense of humor). “Willem, I am happy for you,” he said. “I care about you. But have you thought about what’s going to happen to your career? Have you thought about how you’re going to be typecast? You don’t know what it’s like being a gay actor in this business.”

  “I don’t really think of myself as gay, though,” he began, and Kit rolled his eyes. “Don’t be so naïve, Willem,” he said. “Once you’ve touched a dick, you’re gay.”

  “Said with subtlety and grace, as always.”

  “Whatever, Willem; you can’t afford to be cavalier about this.”

  “I’m not, Kit,” he said. “But I’m not a leading man.”

  “You keep saying that! But you are, whether you like it or not. You’re just acting like your career is going to keep going on the same trajectory it’s been on—do you not remember what happened to Carl?” Carl was a client of a colleague of Kit’s, and one of the biggest movie stars of the previous decade. Then he had been forced out of the closet, and his career had faded. Ironically, it was Carl’s obsolescence, his sudden unpopularity, that had encouraged the rise of Willem’s own career—at least two roles that Willem had gotten were ones that would once have gone, reflexively, to Carl. “Now, look: you’re far more talented than Carl, and more diversified as well. And it’s a different climate now than when Carl came out—domestically, at least. But I’d be doing you a disservice if I didn’t tell you to prepare for a certain chill. You’re private as it is: Can’t you just keep this under wraps?”

  He didn’t reply, just reached for another sandwich, and Kit studied him. “What does Jude think?”

  “He thinks I’m going to end up performing in a Kander and Ebb revue on a cruise ship to Alaska,” he admitted.

  Kit snorted. “Somewhere between how Jude thinks and how you think is how you need to think, Willem,” he said. “After everything we’ve built together,” he added, mournfully.

  He sighed, too. The first time Jude had met Kit, almost fifteen years ago, he’d turned to Willem afterward and said, smiling, “He’s your Andy.” And over the years, he had come to realize how true this was. Not only did Kit and Andy actually, creepily know each other—they were in the same class, and had lived in the same dorm their freshman year—but they both liked to present themselves as, to some extent,
Willem’s and Jude’s creators. They were their defenders and their guardians, but they also tried, at every opportunity, to determine the shape and form of their lives.

  “I thought you’d be a little more supportive of this, Kit,” he said, sadly.

  “Why? Because I’m gay? Being a gay agent is far different than being a gay actor of your stature, Willem,” said Kit. He grunted. “Well, at least someone’s going to be happy about this. Noel”—the director of Duets—“will be fucking thrilled. This is going to be great publicity for his little project. I hope you like doing gay movies, Willem, because that’s what you might end up doing for the rest of your life.”

  “I don’t really think of Duets as a gay movie,” he said, and then, before Kit could roll his eyes and start lecturing him again, “and if that’s how it ends up, that’s fine.” He told Kit what he had told Jude: “I’ll always have work; don’t worry.”

  (“But what if your film work dries up?” Jude had asked.

  “Then I’ll do plays. Or I’ll work in Europe: I’ve always wanted to do more work in Sweden. Jude, I promise you, I will always, always work.”

  Jude had been silent, then. They had been lying in bed; it had been late. “Willem, I really won’t mind—not at all—if you want to keep this quiet,” he said.

  “But I don’t want to,” he said. He didn’t. He didn’t have the energy for it, the sense of planning for it, the endurance for it. He knew a couple of other actors—older, much more commercial than he—who actually were gay and yet were married to women, and he saw how hollow, how fabricated, their lives were. He didn’t want that life for himself: he didn’t want to step off the set and still feel he was in character. When he was home, he wanted to feel he was truly at home.

  “I’m just afraid you’re going to resent me,” Jude admitted, his voice low.

  “I’ll never resent you,” he promised him.)

  Now, he listened to Kit’s gloomy predictions for another hour, and then, finally, when it was clear that Willem wouldn’t change his mind, Kit seemed to change his. “Willem, it’ll be fine,” he said, determinedly, as if Willem had been the one who was concerned all along. “If anyone can do this, you can. We’re going to make this work for you. It’s going to be fine.” Kit tilted his head, looking at him. “Are you guys going to get married?”

  “Jesus, Kit,” he said, “you were just trying to break us up.”

  “No, I wasn’t, Willem. I wasn’t. I was just trying to get you to keep your mouth shut, that’s all.” He sighed again, but resignedly this time. “I hope Jude appreciates the sacrifice you’re making for him.”

  “It’s not a sacrifice,” he protested, and Kit cut his eyes at him. “Not now,” he said, “but it may be.”

  Jude came home early that night. “How’d it go?” he asked Willem, looking closely at him.

  “Fine,” he said, staunchly. “It went fine.”

  “Willem—” Jude began, and he stopped him.

  “Jude,” he said, “it’s done. It’s going to be fine, I swear to you.”

  Kit’s office managed to keep the story quiet for two weeks, and by the time the first article was published, he and Jude were on a plane to Hong Kong to see Charlie Ma, Jude’s old roommate from Hereford Street, and from there to Vietnam, Cambodia, and Laos. He tried not to check his messages while he was on vacation, but Kit had gotten a call from a writer at New York magazine, and so he knew there would be a story. He was in Hanoi when the piece was published: Kit forwarded it to him without comment, and he skimmed it, quickly, when Jude was in the bathroom. “Ragnarsson is on vacation and was unavailable for comment, but his representative confirmed the actor’s relationship with Jude St. Francis, a highly regarded and prominent litigator with the powerhouse firm of Rosen Pritchard and Klein and a close friend since they were roommates their freshman year of college,” he read, and “Ragnarsson is the highest-profile actor by far to ever willingly declare himself in a gay relationship,” followed, obituary-like, with a recapping of his films and various quotes from various agents and publicists congratulating him on his bravery while simultaneously predicting the almost-certain diminishment of his career, and nice quotes from actors and directors he knew promising his revelation wouldn’t change a thing, and a concluding quote from an unnamed studio executive who said that his strength had never been as a romantic lead anyway, and so he’d probably be fine. At the end of the story, there was a link to a picture of him with Jude at the opening of Richard’s show at the Whitney in September.

  When Jude came out, he handed him the phone and watched him read the article as well. “Oh, Willem,” he said, and then, later, looking stricken, “My name’s in here,” and for the first time, it occurred to him that Jude may have wanted him to keep quiet as much for his own privacy as for Willem’s.

  “Don’t you think you should ask Jude first if I can confirm his identity?” Kit had asked him when they were deciding what he’d say to the reporter on Willem’s behalf.

  “No, it’s fine,” he’d said. “He won’t mind.”

  Kit had been quiet. “He might, Willem.”

  But he really hadn’t thought he would. Now, though, he wondered if he had been arrogant. What, he asked himself, just because you’re okay with it, you thought he would be, too?

  “Willem, I’m sorry,” Jude said, and although he knew that he should reassure Jude, who was probably feeling guilty, and apologize to him as well, he wasn’t in the mood for it, not then.

  “I’m going for a run,” he announced, and although he wasn’t looking at him, he could feel Jude nod.

  It was so early that outside, the city was still quiet and still cool, the air a dirtied white, with only a few cars gliding down the streets. The hotel was near the old French opera house, which he ran around, and then back to the hotel and toward the colonial-era district, past vendors squatted near large, flat, woven-bamboo baskets piled with tiny, bright green limes, and stacks of cut herbs that smelled of lemon and roses and peppercorns. As the streets grew threadlike, he slowed to a walk, and turned down an alley that was crowded with stall after stall of small, improvised restaurants, just a woman standing behind a kettle roiling with soup or oil, and four or five plastic stools on which customers sat, eating quickly before hurrying back to the mouth of the alley, where they got on their bikes and pedaled away. He stopped at the far end of the alley, waiting to let a man cycle past him, the basket strapped to the back of his seat loaded with spears of baguettes, their hot, steamed-milk fragrance filling his nostrils, and then headed down another alley, this one busy with vendors crouched over more bundles of herbs, and black hills of mangosteens, and metal trays of silvery-pink fish, so fresh that he could hear them gulping, could see their eyes rolling desperately back in their sockets. Above him, necklaces of cages were strung like lanterns, each containing a vibrant, chirping bird. He had a little cash with him, and he bought Jude one of the herb bouquets; it looked like rosemary but smelled pleasantly soapy, and although he didn’t know what it was, he thought Jude might.

  He was so naïve, he thought as he made his slow way back to the hotel: about his career, about Jude. Why did he always think he knew what he was doing? Why did he think he could do whatever he wanted and everything would work out the way he imagined it? Was it a failure of creativity, or arrogance, or (as he assumed) simple stupidity? People, people he trusted and respected, were always warning him—Kit, about his career; Andy, about Jude; Jude, about himself—and yet he always ignored them. For the first time, he wondered if Kit was right, if Jude was right, if he would never work again, or at least not the kind of work he enjoyed. Would he resent Jude? He didn’t think so; he hoped not. But he had never thought he would have to find out, not really.

  But greater than that fear was the one he was rarely able to ask himself: What if the things he was making Jude do weren’t good for him after all? The day before, they had taken a shower together for the first time, and Jude had been so silent afterward, so deep inside one of
his fugue states, his eyes so flat and blank, that Willem had been momentarily frightened. He hadn’t wanted to do it, but Willem had coerced him, and in the shower, Jude had been rigid and grim, and Willem had been able to tell from the set of Jude’s mouth that he was enduring it, that he was waiting for it to be over. But he hadn’t let him get out of the shower; he had made him stay. He had behaved (unintentionally, but who cared) like Caleb—he had made Jude do something he didn’t want to, and Jude had done it because he had told him to do it. “It’ll be good for you,” he’d said, and remembering this—although he had believed it—he felt almost nauseated. No one had ever trusted him as unquestioningly as Jude did. But he had no idea what he was doing.

  “Willem’s not a health-care professional,” he remembered Andy saying. “He’s an actor.” And although both he and Jude had laughed at the time, he wasn’t sure Andy was wrong. Who was he to try to direct Jude’s mental health? “Don’t trust me so much,” he wanted to say to Jude. But how could he? Wasn’t this what he had wanted from Jude, from this relationship? To be so indispensable to another person that that person couldn’t even comprehend his life without him? And now he had it, and the demands of the position terrified him. He had asked for responsibility without understanding completely how much damage he could do. Was he able to do this? He thought of Jude’s horror of sex and knew that behind that horror lay another, one he had always surmised but had never inquired about: So what was he supposed to do? He wished there was someone who could tell him definitively if he was doing a good job or not; he wished he had someone guiding him in this relationship the way Kit guided him in his career, telling him when to take a risk and when to retreat, when to play Willem the Hero and when to be Ragnarsson the Terrible.

  Oh, what am I doing? he chanted to himself as his feet smacked against the road, as he ran past men and women and children readying themselves for the day, past buildings as narrow as closets, past little shops selling stiff, brick-like pillows made of plaited straw, past a small boy cradling an imperious-looking lizard to his chest, What am I doing, oh what am I doing?