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Stargazing at Noon

Page 5

by Amanda Torroni


  THE OCEAN SWALLOWED THE CITY

  barreled in like a plague

  drowned every street

  in love & lunacy

  & when it came to an end

  I could no longer remember

  which I had been

  the poison or the tonic

  the metropolis or the sea

  WHAT IS SHE?

  What mile were you on when you

  stopped to admire the long-stemmed

  roses strewn about the beach?

  How long were you standing there

  that the tide came in & circled

  your ankles, sunk your feet?

  Was it then that you wondered,

  What is she? The sand or the sea.

  The bone white of those petals,

  the ocean foam, the way every

  coastal city feels like home.

  When you begged your legs to leave

  they asked, What for? She’s the

  reason we won’t run anymore.

  OR MAYBE I AM THE MOON

  My only purpose—

  to make the tides

  rise & fall

  in you.

  NON-EXHUMABLE

  There are some things we don’t talk about, memories sealed in tiny metal coffins marked “non-exhumable.” We cut the utilities, board up the windows of our hearts, condemn the whole goddamn structure.

  I was with my father when he got the phone call that you kissed the creator goodnight for the last time. I saw his face so wet with pain I could have hydroplaned over his eyes.

  My father doesn’t cry.

  I’ve moved on from asking why because I’ve been through this enough times to know by now that it’s the one question I’ll never have an answer to. But maybe you can help me with these:

  Where did your soul go the night it fled from the war-torn country of your body like a refugee?

  When will my father give up the guilt he’s been coveting? The ghosts? The “Get Out of Jail Frees?”

  How do I bury you six feet in my frame when I only stand 5’9”?

  A FOOTNOTE ABOUT HOPE1

  * * *

  1 And how it holds us, still it holds us still, it holds.

  THE SUMMER I OUTLIVED SYLVIA

  was a swarm of bees a droning in my throat

  a poem I could not purge so I swallowed the sting.

  June was an oven stuck on preheat, did not come with instructions. Straggler cicadas emerged, snapping their wings. Who welcomed them? A woman with two heads, a month pregnant with neglect. Ruby-bellied fruit fell from their stems; the strawberry moon overripened.

  July softened into mud. Foundations sunk. Death came to our own backyard to claim the operator of one riding lawnmower sputtering around the lake, which slid down the embankment and flipped, pinning man beneath machine. He drowned in broad daylight. The neighbors buzzed around outside.

  August brought its own miseries. We discovered widows nesting in the back room, forgot how to make a metaphor, could not look at a surface without also considering its rupturing. Even the ocean’s skin, darkly glittering, was just that, skin. Something you could pierce or shed. You never knew what would slash through that blue impasto, that knifed gloss. A leviathan. A body. A fin.

  By September there was only the gash in the earth, a mason jar full of larva shells, the random silken sandspur—tokens of those halcyon hauntings.

  The summer I outlived Sylvia

  was all rain and death a thunderstorm quivering cobwebs each lightning bolt an execution flashing against the wet

  wad of words an egg sac a swollen hourglass

  of venom of honey of wing.

  OCTOBER COMES

  & I am the pale-yellow husk

  of the person I once was.

  GRATITUDE

  For you, dear reader.

  For giving my words a home.

  Index

  A FOOTNOTE ABOUT HOPE

  A GIRL, A GHOST

  A LOVE LIKE MINE

  ANATOMICAL HEARTS

  ANTIQUES & ODDITIES

  APEX PREDATOR

  A VICTOR, A VECTOR

  BLOOD ORANGE & PLUM WASH

  BOTTLE ROCKETS

  CANOPIC JARS

  CERULEAN

  CHARIOT THUNDER

  COURAGE & A COMPASS

  CRACKED WIND

  DANDELION CLOCKS

  DEAR MOM

  DEPRESSION

  EMPIRES

  FINE IN THE FIFTIES SENSE

  FIVE MONTHS AGO

  FROM SPACE ALL OUR CITIES LOOK LIKE STARS

  GENTLE WAKES, VIOLENT WAVES

  GRATITUDE

  HARBOR TOWNS

  HELIOTROPIC

  HELIUM

  HIRAETH

  HOLD STILL

  HOW TO TELL A STORM IS COMING

  I AM LOOKING FOR MY MOTHER

  I’M SORRY, OKAY?

  INVINCIBLE

  I’VE KEPT QUIET FOR SO LONG

  I WANT, I WANT, I WANT

  LET’S TAKE THE LONG WAY HOME

  LIKE RAIN ON WARM PAVEMENT

  LITTLE LION, ROAMING THE COLD GOLDEN

  LIVE WIRES

  LONG DAYS, MEANINGLESS NIGHTS

  LOSING YOU IN HUES

  LOVE & LUNACY

  LOVE YOU BETTER

  LUCKY NUMBERS

  MIDAS TOUCHED THE MOUNTAINS

  MONET BLUR

  MULTIVERSE

  NON-EXHUMABLE

  NORTHERN LIGHTS

  OCTOBER COMES

  OLD MAPS

  ON LOVE & FUTURISM

  OR MAYBE I AM THE MOON

  PAMUKKALE

  PAPER DOLLS

  PEANUT BUTTER & MANIC SANDWICHES

  PHILIPPIANS 2:14-15

  POBLANOS

  POP ROCKS & SODA POP

  PROPHECY

  PURPLE AVENS & PRAIRIE SMOKE

  REDWOODS

  SANDSTORMS & MONSOONS

  SEISMIC ACTIVITY

  SINGULARITIES

  SLEEPING DRAGON

  SLOW AS SUMMER

  SLOW DRAG

  SMALL STEPS, GIANT LEAPS

  SONGS WITH OUR EYES CLOSED

  SPACE & SEA, YOU & ME

  SPACESHIPS

  STANDING ON SUNKEN CITIES

  STARGAZING

  STARGAZING AT NOON

  STRAWBERRY FIELDS & FADED FOREVERS

  TELL ME HOW THE WORLD ENDS

  THE BOY CRYING WOLF

  THE BRIGHTEST THING

  THE EINSTEIN-ROSEN BRIDGE

  THE FERMATA

  THE HORIZON IS NOT A LINE

  THE LOBOTOMY

  THE MARTIAN

  THERE IS NOTHING TO SEE HERE

  THE RIFT

  THE SUMMER I OUTLIVED SYLVIA

  THE TIME TRAVELER’S GUIDE TO PLANNING FUNERALS

  THE TOPOGRAPHY OF YOUR BODY

  THE WRAITH

  TILTED HALO, CROOKED CROWN

  TWO TRUTHS, ONE LIE

  VIOLETS & VAGUERIES

  WARMER WHERE YOU ARE

  WEATHERVANES & PAPER PLANES

  WHAT IS SHE?

  WILD THING

  WILTING SUNS

  WOUNDS LIKE MINE

  YOU CAN’T BLAME THE RAIN

  YOU HUNG YOUR HEAD; I HELD MY TONGUE

  YOU, YOU, YOU

  copyright © 2019 by Amanda Torroni. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of reprints in the context of reviews.

  Andrews McMeel Publis
hing

  a division of Andrews McMeel Universal

  1130 Walnut Street, Kansas City, Missouri 64106

  www.andrewsmcmeel.com

  ISBN: 978-1-5248-5206-1

  Library of Congress Control Number: 2018965805

  Hand lettering by Amanda Crevier

  Editor: Patty Rice

  Designer/Art Director: Julie Barnes

  Production Editor: Margaret Daniels

  Production Manager: Cliff Koehler

  Digital Production: Kristen Minter

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