The Garden Murder Case
Page 1
THE GARDEN MURDER CASE
THE GARDEN MURDER CASE
S. S. Van Dine
FELONY & MAYHEM PRESS • NEW YORK
All the characters and events portrayed in this work are fictitious.
THE GARDEN MURDER CASE
A Felony & Mayhem mystery
PRINTING HISTORY First edition (Scribner’s): 1935
Felony & Mayhem edition: 2020
Copyright © 1935 by Charles Scribner’s Sons
Copyright renewed 1954 by Claire R. Wright
All rights reserved
ISBN: 978-1-63194-205-1
Manufactured in the United States of America
Library of Congress Cataloging-in-Publication Data
Names: Van Dine, S. S., author.
Title: The garden murder case / S.S. Van Dine.
Description: Felony & Mayhem edition. | New York : Felony & Mayhem
Press, 2020. | Series: Philo Vance; 9 | Summary: “A classic “house party
gone wrong” scenario forces Philo Vance to distinguish between suicide
and murder”--Provided by publisher.
Identifiers: LCCN 2020045329 | ISBN 9781631942051 (trade paperback) |
ISBN 9781631942136 (ebook)
Subjects: GSAFD: Mystery fiction.
Classification: LCC PS3545.R846 G32 2020 | DDC 813/.52--dc23
LC record available at https://lccn.loc.gov/2020045329
TO MY MOTHER
An two men ride of a horse, one must ride behind.
—Much Ado About Nothing.
The icon above says you’re holding a copy of a book in the Felony & Mayhem “Vintage” category. These books were originally published prior to about 1965, and feature the kind of twisty, ingenious puzzles beloved by fans of Agatha Christie and John Dickson Carr. If you enjoy this book, you may well like other “Vintage” titles from Felony & Mayhem Press.
ANTHONY BERKELEY
The Poisoned Chocolates Case
ELIZABETH DALY
Unexpected Night
Deadly Nightshade
Murders in Volume 2
The House without the Door
Evidence of Things Seen
Nothing Can Rescue Me
Arrow Pointing Nowhere
The Book of the Dead
Any Shape or Form
Somewhere in the House
The Wrong Way Down
Night Walk
The Book of the Lion
And Dangerous to Know
Death and Letters
The Book of the Crime
NGAIO MARSH
A Man Lay Dead
Enter a Murderer
The Nursing Home Murder
Death in Ecstasy
Vintage Murder
Artists in Crime
Death in a White Tie
Overture to Death
Death at the Bar
Surfeit of Lampreys
Death and the Dancing Footman
Colour Scheme
Died in the Wool
Final Curtain
Swing, Brother, Swing
Night at the Vulcan
NGAIO MARSH (con’t)
Spinsters in Jeopardy
Scales of Justice
Death of a Fool
Singing in the Shrouds
False Scent
Hand in Glove
Dead Water
Killer Dolphin
Clutch of Constables
When in Rome
Tied Up in Tinsel
Black as He’s Painted
Last Ditch
A Grave Mistake
Photo Finish
Light Thickens
Collected Short Mysteries
PATRCIA MOYES
Dead Men Don’t Ski
The Sunken Sailor
Death on the Agenda
Murder à la Mode
Falling Star
Johnny Under Ground
Murder Fantastical
Death and the Dutch Uncle
Who Saw Her Die?
Season of Snow and Sins
The Curious Affair of the Third Dog
Black Widower
The Coconut Killings
Who Is Simon Warwick?
Angel Death
A Six-Letter Word for Death
Night Ferry to Death
Black Girl, White Girl
LENORE GLEN OFFORD
Skeleton Key
The Glass Mask
The Smiling Tiger
My True Love Lies
The 9 Dark Hours
S.S. VAN DINE
The Benson Murder Case
The Canary Murder Case
The Greene Murder Case
The Bishop Murder Case
The Scarab Murder Case
The Kennel Murder Case
The Dragon Murder Case
The Casino Murder Case
For more about these books, and other Felony & Mayhem titles, or to place an order, please visit our website at:
www.FelonyAndMayhem.com
CONTENTS
CHAPTER ONE The Trojan Horses
CHAPTER TWO Domestic Revelations
CHAPTER THREE The Rivermont Races
CHAPTER FOUR The First Tragedy
CHAPTER FIVE A Search in the Vault
CHAPTER SIX An Interrupted Interview
CHAPTER SEVEN Evidence of Murder
CHAPTER EIGHT Disconnected Wires
CHAPTER NINE Two Cigarette Stubs
CHAPTER TEN The $10,000 Bet
CHAPTER ELEVEN The Second Revolver
CHAPTER TWELVE Poison Gas
CHAPTER THIRTEEN The Azure Star
CHAPTER FOURTEEN Radioactive Sodium
CHAPTER FIFTEEN Three Visitors
CHAPTER SIXTEEN Through the Garden Door
CHAPTER SEVENTEEN An Unexpected Shot
CHAPTER EIGHTEEN The Scratch Sheet
THE GARDEN MURDER CASE
CHAPTER ONE
The Trojan Horses
(Friday, April 13; 10 p. m.)
THERE WERE TWO reasons why the terrible and, in many ways, incredible Garden murder case—which took place in the early spring following the spectacular Casino murder case*—was so designated. In the first place, the scene of this tragedy was the penthouse home of Professor Ephraim Garden, the great experimental chemist of Stuyvesant University; and secondly, the exact situs criminis was the beautiful private roof-garden over the apartment itself.
It was both a peculiar and implausible affair, and one so cleverly planned that only by the merest accident—or, perhaps I should say a fortuitous intervention—was it discovered at all. Despite the fact that the circumstances preceding the crime were entirely in Philo Vance’s favor, I cannot help regarding it as one of his greatest triumphs in criminal investigation and deduction; for it was his quick uncanny judgments, his ability to read human nature, and his tremendous flair for the significant undercurrents of the so-called trivia of life, that led him to the truth.
The Garden murder case involved a curious and anomalous mixture of passion, avarice, ambition and horse-racing. There was an admixture of hate, also; but this potent and blinding element was, I imagine, an understandable outgrowth of the other factors. However, the case was amazing in its subtleties, its daring, its thought-out mechanism, and its sheer psychological excitation.
The beginning of the case came on the night of April 13. It was one of those mild evenings that we often experience in early spring following a spell of harsh dampness, when all the remaining traces of winter finally capitulate to the inevitable seasonal changes. There was a mellow softness in the air, a sudden perfume from the burgeoning life of nature—the kind of atmosphere that makes one lackadaisical and wist
ful; and, at the same time, stimulates one’s imagination.
I mention this seemingly irrelevant fact because I have good reason to believe these meteorological conditions had much to do with the startling events that were imminent that night and which were to break forth, in all their horror, before another twenty-four hours had passed.
And I believe that the reason, with all its subtle innuendoes, was the real explanation of the change that came over Vance himself during his investigation of the crime. Up to that time I had never considered Vance a man of any deep personal emotion, except in so far as children and animals and his intimate masculine friendships were concerned. He had always impressed me as a man so highly mentalized, so cynical and impersonal in his attitude toward life, that an irrational human weakness like romance would be alien to his nature. But in the course of his deft inquiry into the murders in Professor Garden’s penthouse, I saw, for the first time, another and softer side of his character. Vance was never a happy man in the conventional sense; but after the Garden murder case there were evidences of an even deeper loneliness in his sensitive nature.
But these sentimental side-lights perhaps do not matter in the reportorial account of the astonishing history I am here setting down, and I doubt if they should have been mentioned at all but for the fact that they gave an added inspiration and impetus to the energy Vance exerted and the risks he ran in bringing the murderer to justice.
As I have said, the case opened—so far as Vance was concerned with it—on the night of April 13. John F.-X. Markham, then District Attorney of New York County, had dined with Vance at his apartment in East 38th Street. The dinner had been excellent—as all of Vance’s dinners were—and at ten o’clock the three of us were sitting in the comfortable library, sipping Napoléon 1809—that famous and exquisite cognac brandy of the First Empire.*
Vance and Markham had been discussing crime waves in a desultory manner. There had been a mild disagreement, Vance discounting the theory that crime waves are calculable, and holding that crime is entirely personal and therefore incompatible with generalizations or laws. The conversation had then drifted round to the bored young people of postwar decadence who had, for the sheer excitement of it, organized crime clubs whose members tried their hand at murders wherein nothing was to be gained materially. The Loeb-Leopold case naturally was mentioned, and also a more recent and equally vicious case that had just come to light in one of the leading western cities.
It was in the midst of this discussion that Currie, Vance’s old English butler and majordomo, appeared at the library door. I noticed that he seemed nervous and ill at ease as he waited for Vance to finish speaking; and I think Vance, too, sensed something unusual in the man’s attitude, for he stopped speaking rather abruptly and turned.
“What is it, Currie? Have you seen a ghost, or are there burglars in the house?”
“I have just had a telephone call, sir,” the old man answered, endeavoring to restrain the excitement in his voice.
“Not bad news from abroad?” Vance asked sympathetically.
“Oh, no, sir; it wasn’t anything for me. There was a gentleman on the phone—”
Vance lifted his eyebrows and smiled faintly.
“A gentleman, Currie?”
“He spoke like a gentleman, sir. He was certainly no ordinary person. He had a cultured voice, sir, and—”
“Since your instinct has gone so far,” Vance interrupted, “perhaps you can tell me the gentleman’s age?”
“I should say he was middle-aged, or perhaps a little beyond,” Currie ventured. “His voice sounded mature and dignified and judicial.”
“Excellent!” Vance crushed out his cigarette. “And what was the object of this dignified, middle-aged gentleman’s call? Did he ask to speak to me or give you his name?”
A worried look came into Currie’s eyes as he shook his head.
“No, sir. That’s the strange part of it. He said he did not wish to speak to you personally, and he would not tell me his name. But he asked me to give you a message. He was very precise about it and made me write it down word for word and then repeat it. And the moment I had done so he hung up the receiver.” Currie stepped forward. “Here’s the message, sir.” And he held out one of the small memorandum sheets Vance always kept at his telephone.
Vance took it and nodded a dismissal. Then he adjusted his monocle and held the slip of paper under the light of the table lamp. Markham and I both watched him closely, for the incident was unusual, to say the least. After a hasty reading of the paper he gazed off into space, and a clouded look came into his eyes. He read the message again, with more care, and sank back into his chair.
“My word!” he murmured. “Most extr’ordin’ry. It’s quite intelligible, however, don’t y’ know. But I’m dashed if I can see the connection…”
Markham was annoyed. “Is it a secret?” he asked testily. “Or are you merely in one of your Delphic oracle moods?”
Vance glanced toward him contritely.
“Forgive me, Markham. My mind automatically went off on a train of thought. Sorry—really.” He held the paper again under the light. “This is the message that Currie so meticulously took down: ‘There is a most disturbing psychological tension at Professor Ephraim Garden’s apartment, which resists diagnosis. Read up on radioactive sodium. See Book XI of the Æneid, line 875. Equanimity is essential.’… Curious—eh, what?”
“It sounds a little crazy to me,” Markham grunted. “Are you troubled much with cranks?”
“Oh, this is no crank,” Vance assured him. “It’s puzzlin’, I admit; but it’s quite lucid.”
Markham sniffed skeptically.
“What, in the name of Heaven, have a professor and sodium and the Æneid to do with one another?”
Vance was frowning as he reached into the humidor for one of his beloved Régie cigarettes with a deliberation which indicated a mental tension. Slowly he lighted the cigarette. After a deep inhalation he answered.
“Ephraim Garden, of whom you surely must have heard from time to time, is one of the best-known men in chemical research in this country. Just now, I believe, he’s professor of chemistry at Stuyvesant University—that could be verified in Who’s Who. But it doesn’t matter. His latest researches have been directed along the lines of radioactive sodium. An amazin’ discovery, Markham. Made by Doctor Ernest O. Lawrence, of the University of California, and two of his colleagues there, Doctors Henderson and McMillan. This new radioactive sodium has opened up new fields of research in cancer therapy—indeed, it may prove some day to be the long-looked-for cure for cancer. The new gamma radiation of this sodium is more penetrating than any ever before obtained. On the other hand, radium and radioactive substances can be very dangerous if diffused into the normal tissues of the body and through the blood stream. The chief difficulty in the treatment of cancerous tissue by radiation is to find a selective carrier which will distribute the radioactive substance in the tumor alone. But with the discovery of radioactive sodium tremendous advances have been made; and it will be but a matter of time when this new sodium will be perfected and available in sufficient quantities for extensive experimentation…”*
“That is all very fascinating,” Markham commented sarcastically. “But what has it to do with you, or with trouble in the Garden home? And what could it possibly have to do with the Æneid? They didn’t have radioactive sodium in the time of Æneas.”
“Markham old dear, I’m no Chaldean. I haven’t the groggiest notion wherein the situation concerns either me or Æneas, except that I happen to know the Garden family slightly. But I’ve a vague feeling about that particular book of the Æneid. As I recall, it contains one of the greatest descriptions of a battle in all ancient literature. But let’s see…”
Vance rose quickly and went to the section of his bookshelves devoted to the classics, and, after a few moments’ search, took down a small red volume and began to riffle the pages. He ran his eye swiftly down a page near the end
of the volume and after a minute’s perusal came back to his chair with the book, nodding his head comprehensively, as if in answer to some question he had inwardly asked himself.
“The passage referred to, Markham,” he said after a moment, “is not exactly what I had in mind. But it may be even more significant. It’s the famous onomatopœic Quadrupedumque putrem cursu quatit ungula campum—meanin’, more or less literally: ‘And in their galloping course the horsehoof shakes the crumbling plain.’”
Markham took the cigar from his mouth and looked at Vance with undisguised annoyance.
“You’re merely working up a mystery. You’ll be telling me next that the Trojans had something to do with this professor of chemistry and his radioactive sodium.”
“No. Oh, no.” Vance was in an unusually serious mood. “Not the Trojans. But the galloping horses perhaps.”
Markham snorted. “That may make sense to you.”
“Not altogether,” returned Vance, critically contemplating the end of his cigarette. “There is, nevertheless, the vague outline of a pattern here. You see, young Floyd Garden, the professor’s only offspring, and his cousin, a puny chap named Woode Swift—he’s quite an intimate member of the Garden household, I believe—are addicted to the ponies. Quite a prevalent disease, by the way, Markham. They’re both interested in sports in general—probably the normal reaction to their professorial and ecclesiastical forebears: young Swift’s father, who has now gone to his Maker, was a D.D. of sorts. I used to see both young johnnies at Kinkaid’s Casino occasionally. But the galloping horses are their passion now. And they’re the nucleus of a group of young aristocrats who spend their afternoons mainly in the futile attempt to guess which horses are going to come in first at the various tracks.”
“You know this Floyd Garden well?”
Vance nodded. “Fairly well. He’s a member of the Far Meadows Club and I’ve often played polo with him. He’s a five-goaler and owns a couple of the best ponies in the country. I tried to buy one of them from him once—but that’s beside the point.* The fact is, young Garden has invited me on several occasions to join him and his little group at the apartment when the out-of-town races were on. It seems he has a direct loud-speaker service from all the tracks, like many of the horse fanatics. The professor disapproves, in a mild way, but he raises no serious objections because Mrs. Garden is rather inclined to sit in and take her chances on a horse now and then.”