Solaris

by Stanisław Lem

  Night had come; no different from many nights on Earth. Now I could make out only the white contours of the basin and the smooth surface of the mirror.

  I stood up. Groping my way to the basin, I fumbled among the objects which cluttered up the shelf, and found the packet of cotton wool. I washed my face with a damp wad and stretched out on the bed

  A moth fluttered its wings … no, it was the ventilator-strip. The whirring stopped, then started up again. I could no longer see the window; everything had merged into darkness. A mysterious ray of light pierced the blackness and lingered in front of me—against the wall, or the black sky? I remembered how the blank stare of the night had frightened me the day before, and I smiled at the thought. I was no longer afraid of the night; I was not afraid of anything. I raised my wrist and looked at the ring of phosphorescent figures; another hour, and the blue day would dawn.

  I breathed deeply, savoring the darkness, my mind empty and at rest.

  Shifting my position, I felt the flat shape of the tape-recorder against my hip: Gibarian, his voice immortalized on the spools of tape. I had forgotten to resurrect him, to listen to him—the only thing I could do for him any more. I took the tape-recorder out of my pocket in order to hide it under the bed.

  I heard a rustling sound; the door opened.

  "Kris?" An anxious voice whispered my name. "Kris, are you there? It's so dark…"

  I answered:

  "Yes, I'm here. Don't be frightened, come!"

  The Conference

  I was lying on my back, with Rheya's head resting on my shoulder.

  The darkness was peopled now. I could hear footsteps. Something was piling up above me, higher and higher, infinitely high. The night transfixed me; the night took possession of me, enveloped and penetrated me, impalpable, insubstantial. Turned to stone, I had ceased breathing, there was no air to breathe. As though from a distance, I heard the beating of my heart. I summoned up all my remaining strength, straining every nerve, and waited for death. I went on waiting… I seemed to be growing smaller, and the invisible sky, horizonless, the formless immensity of space, without clouds, without stars, receded, extended and grew bigger all round me. I tried to crawl out of bed, but there was no bed; beneath the cover of darkness there was a void. I pressed my hands to my face. I no longer had any fingers or any hands. I wanted to scream…

  The room floated in a blue penumbra, which outlined the furniture and the laden bookshelves, and drained everything of color. A pearly whiteness flooded the window.

  I was drenched with sweat. I glanced to one side. Rheya was gazing at me.

  She raised her head.

  "Has your arm gone to sleep?"

  Her eyes too had been drained of color; they were grey, but luminous, beneath the black lashes.

  "What?" Her murmured words had seemed like a caress even before I understood their meaning. "No. Ah, yes!" I said, at last.

  I put my hand on her shoulder; I had pins and needles in my fingers.

  "Did you have a bad dream?" she asked.

  I drew her to me with my other hand.

  "A dream? Yes, I was dreaming. And you, didn't you sleep?"

  "I don't know. I don't think so. I'm sleepy. But that mustn't stop you from sleeping… Why are you looking at me like that?"

  I closed my eyes. Her heart was beating against mine. Her heart? A mere appendage, I told myself. But nothing surprised me any longer, not even my own indifference. I had crossed the frontiers of fear and despair. I had come a long way—further than anyone had ever come before.

  I raised myself on my elbow. Daybreak … and the peace that comes with dawn? A silent storm had set the cloudless horizon ablaze. A streak of light, the first ray of the blue sun, penetrated the room and broke up into sharp-edged reflections; there was a crossfire of sparks, which coruscated off the mirror, the door handles, the nickel pipes. The light scattered, falling on to every smooth surface as though it wanted to conquer ever more space, to set the room alight. I looked at Rheya; the pupils of her grey eyes had contracted.

  She asked in an expressionless voice, "Is the night over already?"

  "Night never lasts long here."

  "And us?"

  "What about us?"

  "Are we going to stay here long?"

  Coming from her, the question had its comic side; but when I spoke, my voice held no trace of gaiety.

  "Quite a long time, probably. Why, don't you want to stay here?"

  Her eyes did not blink. She was looking at me inquiringly. Did I see her blink? I was not sure. She drew back the blanket and I saw the little pink scar on her arm.

  "Why are you looking at me like that?"

  "Because you're very beautiful."

  She smiled, without a trace of mischief, modestly acknowledging my compliment.

  "Really? It's as though … as though…"

  "What?"

  "As though you were doubtful of something."

  "What nonsense!"

  "As though you didn't trust me and I were hiding something from you…"

  "Rubbish!"

  "By the way you're denying it, I can tell I'm right."

  The light became blinding. Shading my eyes with my hand, I looked for my dark glasses. They were on the table. When I was back by her side, Rheya smiled.

  "What about me?"

  It took me a minute to understand what she meant.

  "Dark glasses?"

  I got up and began to hunt through drawers and shelves, pushing aside books and instruments. I found two pairs of glasses, which I gave to Rheya. They were too big; they fell half way down her nose.

  The shutters slid over the window; it was dark once more. Groping, I helped Rheya remove her glasses and put both pairs down under the bed.

  "What shall we do now?" she asked.

  "At night-time, one sleeps!"

  "Kris…"

  "Yes?"

  "Do you want a compress for your forehead?"

  "No, thanks. Thank you … my darling."

  I don't know why I had added those two words. In the darkness, I took her by her graceful shoulders. I felt them tremble, and I knew, without the least shadow of doubt, that I held Rheya in my arms. Or rather, I understood in that moment that she was not trying to deceive me; it was I who was deceiving her, since she sincerely believed herself to be Rheya.

  I dropped off several times after that, and each time an anguished start jolted me awake. Panting, exhausted, I pressed myself closer to her; my heart gradually growing calmer. She touched me cautiously on the cheeks and forehead with the tips of her fingers, to see whether or not I was feverish. It was Rheya, the real Rheya, the one and only Rheya.

  A change came over me; I ceased to struggle and almost at once I fell asleep.

  I was awakened by an agreeable sensation of coolness. My face was covered by a damp cloth. I pulled it off and found Rheya leaning over me. She was smiling and squeezing out a second cloth over a bowl.

  "What a sleep!" she said, laying another compress on my forehead. "Are you ill?"

  "No."

  I wrinkled my forehead; the skin was supple once again. Rheya sat on the edge of my bed, her black hair brushed back over the collar of a bathrobe—a man's bathrobe, with orange and black stripes, the sleeves turned back to the elbow.

  I was terribly hungry; it was at least twenty hours since my last meal. When Rheya had finished her ministrations I got up. Two dresses, draped over the back of a chair caught my eye—two absolutely identical white dresses, each decorated with a row of red buttons. I myself had helped Rheya out of one of them, and she had reappeared, yesterday evening, dressed in the second.

  She followed my glance.

  "I had to cut the seam open with scissors," she said. "I think the zip fastener must have got stuck."

  The sight of the two identical dresses filled me with a horror which exceeded anything I had felt hitherto. Rheya was busy tidying up the medicine chest. I turned my back and bit my knuckles. Unable to take my eyes
off the two dresses—or rather the original dress and its double—I backed towards the door. The basin tap was running noisily. I opened the door and, slipping out of the room, cautiously closed it behind me. I heard the sound of running water, the clinking of bottles; then, suddenly, all sound ceased. I waited, my jaw clenched, my hands gripping the door handle, but with little hope of holding it shut. It was nearly torn from my grasp by a savage jerk. But the door did not open; it shook and vibrated from top to bottom. Dazed, I let go of the handle and stepped back. The panel, made of some plastic material, caved in as though an invisible person at my side had tried to break into the room. The steel frame bent further and further inwards and the paint was cracking. Suddenly I understood: instead of pushing the door, which opened outwards, Rheya was trying to open it by pulling it towards her. The reflection of the lighting strip in the ceiling was distorted in the white-painted door-panel; there was a resounding crack and the panel, forced beyond its limits, gave way. Simultaneously the handle vanished, torn from its mounting. Two bloodstained hands appeared, thrusting through the opening and smearing the white paint with blood. The door split in two, the broken halves hanging askew on their hinges. First a face appeared, deathly pale, then a wild-looking apparition, dressed in an orange and black bathrobe, flung itself sobbing upon my chest.

  I wanted to escape, but it was too late, and I was rooted to the spot. Rheya was breathing convulsively, her dishevelled head drumming against my chest. Before I could put my arms round her to hold her up, Rheya collapsed.

  Avoiding the ragged edges of the broken panel, I carried her into the room and laid her on the bed. Her fingertips were grazed and the nails torn. When her hands turned upwards, I saw that the palms were cut to the bone. I examined her face; her glazed eyes showed no sign of recognition.

  "Rheya."

  The only answer was an inarticulate groan.

  I went over to the medicine chest. The bed creaked; I turned round; Rheya was sitting up, looking at her bleeding hands with astonishment.

  "Kris," she sobbed, "I … I … what happened to me?"

  "You hurt yourself trying to break down the door," I answered curtly.

  My lips were twitching convulsively, and I had to bite the lower one to keep it under control.

  Rheya's glance took in the pieces of door-panel hanging from the steel frame, then she turned her eyes back towards me. She was doing her best to hide her terror, but I could see her chin trembling.

  I cut off some squares of gauze, picked up a pot of antiseptic powder and returned to the bedside. The glass jar slipped through my hands and shattered—but I no longer needed it.

  I lifted one of Rheya's hands. The nails, still surrounded by traces of clotted blood, had regrown. There was a pink scar in the hollow of her palm, but even this scar was healing, disappearing in front of my eyes.

  I sat beside her and stroked her face, trying to smile without much success.

  "What did you do that for, Rheya?"

  "I did … that?"

  With her eyes, she indicated the door.

  "Yes… Don't you remember?"

  "No … that is, I saw you weren't there, I was very frightened, and…"

  "And what?"

  "I looked for you. I thought that perhaps you were in the bathroom…"

  Only then did I notice that the sliding door covering the entrance to the bathroom had been pushed back.

  "And then?"

  "I ran to the door."

  "And after that?"

  "I can't remember… Something must have happened…”

  "What?"

  "I don't know."

  "What do you remember?"

  "I was sitting here, on the bed."

  She swung her legs over the edge of the bed, got up and went over to the shattered door.

  "Kris!"

  Walking up behind her, I took her by the shoulders; she was shaking. She suddenly turned and whispered:

  "Kris, Kris…"

  "Calm yourself!"

  "Kris, if it's me … Kris, am I an epileptic?"

  "What an extraordinary idea, my sweet. The doors in this place are rather special…"

  We left the room as the shutter was grinding its way up the window; the blue sun was sinking into the ocean.

  I guided Rheya to the small kitchen on the other side of the dome. Together we raided the cupboards and the refrigerators. I soon noticed that Rheya was scarcely better than I was at cooking or even at opening tins. I devoured the contents of two tins and drank innumerable cups of coffee. Rheya also ate, but as children eat when they are not hungry and do not want to displease their parents; on the other hand, she was not forcing herself, simply taking in nourishment automatically, indifferently.

  After our meal, we went into the sick bay, next to the radio-cabin. I had had an idea. I told Rheya that I wanted to give her a medical examination—a straightforward check-up—sat her in a mechanical chair, and took a syringe and some needles out of the sterilizer. I knew exactly where each object was to be found; as far as the model of the Station's interior was concerned, the instructors had not overlooked a single detail during my training course. Rheya held out her fingers; I took a sample of blood. I smeared the blood on to a slide which I laid in the suction pipe, introduced it into the vacuum tank and bombarded it with silver ions.

  Performing a familiar task had a soothing effect, and I felt better. Rheya, leaning back on the cushions in the mechanical chair, gazed around at the instruments in the sick bay.

  The buzzing of the videophone broke the silence; I lifted the receiver:

  "Kelvin."

  I looked at Rheya; she was still quiet, apparently exhausted by her recent efforts.

  I heard a sigh of relief.

  "At last."

  It was Snow. I waited, the receiver pressed close to my ear.

  "You've had a visit, haven't you?"

  "Yes."

  "Are you busy?"

  "Yes."

  "A little auscultation, eh?"

  "I suppose you've got a better suggestion—a game of chess maybe?"

  "Don't be so touchy, Kelvin! Sartorius wants to meet you, he wants all three of us to meet."

  "Very kind of him!" I answered, taken aback. "But…" I stopped, then went on: "Is he alone?"

  "No. I haven't explained properly. He wants to have a talk with us. We'll set up a three-way videophone link, but with the telescreen lenses covered."

  "I see. Why didn't he contact me himself? Is he frightened of me?"

  "Quite possibly," grunted Snow. "What do you say?"

  "A conference. In an hour's time. Will that suit you?"

  "That's fine."

  I could see him on the screen—just his face, about the size of a fist. For a moment, he looked at me attentively; I could hear the crackling of the electric current. Then he said, hesitantly:

  "Are you getting on all right?"

  "Not too bad. How about you?"

  "Not so well as you, I dare say. May I…?"

  "Do you want to come over here?"

  I glanced at Rheya over my shoulder. She was leaning back, legs crossed, her head bent. With a morose air, she was fiddling mechanically with the little chrome ball on the end of a chain fixed to the arm-rest.

  Snow's voice erupted:

  "Stop that, do you hear? I told you to stop it!"

  I could see his profile on the screen, but I could no longer hear him although his lips were moving—he had put his hand over the microphone.

  "No, I can't come," he said quickly. "Later perhaps, in any case, I'll contact you in an hour."

  The screen went blank; I replaced the receiver.

  "Who was it?" asked Rheya indifferently.

  "Snow, a cybernetician. You don't know him."

  "Is this going on much longer?"

  "Are you bored?"

  I put the first of the series of slides into the neutron microscope, and, one after another, I pressed the different-colored switches; the magnetic fields rumble
d hollowly.

  "There's not much to do in here, and if my humble company isn't enough for you…"

  I was talking distractedly, with long gaps between my words.

  I pulled the big black hood round the eye-piece of the microscope towards me, and leaned my forehead against the resilient foam-rubber viewer. I could hear Rheya's voice, but without taking in what she was saying. Beneath my gaze, sharply foreshortened, was a vast desert flooded with silvery light, and strewn with rounded boulders—red corpuscles—which trembled and wriggled behind a veil of mist. I focused the eye-piece and penetrated further into the depths of the silvery landscape. Without taking my eyes away from the viewer, I turned the view-finder; when a boulder, a single corpuscle, detached itself and appeared at the junction of the cross-hairs, I enlarged the image. The lens had apparently picked up a deformed erythrocyte, sunken in the centre, whose uneven edges projected sharp shadows over the depths of a circular crater. The crater, bristling with silver ion deposits, extended beyond the microscope's field of vision. The nebulous outlines of threads of albumen, distorted and atrophied, appeared in the midst of an opalescent liquid. A worm of albumen twisted and turned beneath the cross-hairs of the lens. Gradually I increased the enlargement. At any moment, I should reach the limit of this exploration of the depths; the shadow of a molecule occupied the whole of the space; then the image became fuzzy.

  There was nothing to be seen. There should have been the ferment of a quivering cloud of atoms, but I saw nothing. A dazzling light filled the screen, which was flawlessly clear. I pushed the lever to its utmost. The angry, whirring noise grew louder, but the screen remained a blank. An alarm signal sounded once, then was repeated; the circuit was overloaded. I took a final look at the silvery desert, then I cut the current.

  I looked at Rheya. She was in the middle of a yawn which she changed adroitly into a smile.

  "Am I in good health?" she asked.

  "Excellent. Couldn't be better."

  I continued to look at her and once more I felt as though something was crawling along my lower lip. What had happened exactly? What was the meaning of it? Was this body, frail and weak in appearance but indestructible in reality, actually made of nothing? I gave the microscope cylinder a blow with my fist. Was the instrument out of order? No, I knew that it was working perfectly. I had followed the procedure faithfully: first the cells, then the albumen, then the molecules; and everything was just as I was accustomed to seeing it in the course of examining thousands of slides. But the final step, into the heart of the matter, had taken me nowhere.