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The Penguin Book of English Verse

Page 95

by Paul Keegan


  (written 1825–44)

  THOMAS LOVELL BEDDOES from The Last Man 1851

  A Crocodile

  Hard by the lilied Nile I saw

  A duskish river-dragon stretched along,

  The brown habergeon of his limbs enamelled

  With sanguine almandines and rainy pearl:

  And on his back there lay a young one sleeping,

  No bigger than a mouse; with eyes like beads,

  And a small fragment of its speckled egg

  Remaining on its harmless, pulpy snout;

  A thing to laugh at, as it gaped to catch

  The baulking, merry flies. In the iron jaws

  Of the great devil-beast, like a pale soul

  Fluttering in rocky hell, lightsomely flew

  A snowy troculus, with roseate beak

  Tearing the hairy leeches from his throat.

  (written 1823–5)

  A Lake

  A lake

  Is a river curled and asleep like a snake.

  (written 1823–5; 1935)

  1852MATTHEW ARNOLD To Marguerite – Continued

  Yes! in the sea of life enisled,

  With echoing straits between us thrown,

  Dotting the shoreless watery wild,

  We mortal millions live alone.

  The islands feel the enclasping flow,

  And then their endless bounds they know.

  But when the moon their hollows lights,

  And they are swept by balms of spring,

  And in their glens, on starry nights,

  The nightingales divinely sing;

  And lovely notes, from shore to shore,

  Across the sounds and channels pour –

  Oh! then a longing like despair

  Is to their farthest caverns sent;

  For surely once, they feel, we were

  Parts of a single continent!

  Now round us spreads the watery plain –

  Oh might our marges meet again!

  Who order’d, that their longing’s fire

  Should be, as soon as kindled, cool’d?

  Who renders vain their deep desire? –

  A God, a God their severance ruled!

  And bade betwixt their shores to be

  The unplumb’d, salt, estranging sea.

  1853WALTER SAVAGE LANDOR

  Our youth was happy: why repine

  That, like the Year’s, Life’s days decline?

  ’Tis well to mingle with the mould

  When we ourselves alike are cold,

  And when the only tears we shed

  Are of the dying on the dead.

  WALTER SAVAGE LANDOR Separation

  There is a mountain and a wood between us,

  Where the lone shepherd and late bird have seen us

  Morning and noon and even-tide repass.

  Between us now the mountain and the wood

  Seem standing darker than last year they stood,

  And say we must not cross, alas! alas!

  JAMES HENRY 1854

  Another and another and another

  And still another sunset and sunrise,

  The same yet different, different yet the same,

  Seen by me now in my declining years

  As in my early childhood, youth and manhood;

  And by my parents and my parents’ parents,

  And by the parents of my parents’ parents,

  And by their parents counted back for ever,

  Seen, all their lives long, even as now by me;

  And by my children and my children’s children

  And by the children of my children’s children

  And by their children counted on for ever

  Still to be seen as even now seen by me;

  Clear and bright sometimes, sometimes dark and clouded

  But still the same sunsetting and sunrise;

  The same for ever to the never ending

  Line of observers, to the same observer

  Through all the changes of his life the same:

  Sunsetting and sunrising and sunsetting,

  And then again sunrising and sunsetting,

  Sunrising and sunsetting evermore.

  JAMES HENRY

  The són’s a poor, wrétched, unfórtunate creáture,

  With a náme no less wrétched: I-WOULD-IF-I-COULD;

  But the fáther’s rich, glórious and háppy and mighty

  And his térrible náme is I-COULD-IF-I-WOULD.

  1855ROBERT BROWNING Love in a Life

  Room after room,

  I hunt the house through

  We inhabit together.

  Heart, fear nothing, for, heart, thou shalt find her –

  Next time, herself! – not the trouble behind her

  Left in the curtain, the couch’s perfume!

  As she brushed it, the cornice-wreath blossomed anew:

  Yon looking-glass gleamed at the wave of her feather.

  Yet the day wears,

  And door succeeds door;

  I try the fresh fortune –

  Range the wide house from the wing to the centre.

  Still the same chance! she goes out as I enter.

  Spend my whole day in the quest, – who cares?

  But ’tis twilight, you see, – with such suites to explore,

  Such closets to search, such alcoves to importune!

  ROBERT BROWNING How It Strikes a Contemporary

  I only knew one poet in my life:

  And this, or something like it, was his way.

  You saw go up and down Valladolid,

  A man of mark, to know next time you saw.

  His very serviceable suit of black

  Was courtly once and conscientious still,

  And many might have worn it, though none did:

  The cloak, that somewhat shone and showed the threads,

  Had purpose, and the ruff, significance.

  He walked and tapped the pavement with his cane,

  Scenting the world, looking it full in face,

  An old dog, bald and blindish, at his heels.

  They turned up, now, the alley by the church,

  That leads nowhither; now, they breathed themselves

  On the main promenade just at the wrong time:

  You’d come upon his scrutinizing hat,

  Making a peaked shade blacker than itself

  Against the single window spared some house

  Intact yet with its mouldered Moorish work, –

  Or else surprise the ferrel of his stick

  Trying the mortar’s temper ’tween the chinks

  Of some new shop a-building, French and fine.

  He stood and watched the cobbler at his trade,

  The man who slices lemons into drink,

  The coffee-roaster’s brazier, and the boys

  That volunteer to help him turn its winch.

  He glanced o’er books on stalls with half an eye,

  And fly-leaf ballads on the vendor’s string,

  And broad-edge bold-print posters by the wall.

  He took such cognizance of men and things,

  If any beat a horse, you felt he saw;

  If any cursed a woman, he took note;

  Yet stared at nobody, – you stared at him,

  And found, less to your pleasure than surprise,

  He seemed to know you and expect as much.

  So, next time that a neighbour’s tongue was loosed,

  It marked the shameful and notorious fact,

  We had among us, not so much a spy,

  As a recording chief-inquisitor,

  The town’s true master if the town but knew!

  We merely kept a governor for form,

  While this man walked about and took account

  Of all thought, said and acted, then went home,

  And wrote it fully to our Lord the King

  Who has an itch to know things, he knows why,

  And reads them in his bedroom of a night.


  Oh, you might smile! there wanted not a touch,

  A tang of… well, it was not wholly ease

  As back into your mind the man’s look came.

  Stricken in years a little, – such a brow

  His eyes had to live under! – clear as flint

  On either side the formidable nose

  Curved, cut and coloured like an eagle’s claw.

  Had he to do with A.’s surprising fate?

  When altogether old B. disappeared

  And young C. got his mistress, – was’t our friend,

  His letter to the King, that did it all?

  What paid the bloodless man for so much pains?

  Our Lord the King has favourites manifold,

  And shifts his ministry some once a month;

  Our city gets new governors at whiles, –

  But never word or sign, that I could hear,

  Notified to this man about the streets

  The King’s approval of those letters conned

  The last thing duly at the dead of night.

  Did the man love his office? Frowned our Lord,

  Exhorting when none heard – ‘Beseech me not!

  Too far above my people, – beneath me!

  I set the watch, – how should the people know?

  Forget them, keep me all the more in mind!’

  Was some such understanding ’twixt the two?

  I found no truth in one report at least –

  That if you tracked him to his home, down lanes

  Beyond the Jewry, and as clean to pace,

  You found he ate his supper in a room

  Blazing with lights, four Titians on the wall,

  And twenty naked girls to change his plate!

  Poor man, he lived another kind of life

  In that new stuccoed third house by the bridge,

  Fresh-painted, rather smart than otherwise!

  The whole street might o’erlook him as he sat,

  Leg crossing leg, one foot on the dog’s back,

  Playing a decent cribbage with his maid

  (Jacynth, you’re sure her name was) o’er the cheese

  And fruit, three red halves of starved winter-pears,

  Or treat of radishes in April. Nine,

  Ten, struck the church clock, straight to bed went he.

  My father, like the man of sense he was,

  Would point him out to me a dozen times;

  ‘’St – ’St,’ he’d whisper, ‘the Corregidor!’

  I had been used to think that personage

  Was one with lacquered breeches, lustrous belt,

  And feathers like a forest in his hat,

  Who blew a trumpet and proclaimed the news,

  Announced the bull-fights, gave each church its turn,

  And memorized the miracle in vogue!

  He had a great observance from us boys;

  We were in error; that was not the man.

  I’d like now, yet had haply been afraid,

  To have just looked, when this man came to die,

  And seen who lined the clean gay garret-sides

  And stood about the neat low truckle-bed,

  With the heavenly manner of relieving guard.

  Here had been, mark, the general-in-chief,

  Through a whole campaign of the world’s life and death,

  Doing the King’s work all the dim day long,

  In his old coat and up to knees in mud,

  Smoked like a herring, dining on a crust, –

  And, now the day was won, relieved at once!

  No further show or need for that old coat,

  You are sure, for one thing! Bless us, all the while

  How sprucely we are dressed out, you and I!

  A second, and the angels alter that.

  Well, I could never write a verse, – could you?

  Let’s to the Prado and make the most of time.

  ROBERT BROWNING Memorabilia

  Ah, did you once see Shelley plain,

  And did he stop and speak to you

  And did you speak to him again?

  How strange it seems and new!

  But you were living before that,

  And also you are living after;

  And the memory I started at –

  My starting moves your laughter.

  I crossed a moor, with a name of its own

  And a certain use in the world no doubt,

  Yet a hand’s-breadth of it shines alone

  ‘Mid the blank miles round about:

  For there I picked up on the heather

  And there I put inside my breast

  A moulted feather, an eagle-feather!

  Well, I forget the rest.

  ROBERT BROWNING Two in the Campagna

  I wonder do you feel today

  As I have felt since, hand in hand,

  We sat down on the grass, to stray

  In spirit better through the land,

  This morn of Rome and May?

  For me, I touched a thought, I know,

  Has tantalized me many times,

  (Like turns of thread the spiders throw

  Mocking across our path) for rhymes

  To catch at and let go.

  Help me to hold it! First it left

  The yellowing fennel, run to seed

  There, branching from the brickwork’s cleft,

  Some old tomb’s ruin: yonder weed

  Took up the floating weft,

  Where one small orange cup amassed

  Five beetles, – blind and green they grope

  Among the honey-meal: and last,

  Everywhere on the grassy slope

  I traced it. Hold it fast!

  The champaign with its endless fleece

  Of feathery grasses everywhere!

  Silence and passion, joy and peace,

  An everlasting wash of air –

  Rome’s ghost since her decease.

  Such life here, through such lengths of hours,

  Such miracles performed in play,

  Such primal naked forms of flowers,

  Such letting nature have her way

  While heaven looks from its towers!

  How say you? Let us, O my dove,

  Let us be unashamed of soul,

  As earth lies bare to heaven above!

  How is it under our control

  To love or not to love?

 

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