Sharpe 3-Book Collection 5: Sharpe's Company, Sharpe's Sword, Sharpe's Enemy

by Bernard Cornwell

  The German squadrons were still at the canter. They wheeled left, they aligned their ranks, and the madness came on them. The trumpets threw them on.

  Lossow, his men, Sharpe and Harper, came up behind the Heavy Squadrons as they began the final charge. Sharpe knew this was madness, knew this was doomed, but it was irresistible. The sword was long in his hand, his blood sang with the trumpet’s challenge, and they went on; galloping into the impossible charge.

  Chapter 27

  The German Heavy Dragoons were jealous. The day before the British Heavy Cavalry had charged to glory, had bloodied their swords to the hilts against French infantry that had not had time to form square. The Germans did not like the British having all the glory.

  The Germans were also disciplined, the most disciplined of all Wellington’s cavalry. Not for them the British habit of charging once and then going berserk in a mad chase that left the horses blown and their riders vulnerable to the enemy’s reserves. The Germans were coolly efficient about war. But not now. Now they were suddenly enraged, enough to attempt the impossible. Four hundred and fifty men, less those who had already died, were charging fifteen hundred well formed infantry. The trumpet hurled them into the gallop.

  They had no chance, Sharpe knew, but the madness was driving sense out of his head. Artillery could break a square, infantry could break a square, but cavalry could not. There was a mathematical logic that proved it. A man on horseback needed some four feet of width in which to charge. Facing him, in four ranks, were eight men. An infantryman only needed two feet, slightly less, and so the horseman was charging down a narrow corridor at the end of which waited eight bullets and eight bayonets. And even if the infantry were unloaded, if they only had their bayonets, then the charge would still fail. A horse would not charge home that solid wall of men and steel. It would go so far, then swerve, and Sharpe had stood in squares often enough to know how safe they were. This was an impossible charge.

  There was terror and madness in the air. The Germans had turned into this charge in a sudden explosion of anger. Their long heavy swords were raised for the first stroke, the hooves slung up great clods of turf, and the French square nearest to the charge fired again. Eighty yards to go.

  Screams came from ahead of Sharpe. He had a glimpse of a horse sliding on its belly, head up and yellow teeth bared to the sky. A man rolled over and over, blood whipping from his neck, his sword stuck straight up and quivering in the ground. The trumpet again, incoherent challenges, and everywhere the hammering of hooves that filled the valley.

  A horse drummed the earth with its legs, dying on its side, blood frothing as it lashed its neck and screamed in pain. The second rank gathered itself, jumped, and the French had saved one rank’s muskets for the moment. Smoke pumped from the square, bullets lashed at the charge, and a man was hit at full jump. He came backwards from his horse, a halo of blood about his face, and the horse went on alone. A standard bearer was down, his horse dead, and he ran with the standard, holding it aloft, and another German leaned left from the saddle, took the staff at the full gallop, and again the banner was high and taking them on in the impossible charge.

  The earth quivered with the heavy horses, with the hammer of their hooves. The ranks had loosened in this madness so the valley seemed filled with big men on big horses, the sunlight catching their swords, the brass-plated straps of the bicornes, and the gleaming hooves that drove them on. The hooves threw up earth that stung Sharpe’s face. The horses seemed to strain towards the enemy, their eyes wild, their teeth bared, and Sharpe let the madness flow up in him to conquer the terror. He rode past a dead horse, its rider crouching for safety behind the corpse, and Sharpe had never done this. He had never ridden with the cavalry in a charge and there was a splendour to it that he could not have dreamt. This was the moment when a man became a god, when the air was noise, when speed lent its strength to the sword, a glorious feeling in those minutes before a bullet turned the god into dead meat.

  A cavalryman, wounded, was being dragged by his stirrup. He screamed.

  At fifty yards another rank of the square brought up their muskets, looked into the storm of anger, and fired. A horse and rider tumbled, hooves high in the sunlight, falling, and the blood streaked impossibly far on the grass, then the next rank was past, manes flying, and still the French had one more loaded rank.

  The square blossomed smoke. A bullet hammered past Sharpe, but he did not hear it. He could only hear the hooves. An officer ahead of Sharpe was hit. He saw the man shaking with the pain, imagined the scream that he could not hear in this valley of noise, and saw the long sword dangle useless by its wrist strap. The man’s horse was hit too, jerking its head in sudden pain, yet it charged on. A dying man on a dying horse leading the charge.

  The trumpet hurled them at the enemy. One trumpeter was down, his legs broken, yet he played on, played the charge again and again, the notes that could drive a man into wild glory. These screams in the valley, horses and men, screams of pain drowned by the trumpets. The guidons were lowered like lances, it was the final moment, and crossfire took them from another square and one guidon went down, point first into the earth and the man who had held it seemed to fall so slowly, then suddenly he was rolling and screaming, streaking the grass with his blood, and still the charge was led by a dying man on a dying horse. The man died first. He fell forward onto the neck of his horse, yet the horse still obeyed its last command. It charged. It used up its blood, its great heart pumping to the dying limbs, and the horse fell to its knees. Still it tried to charge as it slid on the grass, slick with blood that pumped from its chest, and it slid with its dead burden and died itself. And as it died, and could not turn, it slid like a great missile of dead meat into the front face of the square. Man and horse, in death, smashing the ranks back, opening the gap, and the next rank of Germans saw it.

  They saw daylight. They twitched the reins, they screamed, and the French tried desperately to remake the line. Too late. A horse was there, the first sword came sobbing down, and then the horse was hit by a musket ball, it fell, made more space, and two more horses were in the gap, the swords hissed, and the horses leaped the pile of dead and were within the square. The French were dead men.

  Some ran, some surrendered, others fought. The Germans came at them with their long swords and the horses fought as they were trained to fight. The horses killed with their hooves, hammering at skulls, they bit so that a man could lose his face in one horrid second of bowel-loosening fear, and the dust rose with the screams as the last German squadrons tugged right and went for another square.

  Survivors of the first clawed at the second square, they tore into its ranks and the horsemen came too. Harper was there, the sabre fast in his hand, and Spears’ horse was trained for this. It moved constantly so no infantryman could hamstring it, it lined up the targets for the sabre, and the Irishman was chanting his Gaelic war cries, the slaughter-madness on him, and the valley was filled with the horsemen, the swords, and the hopeless infantry.

  The second square collapsed, broke apart, and the Germans grunted as they brought the heavy blades down in the killing blows. The trumpeter, his legs broken, still lashed them into a fury, though now the notes were of pure triumph. Sharpe’s horse, not trained for war, swerved from the chaos and he swore at it, tugged at the reins, and then a mounted French infantry officer came for him, sword held like a lance, and Sharpe lashed with his great sword, missed, and he cursed this horse that would not take him to the target. Leroux?

  Where in God’s name was Leroux?

  He could see Harper. The Irishman was in among the fugitives from the second square. One man came at the Sergeant with a bayonet and Harper kicked up with his foot, caught the bayonet, and then sliced down with the sabre. The man fell, and his shako was ludicrously stuck on Harper’s sabre. It stayed there through two more strokes, then shook itself offas the huge Sergeant killed a French officer.

  Sharpe could see Hogan. The Major, his sword not even d
rawn, was circling among the infantry shouting at them to surrender. The muskets were being thrown down, the hands going up, but still Sharpe could not see Leroux.

  The third square was retreating up the hillslope. Back there somewhere, Sharpe knew, were two more French Battalions. A new trumpet call rang out, reforming two squadrons, and then Sharpe saw Leroux. He was in the third square. He had been on foot, but now swung himself into his saddle, and Sharpe kicked with his heels and rode towards the unbroken square. Its men were nervous, panicked by the smell of blood and fear, and as Sharpe rode so did the trumpet throw the reformed squadrons against the square.

  The first two squares were ended. Most had surrendered, many were dead, and the Germans, who had done a fine thing, wanted to do more. Individual riders spurred towards the unbroken square.

  The square fired, not at the cavalry, but at survivors of the first squares who wanted to break into its ranks. The infantry were frantic with fear, stumbling as the square inched backwards, and the first Germans came, were blasted from the saddles, while one man rode down the face of the square, his face a mask of blood, and his long sword beat uselessly at the bayonets, rattled against muskets, and then a shot threw him onto the ground.

  More Germans charged home, the swords fell, and there was no reason for the square to break, yet its men were terrified of the fate of their comrades. Some threw down their muskets, raised their hands, and Sharpe could see the mounted officers in the square’s interior tearing at their standard. This Battalion did not carry the Regiment’s Eagle, they carried a flag which they tore into strips to hide in their uniforms. The square was dying and Sharpe saw the surrender and still he charged, wanting to break through the ranks to get his enemy, Leroux.

  Leroux had not yet given up. He had not expected this - what man could? He had ridden all night, looping far to the south to avoid British cavalry patrols, and at Alba de Tormes, in the dawn, he had pulled off the heavy cassock that had been his disguise. He had thought himself safe in the square. He had never seen a square broken, never, not even when he had charged with the Emperor himself. And now this!

  Leroux could see the German horsemen all around the surrendering square, yet there were not many. Most had ridden on to the two French Battalions in the rear. It would still be possible for the Frenchman to break out, to ride north for a mile before turning east, and he rode to the north side of the square, shouted at the ranks to split, and then he saw Sharpe coming directly at him. That damned Rifleman! He had thought Sharpe dead, wished him dead, had treasured his memory of the screams on the upper cloister, and then his idiot sister had taken a fancy to the man, protected him, and the bastard was back. This time he would kill him. He drew the pistol, the deadly, rifled pistol, from its chest holster and levelled it over the ranks of the square. He could not miss. He pulled the trigger.

  Sharpe hauled on the rein, leaned back, and La Marquesa’s horse reared up, hooves flailing, and the bullet took the horse in the throat. Sharpe kicked the stirrups free, pushed desperately away from the saddle, and then he was rolling on the grass as the horse fell at the French ranks. The men shrank back, pushed back, and Sharpe snarled at them, picked up his sword, and plunged into their ranks.

  They could have killed him, any one of them, yet they wanted only to surrender. They let Sharpe through, their faces dull, and he snatched a musket from a man in the rear rank. The French soldiers watched the tall Rifleman, feared him, and not one lifted a finger against him.

  Leroux was shouting at another face of the square, beating with the flat of his Kligenthal, and Sharpe propped his own sword against his leg, checked the unfamiliar pan of the musket, and levelled it. His rifle was on his back, still without ammunition, and this heavy, strange musket would have to suffice. He pulled the trigger.

  Powder stung his face, the kick slammed his shoulder, the smoke blinded him. He tossed the musket down, picked up his sword, and Leroux was hit! He was clutching his left leg, blood showing, and the ball must have passed through the flesh of his thigh, through the saddle, and stung the horse. It reared up in sudden pain and Leroux had to snatch at its mane, he tried to control it, but it reared again and he was falling.

  The square had surrendered. Some Germans already pushed their way into its centre and one of them took a strip of the tasselled gold cloth that had been the French standard and waved it high, shouting at his comrades. The French soldiers sat down, muskets beside them, resigned to their fate.

  Leroux struck the ground, was winded, and the pain in his left leg made him wince. He had dropped the Kligenthal and he could not see because his big, round, fur hat had slipped over his eyes. He knelt up, pushed the hat back, and the Kligenthal was on the ground. A boot was across the blade. Leroux slowly looked up, past the black trousers, past the tattered green jacket, and he saw his own death in the eyes of the Rifleman.

  Sharpe saw the fear in the pale eyes. He stepped back a pace, releasing the Kligenthal, and smiled at Leroux. “Get up, you bastard.”

  Chapter 28

  The two French Battalions at the rear were not shaken by the breaking of the squares. They fired coolly, their discipline tight, and the German horsemen were cut down by the volleys.

  In the small valley the squares had been broken. Prisoners were being herded, many with the dreadful cuts on their heads and shoulders where the great blades had fallen. The horses heaved to get their breath. Cavalrymen stood still, disbelieving what they had done, and their swords were held low and blood dripped from the tips. They had done the impossible. Some men laughed in relief, an almost wild laughter, and the French prisoners, now passion was spent, offered the victors wine from their canteens.

  Patrick Harper threaded his way into the third square and looked down on Sharpe and Leroux. The Frenchman still knelt, the Kligenthal was still on the ground. Harper looked at Sharpe. “What’s his trouble?”

  “Won’t fight.” Sharpe’s sword was still clean.

  Leroux stood up, wincing as the wound in his left leg hurt. “I surrender.”

  Sharpe swore at him, then gestured at the sword. “Pick it up.”

  “I surrender.” Leroux’s pale eyes looked right for help, but Harper blocked the view.

  Sharpe tried to see a likeness between this man and La Marquesa, but he could not. What in her was beauty had become hard in her brother. “Pick up the sword.”

  Leroux brushed grass from the fur trim of his red jacket. “I have surrendered.”

  Sharpe swung the flat of his sword so it hit the fur hat, knocking it off. “Fight, you bastard.” Leroux shook his head. Sharpe would not take the surrender. “You surrendered before, remember? Not this time, Captain Delmas.”

  Leroux smiled, gestured at the Kligenthal. “You have my sword.”

  Sharpe crouched, his eyes still on Leroux, and picked up the Kligenthal in his left hand. It was beautiful, balanced to perfection, a weapon made by a master. He tossed it towards Leroux. “Fight.”

  Leroux let the blade fall. “I am your prisoner.”

  “Kill the bastard, sir.” Harper growled.

  “I’m going to.” Sharpe levelled his sword, put it to Leroux’s breast, and pushed. The Frenchman went backwards. Sharpe stooped and picked the Kligenthal up once more. He held it out, handle towards the Frenchman, and went forward again and again. Leroux went backwards. The French soldiers watched.

  Then Leroux could go no further. He was backed into a corner of the square and Sharpe brought his sword up so that the tip was at Leroux’s throat. The Rifleman smiled. “I’m going to kill you. I don’t give a damn whether you fight or not.” He pressed with the sword, Leroux’s head went back, and suddenly the pale eyes showed alarm. He really was to die and his arm came up, snatched at the Kligenthal, and Sharpe stepped backwards. “Now fight, you bastard.”

  Leroux fought. He fought because he thought that if he won this fight, then he could surrender. He knew Sharpe would kill him, he had recognised that, so he must kill Sharpe. And if he succeeded in killing t
he Rifleman then there was always hope. He might escape again, make his way back to France, and it would always be possible to arrange for Curtis’ capture. He fought.

  The Kligenthal felt good. He gave two short, hard strokes that loosened his wrist, and he felt the shock of the blades’ meeting, and then he settled into a rhythm, probing the Rifleman’s weakness, letting the Kligenthal tease the older blade to one side in preparation for the lunge. The point always beats the edge.

  Sharpe went backwards, letting Leroux get out of the corner, and Harper rode alongside just as if he were the referee at a prize fight. Some of the French shouted for Leroux, but not many, and some of the Germans came to watch.

  Sharpe watched Leroux’s pale eyes. The man was strong, and faster than Sharpe remembered. The blades rang like anvils. Sharpe was content to let his long, straight sword do the work for him, he let its weight soak up the attacks, and he planned this man’s death. La Marquesa, Leroux’s sister, had asked him once if he enjoyed killing, had even accused him of enjoying it, but that was not true. Some deaths a man can enjoy, the death of an enemy, and Sharpe was paid to have enemies. Yet he did not wish death on the French. There was more satisfaction in seeing a surrendered enemy, a defeated enemy, than in seeing a slaughtered enemy. A field after battle was a more horrid place than anything the people in England, who would soon celebrate Salamanca, could imagine. Death stopped war from being a game, it gave it glory and horror, and soldiers could not be squeamish about death. They might regret the moment when rage conquers fear, when it banishes all humanity and makes a man into a killer, but that rage could keep a man from being dead and so the regret was mixed with relief and a knowledge that, to be a good soldier, the rage would one day be back.

  Sharpe parried a lunge, twisted his sword over the Kligenthal so the blades scraped, and lunged himself, checked, lunged again, and he saw the pain in the pale eyes as Leroux was forced onto his back foot. Sharpe would kill this man, and he would enjoy it. He would enjoy the retribution as a man could enjoy the death of a child-murderer at Tyburn, or the shooting of a deserter after battle. Death was sometimes public because people needed death, they needed retribution, and Tyburn’s gallows gave more pleasure than pain. That might be bad, but that is the way of people, and Sharpe’s sword tip hit the guard of the Kligenthal, forced it wide, came free when Leroux’s arm was off balance and Sharpe brought the blade scything back so it cut across Leroux’s chest, then back again so the sword cut Leroux’s forearm, and Sharpe knew this man would die.