Annie and Fia
Page 4
Maybe I don’t remember what it’s like to not feel wrong all the time. Maybe without the constant low hum of pain in my head, the twist of my stomach, that feeling you get just before something bad happens that you can’t know is going to happen but you know anyway, the feeling that has been my constant companion these last five years—maybe without it I’m nothing. Maybe I can only choose right when I’m choosing on someone else’s orders. Maybe I am about to die even sooner than I thought.
I lean over and scoop up Chloe, burying my face in her silky fur. Okay. I can die today. If I die, they’ll never know I didn’t do what they told me to, and Annie will be safe. Keane can’t use her to punish me if I’m dead. But I’m going to get Adam out, because otherwise this whole thing was pointless.
“In here.” I veer into a narrow alleyway between looming brick buildings. It’s open on both ends, good, no recessed doorways, not as good, but it’ll do.
“Is this a shortcut?” he asks, looking back over his shoulder to see what I keep looking at.
I set Chloe down and unhook her leash. “Shoo,” I say. She looks up at me with her sorrow eyes, and I let out a low growl from the back of my throat. “SHOO!” Tail between her legs, she scampers out of the alley and to safety.
That’s one of us.
“What did you—why did you let your dog go?”
“Not my dog.” I put my hands on my hips and look up into Adam’s confused face. “Listen carefully. I was here today to kill you.”
An unsure smile twists his lips as he shifts his weight, trying to figure out how to tell me my joke isn’t funny. “Uh, that’s—”
“If I were going to kill you, you’d already be dead. I don’t know why you’re supposed to die, I’m hoping you can tell me, but right now we don’t have time because three men are about to come in the alley and either they want to kill you or me or both of us. Which sucks. So stay out of my way and I’ll try to get us out.”
He opens his mouth to ask what I’m talking about when the three men turn into the alley and slow down, approaching us with wary eyes and tight smiles. Their smiles are lies.
Most smiles are.
“There you are,” I say. I stand in front of Adam, casually putting myself between him and the three men. Dark hair on the right—movements tight, too much muscle mass, won’t be quick. Sandy blond in the middle, packing the gun, will try not to engage in hand-to-hand because he’s psychologically dependent on his weapon. Stubble on the left—lean, fluid movements, my biggest problem.
They stop right in front of me, and I still haven’t figured out which one of us they are here for.
“James didn’t tell me I’d have backup,” I say. Their eyes flicker to each other, only a split second, but it’s enough. They aren’t with Keane. “He really needs to warn me about these things. Would’ve saved me the trouble of pretending to flirt with Lurpy.” I jerk a thumb toward Adam, deliberately not saying his name. “You guys got it from here?”
Sandy blond with the gun smiles, his teeth wide and white and even. “Yeah, of course. We’ll take Adam with us.” Bingo. They know who he is.
“What?” Adam says, his voice breaking a little on the word, like it’s sharp in his throat.
Keane didn’t send them, and I’m not their target, but now they probably know I’m with Keane. Well, thank you again, north. I really must be broken if trapping us in an alley with people who want Adam was the best I could do. “He’s all yours. As soon as you tell me the password.”
“The password?” Dark hair too-thick muscles answers, and I wish it were only him because he is slow.
I laugh. “Kidding. I keep asking them to set us up with code words, you know? Cooler. Oh well.”
Stubble doesn’t smile. He hasn’t stopped studying me this whole time, and even though I know they’re here for Adam (why, you stupid sweet boy, what is it about you?), I know Stubble wants me just as much now, if only to figure me out the way I’m desperate to figure out Adam.
Stubble gestures. “We’ve got a ride for you. One block back, on the corner of Fourth, black sedan.”
“Great.” I stretch my arms up like I’m exhausted and ready for a nap.
“What’s going on here?” Adam asks, his voice tight with nerves behind me. He’s still hoping this is some sort of elaborate joke. “I’m not going with anyone.”
“Nice meeting you guys,” I say, pulling my purse over my head. I throw it at Sandy blond with the gun, then drop to the ground and pull the knife out of my boot.
Dark hair is hamstrung before he realizes what’s happening, on the ground screaming, clutching at his forever-ruined right leg. Out of the game. Sandy blond fumbles my purse, finally dropping it and going for his gun. I slash his right forearm—he won’t aim as well with his left hand—but where is Stubble? I don’t have a position on him.
Drop flat on the ground, now! I feel the whisper of a fist’s breeze, then flip onto my back, kick up with both feet, and catch Stubble under the jaw. Stunned, not enough to keep him down; Sandy blond is swearing but about to pull out his gun. I flip back onto my feet, kick his hand (gun is on the ground, keep track of the gun), then a downward slam kick onto Sandy’s bent knee. It cracks at the wrong angle. Now two of them can’t chase us, only one left.
Arms circle me from behind, around my waist pinning my arms, and my knife is useless (bad bad bad—I am not big enough for this, I knew Stubble would be a problem). Slam my head back into his? No, he’ll expect it. I go limp and slip down a few inches, freeing my elbow, no leverage but it’s something. I jam my knife into his thigh but, curse him, he doesn’t drop me, just tightens his arm and I lose the knife.
Someone yells—Adam, Adam is still here, I’d forgotten about him—and I turn my head to see him grab the gun from the ground. Sandy blond was reaching for it, but now Adam has it and I don’t know if this is good or bad because his hand is shaking so much he could kill any of us and I lied, I don’t want to die, I really don’t. I’m not ready for it.
Sandy blond tries to stand, pushing himself up against the wall, but Adam screams, “Stay down! And you!” He points the gun at us and he is trembling—oh please, soft gray eyes don’t shoot me. “Drop her! Now!”
Stubble backs up a step but doesn’t let me go—he is squeezing so tight can’t breathe—spots in front of my eyes. Please don’t shoot me, Adam. I want to get to know you, figure out why you are in this mess, get you out of it. I want to see Annie again. James will be so pissed if I die. I’ll never get to dance with James.
“Calm down,” Stubble says. “My name is Cole. We’re not here to hurt you.”
“Put her down!”
“Adam, lower the gun. She’s the only one here who will hurt you.”
“Then why did you attack her?” Adam’s voice is shrill, tight with panic. My ribs, oh my ribs, they hurt.
“You’re not thinking straight,” Stubble—Cole—says. “She attacked us. We came in the alley to help you and she attacked us.”
“But you had a gun!” He waves it wildly.
“And she had a knife. She probably has more weapons in her purse. I need you to help me. Put the gun down carefully, and then reach into my jacket pocket. There’s a stun gun in there. It’s nonlethal, and I’ll use it only once to make sure this girl can’t hurt any of us, and then we’ll talk and no one else will get hurt. You have my word.”
I hate stun guns, I hate them so much. LET GO OF MY RIBS. I push my feet against the ground and slam my head up into his chin because he isn’t focused on me anymore. His arms loosen and it’s all I need. I throw myself back and twist and I’m free, my hand slipping into his pocket as I stumble away from him (oh my ribs, my ribs hurt).
But Cole doesn’t come for me; he rushes Adam and the gun. Cole has the gun now. I drop to the ground as the crack echoes through the alley and I roll toward him, stun gun out into his leg with a sound as bright as the charge, and then he is down but he won’t be for long, so I stand and jam the stun gun into his chest and he c
onvulses and I don’t stop until his eyes roll back.
Adam—where is Adam—the gun went off! Where is Adam? He has to be okay. I look and he’s there, leaning against the wall, face white with horror. My eyes sweep his body. There is no blood, no blood anywhere, oh thank heavens he didn’t get shot.
“You’re okay,” I say, my shoulders slumping with relief. No, not relief yet, I turn and Sandy blond has a phone out, so I use the stun gun on him, too. He goes down faster than Cole. Dark hair is pale and vacant with shock, holding his leg, totally unaware of anything around him. He needs better training.
I pick my purse off the ground and drop the stun gun inside, then turn back to Adam. He’s staring at me funny. Well, why wouldn’t he be? I’ve shown him what my hands can do, and a small, worn-down part of me mourns that he won’t think he wants to hold them anymore. I feel like I’ve lost something, but that’s stupid. I lost it all a long time ago.
“I thought he shot you,” I say.
“Fia,” he says, his voice strangled. He’s not meeting my eyes, looking down instead. “He shot you.”
I look down, too, and he’s wrong, there are no holes in my body, but then I look to the left and my blue sleeve is soaked dark with blood and then burning (horrible ripping tearing burning) comes, focused where the bullet went through my upper arm but radiating out through my whole left side.
Well, crap.
About the Author
KIERSTEN WHITE is the New York Times bestselling author of the Paranormalcy trilogy as well as The Chaos of Stars and the psychological thriller Mind Games. Although originally meant to be the story of a femme fatale, Mind Games quickly turned into a story about two sisters and impossible choices. This may be because Kiersten has three sisters, none of whom she has killed for, but all of whom she has considered killing at one point or another.
Kiersten lives with her family in San Diego, California. Visit her online and read her blog at www.kierstenwhite.com.
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Books by Kiersten White
MIND GAMES
PERFECT LIES
THE CHAOS OF STARS
PARANORMALCY
SUPERNATURALLY
ENDLESSLY
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Copyright
Annie and Fia
Copyright © 2013 by Kiersten Brazier
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub Edition © 2013
ISBN 978-0-06-232149-7
EPUB Edition NOVEMBER 2013 ISBN 9780062321497
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FIRST EDITION
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