Darkwater
Page 1
catherine fisher
Dial Books
an imprint of Penguin Group (USA) Inc.
DIAL BOOKS
An imprint of Penguin Group (USA) Inc.
Published by The Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, NY 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
First published in the United States 2012 by Dial Books
Published in Great Britain in 2000 by Hodder Children’s Books
Copyright © 2000 by Catherine Fisher
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.
The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Library of Congress Cataloging-in-Publication Data
Fisher, Catherine, date.
Darkwater / Catherine Fisher.
p. cm.
Summary: Sixteen-year-old Sarah sells her soul to reclaim her family’s estate and is given 100 years to atone for their sins, but as the bargain nears its end, modern-day Tom, yearning to attend the private
school that Darkwater Hall has become, gets caught up in the bargain.
ISBN 978-1-101-59110-9
[1. Supernatural—Fiction. 2. Private schools—Fiction. 3. Schools—Fiction. 4. Soul—Fiction.
5. Twins—Fiction. 6. Brothers—Fiction. 7. England—Fiction. 8. Great Britain—History—Edward VII, 1901–1910—Fiction.] I. Title.
PZ7.F4995Dav 2012 [Fic]—dc23 2011048063
“The angel of the Covenant you are longing for, yes he is coming, says the Lord.
Who will be able to resist the day of his coming?
Who will be able to stand before him?
For he is like the refiner’s fire and the fuller’s alkali.
He will purify the sons of Levi and refine them like gold . . .”
BOOK OF MALACHI
Contents
Title Page
Copyright
Epigraph
the prince of darkness
one
two
three
four
five
six
seven
eight
nine
ten
eleven
twelve
thirteen
the great work
fourteen
fifteen
sixteen
seventeen
eighteen
nineteen
twenty
twenty-one
twenty-two
twenty-three
twenty-four
twenty-five
twenty-six
About the Author
one
In the dream, she hurried down an endless corridor lined with books. Shelf on shelf they towered over her head, leaning out, frowning down, disapproving. She knew they wanted to fall on her and crush her.
Nervous, she walked faster, wishing she had a ladder so she could climb up to them, the thousands of heavy volumes, the folios, encyclopedias, vast flat atlases, thin slivers of poetry. There were books bound in vellum and calfskin, unicorn and dragon skin, some still with wings and sleepy eyes that blinked at her; fastened and locked with clasps and huge keys and chains that encircled them like prisoners. Fat Bibles, expensively crusted with gold, filled a whole shelf, their cameos of dead emperors high and dim and sneering. All out of reach.
Uneasy, she tiptoed now. Even a breath would make them topple, a whisper set off an avalanche of pages, crashing spines.
Then she stopped.
She had come to a thin mirror, squeezed between shelves, and it showed her own sudden reflection. In the grimy glass she was wearing a rich girl’s clothes. A blue dress, ruched and glinting with pearls. Her hair was clean and brushed; on her feet, wonderfully frail ivory slippers. Astonished, she stared at herself. A cat came out of the shadows and sat there, eyes bright.
“What do you think of this?” she said to it. “I’m a lady.”
She turned, gathering handfuls of the skirt. It was silk, fine and delicate, but as she touched it, it withered and shriveled until she held only cobwebs, fistfuls of sticky, filthy dust.
Something crashed past her shoulder.
She jerked back, heart pounding.
A book had fallen.
It lay there in the dust. She crouched and opened it, her knees breaking through the disintegrating dress. It was clasped with great hinges like a gate; creaking it wide, she read one enormous word.
ALCHEMIE
Then, in curly letters underneath:
Being the Arte of Transmuting Base and Useless Metal into Gold
The page was dusted with gold. It came off on her fingers, and her hands were shining with it, but before she could turn it over, another book crashed, and then more, a whole stack wobbling and thundering behind her, sending echoes and dust flying into her eyes. The corridor rang with vibrations, all the precarious heaps above her quivering.
And in the mirror, quite suddenly, she saw a boy watching her. He was faint and strange through the grime, and he separated into a double image, so that there were two of him. Then he put his hand out through the glass and caught hold of hers.
She screeched.
“Sarah!”
Martha was shaking her hard. “For mercy’s sake! It’s seven o’clock!”
Sarah sat up quickly. Sweat was cold on her. Through the rag nailed over the window a gray light gleamed. “What?” she mumbled.
“You’re late! You know what she said! This morning of all mornings!” Martha hurried out. “You won’t have time to eat a morsel.”
Shivering, the dream dissolved in seconds, Sarah scrambled out of the trundle bed. Her clothes were flung over a chair; she dragged them on: the harsh gray skirt, the jacket that used to be Martha’s son’s, the patched shawl. Forcing her feet into icy boots, she laced them desperately, dragged the curtain wide, and ran into the dark kitchen, where Martha pushed a crust and a comb into her hands, holding the baby expertly on her hip. “You’ll lose this situation, my girl.”
“I wish I could.” Sarah dragged the comb through her hair. “I could earn more in the workhouse,” she said, pin between teeth.
“Aye. And learn less.”
“I don’t get to learn much. And I hate that woman.”
“There’s worse,” Martha said
darkly. “Besides, it would kill your father. The last of the Trevelyans in a dame school is one thing. In the workhouse is another.” Taking the comb back she said quietly, “He’s been awake a while.” Sarah paused, reluctant. Then she went through the door in the corner.
Her father’s room was always dim. He lay on his side, facing away from her, as if that helped him to breathe. When he turned, his face was clammy and pale, his hair whiter than the pillow.
“Oh, it’s you,” he said.
“I’m off to work.”
“Is it today?” he wheezed.
She cursed herself for telling him. He’d probably been brooding on it all night.
“Is what?”
“You know what.” He struggled to sit up; she had to pull the thin bolster up behind him. “All the grand visitors. All the lords and ladies. Coming to inspect you, look down their noses at you.”
Sarcasm made him cough. She poured the medicine hastily into the blue cup and helped him drink it. When he lay back she said, “They won’t look at me. I’m no one. And I’m late.”
“Mind you take no nonsense. They’ll know you. If your grandfather hadn’t gambled it all away, we’d be the ones being bowed and scraped to, inspecting schools, giving prizes, my lord this, my lady that.”
“Yes, I know,” she said impatiently. He was back on the old subject, the old grievance. It haunted him, always. She edged away.
“It’s money, Sarah. That’s all they’ve got. You’ve got family. A pedigree going back to the Norman kings. They can’t say that. Not that fat mayor or that interfering old bag from the Grange . . .”
“Lie still, Papa,” she muttered. “I’ve got to go.”
As she reached the door he caught his breath. Blue at the lips, he gasped, “I suppose he’ll be there.”
“Who?”
“That stinking upstart. The one who stole our house.”
All down the lane she cursed herself with irritated names. It was bad enough that she had to skivvy for Old Mother Hubbard in her paltry little school without him imagining all the gentry of the parish gossiping about her.
“That’s Sarah Trevelyan.”
“Not the Trevelyans?”
“The ones who lost all their money.”
“The ones who lost Darkwater Hall.”
It was late. She ran, around the corner and into the stone-walled lane that trickled down to the sea, a squall of salty rain slapping her in the face. Leaping every puddle, she climbed the stile and squelched over Martinmas Field, the sheep scattering with low bleats. On the far side the wall had slipped, and she paused on the wobbling stones at the top to catch her breath.
And saw what she saw every morning.
Darkwater Hall rose on the cliff top of High Bluff. Turreted and bleak, its facade of gothic windows caught the blear light and gleamed, facing out to sea. Down its roofs and gables the rain ran in sheets, and the peculiarly grotesque gargoyles that her great-grandfather had insisted on in his eccentric plan spat and grinned evilly into the tangle of gardens below.
From here, she could just see the main door. Outside it, a carriage had pulled up; a sleek, black equipage with two gray horses, each blinkered. They pawed the ground restlessly, and as she watched, a hunched footman came down from the house and opened the carriage door. She watched, intent.
The house—their house—had long been empty. Lord Azrael had arrived suddenly, last week. Martha had gossiped about it to Jack, always stopping when Sarah came in. How her father had found out, she didn’t know.
A man stepped down. She was surprised; she’d expected someone old, withered and ugly. But this man was young, dark haired with a neat, barely visible clipped beard. He walked with a limp, and his frockcoat looked expensive. At the top of the steps he paused. Then he turned and looked up.
She ducked, wobbling.
The dark man didn’t move. Ignoring the horses and the impatient footman, he stared out across the fields, the wind blowing his hair. As if he knew someone was watching him.
Sarah shivered. Rain ran down her neck. For a second she felt as if she were balancing not on a wall but on the edge of some terrible pit, and if she moved she would plummet, head over heels into darkness.
Then the new owner of Darkwater turned and went inside his house.
The giddiness passed. The stones slewed sideways. She jumped, splashed puddle water up her stocking, and ran. In the distance a cracked bell was clanking relentlessly. By the time she got to the school she was breathless, the crust jammed unnoticed in her pocket, her left foot soaked from a leak in her boot. Praying they hadn’t gone in yet, she tore around the great oak tree and flung herself in at the gate.
The courtyard was empty.
“Blast!” she hissed.
two
She turned the knob quietly.
Inside the tiny porch, shawls and caps dripped. Immediately the smell of the place enfolded her, and she frowned. She hated this smell. Damp clothes, smoke, polish, sweat. And fear.
She creaked the door open and went in.
“So! You’ve finally decided to arrive!” Mrs. Hubbard was squeezed into the pulpit of her desk, a dark ominous whale of a woman, pinned and brooched into a vast starched gown of bombazine black. Her best, Sarah realized.
“I’m sorry,” she said tightly. “My father—”
“Your father is a convenient excuse too frequently employed.” Mrs. Hubbard raised a magnificent lorgnette, which magnified her small black eyes, and looked Sarah up and down in distaste. “Dear me. You could have made more effort in your dress. I wasn’t expecting flounces and bows, but even a family as horridly reduced as yours should have managed better. You’re a disgrace, dearie. What are you?”
“A disgrace,” Sarah muttered automatically.
“This is an important day for me.” Mrs. Hubbard stabbed a pointing fingernail at the class; they seemed to huddle down further without even seeing it. “My establishment is noted, noted, mind you, for its discipline. On the day when my patrons inspect it, you turn up looking like a workhouse brat. There are plenty of others who could have this situation.” She opened her desk, took a pinch of snuff, and sniffed it daintily. “I ain’t too fussy, dear, about who cleans the privies. Now. Stove first. Then sweep.”
Sarah turned and went for the bucket in silent relief. Old Mother Hubbard must be preoccupied. Otherwise the tirade would have gone on and on.
Above the smeared mirror next to the world map a notice said CLEAN HANDS REVEAL A CLEAN HEART in smug letters. She ignored them and hastily brushed wisps of her hair back, seeing her red face, chapped from the wind. In the back row Elsie Tate gave her a spiteful glance. Elsie was one of the favored pupils; her mother paid extra fees for her little darling to learn deportment and dancing. Watching her stagger around on Thursday afternoons with a pile of books on her head, Sarah thought grimly, was almost worth all the rest. The dame school was one dingy room. Tilted ranks of ancient tables descended in three tiers to an open space where Mrs. Hubbard’s pulpit rose like a tower. The desk had a power of its own. Even when she tottered down from it—which was rare—it cast its dark shadow of fear. The class was terrorized by its silence.
The front row was six tiny boys and an even tinier girl, who never spoke. Today she was crying again, Sarah noticed, the tears hurriedly mopped into her sleeve before they touched the precious slate. No one took any notice.
“Class.” Mrs. Hubbard polished her lorgnette in gloved fingers. “Gibbon. From yesterday. Begin.”
Hands reached for chalk. The morning exercise was always the same—the painstaking copying of Gibbon’s Rise and Fall of the Roman Empire—probably the only book on the shelf, Sarah thought sourly, that the old bag ever bothered to open. The children’s chilblained fingers made careful copperplate on the slates, the older few in the back dipping pens into ti
ny inkpots, in agonies not to blot the cheap yellow paper.
Sarah didn’t have time to watch. The room was bitterly cold; she took the bucket out and filled it with coal, picking the largest pieces out of the filthy heap next to the privies. Soon her hands were black; she pushed her hair back and felt the smudge of soot down her face. Back inside, she stoked the small stove and lit it; it was carefully placed to face the pulpit, so no one else got much benefit. Every tiny scrabble of noise she made seemed huge; the room was a deep well of silence. Next she swept, the coarse scraping of the bristles raising a cloud of dust that hung in the air, so that a boy coughed and Mrs. Hubbard’s glare nailed him like an owl on a mouse.
“Do that again, luvvie, and I’ll mark your card. You’re a dolt. What are you?”
“A dolt,” the boy breathed in terror.
Mrs. Hubbard smiled. She raised her desk lid, poured a tot of gin into a tiny glass, and drank it. Her fingers mopped daintily at her lips.
It was a terrible morning. The tension in the room grew as the clock ticked on, ominous as the gray thunderclouds that gathered outside. Gulls cried over the roof; Mrs. Hubbard glowered up as if she wanted to dismiss them on the spot. She was tetchy and irritable and more and more coldly humorous as twelve o’clock came nearer. Her fingers tapped a drum roll of impatience on the desk, so that a few of the younger ones glanced up and were caught, staring hypnotized with dread. And always she was listening, her small eyes darting to the door.
Sarah was working grimly. Every corner of the paintwork had to be wiped, colonies of spiders and woodlice eliminated without fuss. She had to arrange the books, dust the pictures of Queen Victoria, Albert, and Gladstone, straighten the world map, give out supplies of beautifully new pens and pencils that would only be used for the duration of the governors’ visit. Mrs. Hubbard kept these in a box and used the same ones every year. Finally, the privies had to be cleaned; a stinking job Sarah loathed, but at least she was out of the stifling schoolroom.