The Bower Bird
Page 1
ANN KELLEY is a photographer and prize-winning poet who once nearly played cricket for Cornwall. She has previously published a collection of poetry and photographs, a book of photos of St Ives families and an audio book of cat stories.
She lives with her second husband and cats on the edge of a cliff in Cornwall where they have survived a flood, a landslip, a lightning strike and the roof blowing off. She runs writing courses for medics and has spoken about her work with patients at several medical conferences. She also runs courses for aspiring poets at her home.
The Bower Bird is the sequel to The Burying Beetle was shorlisted for the Brandford Boase Award and was selected for the WHSmith New Talent Initiative.
The Bower Bird won the 2007 Costa Children's Award and the UK literacy Association Book Award. The Bower Bird also won the 2008 Cornish Literary Guild's Literary Salver.
Other Books in the Gussie Series
The Burying Beetle
Inchworm
A Snail’s Broken Shell
Other Books by Ann Kelley, published by Luath Press
Runners
The Light at St Ives
The Bower Bird
ANN KELLEY
Luath Press Limited
EDINBURGH
www.luath.co.uk
Thanks to Jutta Laing and the RD Laing Trust for permission to reproduce material from Conversations With Children; and to Curtis Brown, on behalf of the Estate of AA Milne, for permission to quote from Winnie Ille Pu.
First published 2007
This edition 2007
eBook 2013
ISBN (print): 978-1-906307-32-5 (children)
ISBN (print): 978-1-906307-45-5 (adult)
ISBN (eBook): 978-1-909912-49-6
The author’s right to be identified as author of this book under the Copyright, Designs and Patents Act 1988 has been asserted.
The publisher acknowledges subsidy from Scottish Arts Council towards the publication of this volume.
© Ann Kelley 2007
For my wonderful family
Table of Contents
PROLOGUE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
CHAPTER FORTY-FIVE
CHAPTER FORTY-SIX
CHAPTER FORTY-SEVEN
CHAPTER FORTY-EIGHT
CHAPTER FORTY-NINE
A note from Ann Kelley
Enjoyed The Burying Beetle?
Inchworm Extract
Other Books from Ann Kelley & Luath Press
PROLOGUE
I’m not dead yet.
CHAPTER ONE
WE’VE BEEN HERE for two weeks. I’m still not well enough to start at the local school. But the weather has been barmy – or is it balmy? Yes, it probably is balmy. Barmy means daft. The sun has shone on us most days since we moved, and I feel that my heart is going to mend enough to have the operation that could give me a few more years of life.
It’s a cold night and the sky is clear. Stars are appearing one by one. I wear my distance specs to see them otherwise it’s all a beautiful blur. I sit in my window on a stripy cushion and feel… happy.
The lights of the little town are twinkling below me, and there is a nearly full moon – its blue-white wedding veil draped across the bay. The lighthouse winks its bright eye every ten seconds.
I did have a bedside lamp on but moths kept coming in the window to commit suicide. Why do insects that choose to fly around in total darkness have a fatal attraction for hot light bulbs? They must be barmy. Or maybe a hot bulb gives off a smell like female moths and the male moths are attracted to it for that reason.
Even in the middle of the night seagulls are flying all around us, calling to each other in the dark. The wind has got up and the gulls are lifting on invisible currents and then swoop fast like shooting stars.
Our young gull is crouched on the ridge of the roof, his head poking out over the top, watching the adults and whining pathetically. There must be some juvenile gulls up there learning how to fly and land cleanly on the rooftops and chimneys, just as if they are alighting on cliff ledges.
I scrunch up under a warm woolly blanket with my feet up, and Charlie keeps trying to get comfortable but there’s no horizontal bit. She prefers me to be flat in bed so she can warm herself on my tummy, or my chest. She shouldn’t really sit on my chest as I have trouble breathing at the best of times and anyway, I had open-heart surgery last year, when I was eleven, and the healing process hasn’t finished yet. The operation was a waste of time. It was supposed to be one of three procedures to repair the various heart defects. When I was opened up they could see that I had no pulmonary artery, not even an excuse for one, and there was nothing to build on. So the surgeon just closed me up again. I now have an amazing scar that cuts me in half almost, as if I have survived a shark attack.
Poor Charlie, she doesn’t understand why I don’t want her on my chest.
I reluctantly leave the starlit night and get into my bed. I’m reading a really good book by Mary Webb called Gone to Earth. It’s about a girl who has a pet fox. Mary Webb has written several other books. I’ll have to look out for them at car boot sales or in the second-hand bookshop, as they are so old they are probably out of print.
As usual, the three cats wake me. Charlie is the noisiest and the most demanding. As soon as there’s a glimmer of daylight she starts on at me to get up and feed her. She meows loudly and jumps on the bed and marches up and down on one spot, as if I am her mother and she is trying to make the milk come. She sound quite cross. If I pretend to sleep she gets really irate. The other two are more patient but they stare, accusingly. I can feel their eyes on me. Flo sits on the chest of drawers and Rambo on the window seat.
I wake to a completely pink dawn. Outside everything is saturated with an intense rosy glow. Pink sky, sea and bay. Pink roofs, candy sand. I yearned for a party dress when I was five or six, of exactly this shade – to match my Barbie doll’s outfit.
By the time I find my specs, put on a dressing gown and flip-flops, load a film into my camera and lean out the window, the pink has paled and silvered, but the sun now hangs heavily above the dunes, like a red balloon full of liquid. One small boat chugs out of the harbour dragging a pink wake and gulls are following in a raucous rush.
I am surrounded by hungry cats. I better give in. Charlie is jubilant, running ahead down the stairs, calling me to hurry up. The others follow
behind me.
I have to go to the bathroom first, and this really makes Charlie cross. She never knows whether to come in with me at this point, because she usually spends bath-time with me, but now she can only think about her rumbling stomach.
Mum is in the bathroom for longer and longer every morning. What does she do in there? She told me once that she hadn’t had a decent crap since I was born. First I screamed all the time, then as I got bigger I banged on the door and yelled. When I was a baby I screamed for twenty-one hours once – she wasn’t in the bathroom all that time, of course. She says I’m lucky to be alive as she nearly strangled me several times. Sleep deprivation makes you go barmy apparently.
‘Mum, I have to wee, I’m desperate.’
She’s looking into a magnifying mirror and doing some- thing disgusting with scissors up her nose.
‘Ohmygod, Mum, that’s gross. You’ll slice through your mucus membranes.’
‘They’re blunt-ended, Gussie. You wait until you get hairy nostrils. See how you like it.’
Hopefully I won’t live that long.
She does all this other stuff, too, to her face, plucking and scraping and applying various very expensive unguents. What a lovely word – unguents.
‘Is it worth it, Mum?’
‘Probably not, but I’m not giving up just yet.’
She’s actually quite cool looking, I think, but because she had me when she was forty-one she is quite old now. It doesn’t bother me much, but it bothers her. She’s shaving her armpits now. What a palaver. I don’t have any pubic hair yet, as I am small for my age – my heart wants me to be small, so it doesn’t have to work too hard.
‘Mum, can I help unpack something today?’
‘Yeah, why not? We’ll have a look in some of the smaller boxes from Grandma’s.’
Grandma was small and plump and she knitted and sewed, tatted, smocked and embroidered. You never saw her without something in her hands that she was working on. Their garden was a fruit bowl of gooseberries and blackcurrants, redcurrants and raspberries, loganberries and strawberries. I used to throw a tennis ball up onto the roof of their bungalow and catch it when it bounced off the gutter. Another game with the ball was to roll it along the wavy low brick wall, which went around the front garden, and see how far it would go before it fell off. I got quite good at that.
They lived in Shoeburyness, quite close to London, where we lived when we were still a family, before Daddy left.
Like me, he’s an only child. His parents, who I never met, came from this town.
Mum doesn’t have any brothers or sisters either, so I have no aunts, uncles or cousins on her side of the family. There’s only Mum now. Except that we are called Stevens and there are at least a hundred Stevenses in St Ives. I am determined to find my lost Cornish family, somehow.
Daddy isn’t being at all helpful. He keeps saying he’ll let me have his family tree, but he hasn’t even given me a leaf yet. Mum is being positively obstructive: she doesn’t want anything to do with Daddy’s family and assumes they won’t want anything to do with us. Anything Daddy related is a no-no. She has the screaming abdabs if I even mention him.
There’s a wildlife warden we met out at Peregrine Cottage – the house we rented on the cliff – who said she has some relations called Stevens, but I’ve sort of lost touch with her since we moved. Ginnie.
It’s sad how people drift in and out of our lives. Like my London friend Summer. I call her my friend, but I haven’t seen her since we came to Cornwall. Maybe now we’re settled in our own house, she will come and stay during school holidays. Or maybe I’ll never see her again.
I don’t suppose I’ll ever see Shoeburyness again. Or smell the smell of it: cockle shells and seaweed and mud. The tide comes in very fast from a long way out, where the longest pier in the world ends. The water is a muddy brown colour though, not like the clear blue-green of St Ives. But there were wooden breakwaters to climb and balance on and I liked the pebbly beach, and finding white quartz stones to rub together to make a spark. Illuminations and neon lights shone all along the Golden Mile at Southend, where we bought fish and chips. Under the arches of a bridge there’s a row of cafés with striped awnings and plastic tables and chairs set out on the pavement. Cafés with nautical names like The Mermaid, The Barge, Captain’s Table. That was where I had my first experiences of eating out: sausage and mash or egg and chips, always with a cup of tea.
Grandpop and Grandma would take me to the pebbly beach and they’d hire deckchairs and we’d have fish-paste sandwiches and apples for tea. I could still run and climb then, and I would jump from roof to roof of the beach huts. (The beach huts had names too: Sunny Days, Happy Days, Cosy Corner, Chez Nous. That’s French for Our House.)
Grandma was scandalised and tried to stop me, but Grandpop would cheer me on.
‘You can do it, princess.’
I don’t look like a princess. I am small for my age and skinny and my skin is rather mauvish, I think. My hair Mum calls dark blonde, but to be honest it’s mouse. ‘Nothing Wrong with Mouse.’
‘Oh, the elephants!’ I unpack a troupe of elephants, three of them, each one a bit bigger than the one before, all with turned up ivory tusks and mother of pearl toes. I remember them standing on a window ledge. They are made of some heavy black wood, and carved. Looking closely, I see that they are slightly damaged – a piece of ear gone here, a tusk there. I remember them as being perfect, and Grandma saying, ‘Be careful, my love.’ I used to invent journeys for them across Africa, searching for greener pastures. I imagined them as a family – father, mother and baby. That was before I learned that the bull elephant doesn’t hang around to bring up his baby. The mother has to do that on her own.
There’s a pink-brown stone Buddha too, which I always loved to hold as it felt cold even on the hottest day, as if it contained something otherworldly. It has a smiling face, as if this god has a sense of humour. You don’t get that impression about Jesus or God.
‘Where shall we put them, Mum?’
‘Have them in your room if you want.’
I put them on the stairs so I can carry them up next time I climb to my attic room. There are little piles of towels and sheets, clothes and books there already, waiting to be carried to their homes, like travellers in family groups at a bus station.
Grandpop travelled all over the world when he was in the Royal Navy and brought back lots of exotic souvenirs. We unpack a Japanese tea set they used to keep safe in a glass cabinet, thin porcelain coloured red and gold with little figures and landscapes.
‘We’ll use these,’ Mum says.
‘But aren’t they terribly precious and worth lots of money?’
‘No, it’s only Japanese export stuff. We should enjoy them. What’s the point of having pretty things gathering dust?’
Mum’s good about stuff like that. She never makes a fuss if I break something. They’re Only Things and Accidents Happen. I pick up a cup and look through it at the sun shining. It’s a lovely thing.
‘No dishwasher for these, Gussie, you’ll have to wash them by hand.’
‘No probs, Mum.’ I am learning how to speak Strine – Australian – for when and if my new friend Brett comes to see me. No Worries. Crikey.
Mum sleeps in the main bedroom, the master bedroom, or I suppose it should be called the mistress bedroom, on the floor below me. There’s a big bay window and the same view that I have, but slightly lower of course. The terrace faces south, there’s plenty of sunshine all day long, and there’s a little slab of concrete along the front path that gets the last of the sun. We sit there together on cushions and she drinks her whisky and I have a freshly squeezed orange juice or elderflower juice and we talk.
I think we talk more easily because we are not looking at each other. It’s as if we are in a car, sitting next to each other, but looking ahead, and it’s easier to say important things if you are not looking into each other’s eyes. We have our eyes closed, because the sun i
s still so bright, and it’s as if we are in a dream. I feel close to Mum when we talk like that.
‘Don’t you still love Daddy just a little bit?’ I sometimes ask.
‘No I bloody don’t. He slept with other women. Why should I love him?’
‘Okay, okay. I only asked.’
‘I still feel very hurt, Gussie. Bastard! He betrayed me – us. He betrayed us.’
‘Yeah, but if he wanted you to forgive him and he wanted to be with us, here, now, what would you say?’
‘Fuck off, probably.’ She sniffs. ‘Anyway, we’re okay on our own, aren’t we?’
‘I suppose.’
CHAPTER TWO
MUM HAS GONE out for the evening with Dr Dobbs – Alistair.
I’m playing Scrabble with Mrs Lorn. She is letting me win without much of a fight. Also I keep getting good letters – the high scoring C, Q and X so far. I put down all my letters straight away – QUIXOTIC, how about that! That’s got to be the best score I’ve ever had. Probably the best score anyone has ever had in the entire history of Scrabble – 72, as it was on a double word score, plus 50 for putting down all my letters at once. She’s getting all the rubbish, lots of vowels. She calls me ‘my girl’ with an extra ‘r’ in girl. Mrs Lorn has this habit of whistling when she’s thinking – hymns, mostly. Sometimes she breaks into song. I do like Scrabble. I wish I wasn’t winning so easily though. She’s so old, she has probably given up the idea of winning.
‘How old are you, Mrs Lorn?’
‘As old as my feet but younger than my teeth and hair.’
She cackles like an old witch. ‘Anyway, my girl, don’t you know it’s bad manners to ask a lady her age?’
‘Why is it? Mum says she’s fifty-two but her tits are only thirty-nine.’
Mrs Lorn screams with shocked laughter.
I like old people, apart from when they hug me or do that thing with my lips, you know, pinch them together so your mouth is an O and they make you say ‘Sausages’. Though no one’s done that to me for years. It’s a torture aimed solely at small children who can’t defend themselves. Like when they pull off your nose and show it to you and put it back again before you realise it’s only their thumb and your nose is still where it always was, in the middle of your face. You’ve got to be very young to believe that. When you get to five it’s too late, except for Father Christmas and fairies.