Planetary Spells & Rituals

by Raven Digitalis

  Raven Digitalis (Missoula, MT) is the author of Shadow Magick Compendium and Goth Craft. He is a Neopagan Priest and cofounder of the “disciplined eclectic” shadow magick tradition and training coven Opus Aima Obscuræ, and is a radio and club DJ of Gothic and industrial music. Also trained in Georgian Witchcraft and Buddhist philosophy, Raven has been a Witch since 1999 and a Priest since 2003, and has been an Empath all of his life. Raven holds a degree in anthropology from the University of Montana and is also an animal rights activist, black-and-white photographic artist, Tarot reader, and co-owner of Twigs & Brews Herbs, specializing in bath salts, herbal blends, essential oils, and incenses. He has appeared on the cover of newWitch and Spellcraft magazines, is a regular contributor to The Ninth Gate magazine, and has been featured on MTV News and the ‘X’ Zone Radio show.

  If you wish to contact the author or would like more information about this book, please write to the author in care of Llewellyn Worldwide and we will forward your request. Both the author and publisher appreciate hearing from you and learning of your enjoyment of this book and how it has helped you. Llewellyn Worldwide cannot guarantee that every letter written to the author can be answered, but all will be forwarded. Please write to:

  Raven Digitalis

  c⁄o Llewellyn Worldwide

  2143 Wooddale Drive, Dept. 978-0-7387-1971-9

  Woodbury, MN 55125-2989, U.S.A.

  Please enclose a self-addressed stamped envelope for reply,

  or $1.00 to cover costs. If outside the U.S.A., enclose

  an international postal reply coupon.

  Many of Llewellyn’s authors have websites with additional information and resources. For more information, please visit our website at http://www.llewellyn.com.

  Planetary Spells & Rituals: Practicing Dark & Light Magick Aligned with the Cosmic Bodies © 2010 by Raven Digitalis.

  All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Publications, except in the form of brief quotations embodied in critical articles and reviews.

  As the purchaser of this e-book, you are granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.

  Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law.

  First e-book edition © 2010

  E-book ISBN: 978-07387-2356-3

  Book design by Donna Burch

  Cover design by Kevin R. Brown

  Editing by Nicole Edman

  Interior illustrations by Llewellyn Art Department

  Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd.

  Llewellyn Publications does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.

  Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publisher’s website for links to current author websites.

  Llewellyn Publications

  Llewellyn Worldwide Ltd.

  2143 Wooddale Drive

  Woodbury, MN 55125

  www.llewellyn.com

  Manufactured in the United States of America

  Acknowledgments

  Spelling it Out

  Planning & Procedure

  So Mote It Be

  Chapter 1

  The Sun

  Chapter 2

  The Moon

  Chapter 3

  Mercury

  Chapter 4

  Venus

  Chapter 5

  Earth

  Chapter 6

  Mars

  Chapter 7

  Jupiter

  Chapter 8

  Saturn

  Chapter 9

  Uranus

  Chapter 10

  Neptune

  Chapter 11

  Pluto

  Appendix 1: Further Reading & Bibliography

  Appendix 2: Astrological & Zodiacal Correspondences

  Index

  Thank you, Estha McNevin, for insisting that I continue to deepen my knowledge of astrology and utilize its magick to transform even the darkest times. The annual tide through the planetary spheres summarizes reality; its cyclical nature seeks perfection. Astrology has, over the years, served to make the world become so much more alive for me, and to make its lessons and intricacies better perceived. Thanks for guiding my path, Estha, and for being the supreme spiritual being that you are!

  Huge thanks and cosmic hugs to my spiritual sister MoonCat, whose astrological services and brilliant Astro Missive e-newsletters have long served to make me more aware of the planets and stars. Long live Cat Over the Moon Astrology!

  Love and blessings to Lisa (Calantirniel), whose astrological insight has helped make the workings of reality clearer more times than I can count. Thanks for the continued advice and limitless friendship. Special thanks to Cathy Crane, Lucy-Myrtle, and Suzanne DeMarinis for giving me that “life in death, death in life” aspect. Blessed be.

  Eternal blessings to my Coven, my family (both spiritual and biological), my friends, fans, and comrades. I’m blessed to know every single one of you!

  The Place of Spellcraft

  Witchcraft is a living, vibrant spiritual path that filters into our every experience, interaction, emotion, and perception. There is nothing in reality that is not spiritual. Even though many non-Pagans like to believe that Witchcraft is “all about spells,” this is far from true. Though I’ve compiled this book of spells and rituals for a number of reasons (the first being that many readers of my previous books—Goth Craft and Shadow Magick Compendium—requested more practical magick!), I must first emphasize that magickal and esoteric rituals such as these are only extensions of one’s ever-present spirituality.

  Spells are only a small aspect of Witchcraft as an art and spiritual path. I personally feel that spells are frequently overemphasized in the Craft, and people can easily come to the conclusion that magickal spirituality = spellcraft. Magick is not about doing, but about being. Spells are not the cornerstone of the Craft; instead, they are but an aspect of expressing the Mysteries of the land and the self. Simply put, spells are ceremonies designed to project a person’s intention into reality.

  I always like to say that the biggest ritual a person does is the cycle of their life itself, and that the grandest of all magicks is Perfect Love. We exist in this temporary physical plane for innumerable spiritual reasons, and we all have a destiny. This destiny goes hand-in-hand with what occultists, many Witches included, refer to as spiritual Will. The Will is the alignment to one’s proper path in life—one’s destined and higher purpose. This can easily be misunderstood. A person’s Will is not one single grand achievement or revelation; the Will is something meant to be lived every moment of every day. Reality and spirituality are not separate entities. If a person is following their Will, everything falls into place. Truly realizing and fully aligning to one’s Will is a rare thing; most of us fluctuate between spiritual alignment and imbalance.

  Spells, prayers, rituals, and other acts of intention are significant in the process of ali
gning to Will because they help rebalance us. Spells affect the caster’s inner psyche and external reality—two equal-opposites that go hand-in-hand in the process of existing. The Hermetic axiom As Above/So Below necessarily encompasses As Within/So Without.

  Within the Craft, formal spells such as these are often seen as a route secondary to causing change via much more mundane and everyday methods. Formal spells are also usually secondary to simple, informal charms, prayers, meditations, and candle lightings.

  Everyone, whether they realize it or not, is constantly using the force we call “magick” every day. Our realities are constructed by our thoughts, both conscious and otherwise, and our experiences are those that are meant to convey spiritual life lessons. Though we are constantly creating our experiences with our minds, actually ritualizing these conscious intentions—through spellcraft, prayer, visualization, or another method—attunes us even more to the process of creation and reminds us of the immense power we hold as human beings.

  How Spells Work

  Witches and magicians often use a “layer cake” structure for describing the levels on which “active” or “operative” magick and spellcraft work. One example is as follows, and is a simple way of viewing the various composite forces at work. Keep in mind that this is not a definitive list of the mechanisms of magick or the cosmos. One can only truly realize how and why magick works through experience and contemplation. This list is only a brief glimpse of magickal components, and can (and probably should) be deconstructed, dissected, and reconstructed in a million ways!

  Physical Plane

  Physically gathering the components of a working and performing the working on the mundane or manifest plane. The physical plane is strictly the material used in the spell. This material comprises any and every physical factor, including the color of robes one is wearing, the gestures being used, the incense being burned, the words being said, or the current phase of the Moon. Again, these are merely physical; the magick and metaphysical properties behind the correspondences are nonphysical. The physical plane also represents the magician’s work associated with the magick within the physical plane (be it physically ritualizing the intention or following it up in physical reality—for example, submitting résumés to employers after casting a spell for a new job) and represents the potential—or likelihood—for it to spring into existence. In other words, the goal must not be impossible or highly unattainable.

  Mental Plane

  Using thoughtforms, visualizations, and other mentally constructed components. Thoughts create reality, and accurately projecting intention through the mind encourages other planes to follow suit. Visualization is hugely important in spellcraft because the mind is the force that thinks things into existence. Shifting one’s mind prompts the other planes to manifest accordingly. Magick follows intention.

  Emotional Plane

  Utilizing one’s emotional body to send forth a spell’s energy. Truly desiring change helps it naturally manifest and gives a working both spiritual and creative power. This is the bridge between thoughts and unseen energy, and it is the spark of the Divine within us. Emotions dictate our actions, thoughts, and perceptions, and casting spells aligned to the emotional body bridges the gap between the higher and lower spheres.

  Etheric Plane

  Working with the web of near-manifest energy that links all things in existence. The ether exists in all things physical, yet is nonphysical itself (such as the aura of the human body). I view planetary energies as etheric in nature, whereas the planets’ actual placements are physical (astronomical), much like the elements themselves (earth, air, fire, and water) are physical items that also carry an etheric essence.

  Astral Plane

  Working with the abstract. The astral plane is greatly symbolic in nature, and tapping into humankind’s wellspring of associations draws upon cosmic energy. These associations can be seen in the Qabalistic Tree of Life, among other units of association. Gods exist and “come to life” on the astral plane, seeing as they are created constructs of human experience. Abstract symbolism and associations draw upon the astral plane, or the unconscious “group mind.”

  Spiritual Plane

  The ultimate plane of unity; the source of all things. Terms such as destiny, karma, Gnosis, Kether, Spirit, Oneness, and Godhood are all used to describe this. The spiritual plane is the ultimate paradox, as it is everything and nothing simultaneously. The spiritual plane encompasses our individual karma as well as cosmic destiny. This plane affirms that all is God. Spellcraft taps into this force of creation and destiny to encourage manifestation and change on all levels.

  When casting, one must suspend strict rationality and disbelief to some extent but also mustn’t view the process as something based purely in fantasy and imagination. If a person casts a spell with a heavy amount of uncertainty, fear, anxiety, moral dilemma, or is unfocused while doing so, they will get the same in return. In all ways, you get what you give, and this holds true for spellcraft. If one knows, beyond the shadow of a doubt, that their magick “works,” it will do just that. Magick greatly revolves around intention and the knowledge of a working’s success. Spellcraft does not, of course, depend on the “recipe” alone.

  Though successful spellcraft boils down to intention, intention is not the only factor that deserves attention in the process. For example, let’s say that Billy wanted to perform a spell for money. For the spell, he is to light a green candle, put herbs associated with money at its base, and write the desired outcome on parchment with dragon’s blood ink. However, let’s say Billy only had a black candle, belladonna, and bat’s blood ink available as tools. If he were to substitute the black candle for the green one, belladonna for the abundance herbs, and bat’s blood ink for dragon’s blood ink, the spell would be likely to fail simply because the ingredients were not aligned to the purpose. However, if he were to observe the necessity of aligning tools to purpose, he could modify the spell by using the black candle to banish debt and the belladonna to absorb the sadness associated with not having enough. He could then write the name of the lack (and its associated woes) with the bat’s blood, and finish the spell by burning the paper and throwing the herbs and candle stub off the side of a bridge. (Certainly, it would be advisable for him to also perform manifestation magick to fill the energetic hole of the things that were banished.)

  In the above example of a simple spell, we helped Billy use what he had to modify the spell for his purposes. It’s essential to have a realization of correspondences and to project one’s intention through those correspondences to magnify and amplify the magick. If everything you are using is aligned to the purpose at hand—including the spell’s herbs, stones, colors, spirits, guides, gods, or guardians being summoned, the current astrological configuration, the stage of the Moon, and so on—the only missing ingredients are intention, focus, and willpower.

  Again, one must follow up magick with real-life action. Spells, no matter how involved and complex, are not a substitute for mundane action. The mundane plane is where our physical bodies operate and where we can best assist in the manifestation of magickal intention. As they say, one cannot cast a spell for a new job without filling out applications.

  Dark & Light?

  As the subtitle of this book implies, spells of both a “light” and a“dark” nature are explored here. But what does this mean? Such terms are relative, and are loaded with all sorts of connotations, both personal and cultural. It would be redundant of me to rehash descriptions and explorations of “light” and “dark” energies, as I’ve done so extensively in my first two books (particularly Shadow Magick Compendium). Let it suffice to say that neither term has a strict definition, and that both forces work together to create successful magick and a spiritual life.

  Reality cannot exist with either shadow or light alone. Neither force is “evil,” and neither is better or worse than the other. Dua
lity is greatly an illusion; both light and darkness are in everything. When thinking of these forces, keep in mind the symbolism of the Taoist Yin and Yang. Life itself is a constant balancing act between opposing yet complementary forces.

  Some spiritual practitioners—namely those with extreme “New Age” leanings—tend to view darkness as destruction, pain, and spiritual blindness. While these things are certainly aspects of darkness, there’s much more to them. I see darkness as the blank slate from which all things manifest. I see the force of darkness as beautiful, mysterious, and Otherworldly . . . as the subconscious mind, the night sky, and the world of spirits and dreaming. At the same time, darkness can represent negative and destructive things.

  Similarly, some practitioners view light as a supreme spiritual force, an ultimate force of healing and consciousness. While that is true, light can also be blinding and illusory. Personally, most of my work stems from darkness, in a shamanic sense. I find it much more healing to journey into the dark recesses of the psyche than to compensate imbalance with light. Still, I realize that everyone’s method of spiritual alignment and healing is different, and that each of us is on our own individual path to awareness and connection to the Divine. It’s only when one gets caught in any extreme that misalignment follows.

  In terms of the spells in this book, ones that I would term “dark” include those that are focused on working through trauma, through suicidal impulses, those for cursing, and so on. “Light” spells include things like spells for study, love, divination, and other such subjects. However, as I said, such terms are relative and rely greatly on personal definition. Labels should only be used as easy references, not as terminologies to cling to or become reliant upon.

  Spells can be serious and dire, or they can be lighthearted and fun. They can be healing and theurgic, or destructive and difficult. This book presents a combination of these things, and I leave it up to each reader to come to his or her own conclusions about utilizing the magick for one’s own purposes and according to one’s own code of ethics.