Tunnel of Bones (City of Ghosts #2)

by Victoria Schwab

  He looks like a thin shadow in a black suit. He wears white gloves and a black hat with a brim that covers his face.

  Until he raises his head, and then I see it isn’t a face at all but a mask. Smooth and white as bone. And a shiver runs through me, because the contours and angles are the same I saw a thousand times down in the Catacombs.

  The mask is a skull.

  Somewhere behind the open sockets there must be eyes, but I can’t see them. It’s as if he’s wearing a second mask under the first, one that’s solid black, erasing all his features.

  My fingers go to the camera around my neck. I can’t take my eyes off him.

  He’s so out of place amid the tourists with their suitcases and summer clothes that at first I think the man must be a street performer, one of those who stand perfectly still until you drop a coin into their bowl. But if he’s performing, nobody seems to notice. In fact, the people on the platform move around the man like water around a rock. As if they don’t even see him.

  But I do.

  “Jacob,” I whisper, but he’s too far away.

  I raise the camera to snap a shot, but as I do, the man looks at me. He lifts a gloved hand to his mask, and suddenly I can’t move. My limbs are frozen, my legs dead weight, and as he pulls the mask from his face, all I see is darkness.

  My vision flickers, and my lungs flood with cold water.

  The Metro disappears and the platform falls away beneath my feet and I fall, plunging down, down into the icy dark.

  Everything is gone.

  And then it’s back. The world fills with sound, worried voices, fluorescent light. I’m on the ground, gasping, and I feel like I’m about to spit up river water. But there’s only air, and the cold hard surface of the platform beneath me.

  Jacob is kneeling on one side of me, and Dad is on the other, helping me sit up. Mom is punching a number into her phone, her face awash in fear. I’ve never seen her afraid. Not seriously. Other people are gathering, murmuring to themselves in quiet French, and I blush, suddenly self-conscious.

  “What happened?” I ask.

  “You fainted,” says Dad.

  “Dropped like a stone,” adds Jacob.

  Like the ground was gone.

  Like I was falling.

  “There’s no signal,” mutters Mom, her eyes glassy with tears.

  “I think she’s okay,” says Dad, putting his hand on her arm before turning back to me. “Hey, kiddo. You all right?”

  I get to my feet, and Mom wraps her arms around me. I spend the next couple of minutes assuring my parents (and Jacob) that I’m okay, that I just got light-headed, that I’m more embarrassed than hurt. And that last part, at least, is true. There’s a dull ache where my knee hit the ground, and a bad feeling in my chest.

  Then I remember. I stiffen, my eyes going instantly back to the place where the shadow stood on the opposite platform. But the man in the black suit with the wide brim hat and the skull mask is gone.

  I swallow, the taste of the river still in my throat. Jacob follows my gaze across the platform, reading my thoughts, my questions.

  Did you see him? I ask.

  Jacob shakes his head. “Who was he?”

  I’m … not sure.

  But whoever the guy was, he’s gone, and so is the faint, dizzy feeling. And yeah, that was weird. But it’s not the weirdest thing to happen to me this year … or this month … or this week.

  Mom and Dad are still studying me, shooting me nervous looks, ready to catch me if I fall. But I feel fine now. Really, I do. I make a note to tell Lara about it later.

  By the time the train pulls into the station, the whole thing feels like a dream, far away, just as silly and just as strange. I put it away, in the back of my mind, as the train doors open and we climb aboard. The Blake family: two parents, a ghost-seeing girl, her dead best friend, and a rather unhappy cat.

  Jacob perches on a piece of luggage, I lean against Mom, and Dad rests a hand on my head as the train doors slide shut on the platform, and on Paris.

  The train pulls out of the station into the dark tunnel, and I adjust the camera on my shoulder, excited to see what happens next.

  Turn the page for a sneak peek!

  People think that ghosts only come out at night, or on Halloween, when the world is dark and the walls are thin. But the truth is, ghosts are everywhere. In the bread aisle at your grocery store, in the middle of your grandmother’s garden, in the front seat on your bus.

  Just because you can’t see them doesn’t mean they aren’t there.

  I’m sitting in History class when I feel the tap-tap-tap on my shoulder, like drops of rain. Some people call it intuition, others second sight. That tickle at the edge of your senses, telling you there’s something more.

  This isn’t the first time I’ve felt it—not by a long shot. Not even the first time I’ve felt it here at my school. I’ve tried to ignore it—I always do—but it’s no use. It wears away at my focus, and I know the only way to make it stop is to give in. Go and see for myself.

  From across the room, Jacob catches my eye and shakes his head. He can’t feel that tap-tap-tap, but he knows me well enough to know when I do.

  I shift in my seat, forcing myself to focus on the front of the classroom. Mr. Meyer is valiantly trying to teach, despite the fact it’s the last week of school before summer vacation.

  “… Toward the end of the Vietnam War in 1975, US troops …” my teacher drones on. Nobody can sit still, let alone pay attention. Derek and Will are sleeping with their eyes open, Matt is working on his latest paper football. Alice and Melanie are making a list.

  Alice and Melanie are popular kids.

  You can tell because they look like copies—same shiny hair, same perfect teeth, same painted nails—where I’m all elbows and knees, round cheeks, and curly brown hair. I don’t even own nail polish.

  I know you’re supposed to want to be one of the popular kids, but the truth is, I never have. It just seems like it would be exhausting, trying to keep up with all the rules. Smile, but not too wide. Laugh, but not too loud. Wear the right clothes, play the right sports, care about things, but never care too much.

  (Jacob and I have rules, too, but those are different.)

  As if on cue, Jacob stands up and makes his way toward Melanie’s desk. He could be a popular kid, I think, with his floppy blond hair, bright blue eyes, and good humor.

  He shoots me a devilish look before perching on the edge of her desk.

  He could be, but there’s just one problem.

  Jacob’s dead.

  “‘Things we need for movie night … ’ ” he reads aloud from Melanie’s paper. But I’m the only one who can hear him. Melanie folds another sheet, an invitation—I can tell by the capital letters, the pink pen—and reaches forward to pass it to Jenna, who sits in front of her. As Melanie does this, her hand goes straight through Jacob’s chest.

  He looks down, as if offended, then hops off the desk.

  Tap-tap-tap goes the feeling in my head, like a whisper I can’t quite hear. Impatient, I check the clock on the wall, waiting for the lunch bell.

  Jacob meanders over to Alice’s desk next, examining the many multicolored pens she keeps lined up across the top. He leans in close and gingerly brings one of his fingers to the pens, all his focus narrowed on the nearest one as he pokes it.

  But the pen doesn’t move.

  In the movies, poltergeists can lift televisions and slide beds across the floor. But the truth is, it takes a lot of spirit power for a ghost to reach across the Veil—the curtain between their world and ours. And the ghosts that do have that kind of strength, they tend to be really old and not very nice. The living may take strength from love and hope, but the dead grow strong on darker things. On pain and anger and regret.

  Jacob furrows his brow as he tries—and fails—to flick Matt’s paper football.

  I’m glad he’s not made of all that stuff.

  I don’t actually know how long
Jacob’s been dead (I think the word quietly, because I know he doesn’t like it). It can’t have been that long, since there’s nothing retro about him—he’s got on a superhero T-shirt, dark jeans, and high-tops—but he doesn’t talk about what happened, and I don’t ask. Friends deserve a little privacy—even if he can read my mind. I can’t read his, but all things considered, I would rather be alive and not psychic than psychic and a ghost.

  He looks up at the word ghost and clears his throat. “I prefer the phrase ‘corporeally challenged.’ ”

  I roll my eyes because he knows I don’t like it when he reads my mind without asking. Yes, it’s a weird side effect of our relationship, but come on. Boundaries!

  “It’s not my fault you think so loud,” Jacob replies with a smirk.

  I snort, and a few students glance my way. I sink lower in my chair, my sneakers knocking against my book bag on the floor. The invitation Melanie passed to Jenna makes its way around the room. It doesn’t stop at my desk. I don’t mind.

  Summer is almost here, and that means fresh air and sunshine and books to read for fun. It means the annual family trek down to the rented beach house on Long Island so Mom and Dad can work on their next book.

  But most of all, it means no hauntings.

  I don’t know what it is about the beach house—maybe the fact that it’s so new, or the way it sits on a calm stretch of shore—but there seem to be far fewer ghosts down there than here in upstate New York. Which means that as soon as school’s out, I get six full weeks of sun and sand and good nights’ sleep.

  Six weeks without the tap-tap-tap of restless spirits.

  Six weeks of feeling almost normal.

  I can’t wait for the break.

  I can’t wait … and yet, the moment the bell rings, I’m up, backpack on one shoulder and purple camera strap on the other, letting my feet carry me toward that persistent tap-tap-tap.

  “Crazy idea,” says Jacob, falling into step beside me, “but we could just go to lunch.”

  It’s Meat Loaf Thursday, I think, careful not to answer out loud. I’d rather face the ghosts.

  “Hey, now,” he says. But we both know Jacob’s not a normal ghost, just like I’m not a normal girl. Not anymore. There was an accident. A bike. A frozen river. Long story short, he saved my life.

  “Yeah, I’m practically a superhero,” Jacob says, right before a locker swings open in his face. I wince, but he passes straight through the door. It’s not that I forget what Jacob is—it’s pretty hard to forget when your best friend is invisible to everyone else. But it’s amazing what you can get accustomed to.

  And it says something that the fact that Jacob’s been haunting me for the past year isn’t even the strangest part of my life.

  We hit the split in the hall. Left goes to the cafeteria. Right goes to the stairs.

  “Last chance for normal,” Jacob warns, but he’s got that crooked grin when he says it. We both know we passed normal a long time ago.

  We go right.

  Down the stairs and along another hall, against the flow of lunchtime traffic, and with each turn, the tap-tap-tap gets stronger, turning into a pull, like a rope. I don’t even have to think about where to go. In fact, it’s easier if I stop thinking and just let it reel me in.

  It draws me to the doors of the auditorium. Jacob shoves his hands in his pockets and mutters something about bad ideas, and I remind him he didn’t have to come, even though I’m glad he did.

  “Ninth rule of friendship,” he says, “ghost-watching is a two-person sport.”

  “That it is,” I say, snapping the cap off my camera lens. It’s a clunky old beast, this camera, a manual with a busted viewfinder and black-and-white film, hanging off my shoulder on its thick purple strap.

  If a teacher catches me in the auditorium, I’ll say I was taking photos for the school paper. Even though all the clubs have ended for the year …

  And I never worked for the paper.

  I push open the auditorium doors and step inside. The theater is huge, with a high ceiling and heavy red curtains that hide the stage from view.

  Suddenly, I realize why the tap-tap-tap has led me here. Every school has stories. Ways to explain that creaking sound in the boys’ bathroom, that cold spot at the back of the English room, the smell of smoke in the auditorium.

  My school’s the same. The only difference is that when I hear a ghost story, I get to find out if it’s real. Most of the time it’s not.

  A creaky sound is just a door with bad hinges.

  A cold feeling is just a draft.

  But as I follow the tap-tap-tap down the theater aisle and up onto the stage, I know there’s something to this particular story.

  It’s the one about a boy who died in a play.

  Apparently, a long, long time ago, when the school first opened, there was a fire in the second act of A Midsummer Night’s Dream. The set went up in flames, but everyone got out—or so they thought.

  Until they found the boy under the trapdoor.

  Jacob shivers beside me, and I roll my eyes. For a ghost, he scares so easily.

  “Have you ever thought,” he says, “that you don’t scare easily enough?”

  But I scare just as easily as anyone. Believe it or not, I don’t want to spend my time searching for ghosts. It’s just that if they’re there, I can’t ignore them. It’s like knowing there’s someone standing right behind you and being told not to turn around. You can feel their breath on your neck, and every second you don’t look, your mind just makes it worse because in the end, what you don’t see is always scarier than what you do.

  I climb onto the stage, Jacob at my heels. I can feel him hesitating, his own reluctance dragging me back as I pull up a corner of the heavy red curtain and slip backstage. Jacob follows, passing straight through the curtain.

  It’s dark here—so dark it takes a second for my eyes to adjust to the various props and benches scattered across the stage. A thin ribbon of light comes from beneath the curtain. It’s quiet, but there’s an eerie sense of motion. The faint groan of sandbags settling on their hinges. The whisper of air beneath the floorboards. The rustle of what I hope is paper and not rats.

  I know that some of the older kids in school dare each other to go back here. To put their ear to the floor and listen for the boy who didn’t make it. I heard them bragging about it once in the hall, how long they’d each lasted. One minute. Two. Five. Some claim they heard the boy’s voice. Others say they smelled smoke, heard the footsteps of fleeing children. But it’s hard to know where the rumors end and the truth picks up.

  Nobody dared me to come here. They didn’t have to. When your parents write books about paranormal activity, people assume you’re weird enough to go on your own.

  I guess they’re right.

  I’m halfway across the darkened stage when I trip over something and stumble forward. Jacob’s hand shoots out to catch me, but his fingers go through my arm, and I bang my knee on the wooden floor. My palm smacks hard, and I’m surprised when the floor bounces a little, until I realize I’m on top of the trapdoor.

  The tap-tap-tap grows more insistent under my hands. Something dances at the edge of my sight: a thin gray curtain caught in a constant breeze. Different from the heavy red stage curtain. This one, no one else can see.

  The Veil.

  The boundary between this world and somewhere else, between the living and the dead. This is what I’m looking for.

  Jacob shifts his weight from foot to foot. “Let’s get this over with.”

  I get back to my feet.

  “Ghost five,” I say, for luck. A ghost five is like a high five for friends who can’t really touch. It’s basically just me putting out my hand and him pretending to hit it, both of us murmuring a soft “smack” sound on contact.

  “Oof,” says Jacob, pulling his hand away, “you hit too hard.”

  I laugh. He’s such a dork sometimes. But the laughter makes space in my chest, clears out the fear a
nd nerves as I reach for the Veil.

  I’ve seen people on TV—“ghost whisperers”—talk about crossing over, connecting with the other side like it’s flipping a switch or opening a door. But for me, it’s this—finding the part in the curtain, catching hold of the fabric, and pulling.

  Sometimes, when there’s nothing to find, the Veil is barely there, more smoke than cloth and hard to catch hold of. But when a place is haunted—really haunted—the fabric twists around me, practically pulling me through.

  Right here, right now, it dances between my fingers, waiting to be caught.

  I grab hold of the curtain, take a deep breath, and pull.

  Victoria (V. E.) Schwab is the #1 New York Times bestselling author of more than a dozen novels for young adults and adults, including City of Ghosts, the Shades of Magic series, Vicious, Vengeful, This Savage Song, and Our Dark Duet. Victoria can often be found haunting Paris streets and trudging up Scottish hillsides. Usually, she’s tucked in the corner of a coffee shop, dreaming up stories. Visit her online at veschwab.com.

  ALSO BY VICTORIA SCHWAB

  City of Ghosts

  This Savage Song

  Our Dark Duet

  The Dark Vault

  Everyday Angel: Three Novels

  Spirit Animals (Fall of the Beasts): Broken Ground

  AS V. E. SCHWAB

  A Darker Shade of Magic

  A Gathering of Shadows

  A Conjuring of Light

  Vicious

  Vengeful

  The Near Witch

  Text copyright © 2019 by Victoria Schwab

  Map copyright © 2019 by Maxime Plasse

  All rights reserved. Published by Scholastic Press, an imprint of Scholastic Inc., Publishers since 1920. SCHOLASTIC, SCHOLASTIC PRESS, and associated logos are trademarks and/or registered trademarks of Scholastic Inc.

  The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.