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Selected Poems

Page 9

by Edmund Blunden


  To be a mere insensate mill of hours,

  Unawed by battles, unbeguiled with flowers;

  Think, this old Merlin may be vexed or blithe,

  And for the future stretches hungry hands.

  No last year’s bride discovers more caprice

  Than this bald magpie smuggling up his wit,

  And in his crumbling belfry, where the cost

  Of high-born death in plundered ruin’s lost,

  Nodding his glory to each glittering piece

  Of glass or jewel that his fancy hit.

  Close in the shop of some lean artisan,

  Who carves a snuff-box for Squire Harkaway,

  Time stoops, and stares, and knows his destined prize:

  Croesus shall hunt this modest merchandise

  When frieze and pillar of a master’s plan

  Are crushed in waggon-tracks to bind the clay.

  There stalled theology makes angels weep

  In twenty volumes blazoned red and gold,

  And there a broadside’s bawled about the street;

  Time fetched his halfpence out and bought a sheet.

  The twenty volumes slumber in a heap,

  The ballad among heirlooms lives enrolled.

  Lordly oration thronged the sculptured roof,

  And pamphleteered in plaudits through the town;

  The charlatan proclaimed his draughts and pills,

  And tossed the crowd his woodcuts and his bills;

  From rhetoric’s remains Time flies aloof,

  And hears the quack still pattering to the clown.

  Voluptuous canvas! Venus in May-bloom,

  Sunshine of vital gold, faun-twinkling groves,

  Harmonious limbs and volant veils, go mourn;

  For you will lie with fire, while Time has borne

  The blue-daubed frigate from the servants’ room

  To swell the mad collection of his loves.

  Values

  Till darkness lays a hand on these grey eyes

  And out of man my ghost is sent alone,

  It is my chance to know that force and size

  Are nothing but by answered undertone.

  No beauty even of absolute perfection

  Dominates here – the glance, the pause, the guess

  Must be my amulets of resurrection;

  Raindrops may murder, lightning may caress.

  There I was tortured, but I cannot grieve;

  There crowned and palaced – visibles deceive.

  That storm of belfried cities in my mind

  Leaves me my vespers cool and eglantined.

  From love’s wide-flowering mountain-side I chose

  This sprig of green, in which an angel shows.

  Later poems from Poems 1914–1930 (1930)

  Into the Salient

  Sallows like heads in Polynesia,

  With few and blood-stuck hairs,

  Mud-layered cobble-stones,

  Soldiers in smoky sheds, blackening uniforms and walls with their cookery;

  Shell-holes in roofs, in roads,

  Even in advertisements

  Of bicycles and beer;

  The Middle Ages gone to sleep, and woken up to this, –

  A salvo, four flat slamming explosions.

  When you come out the wrong side of the ruin, you are facing Hill Sixty,

  Hill Sixty is facing you.

  You have been planted on the rim of a volcano,

  Which will bring forth its fruit – at any second.

  Better to be shielded from these facts;

  There is a cellar, or was just now.

  If the wreck isn’t knocked in on us all,

  We may emerge past the two Belgian policemen,

  The owners’ representatives,

  Standing in their capes on the steps of the hollow estaminet

  Open at all hours to all the winds

  At the Poperinghe end of Ypres.

  O if we do, if time will pass in time,

  We will march

  With rifles butt-upwards, in our teeth, any way you like,

  Into seven days of country where you come out any door.

  Premature Rejoicing

  What’s that over there?

  Thiepval Wood.

  Take a steady look at it; it’ll do you good.

  Here, these glasses will help you. See any flowers?

  There sleeps Titania (correct – the Wood is ours);

  There sleeps Titania in a deep dugout,

  Waking, she wonders what all the din’s about,

  And smiles through her tears, and looks ahead ten years,

  And sees her Wood again, and her usual Grenadiers,

  All in green,

  Music in the moon;

  The burnt rubbish you’ve just seen

  Won’t beat the Fairy Queen;

  All the same, it’s a shade too soon

  For you to scribble rhymes

  In your army book

  About those times;

  Take another look;

  That’s where the difficulty is, over there.

  To Joy

  Is not this enough for moan

  To see this babe all motherless –

  A babe beloved – thrust out alone

  Upon death’s wilderness?

  Our tears fall, fall, fall – I would weep

  My blood away to make her warm,

  Who never went on earth one step,

  Nor heard the breath of the storm.

  How shall you go, my little child,

  Alone on that most wintry wild?

  A Japanese Evening

  Round us the pines are darkness

  That with a wild melodious piping rings

  While in the ditches

  Slow as toads in English gardens

  The little landcrabs move.

  We re-discover our path,

  And, coming to the cottage, are greeted

  With hierophantic usherings and oracles,

  And a grin behind the screen, I imagine.

  We guess full fathom five, and take up the chopsticks.

  The metal-blue cucumber slices,

  Rice, string beans,

  And green tea over,

  The housekeeper looking kindly amazement

  At the master of the house

  Soon makes all shipshape.

  After all, they possess an American clock,

  A very fine, a high-collar clock.

  She sits on the mat, awaiting the next oddity.

  Lanterns moon the outer darkness,

  And merrily in come floating

  (So gently they foot the honourable straw)

  Three young girls, who sit them down.

  A conference;

  Almost the Versailles of the Far East:

  The master, beaming,

  His white hair in the lamplight seeming brighter with his pleasure,

  Asks me what I call O tsuki sama.

  Moon.

  Mooon.

  Moon.

  He has got it; right first time,

  But not the next.

  Moooni.

  (The housekeeper cannot suppress her giggles,

  Okashii, she says, and so it is.)

  We now pass naturally to the

  Electric Light.

  But he will not have that,

  There are no things like that in heaven and earth

  In his philology.

  I repeat – what I said;

  He repeats – what he said.

  We close at Erecturiku Rightu.

  We fasten also on:

  The cat, who becomes catsu,

  The dog, who proceeds doggi,

  (And I suspect has rabies beginning);

  Himself, O-Ji-San, Orudu Genturuman,

  And all sorts of enigmas.

  The girls are quicker, more nimble-throated,

  And will reproduce exactly the word, but he lays the law down;

  Having re-orientated Fan,
r />   Which they pronounced Fan,

  Into Weino,

  He instructs them how it ought to be pronounced,

  Obediently young Japan reiterates his decision,

  Not without an ocular hint to the stranger

  That they have concealed the other rendering in their minds …

  I hear their voices tinkling, lessening

  Over the firefly grass,

  Along the seething sand below the pines,

  At the end of the entertainment.

  Under a Thousand Words

  ‘A thousand words on Courage.’ – This request

  Dropped on me like a bomb on a sandbag shelter,

  And after much vague mental repetition

  Ranging from La Boisselle to Lord Macaulay,

  And metaphysical cross-examination

  On memories of conspicuous gallant conduct,

  I gave it up.

  That afternoon our boat

  Touched on a mud-flat, which we chose to cross,

  And as we waddled through it, a three-inch crab

  Disputed progress; one of his arms was gone;

  The other he held ready like a boxer,

  And backed and sidled to our every movement,

  His one arm ready; and to command full view

  Of the two monsters who had crossed the frontier,

  He strained his body backward, and stood tilted,

  Parrying every stroke we acted at him,

  Eyeing us, holding the line.

  ‘But you call this instinct.’

  The Sunlit Vale

  I saw the sunlit vale, and the pastoral fairy-tale;

  The sweet and bitter scent of the may drifted by;

  And never have I seen such a bright bewildering green,

  But it looked like a lie,

  Like a kindly meant lie.

  When gods are in dispute, one a Sidney, one a brute,

  It would seem that human sense might not know, might not spy;

  But though nature smile and feign where foul play has stabbed and slain,

  There’s a witness, an eye,

  Nor will charms blind that eye.

  Nymph of the upland song and the sparkling leafage young,

  For your merciful desire with these charms to beguile,

  For ever be adored; muses yield you rich reward;

  But you fail, though you smile –

  That other does not smile.

  To Themis (1931)

  Incident in Hyde Park, 1803

  The impulses of April, the rain-gems, the rose-cloud,

  The frilling of flowers in the westering love-wind!

  And here through the Park come gentlemen riding,

  And there through the Park come gentlemen riding,

  And behind the glossy horses Newfoundland dogs follow.

  Says one dog to the other, ‘This park, sir, is mine, sir.’

  The reply is not wanting; hoarse clashing and mouthing

  Arouses the masters.

  Then Colonel Montgomery, of the Life Guards, dismounts.

  ‘Whose dog is this?’ The reply is not wanting,

  From Captain Macnamara, Royal Navy: ‘My dog.’

  ‘Then call your dog off, or by God he’ll go sprawling.’

  ‘If my dog goes sprawling, you must knock me down after.’

  ‘Your name?’ ‘Macnamara, and yours is –’ ‘Montgomery.’

  ‘And why, sir, not call your dog off?’ ‘Sir, I chose

  Not to do so, no man has dictated to me yet,

  And you, I propose, will not change that.’ ‘This place,

  For adjusting disputes, is not proper’ – and the Colonel,

  Back to the saddle, continues, ‘If your dog

  Fights my dog, I warn you, I knock your dog down.

  For the rest, you are welcome to know where to find me,

  Colonel Montgomery; and you will of course

  Respond with the due information.’ ‘Be sure of it.’

  Now comes the evening, green-twinkling, clear-echoing,

  And out to Chalk-farm the Colonel, the Captain,

  Each with his group of believers, have driven.

  Primrose Hill on an April evening

  Even now in a fevered London

  Sings a vesper sweet; but these

  Will try another music. Hark!

  These are the pistols; let us test them; quite perfect.

  Montgomery, Macnamara six paces, two faces;

  Montgomery, Macnamara – both speaking together

  In nitre and lead, the style is incisive,

  Montgomery fallen, Macnamara half-falling,

  The surgeon exploring the work of the evening –

  And the Newfoundland dogs stretched at home in the firelight.

  The coroner’s inquest; the view of one body;

  And then, pale, supported, appears at Old Bailey

  James Macnamara, to whom this arraignment:

  You stand charged

  That you

  With force and arms

  Did assault Robert Montgomery,

  With a certain pistol

  Of the value of ten shillings,

  Loaded with powder and a leaden bullet,

  Which the gunpowder, feloniously exploded,

  Drove into the body of Robert Montgomery,

  And gave

  One mortal wound;

  Thus you did kill and slay

  The said Robert Montgomery.

  O heavy imputation! O dead that yet speaks!

  O evening transparency, burst to red thunder!

  Speak, Macnamara. He, tremulous as a windflower,

  Exactly imparts what had slaughtered the Colonel,

  ‘Insignificant the origin of the fact now before you;

  Defending our dogs, we grew warm; that was nature;

  That heat of itself had not led to disaster.

  From defence to defiance was the leap that destroyed.

  At once he would have at my deity, Honour –

  “If you are offended you know where to find me.”

  On one side, I saw the wide mouths of Contempt,

  Mouth to mouth working, a thousand vile gunmouths;

  On the other my Honour; Gentlemen of the Jury,

  I am a Captain in the British Navy.’

  Then said Lord Hood: ‘For Captain Macnamara,

  He is a gentleman and so says the Navy.’

  Then said Lord Nelson: ‘I have known Macnamara

  Nine years, a gentleman, beloved in the Navy,

  Not to be affronted by any man, true,

  Yet as I stand here before God and my country,

  Macnamara has never offended, and would not,

  Man, woman, child.’ Then a spring-tide of admirals,

  Almost Neptune in person, proclaim Macnamara

  Mild, amiable, cautious, as any in the Navy;

  And Mr. Garrow rises, to state that if need be,

  To assert the even temper and peace of his client,

  He would call half the Captains in the British Navy.

  Now we are shut from the duel that Honour

  Must fight with the Law; no eye can perceive

  The fields wherein hundreds of shadowy combats

  Must decide between a ghost and a living idolon –

  A ghost with his army of the terrors of bloodshed,

  A half-ghost with the grand fleet of names that like sunrise

  Have dazzled the race with their march on the ocean.

  Twenty minutes. How say you?

  Not guilty.

  Then from his chair with his surgeon the Captain

  Walks home to his dog, his friends’ acclamations

  Supplying some colour to the pale looks he had,

  Less pale than Montgomery’s; and Honour rides on.

  Winter Stars

  Fierce in flaming millions, ready to strike they stood,

  The stars of unknown will, above our field and wood;

  You who
have seen the midnight preparing a dawn of war

  May raise imagination to see them ready to roar

  Their sparkling death-way down; and while they waited the order

  Some came flying from nowhere, and launched what looked like murder,

  Rushing beyond our border, and detonating too far

  For us to hear. No need to hear. Watching each angry star

  I thought our thicket lifted its stack of bayonets

  Stiffly against the overthrow of Nature’s parapets;

  And marching amain from the highlands came our stream to see this through;

  Deep and hoarse and gathering force, it swore to die or do;

  Under the intelligence of strange foes, it sang to itself and chance,

  Answering all that wildfire with the gleam of its foaming advance.

  The Kiss

  I am for the woods against the world,

  But are the woods for me?

  I have sought them sadly anew, fearing

  My fate’s mutability,

  Or that which action and process make

  Of former sympathy.

  Strange that those should arrive strangers

  Who were once entirely at home.

  Colonnade, sunny wall and warren,

  Islet, osier, foam,

  Buds and leaves and selves seemed

  Safe to the day of doom.

  By-roads following, and this way wondering,

  I spy men abroad

  In orchards, knarred and woody men

  Whose touch is bough and bud;

  Co-arboreal sons of landscape.

  Then in windstript wood

  Is the cracking of stems; and under the thorn

  With a kobold’s closeness lurks

  The wanderer with his knife and rods,

  That like a bald rook works;

  His woman-rook about the thicket

  Prowls at the hazel-forks.

  Sheep lying out by the swollen river

  Let the flood roll down

  Without so much as a glance; they know it;

 

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