The Crimson Thread (Once Upon a Time)
Page 1
He grabbed her by the elbow
and pulled her close.
Then give me my payment now. Kiss me, and that will prove to you how much you love me.”
She yanked away. “No! I will pay you anything else, but you can’t make me feel what I do not feel! What else shall I pay you to make things square between us? Name your price, but it will not be me!”
He laughed bitterly, scornfully. “I don’t know. Why don’t I take your firstborn child?”
“Ha!” she cried. “Don’t be ridiculous!”
“What price would you have me name?”
“Fine, then! My firstborn child it is. And when I have money, I will mail it to you and we will be clear of each other, all debts paid, over and done with.”
Bertie suddenly felt that she had to get away from him. It was urgent that she not listen to another word he had to say. Overcome with emotion, she ran up the stairs into the alley.
“ONCE UPON A TIME”
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ONCE UPON A TIME
THE Crimson Thread
SUZANNE WEYN
If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”
This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author’s imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
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The text of this book was set in Adobe Jenson.
Manufactured in the United States of America
4 6 8 10 9 7 5 3
Library of Congress Control Number 2008922278
ISBN 978-1-4169-5943-4
eISBN 978-1-4424-0740-4
For my parents, Theodore Weyn and Jacqueline Weyn, with thanks for raising me on stories of immigrant grandparents and great-grandparents as well as longtime New Yorkers. These stories, some heartrending, others hilarious, (some having both qualities at the same time) were so vividly told that they have found their way into every line of this novel.
PROLOGUE
Once upon a time, I believe it was 1880 or thereabouts, a young princess set sail from Ireland for a faraway land. Bridget O’Malley never knew she was of royal lineage, due to the reduced circumstances into which she was born.
Foreign conquest had brought endless brutal war to the land, and the devastation of this strife, coupled with the dire poverty it left in its wake, had long ago vanquished the line of magical druidic priestesses and high kings from which Bridget was descended. Though she did not appear the part in her rags and cloddish, peat-covered boots, Bridget O’Malley was, indeed, a princess, and, on her mothers side, a distant but direct descendent of the high king Cormac mac Airt of legend.
For anyone with eyes to see, her lineage should have been clear enough. She carried the brilliant, orange-red crown of vibrant, unruly curls that marked all the royal women of her line. She had the unmistakable crystal blue eyes and the spray of freckles across her high cheekbones.
As Queen Avriel of the Faerie Folk of Eire, I have watched these disowned royals, these noble spirits without crowns, for centuries too numerous to count. A descent in fortune may obscure royal lineage in the eyes of mankind, but not so in the realm of Faerie. Here we know that true royalty remains in the blood regardless of fortunes deviations. And so I watch and record the royal ones, despite the fluctuating cycles of rise and fall that they may experience.
Bridget and Eileen O’Malley were my special concern. After their mother died, Bridget and her wee sister were the last princesses of their line. In my ancient Book of Faerie their histories were recorded with no less attention than when their kinswomen of times past wore the Celtic crowns on their heads.
Bridget and little Eileen’s lives were hard from the start, and then the Great Hunger struck. When the potato crop failed, the already-dire starvation, poverty, and crushing serfdom spun wildly out of control. The famine left mothers to die in their thatched cottages, their frozen babes blue in their arms. Between 1846 and 1850 droves of starving, desperate families set sail for distant shores. They went to lands known as Canada, Australia, Great Britain, and a place called America. Hundreds of them left, their meager belongings in tow, not knowing what lay ahead, but praying it would be better than the crushing life they’d had.
When Bridget’s mother died, her father, Paddy O’Malley, decided that the time had come to do as so many of his neighbors and kin had already done. He would take his children to America.
And so—invisible to all—I went too, in my role as faerie historian. A strange fate awaited Princess Bridget. I never would have predicted the turns of events that she encountered, being unfamiliar with the magic of foreign lands as I was at the time. For the mix and tumble of exotic magic she experienced was like nothing I could have imagined; nor could have Bridget.
And thus begins this faerie’s tale.
CHAPTER ONE
A Brave New World
As she made her way down the steamer’s gangplank, Bridget O’Malley cradled three-year-old Eileen, her younger sister, in the crook of her bent arm. Eileen snored lightly, her head nestled on Bridget’s shoulder, her blond curls like a cloud around her peaceful, round face.
With her other hand, Bridget gripped a battered suitcase. It contained everything she had managed to acquire during her seventeen years in the world: two skirts, one of them patched and short, coming just above the ankle, the other, longer one with two rows of ruffles on the bottom, each row added as she grew; a worn-soft plaid flannel nightgown; a few sets of bloomers and undershirts; two faded blouses; a horsehair brush; a blue satin ribbon; a chipped hand mirror; a green and tan blanket of homespun Irish wool crocheted by her mother shortly before her death a year earlier; and two somewhat dull sewing needles.
Bridget squin
ted against the fierce sunlight. The strong ocean breezes pried strands of curls loose from her upswept hairdo and flung them into her eyes. Setting down the suitcase, she brushed the corkscrews of hair aside.
“Best not let that case stray from your hands, my girl,” her father, Paddy O’Malley, advised brusquely in his thick Irish brogue as he stomped down the ramp, flanked by his three sons, nineteen-year-old Finn, thirteen-year-old Seamus, and eleven-year-old Liam. “We’ve come to the land of thieves and pickpockets.”
“Ha!” Bridget let out an ironic laugh. “And here I was thinking this was the land of opportunity.I believe it was you, your very self, who told me so, was it not? Let me think ... how many times have I heard it?”
“Only a hundred,” Finn put in, a smile in his green eyes as he set down one end of the steamer trunk containing all their household belongings and Seamus put down the other. Heeding his father’s warning, Finn kept one worn boot propped on top of the trunk.
“No, surely it was two hundred, at least.” Seamus continued the joke. He removed his wire-rimmed glasses and gave them a quick wipe on his shirt.
“A thousand times!” Liam piped up. He had the same red curls as Bridget, but his eyes were a vivid green and they sparkled with mischief now, lit gleefully with the fun of teasing their father. “I’m sure he’s said it exactly one thousand times.”
“Yes, I believe you’re right, Liam,” agreed Bridget with a grin. “‘Land of opportunity’—I believe I have heard that phrase exactly a thousand times.”
“And so it is!” Paddy O’Malley insisted, taking his children’s teasing in stride. He gazed around at the other passengers who streamed from the ship. They were disheveled and exhausted from the long, cramped trip, dragging trunks and baskets containing all their earthly belongings. Paddy looked on them with benevolent pride, despite their tattered appearance. In his eyes they were kindred spirits, bold seekers of a better life who were now teetering on the brink of incipient riches.
“It is a great land, indeed, and we will find our fortunes here,” he said confidently. “But in the meantime, be wary. Keep your wits about you at all times.”
Bridget smiled at him as the six of them moved forward with the crowd entering the building. This was a strange new world, and they’d have to learn its ways as fast as possible.
But what could be more auspicious than to arrive at the very entrance of a castle? The Castle Garden immigrant processing center was, indeed, very like a castle. In fact, it had been a fort against the British back during the American War of 1812. It stood at the southern tip of New York City, with two grand rivers on both sides and the very ocean at its door. The glistening building dazzled Bridget with its expansive entryway, elaborate scrollwork, and surrounding wall. Beside the doorway, an American flag flapped in the wind.
They joined the crowd of people moving inside to the great, round center room with its high domed ceiling. “Saints be praised,” Bridget muttered under her breath, awed at the sight of the massive room. Even the village church back in Ballinrobe had nothing as grand as this ceiling supported by impossibly thin columns.
They got on one of the many lines and crept forward until they finally reached a desk where a uniformed official sat at a desk with a big ledger on it. Along with her father and brothers, Bridget signed her name in the book, relieved that they didn’t ask her to write anything else. Her name was all she knew how to write.
Crumpling his tweed cap nervously in his large, rough hands, Paddy produced a letter from the traveling country doctor attesting that the family was free of disease. He’d made sure to acquire this letter, having heard far too many stories of others who’d endured the grueling sea passage only to be turned back or, at the very least, stuck in quarantine because their health was suspect.
“Address?” barked the official behind the desk, a scowling, thin-lipped man, without looking up from the papers he was filling out.
Paddy O’Malley took a slip from his jacket pocket and showed the official the address written on it: 106 Baxter Street. His best friend from home, Mike O’Fallon, had been kind enough to rent an apartment for them using money Paddy had sent him. “Mike O’Fallon assures me that it’s a fine place,” Paddy told the official, “the best he could get for the dollars I sent him.”
“The Five Points, eh?” the man said with a grunt as he glanced up for the first time. “Why am I not surprised?”
“Pardon? The what?” Paddy O’Malley asked.
“The intersection of three blocks creates five corners, so they call the area the Five Points. It’s the part of downtown you people all seem to head for,” he stated with a derisive nod at the others on line. “You can walk there from here; I guess that’s why you all go there.”
“Are there many others from Ireland there, then?” Paddy inquired hopefully.
“Years ago you people controlled the whole ratinfested slum,” said the man, returning to his paperwork. “There was nobody there but a ton of Irish along with a few Black Africans. But now they’re pouring in from Italy, Germany, and all parts of East Europe. You’ve even got Chinese and Jewish down there nowadays. But don’t fret. You’ll still find boatloads of Irish there.”
Paddy nodded, though a look of worry crossed his face. Bridget understood it. Italians! Germans! Africans! Jewish! Chinese! She didn’t even know what an Eastern European was! None of the O’Malleys had ever seen a person who wasn’t Irish, let alone someone all the way from China.
The official glanced up for a second time as he handed Paddy a cardboard billfold of entry papers. “You and your boys might find work at the Paper Box Factory at Mission Place,” he advised. “And your girl here should check with the House of Industry on Worth Street. They can direct her to the uptown families looking for servants.”
“She’ll not be a servant,” Paddy disagreed confidently, “not one as skillful as she is with a needle.”
“Suit yourself,” said the official. “Many women go into the needle trades, but she’ll have to post a one-dollar deposit with any employer she wants to work for.”
“One dollar!” Bridget gasped. Where would that come from? She wasn’t even sure how much money it was, but it sounded like a lot.
“That’s how it’s done. It’s why girls hire out as servants,” the man said gruffly.
With a nod, Paddy motioned his family to move away from the desk with him. They followed him a few paces until he stopped and faced them. His ruddy face erupted into a brilliant smile. “We did it! We’re in!” he exulted.
“Where to now, Da?” Seamus asked.
“On to 106 Baxter Street,” he told them excitedly, his face beaming. “The kind gentleman there says it’s but a hop, skip, and jump from here. Let us be off. Our fortunes await us!”
CHAPTER TWO
The Crimson Thread
Eileen had awakened during the walk to Baxter Street and now stared around, wide-eyed, as the family trudged up the five flights of narrow tenement stairs. Bridget held tight to her small hand as they struggled up the dimly lit stairway.
Some apartment doors were open, and inside they could see dim, dreary spaces. Dirty, half-naked children overflowed from some of the open doors, and the hallway exploded with the sounds of life being lived at top volume, sometimes in languages they could not understand.
“Gaa, what is that stink?” asked Seamus, his face twisted in disgust.
“I think it’s cabbage cooking,” Finn suggested.
Bridget sniffed the stale air. She recognized the cabbage, but there were other food smells that were completely unfamiliar. And there were odors intermingled that she didn’t think were food at all.
“Are you sure it’s cabbage?” Seamus questioned. “It smells like dead bodies to me.”
“When did you ever smell dead bodies?” Finn challenged with a snort of dark laughter.
“I helped Alice Feeney turn her granddad over, and he had been dead in the sheep pen nearly two days when we found him,” insisted Seamus with g
rim pride. “Ew, he was foul.”
“Seamus would do anything for Alice Feeney,” Liam taunted.
A faraway wistfulness leaped into Seamus’s eyes. “It’s true, I would have, but I guess I’ll never get the chance now.”
“Don’t despair, my lad,” Paddy encouraged his son as he stopped in front of a closed door and checked the number on the keys the landlady had given him. “You will return to Ballinrobe as a rich man someday, and you’ll whisk lovely Alice away in your fine carriage.”
Bridget shook her head in amusement. Her da was a dreamer, to be sure, and his big ideas weren’t always realistic ones. But his exciting imaginings had given them all something to hold on to, so she was glad he was the way he was.
Paddy turned the key and opened the door. “Home, sweet...” His voice trailed off into stunned silence as the O’Malley clan took in the awful sight of their new home.
The apartment was a one-room rectangle, filled with strewn garbage and abandoned belongings from the previous tenant. The faded beige walls were chipped, with large holes in some spots. The wood-planked floor was broken clear through in places.
The kitchen was in the main room. Several of its cabinet doors hung from their hinges. In a corner was a two-burner gas stove, but no sink; nor was there a bathroom. “I suppose we share the utilities,” Paddy ventured gamely. “I saw a sink in the hall. We passed it just now.”
Those things didn’t bother Bridget. At home they’d had to go outside to pump water and use the outhouse behind the cottage, even on the coldest days, so in a way, this indoor plumbing amounted to an improvement on that situation. What did bother her were the squalid filth of the place and the stench of the garbage from the other apartments.
A rush of claustrophobia mixed with panic threatened to overwhelm her. How could she live with this unremitting ruckus and stench? Desperately needing air, she threw her weight into the sash of the only small window in the place, trying to lift it. “Help me, Finn,” she demanded when it wouldn’t budge.