The Hill Bachelors

by William Trevor

  Vanessa lost her head, as in difficult moments she tended to. She could not possibly hand the paper to him and wait for him to arrive at his recorded death. His companions on the page — no doubt correctly there — were a backing singer of a pop group, a bishop, born in Stockport, and a lieutenant colonel. Professor A. R. Ormston, it said, the space allocated to him less than that of the others, less particularly than the backing singer’s. The bishop’s photograph was small, but generous text made up for that; the lieutenant colonel married Anne Nancy Truster-Ede in 1931 and lost an arm in Cyprus. Gazing at his soldier’s brave old eyes and the bishop’s murky likeness, the raddled babyface of the singer, metal suspended from lobe and nostril, Vanessa again said to herself that she could not possibly commit this cruelty. Being crammed into what space remained was horrible.

  The obituaries were on the inside of the last page. There had been a time when the paperboy jammed the paper into the letter-box, tearing that page quite badly. Please leave the newspapers on the window-sill, her husband had instructed on a square of cardboard which he suspended from the brass hall-door handle. He kept the square of cardboard by him, displaying it each time the paperboy changed.

  Vanessa tore the bottom of the page and bundled away what she could not bring herself to reveal. She dropped the ball of paper into the waste-bucket beneath the sink, pushing it well down, under potato peelings and a soup tin. Then she carried the tray upstairs.

  ‘We need to hang out your notice again,’ she said, pouring tea and adding milk. ‘It’s a different boy.’

  ‘What boy’s that, dear?’

  ‘The one with the papers.’

  What on earth else could I do? she wildly asked herself, dipping a gingersnap into her tea. She had needed time to think, but now that she had it could think of nothing. Her worried features, private behind the cover of the magazine that had been delivered also, were a blankness that filled eventually with a consideration of the consequences of her subterfuge. It did not occur to her that this was anything but an error in a single newspaper. More on her mind was that her protection could not possibly last, that when the moment of truth arrived no explanation could soften the harshness of an obituarist’s mistake. She might have tried to speak, to lead on gently to a confession, but still she could not.

  ‘Whatever’s a stealth fighter?’ came an enquiry from the other bed, the question answered almost as soon as it was asked. An F117 Stealth Fighter was an aeroplane, she was told, and also told that there was going to be trouble with the postal unions, and then that there was not much news today. ‘Oh, little do you know!’ her own voice cried, though only to herself. She turned the pages of her magazine, seeing nothing of them. Her desperation misled her: friends and colleagues would rally round in humane conspiracy, their instinct to protect, as hers had been. When letters arrived from those who could not know the truth she would reply, explaining. They would, in the nature of things, be addressed to her. That some undergraduate, when the new term began, might say, ‘Sir, surely you are dead?’ did not enter Vanessa’s bewildered thoughts. He was well loved by his students, after all. They, too, would surely respect his dignity.

  But minutes later, when Professor Ormston’s wife stood in the bedroom with her dressing-gown and nightdress slipped off, the moment before her underclothes every morning felt cold on her skin, she knew she had again done the wrong thing, as so often she had in her marriage and in her life. And as so often also, she had compounded it by creating an unreal wonderland: they would take pleasure, all of them, in this amusement.

  ‘What shall today bring?’ the Professor wondered from his bed, words familiar in the bedroom at this time.

  She thought to tell him then. She could have gone to him half dressed, and offered consolation with her young wife’s body. ‘I am ridiculous,’ instead her own voice echoed, soundless in the room, ridiculous because she did not have the courage to cause pain.

  She boiled his egg and made his toast. She heated milk for their coffee. To come were the leisurely hours of this Saturday morning, while still he would not know. And hopelessly again she wondered why, for once, it should not be different, why at the Master’s sherry do they should not be merciful.

  *

  ‘This matter shall be dealt with,’ is the Master’s greeting. ‘Have no doubt on that score.’

  He says no more, only nods through what he takes to be Ormston’s embarrassment but is, in fact, bewilderment. It seems to the Master that Ormston intends to ride the storm, disdaining comment. And in that, of course, he must be honoured. ‘Is this what’s called insouciance?’ McMoran mutters, struck also by Ormston’s calm.

  Alone in a corner a medievalist, Kellfittard, regards Ormston with a distaste that reaches into hatred. ‘The Quicke and the dead,’ Kellfittard hears coming from his left when for a moment the man declared to be no longer alive is in the company of the pinkly corduroyed professor. Kellfittard cares for neither of them, but has more reason to dislike the one he imagined until an hour ago had left his wife a widow. Kellfittard’s bachelor status has everything to do with Vanessa Ormston, who is of an age with him and wasted, so he believes, on a dry old man. Dry himself, he is one of the professors who are economical with their utterances, an inclination in him that played against his chances where Vanessa was concerned, allowing his rival to get in first. Hours ago in his cheerless college rooms he gazed in disbelief and wonder, and then in pure delight, at the likeness on the obituary page, went out to buy the three other newspapers he guessed might carry the same happy tidings, and there they were. Fantasies began at once: theatre visits with Vanessa Ormston, quiet dinners at The Osteria, a discreet weekend, and in Salzburg before the autumn term began the honeymoon that should have taken place years ago. It wasn’t until he arrived at the Master’s house that Kellfittard realized some prankster had been at work.

  Quicke’s donkey roar reaches him in his corner. It mocks him, as the faces all around him do — McMoran’s wizened, Linderfoot’s a blob of fat, the one that has been to the Karakoram foothills sunburnt, Wirich’s beaky, the Master’s square and heavy, Triller’s long and tidy. Kellfittard himself shares with the man who nineteen years ago snatched beauty from him a pallor without a trace of pink, and rimless spectacles. Both men are grey-haired; both are sparely made. In the course of his morning’s thoughts it seemed rational to Kellfittard that, in marrying again, a wife would choose, the second time, a physical repetition. Though in no other way, those same thoughts adamantly insisted, was there a similarity.

  ‘Impossible to know how it was done. One of our names taken in vain, I have no doubt.’

  It is Linderfoot who makes that pronouncement, approaching Kellfittard in his chummy way. What Linderfoot maintains — idiotically, it seems to Kellfittard — is that some undergraduate has simply acted a part on the telephone, proffering the news of a professor’s death.

  ‘Your name or mine,’ Linderfoot presses, ‘would seem to have been enough.’

  ‘No,’ another man joins in to say. ‘That would not have been enough.’

  ‘Then what?’ Linderfoot purses his big lips as if to whistle, his habit when a conversation palls. The man who has butted in says:

  ‘This was done from within a news agency. It must have been.’

  ‘A news agency?’

  ‘One of Ormston’s old students. Forgiveness does not come cheaply always.’

  ‘But Ormston —’

  ‘We all offend.’

  ‘Ormston appears to be pretending it hasn’t happened.’ Kellfittard breaks his silence with that. He does not say he rejoiced to know the man was dead. He does not believe that he himself in any way offends his students, but he keeps that back also.

  ‘Extraordinary,’ Linderfoot interjects, pursing his lips again. ‘Extraordinary.’

  It is known to the others, but not to Linderfoot — who takes no interest in such matters — that Kellfittard feels he should have married Vanessa Ormston, that he has married no one else because
a passion has lingered. It’s understandable, in Linderfoot’s opinion, that Ormston should choose to ignore the embarrassment of what has happened to him. He blunders about the room, seeking other conversations, unaware of the prevailing disappointment that Ormston has not appeared among them a broken man, that there has been this anticlimax.

  ‘An inside job,’ Quicke remarks eventually, determined to exact something from the let-down. Leaving the house with Ormston, he offers his opinion as they make their way on the Master’s wide garden path. ‘On the media front, an inside job, so they are saying now.’

  He touches one nostril and then the other with a red spotted handkerchief, causing Ormston to look away. Quicke’s manner implies particular comradeship between the two, a lowered tone suggests concern. The comradeship does not exist, the concern’s unreal.

  ‘What are you talking about?’ Ormston asks and in a roundabout way, the information larded with commiseration, he learns of what has occurred.

  *

  Passing on his left the grey-brown stone of porters’ lodge and deeply recessed library windows, Ormston remembers the torn back page of his morning paper. The face of the pop-group singer, which briefly he glanced at, is as briefly repeated in his recall. What was missing from that page was what was left hanging when the Master said the matter would be dealt with. The Master’s wife was awkward in her greeting, McMoran smug. Triller’s vague air disguised something else; Wirich stared; Linderfoot was excited; Kellfittard looked the other way. Every one of them knows.

  As others already have, Ormston knits together an explanation that is similar to theirs except in detail. When he was young himself an unpopular Senior Dean suffered the indignity of being approached by a police constable, following information that confused his identity with a draper’s elderly assistant who hung around public lavatories. A youth called Tottle was sent down for that; and Ibbs and Churchman suffered the same fate less than a term later for stealing the Master’s clothing, confining him miserably when he should have been delivering the Hardiman lecture in the presence of a member of the Royal Family. All one year there’d been a spate of that kind of thing, chamber pots on spires, false charges laid, old Purser’s bicycle dismantled more than a dozen times.

  Why should he be a victim now? He is not arrogant that he’s aware of, or aloof among his students; he does not seek to put them in their place. Lacking the ambition of his colleagues, he is a scholar as scholars used to be, learned in an old-fashioned sense. Has all this jarred and irritated without his knowing? Still walking slowly, Professor Ormston shakes his head. He is not a fool, of course he would have sensed unpopularity.

  Noticing the green and black hanging sign of the St Boniface public house, he considers entering it and a moment later does so instead of passing by. He has rarely in his life been in a public house, maybe a dozen times in all, he estimates as the swing doors close behind him. Blue plush banquettes along the walls are marked with cigarette burns, as are the low tables arranged in front of them, each with a glass ashtray advertising a brand of beer and small round mats bearing similar insignia. Unwashed glasses have been collected and are still on trays; busy ten minutes ago with Saturday-morning trade, the place is empty now.

  ‘Sir?’ a man behind the bar greets Professor Ormston, looking up from a plate of minced meat with a topping of potato.

  ‘Might I have a glass of whisky?’

  ‘You could of course, sir.’

  Warmly steaming, smeared with tomato sauce, the food smells of the grease it has been cooked in. On a radio somewhere a disc jockey is gabbling incomprehensibly.

  ‘Would I make that a double, sir?’

  As if aware that his customer is unused to public-house measures, the barman holds the glass up to display how little whisky there is in it.

  ‘Yes, please do.’

  ‘Decent enough bit of weather.’

  ‘Yes, it is.’

  ‘There you go, sir.’

  ‘Thanks.’

  He pays and takes the drink to one of the tables by the windows. ‘Kind,’ was how Quicke put it; all four obituarists were kind in Quicke’s opinion. ‘Quite right, of course.’ And he was able to nod, not up to pretending aloud that yes, the notices were kind enough. A dare, Quicke said, young men have dares. They think up these things and the one who is eventually in a position to do so sees something through. A bet it might have been, and probably was. There’d be apologies from all four editors, Quicke was certain about that.

  A child appears behind the bar, only the top of her head visible. The man tells her to go away, but then he reaches for a glass and pours a Pepsi Cola into it while continuing to eat. He tells the girl she’ll be the ruin of him.

  ‘This’ll make me drunk,’ Professor Ormston tells himself, whisky on top of Tio Pepe before lunch. And yet he wants to stay here. The newspaper beside the trays of unwashed glasses on the bar is not the kind that has obituaries. Again the torn page stirs in his recall, only half of the backing singer there, the name of the army colonel not known to him, as the bishop’s wasn’t either. Of course a popular entertainer took precedence. The way things are these days, that stands to reason.

  ‘I’m sorry,’ he says at the bar after he has sat for a while longer, apologizing because the man hasn’t finished his food. But the man is cheerful, Irish by the sound of him. Professor Ormston has read somewhere that the Irish make good publicans, a touch of the blarney not out of place.

  ‘Sure, and what am I here for, sir? Wouldn’t I be negligent to eat me dinner with a man going thirsty?’

  ‘Thank you so much.’

  He carries the replenished glass back to where he has been sitting. Survived by his wife, Vanessa. It would have said that, Vanessa mentioned once. No children, acquaintances of long ago would notice. And students who did not know he’d ever married would be surprised, he not being the sort, they might in their day have assumed. When they took her on as secretary in the department there had hardly been enough work to justify it and she was bored at first, until it was suggested she should be shared with McMoran. When she left, three years ago, it was because she didn’t like McMoran.

  She has done what she thought best. He knows that in her; and sipping more whisky, he tries to understand. Apart altogether from McMoran’s spikiness, she had never been happy in the department, as later she confessed. ‘You think this girl’s up to it?’ he asked when they first considered her, not even noticing her beauty then. This city, not a human attribute, was what he’d thought of when he thought of beauty, the grey-brown columns and façades, carved figures in their niches, the lamplight coming on in winter. Seven hours have passed, he calculates: she came up with the tea and gingersnaps, prevaricating although prevarication does not come naturally to her.

  Another man comes in, who doesn’t have to order what he wants. The barman knows and pours a bottle of Adnams’ beer. ‘Floating Voter,’ the barman says. ‘You’ll get him at nines.’

  The others kept it to themselves when she left the department, unable to criticize her because she was his wife. McMoran muttered something, feeling more let down because he had relied on her more, but what he said wasn’t audible. It doesn’t interest any of them that she is happier now, that she has given her life up to her flowers and to her hospital charity work, amusing children while they wait on cystic-fibrosis days, or children undergoing leukaemia treatment, or hole-in-the heart children. ‘I don’t know how she does it,’ he might have said, but never has because they wouldn’t be interested in the charity work of someone’s wife. She wanted children; he could not give her them.

  The trawl through his life that she has withheld from him would not, of course, record that. Nor would it touch upon his occasional testiness, his cold appraisal of examination answers, the orderly precision that enhances his work and affects him as a husband, the melancholy that comes from nowhere. Other human-interest decoration might enliven a drab account, with liberties taken for the casual reader. His wife was younger by sixtee
n years most certainly would not be written. Nor as lovely in her day as Marilyn Monroe.

  The whisky has dried his mouth. In the Master’s drawing-room he would have seemed a figure of silliness, not saying anything: those of them who have wives would now be passing that across their lunch tables. They’d be amused to know that he is surreptitiously drinking in a public house.

  *

  The house is silent. Wintry sunshine dwindles in the kitchen, on the places laid at the oval table, each of the two plates of tongue covered with another plate, for the sun has made the window a haven for the last of autumn’s flies. A salad, the oil and vinegar dressing not yet added, is covered also.

  Whoever the perpetrators are, Vanessa feels she belongs with them, that she has added something to their cruelty. ‘I couldn’t think, I didn’t know what I was doing’: all that is ready, and has been for longer than the food she has prepared. ‘Panic,’ she must also say, for that word belongs. ‘I went all blank.’ No need to say a wife should have the courage to bear bad news.

  He’ll know because it will, of course, have all come out; and then he’ll see her reddened eyes and know the rest as well. A nest of vipers the Master and his simpering wife gather round them on these occasions. Who has a chance in a nest of vipers?

  ‘My God!’ Vanessa’s mother exclaimed in open horror when, nineteen years ago almost to the month, she learned of her daughter’s engagement to a fusty academic who was just old enough to be her father. ‘My God!’ she said again after their first encounter, when Vanessa brought him for the weekend to her mother’s flat. ‘Has he money?’ she asked, unable to find some other reason for what she termed an unattractive marriage. ‘Just what he earns,’ Vanessa replied, and two months later married him.

  His key turns in the hall-door Yale. While waiting for him, it has occurred to Vanessa that there would be the other newspapers. She has imagined him in a newsagent’s, giving the right money because he likes to if he can, taking the papers to where he can peruse them undisturbed.