Vintage Ford

by Richard Ford

  For the record—because I never saw him again—my father went back to St. Louis and back to the influence of Dr. Carter, who I believe was as strong a character as my father was weak. They lived on there for a time until (I was told) Dr. Carter quit the practice of medicine entirely. Then they left America and traveled first to Paris and after that to a bright white stucco house near Antibes, which I in fact once saw, completely by accident, on a side tour of a business trip, and somehow knew to be his abode the instant I came to it, as though I had dreamed it—but then couldn’t get away from it fast enough, though they were both dead and buried by then.

  Once, in our newspaper, early in the nineteen-seventies, I saw my father pictured in the society section amid a group of smiling, handsome crew-cut men, once again wearing tuxedos and red sashes of some foolish kind, and holding champagne glasses. They were men in their fifties, all of whom seemed, by their smiles, to want very badly to be younger.

  Seeing this picture reminded me that in the days after my father had taken me to the marsh, and events had ended not altogether happily, I had prayed for one of the few times, but also for the last time, in my life. And I prayed quite fervently for a while and in spite of all, that he would come back to us and that our life would begin to be as it had been. And then I prayed that he would die, and die in a way I would never know about, and his memory would cease to be a memory, and all would be erased. My mother died a rather sudden, pointless and unhappy death not long afterward, and many people including myself attributed her death to him. In time, my father came and went in and out of New Orleans, just as if neither of us had ever known each other.

  And so the memory was not erased. Yet because I can tell this now, I believe that I have gone beyond it, and on to a life better than one might’ve imagined for me. Of course, I think of life— mine—as being part of their aftermath, part of the residue of all they risked and squandered and ignored. Such a sense of life’s connectedness can certainly occur, and conceivably it occurs in some places more than in others. But it is survivable. I am the proof, inasmuch as since that time, I have never imagined my life in any way other than as it is.

  from INDEPENDENCE DAY

  My clients the Markhams, whom I’m meeting at ninefifteen, are from tiny Island Pond, Vermont, in the far northeast corner, and their dilemma is now the dilemma of many Americans. Sometime in the indistinct Sixties, each with a then-spouse, they departed unpromising flatlander lives (Joe was a trig teacher in Aliquippa, Phyllis a plump, copper-haired, slightly bulgy-eyed housewife from the D.C. area) and trailered up to Vermont in search of a sunnier, less predictable Weltansicht. Time and fate soon took their unsurprising courses: spouses wandered off with other people’s spouses; their kids got busily into drugs, got pregnant, got married, then disappeared to California or Canada or Tibet or Wiesbaden, West Germany. Joe and Phyllis each floated around uneasily for two or three years in intersecting circles of neighborhood friends and off-again, on-again Weltansichts, taking classes, starting new degrees, trying new mates and eventually giving in to what had been available and obvious all along: true and eyes-open love for each other. Almost immediately, Joe Markham—who’s a stout, aggressive little bullet-eyed, short-armed, hairy-backed Bob Hoskins type of about my age, who played nose guard for the Aliquippa Fighting Quips and who’s not obviously “creative”— started having good luck with the pots and sand-cast sculptures in abstract forms he’d been making, projects he’d only fiddled around with before and that his first wife, Melody, had made vicious fun of before moving back to Beaver Falls, leaving him alone with his regular job for the Department of Social Services. Phyllis meanwhile began realizing she, in fact, had an untapped genius for designing slick, lush-looking pamphlets on fancy paper she could actually make herself (she designed Joe’s first big mailing). And before they knew it they were shipping Joe’s art and Phyllis’s sumptuous descriptive booklets all over hell. Joe’s pots began showing up in big department stores in Colorado and California and as expensive specialty items in ritzy mail-order catalogs, and to both their amazement were winning prizes at prestigious crafts fairs the two of them didn’t even have time to attend, they were so busy.

  Pretty soon they’d built themselves a big new house with cantilevered cathedral ceilings and a hand-laid hearth and chimney, using stones off the place, the whole thing hidden at the end of a private wooded road behind an old apple orchard. They started teaching free studio classes to small groups of motivated students at Lyndon State as a way of giving something back to the community that had nurtured them through assorted rough periods, and eventually they had another child, Sonja, named for one of Joe’s Croatian relatives.

  Both of them, of course, realized they’d been lucky as snake charmers, given the mistakes they’d made and all that had gone kaflooey in their lives. Though neither did they view “the Vermont life” as necessarily the ultimate destination. Each of them had pretty harsh opinions about professional dropouts and trust-fund hippies who were nothing more than nonproducers in a society in need of new ideas. “I didn’t want to wake up one morning,” Joe said to me the first day they came in the office, looking like bedraggled, wide-eyed missionaries, “and be a fifty-five-year-old asshole with a bandanna and a goddamn earring and nothing to talk about but how Vermont’s all fucked up since a lot of people just like me showed up to ruin it.”

  Sonja needed to go to a better school, they decided, so she could eventually get into an even better school. Their previous batch of kids had all trooped off in serapes and Sorels and down jackets to the local schools, and that hadn’t worked out very well. Joe’s oldest boy, Seamus, had already done time for armed robbery, toured three detoxes and was learning-disabled; a girl, Dot, got married to a Hell’s Commando at sixteen and hadn’t been heard from in a long time. Another boy, Federico, Phyllis’s son, was making the Army a career. And so, based on these sobering but instructive experiences, they understandably wanted something more promising for little Sonja.

  They therefore made a study of where schools were best and the lifestyle pretty congenial, and where they could have some access to NYC markets for Joe’s work, and Haddam came at the top in every category. Joe blanketed the area with letters and résumés and found a job working on the production end for a new textbook publisher, Leverage Books in Hightstown, a job that took advantage of his math and computer background. Phyllis found out there were several paper groups in town, and that they could go on making pots and sculptures in a studio Joe would build or renovate or rent, and could keep sending his work out with Phyllis’s imaginative brochures, yet embark on a whole new adventure where schools were good, streets safe and everything basked in a sunny drug-free zone.

  Their first visit was in March—which they correctly felt was when “everything” came on the market. They wanted to take their time, survey the whole spectrum, work out a carefully reasoned decision, make an offer on a house by May first and be out watering the lawn by the 4th. They realized, of course, as Phyllis Markham told me, that they’d probably need to “scale back” some. The world had changed in many ways while they were plopped down in Vermont. Money wasn’t worth as much, and you needed more of it. Though all told they felt they’d had a good life in Vermont, saved some money over the past few years and wouldn’t have done anything—divorce, wandering alone at loose ends, kid troubles—one bit differently.

  They decided to sell their own new hand-built house at the first opportunity, and found a young movie producer willing to take it on a ten-year balloon with a small down. They wanted, Joe told me, to create a situation with no fallback. They put their furniture in some friends’ dry barn, took over some other friends’ cabin while they were away on vacation, and set off for Haddam in their old Saab one Sunday night, ready to present themselves as home buyers at somebody’s desk on Monday morning.

  Only they were in for the shock of their lives!

  What the Markhams were in the market for—as I told them— was absolutely clear and they w
ere dead right to want it: a modest three-bedroom with charm and maybe a few nice touches, though in keeping with the scaled-back, education-first ethic they’d opted for. A house with hardwood floors, crown moldings, a small carved mantel, plain banisters, mullioned windows, perhaps a window seat. A Cape or a converted saltbox set back on a small chunk of land bordering some curmudgeonly old farmer’s cornfield or else a little pond or stream. Pre-war, or just after. Slightly out of the way. A lawn with maybe a healthy maple tree, some mature plantings, an attached garage possibly needing improvement. Assumable note or owner-finance, something they could live with. Nothing ostentatious: a sensible home for the recast nuclear family commencing life’s third quartile with a kid on board. Something in the 148K area, up to three thousand square feet, close to a middle school, with a walk to the grocery.

  The only problem was, and is, that houses like that, the ones the Markhams still google-dream about as they plow down the Taconic, mooning out at the little woods-ensconced rooftops and country lanes floating past, with mossy, overgrown stone walls winding back to mysterious-wondrous home possibilities in Columbia County—those houses are history. Ancient history. And those prices quit floating around at about the time Joe was saying good-bye to Melody and turning his attentions to plump, round-breasted and winsome Phyllis. Say 1976. Try four-fifty today if you can find it.

  And I maybe could come close if the buyer weren’t in a big hurry and didn’t faint when the bank appraisal came in at thirty-under-asking, and the owner wanted 25% as earnest money and hadn’t yet heard of a concept called owner-finance.

  The houses I could show them all fell significantly below their dream. The current median Haddam-area house goes for 149K, which buys you a builder-design colonial in an almost completed development in not-all-that-nearby Mallards Landing: 1,900 sq ft, including garage, three-bedroom, two-bath, expandable, no fplc, basement or carpets, sited on a 50-by-200-foot lot “clustered” to preserve the theme of open space and in full view of a fiberglassbottom “pond.” All of which cast them into a deep gloom pit and, after three weeks of looking, made them not even willing to haul out of the car and walk through most of the houses where I’d made appointments.

  Other than that, I showed them an assortment of older village-in houses inside their price window—mostly small, dark two-bedrooms with vaguely Greek facades, originally built for the servants of the rich before the turn of the century and owned now either by descendants of immigrant Sicilians who came to New Jersey to be stonemasons on the chapel at the Theological Institute, or else by service-industry employees, shopkeepers or Negroes. For the most part those houses are unkempt, shrunken versions of grander homes across town—I know because Ann and I rented one when we moved in eighteen years ago—only the rooms are square with few windows, low-ceilinged and connected in incongruous ways so that inside you feel as closed in and on edge as you would in a cheap chiropractor’s office. Kitchens are all on the back, rarely is there more than one bath (unless the place has been fixed up, in which case the price is double); most of the houses have wet basements, old termite damage, unsolvable structural enigmas, cast-iron piping with suspicions of lead, subcode wiring and postage-stamp yards. And for this you pay full price just to get anybody to break wind in your direction. Sellers are always the last line of defense against reality and the first to feel their soleness threatened by mysterious market corrections. (Buyers are the second.)

  On two occasions I actually ended up showing houses to Sonja (who’s my daughter’s age!) in hopes she’d see something she liked (a primly painted “pink room” that could be hers, a particularly nifty place to snug a VCR, some kitchen built-ins she thought were neat), then go traipsing back down the walk burbling that this was the place she’d dreamed of all her little life and her Mom and Dad simply had to see it.

  Only that never happened. On both of these charades, as Sonja went clattering around the empty rooms, wondering, I’m sure, how a twelve-year-old is supposed to buy a house, I peeked through the curtains and saw Joe and Phyllis waging a corrosive argument inside my car—something that’d been brewing all day— both of them facing forward, he in the front, she in the back, snarling but not actually looking at each other. Once or twice Joe’d whip his head around, focus in his dark little eyes as intent as an ape, growl something withering, and Phyllis would cross her plump arms and stare out hatefully at the house and shake her head without bothering to answer. Pretty soon we were out and headed to our next venue.

  Unhappily, the Markhams, out of ignorance and pigheaded-ness, have failed to intuit the one gnostic truth of real estate (a truth impossible to reveal without seeming dishonest and cynical): that people never find or buy the house they say they want. A market economy, so I’ve learned, is not even remotely premised on anybody getting what he wants. The premise is that you’re presented with what you might’ve thought you didn’t want, but what’s available, whereupon you give in and start finding ways to feel good about it and yourself. And not that there’s anything wrong with that scheme. Why should you only get what you think you want, or be limited by what you can simply plan on? Life’s never like that, and if you’re smart you’ll decide it’s better the way it is.

  My own approach in all these matters and specifically so far as the Markhams are concerned has been to make perfectly clear who pays my salary (the seller) and that my job is to familiarize them with our area, let them decide if they want to settle here, and then use my accumulated goodwill to sell them, in fact, a house. I’ve also impressed on them that I go about selling houses the way I’d want one sold to me: by not being a realty wind sock; by not advertising views I don’t mostly believe in; by not showing clients a house they’ve already said they won’t like by pretending the subject never came up; by not saying a house is “interesting” or “has potential” if I think it’s a dump; and finally by not trying to make people believe in me (not that I’m untrustworthy—I simply don’t invite trust) but by asking them to believe in whatever they hold dearest—themselves, money, God, permanence, progress, or just a house they see and like and decide to live in—and to act accordingly.

  All told today, the Markhams have looked at forty-five houses— dragging more and more grimly down from and back to Vermont— though many of these listings were seen only from the window of my car as we rolled slowly along the curbside. “I wouldn’t live in that particular shithole,” Joe would say, fuming out at a house where I’d made an appointment. “Don’t waste your time here, Frank,” Phyllis would offer, and away we’d go. Or Phyllis would observe from the backseat: “Joe can’t stand stucco construction. He doesn’t want to be the one to say so, so I’ll just make it easier. He grew up in a stucco house in Aliquippa. Also, we’d rather not share a driveway.”

  And these weren’t bad houses. There wasn’t a certifiable “fixerupper,” “handyman special,” or a “just needs love” in the lot (Haddam doesn’t have these anyway). I haven’t shown them one yet that the three of them couldn’t have made a damn good fresh start in with a little elbow grease, a limited renovation budget and some spatial imagination.

  Since March, though, the Markhams have yet to make a purchase, tender an offer, write an earnest-money check or even see a house twice, and consequently have become despondent as we’ve entered the dog days of midsummer. In my own life during this period, I’ve made eight satisfactory home sales, shown a hundred other houses to thirty different people, gone to the Shore or off with my kids any number of weekends, watched (from my bed) the Final 4, opening day at Wrigley, the French Open and three rounds of Wimbledon; and on the more somber side, I’ve watched the presidential campaigns grind on in disheartening fashion, observed my forty-fourth birthday, and sensed my son gradually become a source of worry and pain to himself and me. There have also been, in this time frame, two fiery jetliner crashes far from our shores, Iraq has poisoned many Kurdish villagers, President Reagan has visited Russia, there’s been a coup in Haiti, drought has crippled the country’s midsec
tion and the Lakers have won the NBA crown. Life, as noted, has gone on.

  Meanwhile, the Markhams have begun “eating into their down” from the movie producer now living in their dream house and, Joe believes, producing porn movies using local teens. Likewise Joe’s severance pay at Vermont Social Services has come and gone, and he’s nearing the end of his piled-up vacation money. Phyllis, to her dismay, has begun suffering painful and possibly ominous female problems that have required midweek trips to Burlington for testing, plus two biopsies and a discussion of surgery. Their Saab has started overheating and sputtering on the daily commutes Phyllis makes to Sonja’s dance class in Craftsbury. And as if that weren’t enough, their friends are now home from their geological vacation to the Great Slave Lake, so that Joe and Phyllis are having to give thought to moving into the original and long-abandoned “home place” on their own former property and possibly applying for welfare.