The Collected Stories of Stefan Zweig
Page 11
Slowly, the train rattles on. She leans back in the corner and feels soft tears running down over her cheeks. That dull fear has gone away, she feels only a deep, strange pain, and seeks in vain to discover its source. A pain such as terrified children feel when they suddenly wake on a dark, impenetrable night, and feel that they are all alone…
A SUMMER NOVELLA
I SPENT THE MONTH OF AUGUST last summer in Cadenabbia, one of those little places on Lake Como that nestle so charmingly between white villas and dark woods. Probably quiet and peaceful even in the livelier days of spring, when travellers from Bellagio and Menaggio gather in crowds on the narrow strip of beach, in these warm summer weeks the little town was fragrant, sunny and isolated. The hotel was almost entirely deserted: a few occasional guests, each an object of curiosity to the others by virtue of having chosen to spend a summer holiday in this remote place, surprised every morning to find anyone else still here. Most surprising of all to me was the continued presence of an elderly gentleman, very distinguished in appearance and very cultivated—he looked something like a cross between a very correct English statesman and a Parisian man of the world—who, instead of amusing himself by enjoying some lakeside sporting activity, spent his days thoughtfully watching the smoke from his cigarettes dispersing in the air, or now and then leafing through a book.
The oppressive isolation of two rainy days, and his frank, open manner, soon gave our acquaintanceship a warmth that almost entirely bridged the gap in years between us. Born in Estonia, brought up in France and later in England, a man who had never practised any profession and for years had not lived in any one place, he was homeless in the noble sense of those who, like the Vikings and pirates of beauty, have collected in their intellectual raids all that is most precious in many great cities. He was close to all the arts in the manner of a dilettante, but stronger than his love for them was his sublime disdain to serve them. He had them to thank for a thousand delightful hours, but had never devoted a single creative impulse to any of them. He lived one of those lives that seem otiose because they are not linked to any community of interest, because all the riches stored in them by a thousand separate valuable experiences will pass when their last breath is drawn, without anyone to inherit them.
I said as much to him one evening when we were sitting outside the hotel after dinner, watching the bright lake slowly darken before our eyes. He smiled. “You may be right. I don’t believe in memoirs; what you have experienced is in the past as soon as its moment is over. And as for literature: doesn’t that perish as well twenty, fifty, a hundred years later? However, I’ll tell you something today that I think would make a pretty novella. Come with me—such things are better told as one walks along.”
So we set off on the beautiful path along the beach, overshadowed by the eternal cypresses and tangled chestnut trees, with the lake casting restless reflections through their branches. Over there lay the white cloud of Bellagio, softly tinted by sunset colours, and high, high above the dark hill gleamed the sparkling crown of the walls of the Villa Serbelloni. The atmosphere was still slightly sultry, but not oppressive; like a woman’s gentle arm, it leant tenderly on the shadows and filled the night with the fragrance of invisible flowers. Then he began his tale.
“I will introduce the story with a confession. Until now I haven’t told you that I have been in Cadenabbia before, last year, at the same season and in the same hotel. That may surprise you, especially as I have mentioned that I always avoid doing anything twice. But listen to my story. Last year this place was, of course, as deserted as it is now. The same gentleman from Milan was here—the one who spends all day catching fish and throws them back into the lake in the evening, only to catch them again next day; there were two old Englishwomen whose quietly vegetative existence one hardly noticed, and in addition a handsome young man with a pretty, pale girl, who I don’t believe to this day was his wife, because they seemed far too fond of each other for that. Finally, there was also a German family, the most typical kind of north Germans. A flaxen-haired, raw-boned woman getting on in years, with angular, graceless movements, piercing steely eyes and a sharp, quarrelsome mouth like a cut made with a knife. She had a sister with her, unmistakably her sister because she had the same features, only lined and somehow softened; the two of them were always together, yet never seemed to talk to each other, and were always intent on their embroidery, into which they seemed to weave all their absence of thought, implacable Fates in a restricted world of tedium. And between them a young girl some sixteen years old, the daughter of one of them, I don’t know which, for the pronounced immaturity of her features was already mingling with a slight indication of feminine curves. She was not really pretty, too thin, not fully grown yet, but there was something touching in her look of helpless yearning. Her eyes were large, and probably full of dark light, but they always shyly avoided the glance of others, their glow dispersed into fitful glints. She too always had some needlework with her, but her hands often moved slowly, her fingers slackened, and then she would sit still, looking out over the lake.
“I don’t know what it was about that sight that so strangely attracted my attention. Was it the banal yet inevitable idea that struck me, on seeing the faded mother beside her daughter coming into the bloom of youth? Was it the shadow behind her figure, the thought that lines wait hidden in every cheek, weariness in all laughter, disappointment in every dream? Or was it that wild, unfocused longing just breaking out, giving away everything about the girl, every wonderful moment in her life when her eyes were fixed on the whole universe in desire, because they had not yet found one desirable object to cling to, then to remain there rotting like algae on a piece of floating wood? I found it infinitely fascinating to watch her, to see her dreamy, dewy-eyed glance, the wildly exuberant caresses she lavished on every dog and cat, the restlessness that made her begin so many projects and then leave them unfinished. And then the ardent haste with which she raced through the few wretched books in the hotel library in the evening, or leafed through the two volumes of poetry, worn with much reading, that she had brought with her, books containing the poetry of Goethe and Baumbach… but why do you smile?
I had to apologize. “It’s the juxtaposition of Goethe and Baumbach.”
“I see! Yes, of course, it’s comical. And then again, it isn’t. You may believe me when I say that it is immaterial to young girls of that age whether the poetry they read is good or bad, the real essence of poetry or an imitation. To them, poems are only vessels for quenching their thirst, and they pay no attention to the quality of the wine in those vessels; it is intoxicating even before it is drunk. And this girl was like that, so full to the brim of longing that it glowed in her eyes, made her fingertips tremble on the table, and she moved in a manner somewhere between awkwardness and elation. You could see she was hungry to talk to someone, to give away something of all that filled her mind, but there was no one there, only a void, only the slight sound of the embroidery needles to right and left of her, and the cold, deliberate glances of the two older ladies.
“I felt a great sense of pity for her. And yet I could not approach her, for first, what does a man of my age mean to a girl at this moment in her life, and secondly, my dislike of becoming acquainted with family groups, and in particular ageing middle-class ladies, stood in the way of any opportunity to do so. Then an odd approach occurred to me. I thought: here is a young girl, unfledged, inexperienced, probably visiting Italy for the first time, a country that in Germany, thanks to Shakespeare, the Englishman who never went there, is regarded as the land of romantic love—the land of Romeos, secret adventures, dropped fans, flashing daggers, of masks, duennas and tender letters. She surely dreams of such adventures, I thought, and who knows a girl’s dreams? They are white, wafting clouds hovering aimlessly in the blue sky, and like real clouds always more intensely coloured in the evening, glowing pink and then an ardent red. Nothing will strike her as improbable or unlikely here. So I decided to invent a s
ecret lover for her.
“And that same evening I wrote a long letter, humbly and respectfully tender, full of strange hints, and unsigned. A letter demanding nothing, promising nothing, exuberant and restrained at the same time—in short a romantic letter that would not have been out of place in a verse drama. As I knew that she was the first to come down to breakfast every day, driven by her restlessness, I folded it into her napkin. Morning came. Watching from the garden, I saw her incredulous surprise, her sudden alarm, the red flame that shot into her pale cheeks and quickly spread down her throat. I saw her looking around helplessly, fidgeting, I saw the nervous movement with which she hid the letter, and then I saw her sit there, nervous and uneasy, scarcely touching her breakfast and soon running away, out of the dining room, to somewhere in the dark, deserted corridors of the hotel, to find a place where she could decipher her mysterious letter… Did you want to say something?”
I had made an involuntary movement, and now I had to explain it. “Wasn’t that a bold step to take? Didn’t you stop to think she might want to find out how the letter came to be in her napkin, or simplest of all ask the waiter? Or show it to her mother?”
“Of course I thought of that. But if you had seen the girl, that timid, scared, sweet creature who was always looking around anxiously if for once she had raised her voice, any doubts would have been dispelled. There are girls whose modesty is so great that you can go to considerable lengths with them, because they are so helpless and would rather put up with anything than confide so much as a word about it to others. I smiled as I watched her going, and was pleased with the success of my little game. Then she came back, and I felt the blood rush suddenly to my temples; this was another girl, moving in a different way. She came in, looking restless and confused, a glowing wave of red had suffused her face, and a sweet awkwardness made her clumsy. And it was the same all day. Her glance flew to every window as if to find the answer to the mystery there, circled around every passer-by, and once fell on me. I carefully avoided it, so as not to give myself away by any sign, but in that fleeting second I had felt a fiery questioning that almost alarmed me; and it struck me again, from years of experience, that there is no more dangerous, tempting and corrupt desire than to light that first spark in a girl’s eyes. Then I saw her sitting between the two older ladies, her fingers idle, and noticed that she sometimes quickly felt a place in her dress, where I was sure she was hiding the letter.
“Now the game really did tempt me. That very evening I wrote her a second letter, and so on over the next few days; I found it exciting to be playing the part of a young man in love in my letters, exaggerating an imaginary passion. It became a fascinating sport such as I suppose huntsmen feel when they set snares or entice game to within the firing line of their guns. And my own success was so indescribable, almost frightening me, that I was thinking of putting an end to it, but temptation now bound me ardently to the game I had begun. It was so easy. Her bearing became light, wildly confused as if by dancing, her features radiated a hectic beauty all their own; her sleep must have been a matter of watching and waiting for next morning’s letter, for her eyes were darkly shadowed early in the day, and the fire in them unsteady. She began looking after herself, wore flowers in her hair, a wonderful tenderness for everything calmed her hands, and there was always a question in her eyes, for she sensed, from a thousand small indications in my letters, that the writer of them must be near her—an Ariel filling the air with music, hovering nearby, listening for the sound of the slightest things she did, yet invisible by his own will. She became so cheerful that even the two dull-witted ladies noticed the change, for sometimes they let their eyes linger with kindly curiosity on her hurrying form and her budding cheeks, and then looked at her with a surreptitious smile. There was a new sound in her voice, louder, brighter, bolder, and her throat often vibrated and swelled as if she were about to burst into a song full of joyous trills, as if… but there you go, smiling again!”
“No, no, please go on. I only mean that you tell a very good story. You have—forgive me for taking the liberty—you have talent, you could tell as good a tale as one of our novelists.”
“You say that, I suppose, for the sake of courtesy, suggesting that I tell a story like your German novelists, that’s to say with lyrical fancies, broad, sentimental, tedious. Very well, I’ll cut it short! The marionette was dancing, and I pulled the strings with care. To divert any suspicion from me—for sometimes I felt her eyes resting on mine with a question in them—I had suggested that the writer was not staying here but in one of the nearby spa resorts, and came over the lake in a boat or on the steamer every day. And now I saw that when the bell of the approaching steamer rang, she would always escape her mother’s supervision on some pretext, hurry away, and keep watch, with bated breath, on the passengers disembarking from a corner of the pier.
“And then one day it happened. It was a gloomy afternoon, and I had nothing better to do than to watch her, when something remarkable occurred. One of the passengers was a handsome young man with the showy elegance of young Italians, and as he scanned the place as if in search of something, the desperately enquiring, questioning, intent look in the young girl’s face met his eye. And at once, flooding wildly over her gentle smile, a modest blush swiftly rose in her face. The young man stopped in surprise, his attention drawn to her—something easily understood when you are the recipient of so warm a glance, full of a thousand unsaid things—and he smiled and tried to follow her. She fled, came to a halt in the certainty that this was the man she had been looking out for so long—hurried on again, but looked round once more. It was the eternal interplay of wanting and fearing, longing and shame, in which the sweet, weak partner is always really the stronger. Obviously encouraged, if surprised, he hurried after her, and was getting close. I was feeling, apprehensively, that all this must surely collapse into an alarming state of chaos—when the two older ladies came along the path. The girl flew to them like a shy bird, the young man cautiously withdrew, but still their eyes met once more as they turned to look back, feverishly fixed on one another. This incident was a warning to me to bring my game to an end, yet the temptation was still too strong, and I made up my mind to make use of this coincidence as an aid. I wrote her an unusually long letter that evening, one that was bound to confirm her assumption. It intrigued me to be directing two characters in my play.
“Next morning the quivering confusion of her features alarmed me. Her pretty unrest had given way to nervous agitation that I did not understand; her eyes were moist and red-rimmed, as if by tears, and she seemed to feel a piercing pain. It was as if all her silence were trying to emerge in a wild scream. Darkness lay on her brow, and there was a gloomy astringency in her eyes, while this time above all I had expected bright joy. I was frightened. For the first time a strange element had entered the game; the marionette didn’t obey me and wouldn’t dance as I had planned. I thought of all possible reasons, and couldn’t find one. I began to be afraid of the play I myself had staged, and I did not return to the hotel until evening, to avoid the accusation in her eyes.
“When I did get back, I understood it all. The family’s table was no longer laid. They had left. She had been obliged to go away without a chance to say a word to him, and she could not let her family see how her heart was still attached to that one day, that single hour—she had been dragged away from a sweet dream and back to some miserable small town. I had forgotten to think of that. And I still feel that last look of hers as an accusation, its terrible force of mingled anger, torment, despair and the most bitter pain—something that I had brought into her life, and who knew how long it would last?”
He fell silent. The night had been walking with us, and the moon, partly covered with clouds, was shedding a fitful light. Sparkling stars seemed to hang between the trees and the pale surface of the lake. We went on without a word. At last my companion broke our silence. “Well, that was my story. Don’t you think it would make a novella?”
“I see what you mean. The young girl’s life, her return to the small town, the dreadful tragedy of ordinary life…”
“No, that’s not quite it. The girl doesn’t interest me so much. Young girls are never interesting, remarkable as they may think themselves, because all that they’ve experienced is negative, and so their stories are all the same. In this case the girl marries some good solid citizen at home when the time for it comes, and this affair remains a flower petal among her memories. I’m not, as I said, interested in the girl.”
“That’s strange. I don’t know what you can find in the young man to interest you. Everyone catches such glances in his youth, a fire kindled between one pair of eyes and another, most don’t even notice it, others quickly forget. You have to grow older to know that this is perhaps the noblest and deepest thing you ever receive, the sacred privilege of youth.”
“I’m not interested in the young man either…”
“Then?”
“I’d develop the character of the older man, the letter-writer, trace it all the way through the story. I don’t think that you write ardent letters with impunity at any age, or meddle with the feelings of someone else’s love. I would try to show how the game becomes serious, how he thinks he is in control of it, when the game now controls him. The girl’s awakening beauty, beauty that he thinks he sees only as an observer, intrigues him and fascinates him more deeply. And the moment when it all slips away from him makes him feel a wild longing for the game—and his plaything. I would be intrigued by the reversal in love that is bound to make an old man’s passion very like a boy’s, because neither feels entirely adequate as a lover, I would give him the fears and expectations of that state of mind. I would make him uncertain, I’d have him travelling after her to see her, yet at the last minute not venturing near her, I’d have him coming back to the same place in the hope of seeing her again, imploring coincidence, which is always cruel in such cases. I would plan my novella along those lines, and then it would be…”