Delphi Complete Works of Walter Pater

by Walter Pater

  It had been a really heroic order, spoiled a little, at the last moment, through the somewhat tawdry artifice, by which an eagle — not a very noble or youthful specimen of its kind — was caused to take flight amid the real or affected awe of the spectators, above the perishing remains; a court chamberlain, according to ancient etiquette, subsequently making official declaration before the Senate, that the imperial “genius” had been seen in this way, escaping from the fire. And Marius was present when the Fathers, duly certified of the fact, by “acclamation,” muttering their judgment all together, in a kind of low, rhythmical chant, decreed Caelum — the privilege of divine rank to the departed.

  The actual gathering of the ashes in a white cere-cloth by the widowed Lucilla, when the last flicker had been extinguished by drops of wine; and the conveyance of them to the little cell, already populous, in the central mass of the sepulchre of Hadrian, still in all the splendour of its statued colonnades, were a matter of private or domestic duty; after the due accomplishment of which Aurelius was at liberty to retire for a time into the privacy o his beloved apartments of the Palatine. And hither, not long afterwards, Marius was summoned a second time, to receive from the imperial hands the great pile of Manuscripts it would be his business to revise and arrange.

  One year had passed since his first visit to the palace; and as he climbed the stairs to-day, the great cypresses rocked against the sunless sky, like living creatures in pain. He had to traverse a long subterranean gallery, once a secret entrance to the imperial apartments, and in our own day, amid the ruin of all around it, as smooth and fresh as if the carpets were but just removed from its floor after the return of the emperor from the shows. It was here, on such an occasion, that the emperor Caligula, at the age of twenty-nine, had come by his end, the assassins gliding along it as he lingered a few moments longer to watch the movements of a party of noble youths at their exercise in the courtyard below. As Marius waited, a second time, in that little red room in the house of the chief chamberlain, curious to look once more upon its painted walls — the very place whither the assassins were said to have turned for refuge after the murder — he could all but see the figure, which in its surrounding light and darkness seemed to him the most melancholy in the entire history of Rome. He called to mind the greatness of that popularity and early promise — the stupefying height of irresponsible power, from which, after all, only men’s viler side had been clearly visible — the overthrow of reason — the seemingly irredeemable memory; and still, above all, the beautiful head in which the noble lines of the race of Augustus were united to, he knew not what expression of sensibility and fineness, not theirs, and for the like of which one must pass onward to the Antonines. Popular hatred had been careful to destroy its semblance wherever it was to be found; but one bust, in dark bronze-like basalt of a wonderful perfection of finish, preserved in the museum of the Capitol, may have seemed to some visitors there perhaps the finest extant relic of Roman art. Had the very seal of empire upon those sombre brows, reflected from his mirror, suggested his insane attempt upon the liberties, the dignity of men?— “O humanity!” he seems to ask, “what hast thou done to me that I should so despise thee?” — And might not this be indeed the true meaning of kingship, if the world would have one man to reign over it? The like of this: or, some incredible, surely never to be realised, height of disinterestedness, in a king who should be the servant of all, quite at the other extreme of the practical dilemma involved in such a position. Not till some while after his death had the body been decently interred by the piety of the sisters he had driven into exile. Fraternity of feeling had been no invariable feature in the incidents of Roman story. One long Vicus Sceleratus, from its first dim foundation in fraternal quarrel on the morrow of a common deliverance so touching — had not almost every step in it some gloomy memory of unnatural violence? Romans did well to fancy the traitress Tarpeia still “green in earth,” crowned, enthroned, at the roots of the Capitoline rock. If in truth the religion of Rome was everywhere in it, like that perfume of the funeral incense still upon the air, so also was the memory of crime prompted by a hypocritical cruelty, down to the erring, or not erring, Vesta calmly buried alive there, only eighty years ago, under Domitian.

  It was with a sense of relief that Marius found himself in the presence of Aurelius, whose gesture of friendly intelligence, as he entered, raised a smile at the gloomy train of his own thoughts just then, although since his first visit to the palace a great change had passed over it. The clear daylight found its way now into empty rooms. To raise funds for the war, Aurelius, his luxurious brother being no more, had determined to sell by auction the accumulated treasures of the imperial household. The works of art, the dainty furniture, had been removed, and were now “on view” in the Forum, to be the delight or dismay, for many weeks to come, of the large public of those who were curious in these things. In such wise had Aurelius come to the condition of philosophic detachment he had affected as a boy, hardly persuaded to wear warm clothing, or to sleep in more luxurious manner than on the bare floor. But, in his empty house, the man of mind, who had always made so much of the pleasures of philosophic contemplation, felt freer in thought than ever. He had been reading, with less self-reproach than usual, in the Republic of Plato, those passages which describe the life of the philosopher-kings — like that of hired servants in their own house — who, possessed of the “gold undefiled” of intellectual vision, forgo so cheerfully all other riches. It was one of his happy days: one of those rare days, when, almost with none of the effort, otherwise so constant with him, his thoughts came rich and full, and converged in a mental view, as exhilarating to him as the prospect of some wide expanse of landscape to another man’s bodily eye. He seemed to lie readier than was his wont to the imaginative influence of the philosophic reason — to its suggestions of a possible open country, commencing just where all actual experience leaves off, but which experience, one’s own and not another’s, may one day occupy. In fact, he was seeking strength for himself, in his own way, before he started for that ambiguous earthly warfare which was to occupy the remainder of his life. “Ever remember this,” he writes, “that a happy life depends, not on many things — en oligistois keitai.” And to-day, committing himself with a steady effort of volition to the mere silence of the great empty apartments, he might be said to have escaped, according to Plato’s promise to those who live closely with philosophy, from the evils of the world.

  In his “conversations with himself” Marcus Aurelius speaks often of that City on high, of which all other cities are but single habitations. From him in fact Cornelius Fronto, in his late discourse, had borrowed the expression; and he certainly meant by it more than the whole commonwealth of Rome, in any idealisation of it, however sublime. Incorporate somehow with the actual city whose goodly stones were lying beneath his gaze, it was also implicate in that reasonable constitution of nature, by devout contemplation of which it is possible for man to associate himself to the consciousness of God. In that New Rome he had taken up his rest for awhile on this day, deliberately feeding his thoughts on the better air of it, as another might have gone for mental renewal to a favourite villa.

  “Men seek retirement in country-houses,” he writes, “on the sea-coast, on the mountains; and you have yourself as much fondness for such places as another. But there is little proof of culture therein; since the privilege is yours of retiring into yourself whensoever you please, — into that little farm of one’s own mind, where a silence so profound may be enjoyed.” That it could make these retreats, was a plain consequence of the kingly prerogative of the mind, its dominion over circumstance, its inherent liberty.— “It is in thy power to think as thou wilt: The essence of things is in thy thoughts about them: All is opinion, conception: No man can be hindered by another: What is outside thy circle of thought is nothing at all to it; hold to this, and you are safe: One thing is needful — to live close to the divine genius within thee, and minister thereto worthily.�
� And the first point in this true ministry, this culture, was to maintain one’s soul in a condition of indifference and calm. How continually had public claims, the claims of other persons, with their rough angularities of character, broken in upon him, the shepherd of the flock. But after all he had at least this privilege he could not part with, of thinking as he would; and it was well, now and then, by a conscious effort of will, to indulge it for a while, under systematic direction. The duty of thus making discreet, systematic use of the power of imaginative vision for purposes of spiritual culture, “since the soul takes colour from its fantasies,” is a point he has frequently insisted on.

  The influence of these seasonable meditations — a symbol, or sacrament, because an intensified condition, of the soul’s own ordinary and natural life — would remain upon it, perhaps for many days. There were experiences he could not forget, intuitions beyond price, he had come by in this way, which were almost like the breaking of a physical light upon his mind; as the great Augustus was said to have seen a mysterious physical splendour, yonder, upon the summit of the Capitol, where the altar of the Sibyl now stood. With a prayer, therefore, for inward quiet, for conformity to the divine reason, he read some select passages of Plato, which bear upon the harmony of the reason, in all its forms, with itself— “Could there be Cosmos, that wonderful, reasonable order, in him, and nothing but disorder in the world without?” It was from this question he had passed on to the vision of a reasonable, a divine, order, not in nature, but in the condition of human affairs — that unseen Celestial City, Uranopolis, Callipolis, Urbs Beata — in which, a consciousness of the divine will being everywhere realised, there would be, among other felicitous differences from this lower visible world, no more quite hopeless death, of men, or children, or of their affections. He had tried to-day, as never before, to make the most of this vision of a New Rome, to realise it as distinctly as he could, — and, as it were, find his way along its streets, ere he went down into a world so irksomely different, to make his practical effort towards it, with a soul full of compassion for men as they were. However distinct the mental image might have been to him, with the descent of but one flight of steps into the market-place below, it must have retreated again, as if at touch of some malign magic wand, beyond the utmost verge of the horizon. But it had been actually, in his clearest vision of it, a confused place, with but a recognisable entry, a tower or fountain, here or there, and haunted by strange faces, whose novel expression he, the great physiognomist, could by no means read. Plato, indeed, had been able to articulate, to see, at least in thought, his ideal city. But just because Aurelius had passed beyond Plato, in the scope of the gracious charities he pre-supposed there, he had been unable really to track his way about it. Ah! after all, according to Plato himself, all vision was but reminiscence, and this, his heart’s desire, no place his soul could ever have visited in any region of the old world’s achievements. He had but divined, by a kind of generosity of spirit, the void place, which another experience than his must fill.

  Yet Marius noted the wonderful expression of peace, of quiet pleasure, on the countenance of Aurelius, as he received from him the rolls of fine clear manuscript, fancying the thoughts of the emperor occupied at the moment with the famous prospect towards the Alban hills, from those lofty windows.

  CHAPTER XVIII: “THE CEREMONY OF THE DART”

  THE ideas of Stoicism, so precious to Marcus Aurelius, ideas of large generalisation, have sometimes induced, in those over whose intellects they have had real power, a coldness of heart. It was the distinction of Aurelius that he was able to harmonise them with the kindness, one might almost say the amenities, of a humourist, as also with the popular religion and its many gods. Those vasty conceptions of the later Greek philosophy had in them, in truth, the germ of a sort of austerely opinionative “natural theology,” and how often has that led to religious dryness — a hard contempt of everything in religion, which touches the senses, or charms the fancy, or really concerns the affections. Aurelius had made his own the secret of passing, naturally, and with no violence to his thought, to and fro, between the richly coloured and romantic religion of those old gods who had still been human beings, and a very abstract speculation upon the impassive, universal soul — that circle whose centre is everywhere, the circumference nowhere — of which a series of purely logical necessities had evolved the formula. As in many another instance, those traditional pieties of the place and the hour had been derived by him from his mother: — para tês mêtros to theosebes. Purified, as all such religion of concrete time and place needs to be, by frequent confronting with the ideal of godhead as revealed to that innate religious sense in the possession of which Aurelius differed from the people around him, it was the ground of many a sociability with their simpler souls, and for himself, certainly, a consolation, whenever the wings of his own soul flagged in the trying atmosphere of purely intellectual vision. A host of companions, guides, helpers, about him from of old time, “the very court and company of heaven,” objects for him of personal reverence and affection — the supposed presence of the ancient popular gods determined the character of much of his daily life, and might prove the last stay of human nature at its weakest. “In every time and place,” he had said, “it rests with thyself to use the event of the hour religiously: at all seasons worship the gods.” And when he said “Worship the gods!” he did it, as strenuously as everything else.

  Yet here again, how often must he have experienced disillusion, or even some revolt of feeling, at that contact with coarser natures to which his religious conclusions exposed him. At the beginning of the year one hundred and seventy-three public anxiety was as great as ever; and as before it brought people’s superstition into unreserved play. For seven days the images of the old gods, and some of the graver new ones, lay solemnly exposed in the open air, arrayed in all their ornaments, each in his separate resting-place, amid lights and burning incense, while the crowd, following the imperial example, daily visited them, with offerings of flowers to this or that particular divinity, according to the devotion of each.

  But supplementing these older official observances, the very wildest

  gods had their share of worship, — strange creatures with strange secrets startled abroad into open daylight. The delirious sort of religion of which Marius was a spectator in the streets of Rome, during the seven days of the Lectisternium, reminded him now and again of an observation of Apuleius: it was “as if the presence of the gods did not do men good, but disordered or weakened them.” Some jaded women of fashion, especially, found in certain oriental devotions, at once relief for their religiously tearful souls and an opportunity for personal display; preferring this or that “mystery,” chiefly because the attire required in it was suitable to their peculiar manner of beauty. And one morning Marius encountered an extraordinary crimson object, borne in a litter through an excited crowd — the famous courtesan Benedicta, still fresh from the bath of blood, to which she had submitted herself, sitting below the scaffold where the victims provided for that purpose were slaughtered by the priests. Even on the last day of the solemnity, when the emperor himself performed one of the oldest ceremonies of the Roman religion, this fantastic piety had asserted itself. There were victims enough certainly, brought from the choice pastures of the Sabine mountains, and conducted around the city they were to die for, in almost continuous procession, covered with flowers and well-nigh worried to death before the time by the crowds of people superstitiously pressing to touch them. But certain old-fashioned Romans, in these exceptional circumstances, demanded something more than this, in the way of a human sacrifice after the ancient pattern; as when, not so long since, some Greeks or Gauls had been buried alive in the Forum. At least, human blood should be shed; and it was through a wild multitude of fanatics, cutting their flesh with knives and whips and licking up ardently the crimson stream, that the emperor repaired to the temple of Bellona, and in solemn symbolic act cast the bloodstained spear, or “dart,
” carefully preserved there, towards the enemy’s country — towards that unknown world of German homes, still warm, as some believed under the faint northern twilight, with those innocent affections of which Romans had lost the sense. And this at least was clear, amid all doubts of abstract right or wrong on either side, that the ruin of those homes was involved in what Aurelius was then preparing for, with, — Yes! the gods be thanked for that achievement of an invigorating philosophy! — almost with a light heart.

  For, in truth, that departure, really so difficult to him, for which

  Marcus Aurelius had needed to brace himself so strenuously, came to test the power of a long-studied theory of practice; and it was the development of this theory — a theôria, literally — a view, an intuition, of the most important facts, and still more important possibilities, concerning man in the world, that Marius now discovered, almost as if by accident, below the dry surface of the manuscripts entrusted to him. The great purple rolls contained, first of all, statistics, a general historical account of the writer’s own time, and an exact diary; all alike, though in three different degrees of nearness to the writer’s own personal experience, laborious, formal, self-suppressing. This was for the instruction of the public; and part of it has, perhaps, found its way into the Augustan Histories. But it was for the especial guidance of his son Commodus that he had permitted himself to break out, here and there, into reflections upon what was passing, into conversations with the reader. And then, as though he were put off his guard in this way, there had escaped into the heavy matter-of-fact, of which the main portion was composed, morsels of his conversation with himself. It was the romance of a soul (to be traced only in hints, wayside notes, quotations from older masters), as it were in lifelong, and often baffled search after some vanished or elusive golden fleece, or Hesperidean fruit-trees, or some mysterious light of doctrine, ever retreating before him. A man, he had seemed to Marius from the first, of two lives, as we say. Of what nature, he had sometimes wondered, on the day, for instance, when he had interrupted the emperor’s musings in the empty palace, might be that placid inward guest or inhabitant, who from amid the pre-occupations of the man of practical affairs looked out, as if surprised, at the things and faces around. Here, then, under the tame surface of what was meant for a life of business, Marius discovered, welcoming a brother, the spontaneous self-revelation of a soul as delicate as his own, — a soul for which conversation with itself was a necessity of existence. Marius, indeed, had always suspected that the sense of such necessity was a peculiarity of his. But here, certainly, was another, in this respect like himself; and again he seemed to detect the advent of some new or changed spirit into the world, mystic, inward, hardly to be satisfied with that wholly external and objective habit of life, which had been sufficient for the old classic soul. His purely literary curiosity was greatly stimulated by this example of a book of self-portraiture. It was in fact the position of the modern essayist, — creature of efforts rather than of achievements, in the matter of apprehending truth, but at least conscious of lights by the way, which he must needs record, acknowledge. What seemed to underlie that position was the desire to make the most of every experience that might come, outwardly or from within: to perpetuate, to display, what was so fleeting, in a kind of instinctive, pathetic protest against the imperial writer’s own theory — that theory of the “perpetual flux” of all things — to Marius himself, so plausible from of old.