Richard next rode the escalator with his pair of tour guides. On about the twentieth level the creatures left the escalator and the open atrium, racing quickly down a corridor that ended in a vast factory filled with myrmicats and machines engaged in an impressive array of tasks. His guides always seemed to be in a hurry, so it was difficult for Richard to study any particular process. The factory was like a machine shop on Earth. There were noises of all kinds, smells of chemicals and metals, and the whine of myrmicat communication throughout the room. At one position Richard watched a pair of myrmicats repair a cherry picker similar to the machine that he had seen operating in the manna melon storehouse the day before.
In one corner of the factory was a special area that was sealed off from the rest of the work. Although his guides did not lead him in that direction, Richard's curiosity was piqued. Nobody stopped him when he crossed the threshold of the special area. Inside the large cubicle a myrmicat operator was presiding over an automated manufacturing process.
Long, skinny, jointed pieces of light metal or plastic came into the room on a conveyor belt from one direction. Small spheres about two centimeters in diameter entered from an adjacent cubicle on another conveyor. Where the two belts merged, a large, rectangular machine, mounted in housing that was hanging from the high ceiling, descended onto the parts with a peculiar sucking sound. Thirty seconds later the myrmicat operator caused the machine to withdraw and a pair of leggies scrambled off the belt, folded their long legs around them, and jumped into positions in a box that looked like a gigantic egg carton.
Richard watched the process repeat several times. He was fascinated. He was also slightly bewildered. So the myrmicats make the leggies. And the maps. And probably the spacecraft too, wherever they and the avians come from. So what is this? Some advanced kind of symbiosis?
He shook his head as the leggie assembly process in front of him continued. Moments later Richard heard a myrmicat noise behind him. He turned around. One of his guides extended a slice of manna melon in his direction.
Richard was becoming exhausted. He had no idea how long he had been touring, but he felt as if it had been many, many hours.
There was no way he could possibly synthesize everything he had seen. After the ride in the small elevator to the upper reaches of the myrmicat region, where Richard not only had visited the avian hospital staffed and run by the myrmicats, but also had watched the avians hatching out of brown, leathery eggs under the watchful eyes of myrmicat doctors, Richard knew for certain that there was indeed a complex symbiotic relationship between the two species. But why? he wondered as his guides allowed him to rest temporarily near the top of the escalator. The avians clearly benefit from the myrmicats. But what do these giant ant-cats get from the avians?
His guides led him down a broad corridor toward a large door several hundred meters in the distance. For once they were not running. As they neared the door, three other myrmicats entered the hallway from smaller side corridors and the creatures began to talk in their high-frequency language. At one point all five of them stopped and Richard imagined that an argument was under way. He studied them carefully while they talked, especially their faces. Even the wrinkles and folds around the noise-making orifice and oval eyes were identical from creature to creature. There was absolutely no way of distinguishing one myrmicat from another.
At length the entire group began again to walk toward the door. From the distance Richard had underestimated its size. As he drew near, he could see that it was twelve to fifteen meters tall, and more than three meters wide. Its surface was intricately and magnificently carved, the central focus of the artwork being a square, four-panel decoration with a flying avian in the upper left quadrant, a manna melon in the upper right, a running myrmicat in the lower left partition, and something that looked like cotton candy with scattered thick, clustered lumps in the lower right.
Richard stopped to admire the artwork. At first he had a vague feeling that he had seen this door, or at least the design, before, but he told himself that it couldn't be possible. However, as he was running his fingers across the sculpted figure of the myrmicat, his memory suddenly awoke. Yes, Richard thought excitedly to himself, of course. At the back of the avian lair in Rama II. That was where the fire was.
Moments later the door swung open and Richard was ushered into what resembled a large underground cathedral. The room in which he found himself was over fifty meters tall. Its basic floor shape was a circle, about thirty meters in diameter, and there were six separate naves off to the side, around the circle. The walls were dazzling. Virtually every square inch contained sculptures or supporting frescoes meticulously created with great attention to detail. It was overwhelmingly beautiful.
At the center of the cathedral was an elevated platform on which a myrmicat was standing and speaking. Below him were a dozen others, all sitting on their back four legs and watching the speaker with rapt attention.
As Richard wandered around in the room he realized that the decorations on the wall, in a meter-wide strip about eighty centimeters above the floor, were telling an orderly story. Richard quietly followed the artwork until he reached what he thought was the beginning of the story. The first decoration was a sculptured portrait of a manna melon. In the next three panels something could be seen growing inside the melon. Whatever was growing was tiny in the second panel, but by the fourth sculpture it occupied almost the entire interior of the melon.
In the fifth panel a tiny head with two milky, oval eyes, stalk nubs, and a small circular orifice below the eyes could be seen poking its way out of the melon. The sixth sculpture, which showed a juvenile myrmicat very much like the ones Richard had seen earlier in the day, confirmed what he had been surmising as he had been following the decorations. Holy shit, Richard said to himself. So a manna melon is a myrmicat egg! His thoughts raced ahead. But that doesn't make sense. The avians eat the melons… In fact, the myrmicats even feed them to me… What's going on here?
Richard was so astonished by what he had discovered (and so tired from all the running during the tour) that he sat down in front of the sculpture containing the juvenile myrmicats. He tried to figure out the relationship between the myrmicats and the avians. He could cite no parallel symbiosis on Earth, although he was well aware that species often worked together to improve each other's chances for survival. But how could one species remain friendly with another when its eggs were the sole food for the second species? Richard concluded that what he had thought were fundamental biological tenets did not apply to the avians and the myrmicats.
While Richard was pondering the strange new things he had learned, a group of myrmicats gathered around him. They all motioned for him to stand up. A minute later he was following them down a winding ramp on the other side of the room to a special crypt in the basement of their cathedral.
For the first time since Richard had entered the habitat the lighting was dim. The myrmicats beside him moved slowly, almost reverently, as they proceeded down a broad passage with an arched ceiling. At the other end of the passage was a pair of doors that opened into a large room filled with a soft white material. Although the material, which looked like cotton from a distance, was densely arrayed, its individual filaments were mostly very thin, except where they came together in clumps, or ganglia, that were scattered in no definable pattern throughout the large white volume.
Richard and the myrmicats stopped in the entryway, a meter or so away from where the material began. The cottony network extended in all directions for as far as Richard could see. While he was studying its intricate mesh construction, the elements of the material very slowly began to move, pulling apart to form a lane that would continue the path from the passage into the interior of its network. It's alive, Richard thought, his pulse racing as he watched in fascination and terror.
Five minutes later, an alley had opened up that was just large enough for Richard to walk ten meters into the material. The myrmicats around him were all pointi
ng toward the cottony web. Richard started shaking his head. I'm sorry, fellas, Richard wanted to say, but there's something about this situation that I don't like. So I'll just skip this part of the tour if it's all right with you.
The myrmicats kept pointing. Richard had no choice, and he knew it. What is it going to do to me? he asked as he took his first step forward. Eat me? Is that what this has been all about? That would make no sense at all.
He turned around. The myrmicats had not moved. Richard took a deep breath and walked the full ten meters into the lane, to a spot where he could reach out and touch one of the odd ganglia in the living mesh. As he was examining the ganglion carefully, the material around him began to move again. Richard whirled around and saw that the lane behind him was closing. Momentarily frantic, he tried to ran in that direction, back toward the passage, but it was a waste of energy. The net caught him and he resigned himself to accept whatever was going to happen next.
Richard stood perfectly still as the web enveloped him. The tiny elements, like threads, were about a millimeter wide. Slowly, steadily, they began to cover his body. Wait, Richard thought, wait. You're going to suffocate me.
But surprisingly, even though hundreds of filaments were already wrapping around his head and face, he was having no difficulty breathing.
Before his hands were immobilized, Richard tried to pull one of the tiny elements off his arm. It was almost impossible. As they had been wrapping around him, the threads had also been making insertions in his skin. After many tugs, he finally succeeded in freeing the white filaments from one small portion of his forearm, but he was bleeding in the areas that had been freed. Richard surveyed his body and estimated that he probably had a million or so pieces of the living mesh underneath the outer layer of his skin. He shuddered.
Richard was still amazed that he had not suffocated. As his mind began to wonder how air was getting to him through the web, he heard another voice inside his head. Stop trying to analyze everything, it said. You'll never understand it anyway. For once in your life just experience the incredible adventure.
5
Again Richard had lost track .of time. Sometime during the days (or had it been weeks?) that he had been living inside the alien net, he had changed positions. His clothes had also been removed by his hosts during one of his long naps. Richard was now lying on his back, supported by an extremely dense section of the fine mesh network enveloping his body.
His mind no longer actively wondered how he was managing to survive. Somehow, whenever he felt hunger or thirst, his needs were swiftly satisfied. His wastes always disappeared within minutes. Breathing was easy even though he was completely surrounded by the living web.
Richard passed many of his conscious hours studying the creature around him. If he looked carefully, he could see the tiny elements constantly in motion. The patterns in the net around him altered very slowly, but they definitely did change. Richard mentally plotted the trajectories of the ganglia that he could see. At one point three separate ganglia migrated into his vicinity and formed a triangle in front of his head.
The net developed a regular cycle of interacting with Richard. It would keep its millions of filaments attached to him for fifteen to twenty hours at a time, and then release him completely for several hours. Richard slept without dreaming whenever he was not attached to the web. If he happened to awaken still in the unattached mode, he was enervated and listless. But each time the threads began to wind around him again he felt a renewed surge of energy.
His dreams were active and vivid if he slept while attached to the alien net. Richard had never dreamed much before and had often laughed at Nicole's preoccupation with her dreams. But as his sleeping images became more complex, and in some cases quite bizarre, Richard began to appreciate why Nicole paid so much attention to them. One night he dreamed that he was again a teenager and was watching a theatrical performance of As You Like It in his hometown of Stratford-on-Avon. The lovely blond girl who was playing Rosalind came down from the stage and whispered in his ear.
"Are you Richard Wakefield?" she asked in the dream.
"Yes," he answered.
The actress began to kiss Richard, first slowly, then more passionately with a lively, tickling tongue darting around inside his mouth. He felt a surge of overpowering desire and then woke up abruptly, strangely embarrassed by both his nakedness and his erection. Now, what was that all about? Richard wondered, echoing the phrase he had often heard from Nicole.
At some stage in his captivity his recollections of Nicole became much sharper, more clearly delineated. Richard found to his surprise that in the absence of other stimuli he was able, if he concentrated, to recall entire conversations with Nicole, including such details as the kind of facial expressions she used to punctuate her sentences. In the protracted solitude of his long period inside the web, Richard often ached with loneliness, the vivid memories making him miss his beloved wife even more.
His memories of the children were equally sharp. He missed them all as well, especially Katie. He remembered his last conversation with his special daughter, several days before the wedding, when she had come by the house to pick up some of her clothes. Katie had been depressed, and needed support, but Richard had been unable to help her. The connection just wasn't there, Richard thought. The recent image of Katie as a sexy young woman was replaced by a picture of a reckless ten-year-old girl scampering across the plazas of New York. The juxtaposition of the two images provoked a profound feeling of loss in Richard. I was never comfortable with Katie after she awakened, he realized with a sigh. I still wanted my little girl.
The clarity of his recollections of Nicole and Katie convinced Richard that something extraordinary was happening to his memory. He discovered that he could also recall the exact scores of every World Cup quarter-final, semifinal, and final between 2174 and 2190. Richard had known all that useless information as a young man, for he had been an avid soccer fan. However, during the years before the launch of the Newton, when so many new things had crowded into his brain, he had often been unable, even during soccer discussions with his friends, to recall even the participants in a key World Cup match.
As the visual images from his memories continued to sharpen, Richard found that he was also recalling the emotions that had been associated with the pictures. It was almost as if he were completely reliving the experiences. In one long recollection he remembered not only the overpowering feelings of love and adoration that he had felt for Sarah Tydings when he had first seen her perform onstage, but also the thrill and excitement of their courtship, including the unbridled passion of their first night of love. It had left him breathless then; and now, many years later, enveloped by an alien creature resembling a neural net, Richard's response was equally powerful.
Soon it seemed as if Richard no longer had any control over which memories were activated in his brain. In the beginning, or so he believed, he had purposely thought about Nicole or his children or even his courtship with the young Sarah Tydings, just to make himself happy. Now, he said one day in an imaginary conversation with the sessile net, after refreshing my memory—for God knows what purpose—it seems that you are reading it all out.
For many hours Richard enjoyed the forced memory readout, especially those portions covering his life at Cambridge and the Space Academy, when his days were enlivened by the constant joy of new knowledge. Quantum physics, the Cambrian explosion, probability and statistics, even the long-forgotten vocabulary words from his German lessons reminded him how much of his happiness in life had been due to the excitement of learning. In another particularly satisfying remembrance, his mind jumped swiftly from play to play, covering every live performance of Shakespeare that he had seen between the ages of ten and seventeen. Everyone needs a hero, Richard thought after the montage of scenes, as impetus to bring out the best in himself. My hero was definitely William Shakespeare.
Some of the memories were painful, especially those from his childhood. In on
e of them Richard was eight years old again, sitting on a bench at the small table in his family's dining room. The atmosphere at the table was tense. His father, drunk and angry at the world, was glowering at all of them as they ate their dinner in silence. Richard accidentally spilled some of his soup and seconds later the back of his father's hand hit him hard on the cheek, knocking him off his bench and into the corner of the room, where he trembled from fear and shock. He had not thought about that moment for years. Richard was unable to restrain his tears as he recalled how helpless and scared he had been around his neurotic, abusive father.
One day Richard suddenly began to remember details from his long odyssey in Rama II and a powerful headache almost blinded him. He saw himself in a strange room, lying on a floor surrounded by three or four octospiders. Dozens of probes and other instruments had been implanted in him and some kind of test was under way.
"Stop, stop," Richard shouted, destroying the memory picture with his acute agitation. "My head is killing me."
Miraculously his headache began to fade and Richard was again among the octospiders in his memory. He recalled the days and days of testing that he had experienced and the tiny living creatures that had been inserted into his body. He recalled also a peculiar set of sexual experiments in which he had been subjected to all kinds of external stimulation and rewarded when he ejaculated.
Richard was startled by these new memories that he had never accessed before, never once since he had awakened from the coma in which his family had found him in New York. Now I remember other things about the octospiders too, he thought excitedly. They talked to each other in colors that wrapped around their heads. They were basically friendly, but determined to learn everything they could about me. They—
Rama: The Omnibus Page 114
