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Complete Works of Stephen Crane

Page 165

by Stephen Crane


  LXVII

  God lay dead in Heaven;

  Angels sang the hymn of the end;

  Purple winds went moaning,

  Their wings drip-dripping

  With blood

  That fell upon the earth.

  It, groaning thing,

  Turned black and sank.

  Then from the far caverns

  Of dead sins

  Came monsters, livid with desire.

  They fought,

  Wrangled over the world,

  A morsel.

  But of all sadness this was sad, —

  A woman’s arms tried to shield

  The head of a sleeping man

  From the jaws of the final beast.

  LXVIII

  A spirit sped

  Through spaces of night;

  And as he sped, he called,

  “God! God!”

  He went through valleys

  Of black death-slime,

  Ever calling,

  “God! God!”

  Their echoes

  From crevice and cavern

  Mocked him:

  “God! God! God!”

  Fleetly into the plains of space

  He went, ever calling,

  “God! God!”

  Eventually, then, he screamed,

  Mad in denial,

  “Ah, there is no God!”

  A swift hand,

  A sword from the sky,

  Smote him,

  And he was dead.

  WAR IS KIND

  Illustrated by Will Bradley

  First edition, 1899, Frederick A. Stokes

  WAR IS KIND

  Do not weep, maiden, for war is kind.

  Because your lover threw wild hands toward the sky

  And the affrighted steed ran on alone,

  Do not weep.

  War is kind.

  Hoarse, booming drums of the

  regiment,

  Little souls who thirst for fight,

  These men were born to drill and die.

  The unexplained glory files above

  them,

  Great is the battle-god, great, and his

  kingdom — ;

  A field where a thousand corpses lie.

  Do not weep, babe, for war is kind.

  Because your father tumbled in the yellow

  trenches,

  Raged at his breast, gulped and died,

  Do not weep.

  War is kind.

  Swift blazing flag of the regiment,

  Eagle with crest of red and gold,

  These men were born to drill and die.

  Point for them the virtue of the slaughter,

  Make plain to them the excellence of killing

  And a field where a thousand corpses

  lie.

  Mother whose heart hung humble as a button

  On the bright splendid shroud of your son,

  Do not weep.

  War is kind.

  What says the sea, little shell?

  “What says the sea?

  “Long has our brother been silent to us,

  “Kept his message for the ships,

  “Awkward ships, stupid ships.”

  “The sea bids you mourn, O Pines,

  “Sing low in the moonlight.

  “He sends tale of the land of doom,

  “Of place where endless falls

  “A rain of women’s tears,

  “And men in grey robes —

  “Men in grey robes —

  “Chant the unknown pain.”

  “What says the sea, little shell?

  “What says the sea?

  “Long has our brother been silent to us,

  “Kept is message for the ships,

  “Puny ships, silly ships.”

  “The sea bids you teach, O Pines,

  “Sing low in the moonlight;

  “Teach the gold of patience,

  “Cry gospel of gentle hands,

  “Cry a brotherhood of hearts.

  “The sea bids you teach, O Pines.”

  “And where is the reward, little shell?

  “What says the sea?

  “Long has our brother been silent to us,

  “Kept his message for the ships,

  “Puny ships, silly ships.”

  “No word says the sea, O Pines,

  “No word says the sea.

  “Long will your brother be silent to you,

  “Keep his message for the ships,

  “O puny ships, silly pines.”

  To the maiden

  The sea was blue meadow,

  Alive with little froth-people

  Singing.

  To the sailor, wrecked,

  The sea was dead grey walls

  Superlative in vacancy,

  Upon which nevertheless at fateful time

  Was written

  The grim hatred of nature.

  A little ink more or less!

  It surely can’t matter?

  Even the sky and the opulent sea,

  The plains and the hills, aloof,

  Hear the uproar of all these books.

  But it is only a little ink more or less.

  What?

  You define me God with these trinkets?

  Can my misery meal on an ordered walking

  Of surpliced numskulls?

  And a fanfare of lights?

  Or even upon the measured pulpitings

  Of the familiar false and true?

  Is this God?

  Where, then is hell?

  Show me some bastard mushrooms

  Sprung from a pollution of blood.

  It is better.

  Where is God?

  “Have you ever made a just man?”

  “Oh, I have made three,” answered

  God,

  “But two of them are dead,

  “And the third —

  “Listen! Listen!

  “And you will hear the thud of his defeat.”

  I explain the silvered passing of a ship

  at night,

  The sweep of each sad lost wave,

  The dwindling boom of the steel thing’s striving,

  The little cry of a man to a man,

  A shadow falling across the greyer night,

  And the sinking of the small star;

  Then the waste, the far waste of waters,

  And the soft lashing of black waves

  For long and in loneliness.

  Remember, thou, O ship of love,

  Thou leavest a far waste of waters,

  And the soft lashing of black waves

  For long and in loneliness.

  “I have heard the sunset song of the

  birches,

  “A white melody in the silence,

  “I have seen a quarrel of the pines.

  “At nightfall

  “The little grasses have rushed by me

  “With the wind men.

  “These things have I lived,” quoth the

  maniac,

  “Possessing only eyes and ears.

  “But you —

  “You don green spectacles before you look at roses.”

  Fast rode the knight

  With spurs, hot and reeking,

  Ever waving an eager sword,

  “To save my lady!”

  Fast rode the knight,

  And leaped from saddle to war.

  Men of steel flickered and gleamed

  Like riot of silver lights,

  And the gold of the knight’s good banner

  Still waved on a castle wall.

  . . . . . . .

  A horse,

  Blowing, staggering, bloody thing,

  Forgotten at foot of castle wall.

  A horse

  Dead at foot of castle wall.

  Forth went the candid man

  And spoke freely to the wind —

  When he looked about him he was in a far

 
strange country.

  Forth went the candid man

  And spoke freely to the stars —

  Yellow light tore sight from his eye.

  “My good fool,” said a learned bystander,

  “Your operations are mad.”

  “You are too candid,” cried the candid man.

  And when his stick left the head of the

  learned bystander

  It was two sticks.

  You tell me this is God?

  I tell you this is a printed list,

  A burning candle and an ass.

  On the desert

  A silence from the moon’s deepest

  valley.

  Fire rays fall athwart the robes

  Of hooded men, squat and dumb.

  Before them, a woman

  Moves to the blowing of shrill whistles

  And distant thunder of drums,

  While mystic things, sinuous, dull with

  terrible color,

  Sleepily fondle her body

  Or move at her will, swishing stealthily over

  the sand.

  The snakes whisper softly;

  The whispering, whispering snakes,

  Dreaming and swaying and staring,

  But always whispering, softly whispering.

  The wind streams from the lone reaches

  Of Arabia, solemn with night,

  And the wild fire makes shimmer of blood

  Over the robes of the hooded men

  Squat and dumb.

  Bands of moving bronze, emerald, yellow,

  Circle the throat and arms of her,

  And over the sands serpents move warily

  Slow, menacing and submissive,

  Swinging to the whistles and drums,

  The whispering, whispering snakes,

  Dreaming and swaying and staring,

  But always whispering, softly whispering.

  The dignity of the accursed;

  The glory of slavery, despair, death,

  Is in the dance of the whispering snakes.

  A newspaper is a collection of half-injustices

  Which, bawled by boys from mile to mile,

  Spreads its curious opinion

  To a million merciful and sneering men,

  While families cuddle the joys of the fireside

  When spurred by tale of dire lone agony.

  A newspaper is a court

  Where every one is kindly and unfairly tried

  By a squalor of honest men.

  A newspaper is a market

  Where wisdom sells its freedom

  And melons are crowned by the crowd.

  A newspaper is a game

  Where his error scores the player victory

  While another’s skill wins death.

  A newspaper is a symbol;

  It is fetless life’s chronical,

  A collection of loud tales

  Concentrating eternal stupidities,

  That in remote ages lived unhaltered,

  Roaming through a fenceless world.

  The wayfarer,

  Perceiving the pathway to truth,

  Was struck with astonishment.

  It was thickly grown with weeds.

  “Ha,” he said,

  “I see that none has passed here

  “In a long time.”

  Later he saw that each weed

  Was a singular knife.

  “Well,” he mumbled at last,

  “Doubtless there are other roads.”

  A slant of sun on dull brown walls,

  A forgotten sky of bashful blue.

  Toward God a mighty hymn,

  A song of collisions and cries,

  Rumbling wheels, hoof-beats, bells,

  Welcomes, farewells, love-calls, final moans,

  Voices of joy, idiocy, warning, despair,

  The unknown appeals of brutes,

  The chanting of flowers,

  The screams of cut trees,

  The senseless babble of hens and wise men —

  A cluttered incoherency that says at the

  stars;

  “O God, save us!”

  Once a man clambering to the housetops

  Appealed to the heavens.

  With a strong voice he called to the deaf

  spheres;

  A warrior’s shout he raised to the suns.

  Lo, at last, there was a dot on the clouds,

  And — at last and at last —

  — God — the sky was filled with armies.

  There was a man with tongue of wood

  Who essayed to sing,

  And in truth it was lamentable.

  But there was one who heard

  The clip-clapper of this tongue of wood

  And knew what the man

  Wished to sing,

  And with that the singer was content.

  The successful man has thrust himself

  Through the water of the years,

  Reeking wet with mistakes, —

  Bloody mistakes;

  Slimed with victories over the lesser,

  A figure thankful on the shore of money.

  Then, with the bones of fools

  He buys silken banners

  Limned with his triumphant face;

  With the skins of wise men

  He buys the trivial bows of all.

  Flesh painted with marrow

  Contributes a coverlet,

  A coverlet for his contented slumber.

  In guiltless ignorance, in ignorant guilt,

  He delivered his secrets to the riven multitude.

  “Thus I defended: Thus I wrought.”

  Complacent, smiling,

  He stands heavily on the dead.

  Erect on a pillar of skulls

  He declaims his trampling of babes;

  Smirking, fat, dripping,

  He makes speech in guiltless ignorance,

  Innocence.

  In the night

  Grey heavy clouds muffled the valleys,

  And the peaks looked toward God alone.

  “O Master that movest the wind with a

  finger,

  “Humble, idle, futile peaks are we.

  “Grant that we may run swiftly across

  the world

  “To huddle in worship at Thy feet.”

  In the morning

  A noise of men at work came the clear blue miles,

  And the little black cities were apparent.

  “O Master that knowest the meaning of raindrops,

  “Humble, idle, futile peaks are we.

  “Give voice to us, we pray, O Lord,

  “That we may sing Thy goodness to the sun.”

  In the evening

  The far valleys were sprinkled with tiny lights.

  “O Master,

  “Thou that knowest the value of kings and birds,

  “Thou hast made us humble, idle, futile peaks.

  “Thous only needest eternal patience;

  “We bow to Thy wisdom, O Lord —

  “Humble, idle, futile peaks.”

  In the night

  Grey heavy clouds muffles the valleys,

  And the peaks looked toward God alone.

  The chatter of a death-demon from a tree-top.

  Blood — blood and torn grass —

  Had marked the rise of his agony —

  This lone hunter.

  The grey-green woods impassive

  Had watched the threshing of his limbs.

  A canoe with flashing paddle,

  A girl with soft searching eyes,

  A call: “John!”

  . . . . . . .

  Come, arise, hunter!

  Can you not hear?

  The chatter of a death-demon from a tree-top.

  The impact of a dollar upon the heart

  Smiles warm red light,

  Sweeping from the hearth rosily upon the

  white table,

  With the hanging cool
velvet shadows

  Moving softly upon the door.

  The impact of a million dollars

  Is a crash of flunkys,

  And yawning emblems of Persia

  Cheeked against oak, France and a sabre,

  The outcry of old beauty

  Whored by pimping merchants

  To submission before wine and chatter.

  Silly rich peasants stamp the carpets of men,

  Dead men who dreamed fragrance and light

  Into their woof, their lives;

  The rug of an honest bear

  Under the feet of a cryptic slave

  Who speaks always of baubles,

  Forgetting state, multitude, work, and state,

  Champing and mouthing of hats,

  Making ratful squeak of hats,

  Hats.

  A man said to the universe:

  “Sir, I exist!”

  “However,” replied the universe,

  “The fact has not created in me

  “A sense of obligation.”

  When the prophet, a complacent fat

  man,

  Arrived at the mountain-top,

  He cried: “Woe to my knowledge!

  “I intended to see good white lands

  “And bad black lands,

  “But the scene is grey.”

  There was a land where lived no

  violets.

  A traveller at once demanded: “Why?”

  The people told him:

  “Once the violets of this place spoke thus:

  “‘Until some woman freely give her lover

  “‘To another woman

  “‘We will fight in bloody scuffle.’”

  Sadly the people added:

  “There are no violets here.”

  There was one I met upon the road

  Who looked at me with kind eyes.

  He said: “Show me of your wares.”

  And I did,

  Holding forth one,

  He said: “It is a sin.”

  Then I held forth another.

  He said: “It is a sin.”

  Then I held forth another.

  He said: “It is a sin.”

  And so to the end.

  Always He said: “It is a sin.”

  At last, I cried out:

  “But I have non other.”

  He looked at me

  With kinder eyes.

 

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