My Sister's Hand in Mine

by Jane Bowles

  The stone steps were running with water. She sat down and looked into the enveloping mist, a fierce light in her eyes. Her fingers twitched nervously, deep in the recess of her rubber pockets. It was unbelievable that they should not at any moment encounter something wonderful and new, unbelievable, too, that he should be ignorant of her love for him. Surely he knew that all the while his mother was talking, she in secret had been claiming him for her own. He would come out soon to join her on the steps, and they would go away together.

  Hours later, stiff with cold, she stood up. Even had he remained all day at the window he could never have sighted her through the heavy mist. She knew this, but she could never climb the steps to fetch him; that was impossible. She ran headlong down the stone steps and across the highway. When she reached the pit she stopped dead and stood with her feet in the soft clay mud, panting for breath.

  “Men,” she said after a minute, “men, I told you we were going to specialize.” She stopped abruptly, but it was too late. She had, for the first time in her life, spoken to her men before summoning them to order with a bugle call. She was shocked, and her heart beat hard against her ribs, but she went on. “We’re going to be the only outfit in the world that can do real mountain-goat fighting.” She closed her eyes, seeking the dark gulf again; this time she needed to hear the men’s hearts beating, more clearly than her own. A car was sounding its horn on the highway. She looked up.

  “We can’t climb those stone steps up there.” She was shouting and pointing at the house. “No outfit can, no outfit ever will.…” She was desperate. “It’s not for outfits. It’s a flight of steps that’s not for outfits … because it’s … because.…” The reason was not going to come to her. She had begun to cheat now, and she knew it would never come.

  She turned her cold face away from the pit, and without dismissing her men, crept down the hill.

  Other Stories

  The fictional pieces collected here are fragments of longer, unfinished works, taken from the author’s notebooks. They date from the 1940s and 1950s.

  Andrew

  Andrew’s mother looked at her son’s face. “He wants to get away from us,” she thought, “and he will.” She felt overcome by a mortal fatigue. “He simply wants to spring out of his box into the world.” With a flippant and worldly gesture she described a flight through the air. Then abruptly she burst into tears and buried her face in her hands.

  Andrew watched her thin shoulders shaking inside her woollen dress. When his mother cried he felt as though his face were made of marble. He could not accept the weeping as a part of her personality. It did not appear to be the natural climax of a mood. Instead it seemed to descend upon her from somewhere far away, as if she were giving voice to the crying of a child in some distant place. For it was the crying of a creature many years younger than she, a disgrace for which he felt responsible, since it was usually because of him that she cried.

  There was nothing he could say to console her because she was right. He wanted to go away, and there was nothing else he wanted at all. “It’s natural when you’re young to want to go away,” he would say to himself, but it did not help; he always felt that his own desire to escape was different from that of others. When he was in a good humor he would go about feeling that he and many others too were all going away. On such days his face was smooth and he enjoyed his life, although even then he was not communicative. More than anything he wanted all days to be like those rare free ones when he went about whistling and enjoying every simple thing he did. But he had to work hard to get such days, because of his inner conviction that his own going away was like no other going away in the world, a certainty he found it impossible to dislodge. He was right, of course, but from a very early age his life had been devoted to his struggle to rid himself of his feeling of uniqueness. With the years he was becoming more expert at travesty, so that now his mother’s crying was more destructive. Watching her cry now, he was more convinced than ever that he was not like other boys who wanted to go away. The truth bit into him harder, for seeing her he could not believe even faintly that he shared his sin with other young men. He and his mother were isolated, sharing the same disgrace, and because of this sharing, separated from one another. His life was truly miserable compared to the lives of other boys, and he knew it.

  When his mother’s sobs had quieted down somewhat, his father called the waitress and asked for the check. “That’s good tomato soup,” he told her. “And ham with Hawaiian pineapple is one of my favorites, as you know.” The waitress did not answer, and the engaging expression on his face slowly faded.

  They pushed their chairs back and headed for the cloakroom. When they were outside Andrew’s father suggested that they walk to the summit of the sloping lawn where some cannonballs were piled in the shape of a pyramid. “We’ll go over to the cannonballs,” he said. “Then we’ll come back.”

  They struggled up the hill in the teeth of a bitterly cold wind, holding on to their hats. “This is the north, folks!” his father shouted into the gale. “It’s hard going at times, but in a hot climate no one develops.”

  Andrew put his foot against one of the cannonballs. He could feel the cold iron through the sole of his shoe.

  * * *

  He had applied for a job in a garage, but he was inducted into the Army before he knew whether or not they had accepted his application. He loved being in the Army, and even took pleasure in the nickname which his hutmates had given him the second day after his arrival. He was called Buttonlip; because of this name he talked even less than usual. In general he hated to talk and could not imagine talking as being a natural expression of a man’s thoughts. This was not shyness, but secretiveness.

  One day in the Fall he set out on a walk through the pine grove surrounding the camp. Soon he sniffed smoke and stopped walking. “Someone’s making a fire,” he said to himself. Then he continued on his way. It was dusk in the grove, but beyond, outside, the daylight was still bright. Very shortly he reached a clearing. A young soldier sat there, crouched over a fire which he was feeding with long twigs. Andrew thought he recognized him—he too was undoubtedly a recent arrival—and so his face was not altogether unfamiliar.

  The boy greeted Andrew with a smile and pointed to a tree trunk that lay on the ground nearby. “Sit down,” he said. “I’m going to cook dinner. The mess sergeant gives me my stuff uncooked when I want it that way so I can come out here and make a campfire.”

  Andrew had an urge to bolt from the clearing, but he seated himself stiffly on the end of the tree trunk. The boy was beautiful, with an Irish-American face and thick curly brown hair. His cheeks were blood red from the heat of the flames. Andrew looked at his face and fell in love with him. Then he could not look away.

  A mess kit and a brown paper package lay on the ground. “My food is there in that brown bag,” the boy said. “I’ll give you a little piece of meat so you can see how good it tastes when it’s cooked here, out in the air. Did you go in for bonfires when you were a kid?”

  “No,” said Andrew. “Too much wind,” he added, some vague memory stirring in his mind.

  “There’s lots of wind,” he agreed, and Andrew was unreasonably delighted that the boy considered his remark a sensible one. “Lots of wind, but that never need stop you.” He looked up at Andrew with a bright smile. “Not if you like a fire and the outdoors. Where I worked they used to call me Outdoor Tommy. Nobody got sore.”

  Andrew was so disarmed by his charm that he did not find the boy’s last statement odd until he had heard the sentence repeated several times inside his head.

  “Sore?”

  “Yes, sore.” He untied the string that bound his food package and set the meat on a little wire grate. “They never got sore at me,” he repeated, measuring his words. “They were a right nice bunch. Sometimes guys don’t take to it if you like something real well. They get sore. These guys didn’t get sore. Never. They saw me going off to the woods with my supper every evening
, and sometimes even, one or two of them would come along. And sometimes twenty-five of us would go out with steaks. But mostly I just went by myself and they stayed back playing games in the cottages or going into town. If it had been winter I’d have stayed in the cottages more. I was never there in winter. If I had been, I might have gone out anyway. I like to make a fire in the snow.”

  “Where were you?” asked Andrew.

  “In a factory by a stream.” The meat was cooked, and he cut off a tiny piece for Andrew. “This is all you’re going to get. Otherwise I won’t have enough in me.”

  “I’ve eaten. With the others,” said Andrew shortly.

  “You’ve got to try this,” the boy insisted. “And see if you like eating it this way, cooked on the coals outdoors. Then maybe you can get on the good side of the mess sergeant and bring your food out here, too. They’re all right here. I could stay in this outfit. Just as good as I could stay back home in the hotel.”

  “You live in a hotel?”

  “I lived in a hotel except the summer I was in the factory.”

  “Well, I’ll see you,” Andrew mumbled, walking away.

  One night after he had eaten his supper he found himself wandering among the huts on the other side of the mess hall. It was Saturday night and most of the huts were dark. He was dejected, and thought of going into town and drinking beer by himself. Andrew drank only beer because he considered other forms of alcohol too expensive, although most of the other soldiers, who had less money than he, drank whiskey. As he walked along thinking of the beer he heard a voice calling to him. He looked up and saw Tommy standing in the doorway of a hut only a few feet away. They greeted each other, and Tommy motioned to him to wait. Then he went inside to get something.

  Andrew leaned against a tree with his hands in his pockets. When Tommy came out he held a flat box in his hand. “Sparklers,” he said. “I bought them after the Fourth, cut-rate. It’s the best time to buy them.”

  “That’s good to know,” said Andrew. He had never touched fireworks except on the day of the Fourth. He had a brief memory of alleys on summer nights, where boys were grinding red devils under their heels in the dark. Compared to him they were poor, and he was therefore, like all well-off children, both revolted by them and envious of them. The fact that they played with fireworks after the Fourth of July was disgusting in a way. It had a foreign flavor, and made him feel a little sick, just as the Irish did, and the Jews, and circus people. But he was also excited by them. The sick feeling was part of the excitement.

  Andrew had never dressed as a ragamuffin on Thanksgiving, and he had once almost fainted when two boys disguised as hags had come begging at the door. His father’s rage had contributed greatly to the nightmarish quality of the memory. It was usually his mother, and not his father, who was angry. But he remembered that his father had seemed to attach great importance to the custom of masquerading on Thanksgiving. “He should be dressed up himself and out there with the others!” he had cried. “He has no right to be lying there, white as a sheet. There’s no earthly reason for it. This is a holiday. It’s time for fun. My God, doesn’t anyone in the house ever have any fun? I was a ragamuffin every year until I was grown. Why doesn’t he tear up an old pair of pants and go out? I’ll take the crown out of my straw hat if he wants to wear it. But he should go out!”

  Quite naturally Andrew had thought of running away. This was one of his worst memories. He hated to hear his father speak about the poor. His own romantic conception of them made his father’s democratic viewpoint unacceptable. It was as incongruous as if he had come into the parlor and found his father offering one of his cigarettes to a pirate or a gypsy. He preferred his mother’s disdain for the poor. In fact, she liked nothing but the smell of her intimates. Of course, she made him feel sick, too, but sick in a different way.

  “Come on. Take one,” Tommy was saying, and he lighted a sparkler. Andrew stared at the needle-like sparks. The hissing sound of the sparkler awakened old sick feelings, and he longed to pull the little stick from between Tommy’s fingers and bury the bright sparks in the earth. Instead, he looked gloomy and said nothing. He liked the fact that Tommy was poor, but he did not want him to be so poor that he seemed foreign. Then he realized that others might not see a connection between being a foreigner and playing with sparklers after the Fourth of July, and he was aware that there was really no logical connection. Yet he himself felt that there was one. Sometimes he wondered whether or not other people went about pretending to be logical while actually they felt as he did inside, but this was not very often, since he usually took it for granted that everyone was more honest than he. The fact that it was impossible to say anything of all this to Tommy both depressed and irritated him.

  “I saved a whole box of sparklers for you,” Tommy said. “I thought you’d be coming to the clearing.”

  Andrew could not believe he was hearing the words. At the same time his heart had begun to beat faster. He told himself that he must retain a natural expression.

  “I don’t know if you like to fool around with stuff they make for kids,” Tommy went on. “Maybe you think it’s not worth your while. But you don’t have to pay much attention to these. You light ’em and they burn themselves out. You can swing ’em around and talk at the same time. Or you don’t even have to swing ’em. You can stick ’em in the ground and they go on all by themselves, like little pinwheels. There’s not much point to ’em, but I get ’em anyway, every summer after the Fourth of July is over with. This isn’t the box I saved for you. That one I gave to someone else who had a nephew.” He handed the box to Andrew.

  Andrew’s face was like stone and his mouth was drawn.

  “Here.” Tommy tapped the back of Andrew’s hand with the flat box. “Here are your sparklers.”

  “No,” said Andrew. “I don’t want any sparklers.” He was not going to offer any explanation for refusing them. Tommy did not seem to want one in any case. He went on tracing designs in the night with his sparkler. “I’ll just stash this box away if you don’t want ’em. I can use ’em up. It’s better to have one of these going than nothing, and sometimes there’s no time for me to build a bonfire.”

  “You take things easy, don’t you?” Andrew said.

  Emmy Moore’s Journal

  On certain days I forget why I’m here. Today once again I wrote my husband all my reasons for coming. He encouraged me to come each time I was in doubt. He said that the worst danger for me was a state of vagueness, so I wrote telling him why I had come to the Hotel Henry—my eighth letter on this subject—but with each new letter I strengthen my position. I am reproducing the letter here. Let there be no mistake. My journal is intended for publication. I want to publish for glory, but also in order to aid other women. This is the letter to my husband, Paul Moore, to whom I have been married sixteen years. (I am childless.) He is of North Irish descent, and a very serious lawyer. Also a solitary and lover of the country. He knows all mushrooms, bushes and trees, and he is interested in geology. But these interests do not exclude me. He is sympathetic towards me, and kindly. He wants very much for me to be happy, and worries because I am not. He knows everything about me, including how much I deplore being the feminine kind of woman that I am. In fact, I am unusually feminine for an American of Anglo stock. (Born in Boston.) I am almost a “Turkish” type. Not physically, at least not entirely, because though fat I have ruddy Scotch cheeks and my eyes are round and not slanted or almond-shaped. But sometimes I feel certain that I exude an atmosphere very similar to theirs (the Turkish women’s) and then I despise myself. I find the women in my country so extraordinarily manly and independent, capable of leading regiments, or of fending for themselves on desert islands if necessary. (These are poor examples, but I am getting my point across.) For me it is an experience simply to have come here alone to the Hotel Henry and to eat my dinner and lunch by myself. If possible before I die, I should like to become a little more independent, and a little less Turkish than I
am now. Before I go any further, I had better say immediately that I mean no offense to Turkish women. They are probably busy combating the very same Turkish quality in themselves that I am controlling in me. I understand, too (though this is irrelevant), that many Turkish women are beautiful, and I think that they have discarded their veils. Any other American woman would be sure of this. She would know one way or the other whether the veils had been discarded, whereas I am afraid to come out with a definite statement. I have a feeling that they really have got rid of their veils, but I won’t swear to it. Also, if they have done so, I have no idea when they did. Was it many years ago or recently?

  Here is my letter to Paul Moore, my husband, in which there is more about Turkish women. Since I am writing this journal with a view to publication, I do not want to ramble on as though I had all the space in the world. No publisher will attempt printing an enormous journal written by an unknown woman. It would be too much of a financial risk. Even I, with my ignorance of all matters pertaining to business, know this much. But they may print a small one.

  My letter (written yesterday, the morrow of my drunken evening in the Blue Bonnet Room when I accosted the society salesman):

  Dearest Paul:

  I cannot simply live out my experiment here at the Hotel Henry without trying to justify or at least explain in letters my reasons for being here, and with fair regularity. You encouraged me to write whenever I felt I needed to clarify my thoughts. But you did tell me that I must not feel the need to justify my actions. However, I do feel the need to justify my actions, and I am certain that until the prayed-for metamorphosis has occurred I shall go on feeling just this need. Oh, how well I know that you would interrupt me at this point and warn me against expecting too much. So I shall say in lieu of metamorphosis, the prayed-for improvement. But until then I must justify myself every day. Perhaps you will get a letter every day. On some days the need to write lodges itself in my throat like a cry that must be uttered.