The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  "Present me to your new friends," he said to his daughter, squeezing her hand with his elbow. "I like even your horrid Soden for making you so well again. Only it's melancholy, very melancholy here. Who's that?"

  Kitty mentioned the names of all the people they met, with some of whom she was acquainted and some not. At the entrance of the garden they met the blind lady, Madame Berthe, with her guide, and the prince was delighted to see the old Frenchwoman's face light up when she heard Kitty's voice. She at once began talking to him with French exaggerated politeness, applauding him for having such a delightful daughter, extolling Kitty to the skies before her face, and calling her a treasure, a pearl, and a consoling angel.

  "Well, she's the second angel, then," said the prince, smiling. "she calls Mademoiselle Varenka angel number one."

  "Oh! Mademoiselle Varenka, she's a real angel, allez," Madame Berthe assented.

  In the arcade they met Varenka herself. She was walking rapidly towards them carrying an elegant red bag.

  "Here is papa come," Kitty said to her.

  Varenka made--simply and naturally as she did everything--a movement between a bow and curtsey, and immediately began talking to the prince, without shyness, naturally, as she talked to everyone.

  "Of course I know you; I know you very well," the prince said to her with a smile, in which Kitty detected with joy that her father liked her friend. "Where are you off to in such haste?"

  "Maman's here," she said, turning to Kitty. "She has not slept all night, and the doctor advised her to go out. I'm taking her her work."

  "So that's angel number one?" said the prince when Varenka had gone on.

  Kitty saw that her father had meant to make fun of Varenka, but that he could not do it because he liked her.

  "Come, so we shall see all your friends," he went on, "even Madame Stahl, if she deigns to recognize me."

  "Why, did you know her, papa?" Kitty asked apprehensively, catching the gleam of irony that kindled in the prince's eyes at the mention of Madame Stahl.

  "I used to know her husband, and her too a little, before she'd joined the Pietists."

  "What is a Pietist, papa?" asked Kitty, dismayed to find that what she prized so highly in Madame Stahl had a name.

  "I don't quite know myself. I only know that she thanks God for everything, for every misfortune, and thanks God too that her husband died. And that's rather droll, as they didn't get on together."

  "Who's that? What a piteous face!" he asked, noticing a sick man of medium height sitting on a bench, wearing a brown overcoat and white trousers that fell in strange folds about his long, fleshless legs. This man lifted his straw hat, showed his scanty curly hair and high forehead, painfully reddened by the pressure of the hat.

  "That's Petrov, an artist," answered Kitty, blushing. "And that's his wife," she added, indicating Anna Pavlovna, who, as though on purpose, at the very instant they approached walked away after a child that had run off along a path.

  "Poor fellow! and what a nice face he has!" said the prince. "Why don't you go up to him? He wanted to speak to you."

  "Well, let us go, then," said Kitty, turning round resolutely. "How are you feeling today?" she asked Petrov.

  Petrov got up, leaning on his stick, and looked shyly at the prince.

  "This is my daughter," said the prince. "Let me introduce myself."

  The painter bowed and smiled, showing his strangely dazzling white teeth.

  "We expected you yesterday, princess," he said to Kitty. He staggered as he said this, and then repeated the motion, trying to make it seem as if it had been intentional.

  "I meant to come, but Varenka said that Anna Pavlovna sent word you were not going."

  "Not going!" said Petrov, blushing, and immediately beginning to cough, and his eyes sought his wife. "Anita! Anita!" he said loudly, and the swollen veins stood out like cords on his thin white neck.

  Anna Pavlovna came up.

  "So you sent word to the princess that we weren't going!" he whispered to her angrily, losing his voice.

  "Good morning, princess," said Anna Pavlovna, with an assumed smile utterly unlike her former manner. "Very glad to make your acquaintance," she said to the prince. "You've long been expected, prince."

  "What did you send word to the princess that we weren't going for?" the artist whispered hoarsely once more, still more angrily, obviously exasperated that his voice failed him so that he could not give his words the expression he would have liked to.

  "Oh, mercy on us! I thought we weren't going," his wife answered crossly.

  "What, when...." He coughed and waved his hand. The prince took off his hat and moved away with his daughter.

  "Ah! ah!" he sighed deeply. "Oh, poor things!"

  "Yes, papa," answered Kitty. "And you must know they've three children, no servant, and scarcely any means. He gets something from the Academy," she went on briskly, trying to drown the distress that the queer change in Anna Pavlovna's manner to her had aroused in her.

  "Oh, here's Madame Stahl," said Kitty, indicating an invalid carriage, where, propped on pillows, something in gray and blue was lying under a sunshade. This was Madame Stahl. Behind her stood the gloomy, healthy-looking German workman who pushed the carriage. Close by was standing a flaxen-headed Swedish count, whom Kitty knew by name. Several invalids were lingering near the low carriage, staring at the lady as though she were some curiosity.

  The prince went up to her, and Kitty detected that disconcerting gleam of irony in his eyes. He went up to Madame Stahl, and addressed her with extreme courtesy and affability in that excellent French that so few speak nowadays.

  "I don't know if you remember me, but I must recall myself to thank you for your kindness to my daughter," he said, taking off his hat and not putting it on again.

  "Prince Alexander Shtcherbatsky," said Madame Stahl, lifting upon him her heavenly eyes, in which Kitty discerned a look of annoyance. "Delighted! I have taken a great fancy to your daughter."

  "You are still in weak health?"

  "Yes; I'm used to it," said Madame Stahl, and she introduced the prince to the Swedish count.

  "You are scarcely changed at all," the prince said to her. "It's ten or eleven years since I had the honor of seeing you."

  "Yes; God sends the cross and sends the strength to bear it. Often one wonders what is the goal of this life?... The other side!" she said angrily to Varenka, who had rearranged the rug over her feet not to her satisfaction.

  "To do good, probably," said the prince with a twinkle in his eye.

  "That is not for us to judge," said Madame Stahl, perceiving the shade of expression on the prince's face. "So you will send me that book, dear count? I'm very grateful to you," she said to the young Swede.

  "Ah!" cried the prince, catching sight of the Moscow colonel standing near, and with a bow to Madame Stahl he walked away with his daughter and the Moscow colonel, who joined them.

  "That's our aristocracy, prince!" the Moscow colonel said with ironical intention. He cherished a grudge against Madame Stahl for not making his acquaintance.

  "She's just the same," replied the prince.

  "Did you know her before her illness, prince--that's to say before she took to her bed?"

  "Yes. She took to her bed before my eyes," said the prince.

  "They say it's ten years since she has stood on her feet."

  "She doesn't stand up because her legs are too short. She's a very bad figure."

  "Papa, it's not possible!" cried Kitty.

  "That's what wicked tongues say, my darling. And your Varenka catches it too," he added. "Oh, these invalid ladies!"

  "Oh, no, papa!" Kitty objected warmly. "Varenka worships her. And then she does so much good! Ask anyone! Everyone knows her and Aline Stahl."

  "Perhaps so," said the prince, squeezing her hand with his elbow; "but it's better when one does good so that you may ask everyone and no one knows."

  Kitty did not answer, not because she had nothing t
o say, but because she did not care to reveal her secret thoughts even to her father. But, strange to say, although she had so made up her mind not to be influenced by her father's views, not to let him into her inmost sanctuary, she felt that the heavenly image of Madame Stahl, which she had carried for a whole month in her heart, had vanished, never to return, just as the fantastic figure made up of some clothes thrown down at random vanishes when one sees that it is only some garment lying there. All that was left was a woman with short legs, who lay down because she had a bad figure, and worried patient Varenka for not arranging her rug to her liking. And by no effort of the imagination could Kitty bring back the former Madame Stahl.

  Chapter 35

  The prince communicated his good humor to his own family and his friends, and even to the German landlord in whose rooms the Shtcherbatskys were staying.

  On coming back with Kitty from the springs, the prince, who had asked the colonel, and Marya Yevgenyevna, and Varenka all to come and have coffee with them, gave orders for a table and chairs to be taken into the garden under the chestnut tree, and lunch to be laid there. The landlord and the servants, too, grew brisker under the influence of his good spirits. They knew his open-handedness; and half an hour later the invalid doctor from Hamburg, who lived on the top floor, looked enviously out of the window at the merry party of healthy Russians assembled under the chestnut tree. In the trembling circles of shadow cast by the leaves, at a table, covered with a white cloth, and set with coffeepot, bread-and-butter, cheese, and cold game, sat the princess in a high cap with lilac ribbons, distributing cups and bread-and-butter. At the other end sat the prince, eating heartily, and talking loudly and merrily. The prince had spread out near him his purchases, carved boxes, and knick-knacks, paper-knives of all sorts, of which he bought a heap at every watering-place, and bestowed them upon everyone, including Lieschen, the servant girl, and the landlord, with whom he jested in his comically bad German, assuring him that it was not the water had cured Kitty, but his splendid cookery, especially his plum soup. The princess laughed at her husband for his Russian ways, but she was more lively and good-humored than she had been all the while she had been at the waters. The colonel smiled, as he always did, at the prince's jokes, but as far as regards Europe, of which he believed himself to be making a careful study, he took the princess's side. The simple-hearted Marya Yevgenyevna simply roared with laughter at everything absurd the prince said, and his jokes made Varenka helpless with feeble but infectious laughter, which was something Kitty had never seen before.

  Kitty was glad of all this, but she could not be light-hearted. she could not solve the problem her father had unconsciously set her by his goodhumored view of her friends, and of the life that had so attracted her. To this doubt there was joined the change in her relations with the Petrovs, which had been so conspicuously and unpleasantly marked that morning. Everyone was good humored, but Kitty could not feel good humored, and this increased her distress. She felt a feeling such as she had known in childhood, when she had been shut in her room as a punishment, and had heard her sisters' merry laughter outside.

  "Well, but what did you buy this mass of things for?" said the princess, smiling, and handing her husband a cup of coffee.

  "One goes for a walk, one looks in a shop, and they ask you to buy. 'Erlaucht, Durchlaucht?' Directly they say 'Durchlaucht,' I can't hold out. I lose ten thalers."

  "It's simply from boredom," said the princess.

  "Of course it is. Such boredom, my dear, that one doesn't know what to do with oneself."

  "How can you be bored, prince? There's so much that's interesting now in Germany," said Marya Yevgenyevna.

  "But I know everything that's interesting: the plum soup I know, and the pea sausages I know. I know everything."

  "No, you may say what you like, prince, there's the interest of their institutions," said the colonel.

  "But what is there interesting about it? They're all as pleased as brass halfpence. They've conquered everybody, and why am I to be pleased at that? I haven't conquered anyone; and I'm obliged to take off my own boots, yes, and put them away too; in the morning, get up and dress at once, and go to the dining room to drink bad tea! How different it is at home! You get up in no haste, you get cross, grumble a little, and come round again. You've time to think things over, and no hurry."

  "But time's money, you forget that," said the colonel.

  "Time, indeed, that depends! Why, there's time one would give a month of for sixpence, and time you wouldn't give half an hour of for any money. Isn't that so, Katinka? What is it? why are you so depressed?"

  "I'm not depressed."

  "Where are you off to? Stay a little longer," he said to Varenka.

  "I must be going home," said Varenka, getting up, and again she went off into a giggle. When she had recovered, she said good-bye, and went into the house to get her hat.

  Kitty followed her. Even Varenka struck her as different. She was not worse, but different from what she had fancied her before.

  "Oh, dear! it's a long while since I've laughed so much!" said Varenka, gathering up her parasol and her bag. "How nice he is, your father!"

  Kitty did not speak.

  "When shall I see you again?" asked Varenka.

  "Mamma meant to go and see the Petrovs. Won't you be there?" said Kitty, to try Varenka.

  "Yes," answered Varenka. "They're getting ready to go away, so I promised to help them pack."

  "Well, I'll come too, then."

  "No, why should you?"

  "Why not? why not? why not?" said Kitty, opening her eyes wide, and clutching at Varenka's parasol, so as not to let her go. "No, wait a minute; why not?"

  "Oh, nothing; your father has come, and besides, they will feel awkward at your helping."

  "No, tell me why you don't want me to be often at the Petrovs'. You don't want me to--why not?"

  "I didn't say that," said Varenka quietly.

  "No, please tell me!"

  "Tell you everything?" asked Varenka.

  "Everything, everything!" Kitty assented.

  "Well, there's really nothing of any consequence; only that Mihail Alexeyevitch" (that was the artist's name) "had meant to leave earlier, and now he doesn't want to go away," said Varenka, smiling.

  "Well, well!" Kitty urged impatiently, looking darkly at Varenka.

  "Well, and for some reason Anna Pavlovna told him that he didn't want to go because you are here. Of course, that was nonsense; but there was a dispute over it--over you. You know how irritable these sick people are."

  Kitty, scowling more than ever, kept silent, and Varenka went on speaking alone, trying to soften or soothe her, and seeing a storm coming--she did not know whether of tears or of words.

  "So you'd better not go.... You understand; you won't be offended?..."

  "And it serves me right! And it serves me right!" Kitty cried quickly, snatching the parasol out of Varenka's hand, and looking past her friend's face.

  Varenka felt inclined to smile, looking at her childish fury, but she was afraid of wounding her.

  "How does it serve you right? I don't understand," she said.

  "It serves me right, because it was all sham; because it was all done on purpose, and not from the heart. What business had I to interfere with outsiders? And so it's come about that I'm a cause of quarrel, and that I've done what nobody asked me to do. Because it was all a sham! a sham! a sham! . . ."

  "A sham! with what object?" said Varenka gently.

  "Oh, it's so idiotic! so hateful! There was no need whatever for me.... Nothing but sham!" she said, opening and shutting the parasol.

  "But with what object?"

  "To seem better to people, to myself, to God; to deceive everyone. No! now I won't descend to that. I'll be bad; but anyway not a liar, a cheat."

  "But who is a cheat?" said Varenka reproachfully. "You speak as if..."

  But Kitty was in one of her gusts of fury, and she would not let her finish.


  "I don't talk about you, not about you at all. You're perfection. Yes, yes, I know you're all perfection; but what am I to do if I'm bad? This would never have been if I weren't bad. So let me be what I am. I won't be a sham. What have I to do with Anna Pavlovna? Let them go their way, and me go mine. I can't be different.... And yet it's not that, it's not that."