The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  She gave the baby back to the nurse, let her go, and opened the locket in which there was Seryozha's portrait when he was almost of the same age as the girl. She got up, and, taking off her hat, took up from a little table an album in which there were photographs of her son at different ages. She wanted to compare them, and began taking them out of the album. She took them all out except one, the latest and best photograph. In it he was in a white smock, sitting astride a chair, with frowning eyes and smiling lips. It was his best, most characteristic expression. With her little supple hands, her white, delicate fingers, that moved with a peculiar intensity today, she pulled at a corner of the photograph, but the photograph had caught somewhere, and she could not get it out. There was no paper knife on the table, and so, pulling out the photograph that was next to her son's (it was a photograph of Vronsky taken at Rome in a round hat and with long hair), she used it to push out her son's photograph. "Oh, here is he!" she said, glancing at the portrait of Vronsky, and she suddenly recalled that he was the cause of her present misery. She had not once thought of him all the morning. But now, coming all at once upon that manly, noble face, so familiar and so dear to her, she felt a sudden rush of love for him.

  "But where is he? How is it he leaves me alone in my misery?" she thought all at once with a feeling of reproach, forgetting she had herself kept from him everything concerning her son. She sent to ask him to come to her immediately; with a throbbing heart she awaited him, rehearsing to herself the words in which she would tell him all, and the expressions of love with which he would console her. The messenger returned with the answer that he had a visitor with him, but that he would come immediately, and that he asked whether she would let him bring with him Prince Yashvin, who had just arrived in Petersburg. "He's not coming alone, and since dinner yesterday he has not seen me," she thought; "he's not coming so that I could tell him everything, but coming with Yashvin." And all at once a strange idea came to her: what if he had ceased to love her?

  And going over the events of the last few days, it seemed to her that she saw in everything a confirmation of this terrible idea. The fact that he had not dined at home yesterday, and the fact that he had insisted on their taking separate sets of rooms in Petersburg, and that even now he was not coming to her alone, as though he were trying to avoid meeting her face to face.

  "But he ought to tell me so. I must know that it is so. If I knew it, then I know what I should do," she said to herself, utterly unable to picture to herself the position she would be in if she were convinced of his not caring for her. She thought he had ceased to love her, she felt close upon despair, and consequently she felt exceptionally alert. She rang for her maid and went to her dressing room. As she dressed, she took more care over her appearance than she had done all those days, as though he might, if he had grown cold to her, fall in love with her again because she had dressed and arranged her hair in the way most becoming to her.

  She heard the bell ring before she was ready. When she went into the drawing room it was not he, but Yashvin, who met her eyes. Vronsky was looking through the photographs of her son, which she had forgotten on the table, and he made no haste to look round at her.

  "We have met already," she said, putting her little hand into the huge hand of Yashvin, whose bashfulness was so queerly out of keeping with his immense frame and coarse face. "We met last year at the races. Give them to me," she said, with a rapid movement snatching from Vronsky the photographs of her son, and glancing significantly at him with flashing eyes. "Were the races good this year? Instead of them I saw the races in the Corso in Rome. But you don't care for life abroad," she said with a cordial smile. "I know you and all your tastes, though I have seen so little of you."

  "I'm awfully sorry for that, for my tastes are mostly bad," said Yashvin, gnawing at his left mustache.

  Having talked a little while, and noticing that Vronsky glanced at the clock, Yashvin asked her whether she would be staying much longer in Petersburg, and unbending his huge figure reached after his cap.

  "Not long, I think," she said hesitatingly, glancing at Vronsky.

  "So then we shan't meet again?"

  "Come and dine with me," said Anna resolutely, angry it seemed with herself for her embarrassment, but flushing as she always did when she defined her position before a fresh person. "The dinner here is not good, but at least you will see him. There is no one of his old friends in the regiment Alexey cares for as he does for you."

  "Delighted," said Yashvin with a smile, from which Vronsky could see that he liked Anna very much.

  Yashvin said good-bye and went away; Vronsky stayed behind.

  "Are you going too?" she said to him.

  "I'm late already," he answered. "Run along! I'll catch you up in a moment," he called to Yashvin.

  She took him by the hand, and without taking her eyes off him, gazed at him while she ransacked her mind for the words to say that would keep him.

  "Wait a minute, there's something I want to say to you," and taking his broad hand she pressed it on her neck. "Oh, was it right my asking him to dinner?"

  "You did quite right," he said with a serene smile that showed his even teeth, and he kissed her hand.

  "Alexey, you have not changed to me?" she said, pressing his hand in both of hers. "Alexey, I am miserable here. When are we going away?"

  "Soon, soon. You wouldn't believe how disagreeable our way of living here is to me too," he said, and he drew away his hand.

  "Well, go, go!" she said in a tone of offense, and she walked quickly away from him.

  Chapter 32

  When Vronsky returned home, Anna was not yet home. Soon after he had left, some lady, so they told him, had come to see her, and she had gone out with her. That she had gone out without leaving word where she was going, that she had not yet come back, and that all the morning she had been going about somewhere without a word to him--all this, together with the strange look of excitement in her face in the morning, and the recollection of the hostile tone with which she had before Yashvin almost snatched her son's photographs out of his hands, made him serious. He decided he absolutely must speak openly with her. And he waited for her in her drawing room. But Anna did not return alone, but brought with her her old unmarried aunt, Princess Oblonskaya. This was the lady who had come in the morning, and with whom Anna had gone out shopping. Anna appeared not to notice Vronsky's worried and inquiring expression, and began a lively account of her morning's shopping. He saw that there was something working within her; in her flashing eyes, when they rested for a moment on him, there was an intense concentration, and in her words and movements there was that nervous rapidity and grace which, during the early period of their intimacy, had so fascinated him, but which now so disturbed and alarmed him.

  The dinner was laid for four. All were gathered together and about to go into the little dining room when Tushkevitch made his appearance with a message from Princess Betsy. Princess Betsy begged her to excuse her not having come to say good-bye; she had been indisposed, but begged Anna to come to her between half-past six and nine o'clock. Vronsky glanced at Anna at the precise limit of time, so suggestive of steps having been taken that she should meet no one; but Anna appeared not to notice it.

  "Very sorry that I can't come just between half-past six and nine," she said with a faint smile.

  "The princess will be very sorry."

  "And so am I."

  "You're going, no doubt, to hear Patti?" said Tushkevitch.

  "Patti? You suggest the idea to me. I would go if it were possible to get a box."

  "I can get one," Tushkevitch offered his services.

  "I should be very, very grateful to you," said Anna. "But won't you dine with us?"

  Vronsky gave a hardly perceptible shrug. He was at a complete loss to understand what Anna was about. What had she brought the old Princess Oblonskaya home for, what had she made Tushkevitch stay to dinner for, and, most amazing of all, why was she sending him for a box? Could she
possibly think in her position of going to Patti's benefit, where all the circle of her acquaintances would be? He looked at her with serious eyes, but she responded with that defiant, half-mirthful, half-desperate look, the meaning of which he could not comprehend. At dinner Anna was in aggressively high spirits--she almost flirted both with Tushkevitch and with Yashvin. When they got up from dinner and Tushkevitch had gone to get a box at the opera, Yashvin went to smoke, and Vronsky went down with him to his own rooms. After sitting there for some time he ran upstairs. Anna was already dressed in a low-necked gown of light silk and velvet that she had had made in Paris, and with costly white lace on her head, framing her face, and particularly becoming, showing up her dazzling beauty.

  "Are you really going to the theater?" he said, trying not to look at her.

  "Why do you ask with such alarm?" she said, wounded again at his not looking at her. "Why shouldn't I go?"

  She appeared not to understand the motive of his words.

  "Oh, of course, there's no reason whatever," he said, frowning.

  "That's just what I say," she said, willfully refusing to see the irony of his tone, and quietly turning back her long, perfumed glove.

  "Anna, for God's sake! what is the matter with you?" he said, appealing to her exactly as once her husband had done.

  "I don't understand what you are asking."

  "You know that it's out of the question to go."

  "Why so? I'm not going alone. Princess Varvara has gone to dress, she is going with me."

  He shrugged his shoulders with an air of perplexity and despair.

  "But do you mean to say you don't know?..." he began.

  "But I don't care to know!" she almost shrieked. "I don't care to. Do I regret what I have done? No, no, no! If it were all to do again from the beginning, it would be the same. For us, for you and for me, there is only one thing that matters, whether we love each other. Other people we need not consider. Why are we living here apart and not seeing each other? Why can't I go? I love you, and I don't care for anything," she said in Russian, glancing at him with a peculiar gleam in her eyes that he could not understand. "If you have not changed to me, why don't you look at me?"

  He looked at her. He saw all the beauty of her face and full dress, always so becoming to her. But now her beauty and elegance were just what irritated him.

  "My feeling cannot change, you know, but I beg you, I entreat you," he said again in French, with a note of tender supplication in his voice, but with coldness in his eyes.

  She did not hear his words, but she saw the coldness of his eyes, and answered with irritation:

  "And I beg you to explain why I should not go."

  "Because it might cause you..." he hesitated.

  "I don't understand. Yashvin n'est pas compromettant, and Princess Varvara is no worse than others. Oh, here she is!"

  Chapter 33

  Vronsky for the first time experienced a feeling of anger against Anna, almost a hatred for her willfully refusing to understand her own position. This feeling was aggravated by his being unable to tell her plainly the cause of his anger. If he had told her directly what he was thinking, he would have said:

  "In that dress, with a princess only too well known to everyone, to show yourself at the theater is equivalent not merely to acknowledging your position as a fallen woman, but is flinging down a challenge to society, that is to say, cutting yourself off from it forever."

  He could not say that to her. "But how can she fail to see it, and what is going on in her?" he said to himself. He felt at the same time that his respect for her was diminished while his sense of her beauty was intensified.

  He went back scowling to his rooms, and sitting down beside Yashvin, who, with his long legs stretched out on a chair, was drinking brandy and seltzer water, he ordered a glass of the same for himself.

  "You were talking of Lankovsky's Powerful. That's a fine horse, and I would advise you to buy him," said Yashvin, glancing at his comrade's gloomy face. "His hind-quarters aren't quite first-rate, but the legs and head--one couldn't wish for anything better."

  "I think I will take him," answered Vronsky.

  Their conversation about horses interested him, but he did not for an instant forget Anna, and could not help listening to the sound of steps in the corridor and looking at the clock on the chimney piece.

  "Anna Arkadyevna gave orders to announce that she has gone to the theater."

  Yashvin, tipping another glass of brandy into the bubbling water, drank it and got up, buttoning his coat.

  "Well, let's go," he said, faintly smiling under his mustache, and showing by this smile that he knew the cause of Vronsky's gloominess, and did not attach any significance to it.

  "I'm not going," Vronsky answered gloomily.

  "Well, I must, I promised to. Good-bye, then. If you do, come to the stalls; you can take Kruzin's stall," added Yashvin as he went out.

  "No, I'm busy."

  "A wife is a care, but it's worse when she's not a wife," thought Yashvin, as he walked out of the hotel.

  Vronsky, left alone, got up from his chair and began pacing up and down the room.

  "And what's today? The fourth night.... Yegor and his wife are there, and my mother, most likely. Of course all Petersburg's there. Now she's gone in, taken off her cloak and come into the light. Tushkevitch, Yashvin, Princess Varvara," he pictured them to himself.... "What about me? Either that I'm frightened or have given up to Tushkevitch the right to protect her? From every point of view--stupid, stupid!... And why is she putting me in such a position?" he said with a gesture of despair.

  With that gesture he knocked against the table, on which there was standing the seltzer water and the decanter of brandy, and almost upset it. He tried to catch it, let it slip, and angrily kicked the table over and rang.

  "If you care to be in my service," he said to the valet who came in, "you had better remember your duties. This shouldn't be here. You ought to have cleared away."

  The valet, conscious of his own innocence, would have defended himself, but glancing at his master, he saw from his face that the only thing to do was to be silent, and hurriedly threading his way in and out, dropped down on the carpet and began gathering up the whole and broken glasses and bottles.

  "That's not your duty; send the waiter to clear away, and get my dress coat out."

  Vronsky went into the theater at half-past eight. The performance was in full swing. The little old box-keeper, recognizing Vronsky as he helped him off with his fur coat, called him "Your Excellency," and suggested he should not take a number but should simply call Fyodor. In the brightly lighted corridor there was no one but the box-opener and two attendants with fur cloaks on their arms listening at the doors. Through the closed doors came the sounds of the discreet staccato accompaniment of the orchestra, and a single female voice rendering distinctly a musical phrase. The door opened to let the box-opener slip through, and the phrase drawing to the end reached Vronsky's hearing clearly. But the doors were closed again at once, and Vronsky did not hear the end of the phrase and the cadence of the accompaniment, though he knew from the thunder of applause that it was over. When he entered the hall, brilliantly lighted with chandeliers and gas jets, the noise was still going on. On the stage the singer, bowing and smiling, with bare shoulders flashing with diamonds, was, with the help of the tenor who had given her his arm, gathering up the bouquets that were flying awkwardly over the footlights. Then she went up to a gentleman with glossy pomaded hair parted down the center, who was stretching across the footlights holding out something to her, and all the public in the stalls as well as in the boxes was in excitement, craning forward, shouting and clapping. The conductor in his high chair assisted in passing the offering, and straightened his white tie. Vronsky walked into the middle of the stalls, and, standing still, began looking about him. That day less than ever was his attention turned upon the familiar, habitual surroundings, the stage, the noise, all the familiar, uninteresting, pa
rticolored herd of spectators in the packed theater.

  There were, as always, the same ladies of some sort with officers of some sort in the back of the boxes; the same gaily dressed women--God knows who--and uniforms and black coats; the same dirty crowd in the upper gallery; and among the crowd, in the boxes and in the front rows, were some forty of the REAL people. And to those oases Vronsky at once directed his attention, and with them he entered at once into relation.

  The act was over when he went in, and so he did not go straight to his brother's box, but going up to the first row of stalls stopped at the footlights with Serpuhovskoy, who, standing with one knee raised and his heel on the footlights, caught sight of him in the distance and beckoned to him, smiling.

  Vronsky had not yet seen Anna. He purposely avoided looking in her direction. But he knew by the direction of people's eyes where she was. He looked round discreetly, but he was not seeking her; expecting the worst, his eyes sought for Alexey Alexandrovitch. To his relief Alexey Alexandrovitch was not in the theater that evening.