The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  Princess Mary turned with absent-minded questioning look to Pierre, who hat in hand and with a smile on his face was the last of the guests to approach her after the old prince had gone out and they were left alone in the drawing room.

  "May I stay a little longer?" he said, letting his stout body sink into an armchair beside her.

  "Oh yes," she answered. "You noticed nothing?" her look asked.

  Pierre was in an agreeable after-dinner mood. He looked straight before him and smiled quietly.

  "Have you known that young man long, Princess?" he asked.

  "Who?"

  "Drubetskoy."

  "No, not long..."

  "Do you like him?"

  "Yes, he is an agreeable young man.... Why do you ask me that?" said Princess Mary, still thinking of that morning's conversation with her father.

  "Because I have noticed that when a young man comes on leave from Petersburg to Moscow it is usually with the object of marrying an heiress."

  "You have observed that?" said Princess Mary.

  "Yes," returned Pierre with a smile, "and this young man now manages matters so that where there is a wealthy heiress there he is too. I can read him like a book. At present he is hesitating whom to lay siege to--you or Mademoiselle Julie Karagina. He is very attentive to her."

  "He visits them?"

  "Yes, very often. And do you know the new way of courting?" said Pierre with an amused smile, evidently in that cheerful mood of good humored raillery for which he so often reproached himself in his diary.

  "No," replied Princess Mary.

  "To please Moscow girls nowadays one has to be melancholy. He is very melancholy with Mademoiselle Karagina," said Pierre.

  "Really?" asked Princess Mary, looking into Pierre's kindly face and still thinking of her own sorrow. "It would be a relief," thought she, "if I ventured to confide what I am feeling to someone. I should like to tell everything to Pierre. He is kind and generous. It would be a relief. He would give me advice."

  "Would you marry him?"

  "Oh, my God, Count, there are moments when I would marry anybody!" she cried suddenly to her own surprise and with tears in her voice. "Ah, how bitter it is to love someone near to you and to feel that..." she went on in a trembling voice, "that you can do nothing for him but grieve him, and to know that you cannot alter this. Then there is only one thing left--to go away, but where could I go?"

  "What is wrong? What is it, Princess?"

  But without finishing what she was saying, Princess Mary burst into tears.

  "I don't know what is the matter with me today. Don't take any notice--forget what I have said!"

  Pierre's gaiety vanished completely. He anxiously questioned the princess, asked her to speak out fully and confide her grief to him; but she only repeated that she begged him to forget what she had said, that she did not remember what she had said, and that she had no trouble except the one he knew of--that Prince Andrew's marriage threatened to cause a rupture between father and son.

  "Have you any news of the Rostovs?" she asked, to change the subject. "I was told they are coming soon. I am also expecting Andrew any day. I should like them to meet here."

  "And how does he now regard the matter?" asked Pierre, referring to the old prince.

  Princess Mary shook her head.

  "What is to be done? In a few months the year will be up. The thing is impossible. I only wish I could spare my brother the first moments. I wish they would come sooner. I hope to be friends with her. You have known them a long time," said Princess Mary. "Tell me honestly the whole truth: what sort of girl is she, and what do you think of her?--The real truth, because you know Andrew is risking so much doing this against his father's will that I should like to know..."

  An undefined instinct told Pierre that these explanations, and repeated requests to be told the whole truth, expressed ill-will on the princess' part toward her future sister-in-law and a wish that he should disapprove of Andrew's choice; but in reply he said what he felt rather than what he thought.

  "I don't know how to answer your question," he said, blushing without knowing why. "I really don't know what sort of girl she is; I can't analyze her at all. She is enchanting, but what makes her so I don't know. That is all one can say about her."

  Princess Mary sighed, and the expression on her face said: "Yes, that's what I expected and feared."

  "Is she clever?" she asked.

  Pierre considered.

  "I think not," he said, "and yet--yes. She does not deign to be clever.... Oh no, she is simply enchanting, and that is all."

  Princess Mary again shook her head disapprovingly.

  "Ah, I so long to like her! Tell her so if you see her before I do."

  "I hear they are expected very soon," said Pierre.

  Princess Mary told Pierre of her plan to become intimate with her future sister-in-law as soon as the Rostovs arrived and to try to accustom the old prince to her.

  CHAPTER V

  Boris had not succeeded in making a wealthy match in Petersburg, so with the same object in view he came to Moscow. There he wavered between the two richest heiresses, Julie and Princess Mary. Though Princess Mary despite her plainness seemed to him more attractive than Julie, he, without knowing why, felt awkward about paying court to her. When they had last met on the old prince's name day, she had answered at random all his attempts to talk sentimentally, evidently not listening to what he was saying.

  Julie on the contrary accepted his attentions readily, though in a manner peculiar to herself.

  She was twenty-seven. After the death of her brothers she had become very wealthy. She was by now decidedly plain, but thought herself not merely as good-looking as before but even far more attractive. She was confirmed in this delusion by the fact that she had become a very wealthy heiress and also by the fact that the older she grew the less dangerous she became to men, and the more freely they could associate with her and avail themselves of her suppers, soirees, and the animated company that assembled at her house, without incurring any obligation. A man who would have been afraid ten years before of going every day to the house when there was a girl of seventeen there, for fear of compromising her and committing himself, would now go boldly every day and treat her not as a marriageable girl but as a sexless acquaintance.

  That winter the Karagins' house was the most agreeable and hospitable in Moscow. In addition to the formal evening and dinner parties, a large company, chiefly of men, gathered there every day, supping at midnight and staying till three in the morning. Julie never missed a ball, a promenade, or a play. Her dresses were always of the latest fashion. But in spite of that she seemed to be disillusioned about everything and told everyone that she did not believe either in friendship or in love, or any of the joys of life, and expected peace only "yonder." She adopted the tone of one who has suffered a great disappointment, like a girl who has either lost the man she loved or been cruelly deceived by him. Though nothing of the kind had happened to her she was regarded in that light, and had even herself come to believe that she had suffered much in life. This melancholy, which did not prevent her amusing herself, did not hinder the young people who came to her house from passing the time pleasantly. Every visitor who came to the house paid his tribute to the melancholy mood of the hostess, and then amused himself with society gossip, dancing, intellectual games, and bouts rimes, which were in vogue at the Karagins'. Only a few of these young men, among them Boris, entered more deeply into Julie's melancholy, and with these she had prolonged conversations in private on the vanity of all worldly things, and to them she showed her albums filled with mournful sketches, maxims, and verses.

  To Boris, Julie was particularly gracious: she regretted his early disillusionment with life, offered him such consolation of friendship as she who had herself suffered so much could render, and showed him her album. Boris sketched two trees in the album and wrote: "Rustic trees, your dark branches shed gloom and melancholy upon me."

&nb
sp; On another page he drew a tomb, and wrote:

  La mort est secourable et la mort est tranquille. Ah! contre les douleurs il n'y a pas d'autre asile.*

  *Death gives relief and death is peaceful.

  Ah! from suffering there is no other refuge.

  Julia said this was charming

  "There is something so enchanting in the smile of melancholy," she said to Boris, repeating word for word a passage she had copied from a book. "It is a ray of light in the darkness, a shade between sadness and despair, showing the possibility of consolation."

  In reply Boris wrote these lines:

  Aliment de poison d'une ame trop sensible, Toi, sans qui le bonheur me serait impossible, Tendre melancholie, ah, viens me consoler, Viens calmer les tourments de ma sombre retraite, Et mele une douceur secrete A ces pleurs que je sens couler.*

  *Poisonous nourishment of a too sensitive soul,

  Thou, without whom happiness would for me be impossible,

  Tender melancholy, ah, come to console me,

  Come to calm the torments of my gloomy retreat,

  And mingle a secret sweetness

  With these tears that I feel to be flowing.

  For Boris, Julie played most doleful nocturnes on her harp. Boris read Poor Liza aloud to her, and more than once interrupted the reading because of the emotions that choked him. Meeting at large gatherings Julie and Boris looked on one another as the only souls who understood one another in a world of indifferent people.

  Anna Mikhaylovna, who often visited the Karagins, while playing cards with the mother made careful inquiries as to Julie's dowry (she was to have two estates in Penza and the Nizhegorod forests). Anna Mikhaylovna regarded the refined sadness that united her son to the wealthy Julie with emotion, and resignation to the Divine will.

  "You are always charming and melancholy, my dear Julie," she said to the daughter. "Boris says his soul finds repose at your house. He has suffered so many disappointments and is so sensitive," said she to the mother. "Ah, my dear, I can't tell you how fond I have grown of Julie latterly," she said to her son. "But who could help loving her? She is an angelic being! Ah, Boris, Boris!"--she paused. "And how I pity her mother," she went on; "today she showed me her accounts and letters from Penza (they have enormous estates there), and she, poor thing, has no one to help her, and they do cheat her so!"

  Boris smiled almost imperceptibly while listening to his mother. He laughed blandly at her naive diplomacy but listened to what she had to say, and sometimes questioned her carefully about the Penza and Nizhegorod estates.

  Julie had long been expecting a proposal from her melancholy adorer and was ready to accept it; but some secret feeling of repulsion for her, for her passionate desire to get married, for her artificiality, and a feeling of horror at renouncing the possibility of real love still restrained Boris. His leave was expiring. He spent every day and whole days at the Karagins', and every day on thinking the matter over told himself that he would propose tomorrow. But in Julie's presence, looking at her red face and chin (nearly always powdered), her moist eyes, and her expression of continual readiness to pass at once from melancholy to an unnatural rapture of married bliss, Boris could not utter the decisive words, though in imagination he had long regarded himself as the possessor of those Penza and Nizhegorod estates and had apportioned the use of the income from them. Julie saw Boris' indecision, and sometimes the thought occurred to her that she was repulsive to him, but her feminine self-deception immediately supplied her with consolation, and she told herself that he was only shy from love. Her melancholy, however, began to turn to irritability, and not long before Boris' departure she formed a definite plan of action. Just as Boris' leave of absence was expiring, Anatole Kuragin made his appearance in Moscow, and of course in the Karagins' drawing room, and Julie, suddenly abandoning her melancholy, became cheerful and very attentive to Kuragin.

  "My dear," said Anna Mikhaylovna to her son, "I know from a reliable source that Prince Vasili has sent his son to Moscow to get him married to Julie. I am so fond of Julie that I should be sorry for her. What do you think of it, my dear?"

  The idea of being made a fool of and of having thrown away that whole month of arduous melancholy service to Julie, and of seeing all the revenue from the Penza estates which he had already mentally apportioned and put to proper use fall into the hands of another, and especially into the hands of that idiot Anatole, pained Boris. He drove to the Karagins' with the firm intention of proposing. Julie met him in a gay, careless manner, spoke casually of how she had enjoyed yesterday's ball, and asked when he was leaving. Though Boris had come intentionally to speak of his love and therefore meant to be tender, he began speaking irritably of feminine inconstancy, of how easily women can turn from sadness to joy, and how their moods depend solely on who happens to be paying court to them. Julie was offended and replied that it was true that a woman needs variety, and the same thing over and over again would weary anyone.

  "Then I should advise you..." Boris began, wishing to sting her; but at that instant the galling thought occurred to him that he might have to leave Moscow without having accomplished his aim, and have vainly wasted his efforts--which was a thing he never allowed to happen.

  He checked himself in the middle of the sentence, lowered his eyes to avoid seeing her unpleasantly irritated and irresolute face, and said:

  "I did not come here at all to quarrel with you. On the contrary..."

  He glanced at her to make sure that he might go on. Her irritability had suddenly quite vanished, and her anxious, imploring eyes were fixed on him with greedy expectation. "I can always arrange so as not to see her often," thought Boris. "The affair has been begun and must be finished!" He blushed hotly, raised his eyes to hers, and said:

  "You know my feelings for you!"

  There was no need to say more: Julie's face shone with triumph and self-satisfaction; but she forced Boris to say all that is said on such occasions--that he loved her and had never loved any other woman more than her. She knew that for the Penza estates and Nizhegorod forests she could demand this, and she received what she demanded.

  The affianced couple, no longer alluding to trees that shed gloom and melancholy upon them, planned the arrangements of a splendid house in Petersburg, paid calls, and prepared everything for a brilliant wedding.

  CHAPTER VI

  At the end of January old Count Rostov went to Moscow with Natasha and Sonya. The countess was still unwell and unable to travel but it was impossible to wait for her recovery. Prince Andrew was expected in Moscow any day, the trousseau had to be ordered and the estate near Moscow had to be sold, besides which the opportunity of presenting his future daughter-in-law to old Prince Bolkonski while he was in Moscow could not be missed. The Rostovs' Moscow house had not been heated that winter and, as they had come only for a short time and the countess was not with them, the count decided to stay with Marya Dmitrievna Akhrosimova, who had long been pressing her hospitality on them.

  Late one evening the Rostovs' four sleighs drove into Marya Dmitrievna's courtyard in the old Konyusheny street. Marya Dmitrievna lived alone. She had already married off her daughter, and her sons were all in the service.

  She held herself as erect, told everyone her opinion as candidly, loudly, and bluntly as ever, and her whole bearing seemed a reproach to others for any weakness, passion, or temptation--the possibility of which she did not admit. From early in the morning, wearing a dressing jacket, she attended to her household affairs, and then she drove out: on holy days to church and after the service to jails and prisons on affairs of which she never spoke to anyone. On ordinary days, after dressing, she received petitioners of various classes, of whom there were always some. Then she had dinner, a substantial and appetizing meal at which there were always three or four guests; after dinner she played a game of boston, and at night she had the newspapers or a new book read to her while she knitted. She rarely made an exception and went out to pay visits, and then only to t
he most important persons in the town.

  She had not yet gone to bed when the Rostovs arrived and the pulley of the hall door squeaked from the cold as it let in the Rostovs and their servants. Marya Dmitrievna, with her spectacles hanging down on her nose and her head flung back, stood in the hall doorway looking with a stern, grim face at the new arrivals. One might have thought she was angry with the travelers and would immediately turn them out, had she not at the same time been giving careful instructions to the servants for the accommodation of the visitors and their belongings.

  "The count's things? Bring them here," she said, pointing to the portmanteaus and not greeting anyone. "The young ladies'? There to the left. Now what are you dawdling for?" she cried to the maids. "Get the samovar ready!... You've grown plumper and prettier," she remarked, drawing Natasha (whose cheeks were glowing from the cold) to her by the hood. "Foo! You are cold! Now take off your things, quick!" she shouted to the count who was going to kiss her hand. "You're half frozen, I'm sure! Bring some rum for tea!... Bonjour, Sonya dear!" she added, turning to Sonya and indicating by this French greeting her slightly contemptuous though affectionate attitude toward her.