The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  "Yes, a new happiness was revealed to me of which man cannot be deprived," he thought as he lay in the semi-darkness of the quiet hut, gazing fixedly before him with feverish wide open eyes. "A happiness lying beyond material forces, outside the material influences that act on man--a happiness of the soul alone, the happiness of loving. Every man can understand it, but to conceive it and enjoin it was possible only for God. But how did God enjoin that law? And why was the Son...?"

  And suddenly the sequence of these thoughts broke off, and Prince Andrew heard (without knowing whether it was a delusion or reality) a soft whispering voice incessantly and rhythmically repeating "piti-piti-piti," and then "titi," and then again "piti-piti-piti," and "ti-ti" once more. At the same time he felt that above his face, above the very middle of it, some strange airy structure was being erected out of slender needles or splinters, to the sound of this whispered music. He felt that he had to balance carefully (though it was difficult) so that this airy structure should not collapse; but nevertheless it kept collapsing and again slowly rising to the sound of whispered rhythmic music--"it stretches, stretches, spreading out and stretching," said Prince Andrew to himself. While listening to this whispering and feeling the sensation of this drawing out and the construction of this edifice of needles, he also saw by glimpses a red halo round the candle, and heard the rustle of the cockroaches and the buzzing of the fly that flopped against his pillow and his face. Each time the fly touched his face it gave him a burning sensation and yet to his surprise it did not destroy the structure, though it knocked against the very region of his face where it was rising. But besides this there was something else of importance. It was something white by the door--the statue of a sphinx, which also oppressed him.

  "But perhaps that's my shirt on the table," he thought, "and that's my legs, and that is the door, but why is it always stretching and drawing itself out, and 'piti-piti-piti' and 'ti-ti' and 'piti-piti-piti'...? That's enough, please leave off!" Prince Andrew painfully entreated someone. And suddenly thoughts and feelings again swam to the surface of his mind with peculiar clearness and force.

  "Yes--love," he thought again quite clearly. "But not love which loves for something, for some quality, for some purpose, or for some reason, but the love which I--while dying--first experienced when I saw my enemy and yet loved him. I experienced that feeling of love which is the very essence of the soul and does not require an object. Now again I feel that bliss. To love one's neighbors, to love one's enemies, to love everything, to love God in all His manifestations. It is possible to love someone dear to you with human love, but an enemy can only be loved by divine love. That is why I experienced such joy when I felt that I loved that man. What has become of him? Is he alive?...

  "When loving with human love one may pass from love to hatred, but divine love cannot change. No, neither death nor anything else can destroy it. It is the very essence of the soul. Yet how many people have I hated in my life? And of them all, I loved and hated none as I did her." And he vividly pictured to himself Natasha, not as he had done in the past with nothing but her charms which gave him delight, but for the first time picturing to himself her soul. And he understood her feelings, her sufferings, shame, and remorse. He now understood for the first time all the cruelty of his rejection of her, the cruelty of his rupture with her. "If only it were possible for me to see her once more! Just once, looking into those eyes to say..."

  "Piti-piti-piti and ti-ti and piti-piti-piti boom!" flopped the fly... And his attention was suddenly carried into another world, a world of reality and delirium in which something particular was happening. In that world some structure was still being erected and did not fall, something was still stretching out, and the candle with its red halo was still burning, and the same shirtlike sphinx lay near the door; but besides all this something creaked, there was a whiff of fresh air, and a new white sphinx appeared, standing at the door. And that sphinx had the pale face and shining eyes of the very Natasha of whom he had just been thinking.

  "Oh, how oppressive this continual delirium is," thought Prince Andrew, trying to drive that face from his imagination. But the face remained before him with the force of reality and drew nearer. Prince Andrew wished to return that former world of pure thought, but he could not, and delirium drew him back into its domain. The soft whispering voice continued its rhythmic murmur, something oppressed him and stretched out, and the strange face was before him. Prince Andrew collected all his strength in an effort to recover his senses, he moved a little, and suddenly there was a ringing in his ears, a dimness in his eyes, and like a man plunged into water he lost consciousness. When he came to himself, Natasha, that same living Natasha whom of all people he most longed to love with this new pure divine love that had been revealed to him, was kneeling before him. He realized that it was the real living Natasha, and he was not surprised but quietly happy. Natasha, motionless on her knees (she was unable to stir), with frightened eyes riveted on him, was restraining her sobs. Her face was pale and rigid. Only in the lower part of it something quivered.

  Prince Andrew sighed with relief, smiled, and held out his hand.

  "You?" he said. "How fortunate!"

  With a rapid but careful movement Natasha drew nearer to him on her knees and, taking his hand carefully, bent her face over it and began kissing it, just touching it lightly with her lips.

  "Forgive me!" she whispered, raising her head and glancing at him. "Forgive me!"

  "I love you," said Prince Andrew.

  "Forgive...!"

  "Forgive what?" he asked.

  "Forgive me for what I ha-ve do-ne!" faltered Natasha in a scarcely audible, broken whisper, and began kissing his hand more rapidly, just touching it with her lips.

  "I love you more, better than before," said Prince Andrew, lifting her face with his hand so as to look into her eyes.

  Those eyes, filled with happy tears, gazed at him timidly, compassionately, and with joyous love. Natasha's thin pale face, with its swollen lips, was more than plain--it was dreadful. But Prince Andrew did not see that, he saw her shining eyes which were beautiful. They heard the sound of voices behind them.

  Peter the valet, who was now wide awake, had roused the doctor. Timokhin, who had not slept at all because of the pain in his leg, had long been watching all that was going on, carefully covering his bare body with the sheet as he huddled up on his bench.

  "What's this?" said the doctor, rising from his bed. "Please go away, madam!"

  At that moment a maid sent by the countess, who had noticed her daughter's absence, knocked at the door.

  Like a somnambulist aroused from her sleep Natasha went out of the room and, returning to her hut, fell sobbing on her bed.

  From that time, during all the rest of the Rostovs' journey, at every halting place and wherever they spent a night, Natasha never left the wounded Bolkonski, and the doctor had to admit that he had not expected from a young girl either such firmness or such skill in nursing a wounded man.

  Dreadful as the countess imagined it would be should Prince Andrew die in her daughter's arms during the journey--as, judging by what the doctor said, it seemed might easily happen--she could not oppose Natasha. Though with the intimacy now established between the wounded man and Natasha the thought occurred that should he recover their former engagement would be renewed, no one--least of all Natasha and Prince Andrew--spoke of this: the unsettled question of life and death, which hung not only over Bolkonski but over all Russia, shut out all other considerations.

  CHAPTER XXXIII

  On the third of September Pierre awoke late. His head was aching, the clothes in which he had slept without undressing felt uncomfortable on his body, and his mind had a dim consciousness of something shameful he had done the day before. That something shameful was his yesterday's conversation with Captain Ramballe.

  It was eleven by the clock, but it seemed peculiarly dark out of doors. Pierre rose, rubbed his eyes, and seeing the pistol with an engraved sto
ck which Gerasim had replaced on the writing table, he remembered where he was and what lay before him that very day.

  "Am I not too late?" he thought. "No, probably he won't make his entry into Moscow before noon."

  Pierre did not allow himself to reflect on what lay before him, but hastened to act.

  After arranging his clothes, he took the pistol and was about to go out. But it then occurred to him for the first time that he certainly could not carry the weapon in his hand through the streets. It was difficult to hide such a big pistol even under his wide coat. He could not carry it unnoticed in his belt or under his arm. Besides, it had been discharged, and he had not had time to reload it. "No matter, dagger will do," he said to himself, though when planning his design he had more than once come to the conclusion that the chief mistake made by the student in 1809 had been to try to kill Napoleon with a dagger. But as his chief aim consisted not in carrying out his design, but in proving to himself that he would not abandon his intention and was doing all he could to achieve it, Pierre hastily took the blunt jagged dagger in a green sheath which he had bought at the Sukharev market with the pistol, and hid it under his waistcoat.

  Having tied a girdle over his coat and pulled his cap low on his head, Pierre went down the corridor, trying to avoid making a noise or meeting the captain, and passed out into the street.

  The conflagration, at which he had looked with so much indifference the evening before, had greatly increased during the night. Moscow was on fire in several places. The buildings in Carriage Row, across the river, in the Bazaar and the Povarskoy, as well as the barges on the Moskva River and the timber yards by the Dorogomilov Bridge, were all ablaze.

  Pierre's way led through side streets to the Povarskoy and from there to the church of St. Nicholas on the Arbat, where he had long before decided that the deed should should be done. The gates of most of the houses were locked and the shutters up. The streets and lanes were deserted. The air was full of smoke and the smell of burning. Now and then he met Russians with anxious and timid faces, and Frenchmen with an air not of the city but of the camp, walking in the middle of the streets. Both the Russians and the French looked at Pierre with surprise. Besides his height and stoutness, and the strange morose look of suffering in his face and whole figure, the Russians stared at Pierre because they could not make out to what class he could belong. The French followed him with astonishment in their eyes chiefly because Pierre, unlike all the other Russians who gazed at the French with fear and curiosity, paid no attention to them. At the gate of one house three Frenchmen, who were explaining something to some Russians who did not understand them, stopped Pierre asking if he did not know French.

  Pierre shook his head and went on. In another side street a sentinel standing beside a green caisson shouted at him, but only when the shout was threateningly repeated and he heard the click of the man's musket as he raised it did Pierre understand that he had to pass on the other side of the street. He heard nothing and saw nothing of what went on around him. He carried his resolution within himself in terror and haste, like something dreadful and alien to him, for, after the previous night's experience, he was afraid of losing it. But he was not destined to bring his mood safely to his destination. And even had he not been hindered by anything on the way, his intention could not now have been carried out, for Napoleon had passed the Arbat more than four hours previously on his way from the Dorogomilov suburb to the Kremlin, and was now sitting in a very gloomy frame of mind in a royal study in the Kremlin, giving detailed and exact orders as to measures to be taken immediately to extinguish the fire, to prevent looting, and to reassure the inhabitants. But Pierre did not know this; he was entirely absorbed in what lay before him, and was tortured--as those are who obstinately undertake a task that is impossible for them not because of its difficulty but because of its incompatibility with their natures--by the fear of weakening at the decisive moment and so losing his self-esteem.

  Though he heard and saw nothing around him he found his way by instinct and did not go wrong in the side streets that led to the Povarskoy.

  As Pierre approached that street the smoke became denser and denser- he even felt the heat of the fire. Occasionally curly tongues of flame rose from under the roofs of the houses. He met more people in the streets and they were more excited. But Pierre, though he felt that something unusual was happening around him, did not realize that he was approaching the fire. As he was going along a foot path across a wide-open space adjoining the Povarskoy on one side and the gardens of Prince Gruzinski's house on the other, Pierre suddenly heard the desperate weeping of a woman close to him. He stopped as if awakening from a dream and lifted his head.

  By the side of the path, on the dusty dry grass, all sorts of household goods lay in a heap: featherbeds, a samovar, icons, and trunks. On the ground, beside the trunks, sat a thin woman no longer young, with long, prominent upper teeth, and wearing a black cloak and cap. This woman, swaying to and fro and muttering something, was choking with sobs. Two girls of about ten and twelve, dressed in dirty short frocks and cloaks, were staring at their mother with a look of stupefaction on their pale frightened faces. The youngest child, a boy of about seven, who wore an overcoat and an immense cap evidently not his own, was crying in his old nurse's arms. A dirty, barefooted maid was sitting on a trunk, and, having undone her pale-colored plait, was pulling it straight and sniffing at her singed hair. The woman's husband, a short, round-shouldered man in the undress uniform of a civilian official, with sausage-shaped whiskers and showing under his square-set cap the hair smoothly brushed forward over his temples, with expressionless face was moving the trunks, which were placed one on another, and was dragging some garments from under them.

  As soon as she saw Pierre, the woman almost threw herself at his feet.

  "Dear people, good Christians, save me, help me, dear friends... help us, somebody," she muttered between her sobs. "My girl... My daughter! My youngest daughter is left behind. She's burned! Ooh! Was it for this I nursed you.... Ooh!"

  "Don't, Mary Nikolievna!" said her husband to her in a low voice, evidently only to justify himself before the stranger. "Sister must have taken her, or else where can she be?" he added.

  "Monster! Villain!" shouted the woman angrily, suddenly ceasing to weep. "You have no heart, you don't feel for your own child! Another man would have rescued her from the fire. But this is a monster and neither a man nor a father! You, honored sir, are a noble man," she went on, addressing Pierre rapidly between her sobs. "The fire broke out alongside, and blew our way, the maid called out 'Fire!' and we rushed to collect our things. We ran out just as we were.... This is what we have brought away.... The icons, and my dowry bed, all the rest is lost. We seized the children. But not Katie! Ooh! O Lord!..." and again she began to sob. "My child, my dear one! Burned, burned!"

  "But where was she left?" asked Pierre.

  From the expression of his animated face the woman saw that this man might help her.

  "Oh, dear sir!" she cried, seizing him by the legs. "My benefactor, set my heart at ease.... Aniska, go, you horrid girl, show him the way!" she cried to the maid, angrily opening her mouth and still farther exposing her long teeth.

  "Show me the way, show me, I... I'll do it," gasped Pierre rapidly.

  The dirty maidservant stepped from behind the trunk, put up her plait, sighed, and went on her short, bare feet along the path. Pierre felt as if he had come back to life after a heavy swoon. He held his head higher, his eyes shone with the light of life, and with swift steps he followed the maid, overtook her, and came out on the Povarskoy. The whole street was full of clouds of black smoke. Tongues of flame here and there broke through that cloud. A great number of people crowded in front of the conflagration. In the middle of the street stood a French general saying something to those around him. Pierre, accompanied by the maid, was advancing to the spot where the general stood, but the French soldiers stopped him.

  "On ne passe pas!"* cried a voic
e.

  *"You can't pass!

  "This way, uncle," cried the girl. "We'll pass through the side street, by the Nikulins'!"

  Pierre turned back, giving a spring now and then to keep up with her. She ran across the street, turned down a side street to the left, and, passing three houses, turned into a yard on the right.

  "It's here, close by," said she and, running across the yard, opened a gate in a wooden fence and, stopping, pointed out to him a small wooden wing of the house, which was burning brightly and fiercely. One of its sides had fallen in, another was on fire, and bright flames issued from the openings of the windows and from under the roof.

  As Pierre passed through the fence gate, he was enveloped by hot air and involuntarily stopped.

  "Which is it? Which is your house?" he asked.

  "Ooh!" wailed the girl, pointing to the wing. "That's it, that was our lodging. You've burned to death, our treasure, Katie, my precious little missy! Ooh!" lamented Aniska, who at the sight of the fire felt that she too must give expression to her feelings.