The Complete Works of Leo Tolstoy (25+ Works with active table of contents)

by Leo Tolstoy

  The third kind of love--practical love--consists of a yearning to satisfy every need, every desire, every caprice, nay, every vice, of the being beloved. People who love thus always love their life long, since, the more they love, the more they get to know the object beloved, and the easier they find the task of loving it-- that is to say, of satisfying its desires. Their love seldom finds expression in words, but if it does so, it expresses itself neither with assurance nor beauty, but rather in a shamefaced, awkward manner, since people of this kind invariably have misgivings that they are loving unworthily. People of this kind love even the faults of their adored one, for the reason that those faults afford them the power of constantly satisfying new desires. They look for their affection to be returned, and even deceive themselves into believing that it is returned, and are happy accordingly: yet in the reverse case they will still continue to desire happiness for their beloved one, and try by every means in their power--whether moral or material, great or small--to provide it.

  Such practical love it was--love for her nephew, for her niece, for her sister, for Lubov Sergievna, and even for myself, because I loved Dimitri--that shone in the eyes, as well as in the every word and movement, of Sophia Ivanovna.

  Only long afterwards did I learn to value her at her true worth. Yet even now the question occurred to me: "What has made Dimitri-- who throughout has tried to understand love differently to other young fellows, and has always had before his eyes the gentle, loving Sophia Ivanovna--suddenly fall so deeply in love with the incomprehensible Lubov Sergievna, and declare that in his aunt he can only find good QUALITIES? Verily it is a true saying that 'a prophet hath no honour in his own country.' One of two things: either every man has in him more of bad than of good, or every man is more receptive to bad than to good. Lubov Sergievna he has not known for long, whereas his aunt's love he has known since the day of his birth."

  XXV

  I BECOME BETTER ACQUAINTED WITH THE NECHLUDOFFS

  WHEN I returned to the verandah, I found that they were not talking of me at all, as I had anticipated. On the contrary, Varenika had laid aside the book, and was engaged in a heated dispute with Dimitri, who, for his part, was walking up and down the verandah, and frowningly adjusting his neck in his collar as he did so. The subject of the quarrel seemed to be Ivan Yakovlevitch and superstition, but it was too animated a difference for its underlying cause not to be something which concerned the family much more nearly. Although the Princess and Lubov Sergievna were sitting by in silence, they were following every word, and evidently tempted at times to take part in the dispute; yet always, just when they were about to speak, they checked themselves, and left the field clear for the two principles, Dimitri and Varenika. On my entry, the latter glanced at me with such an indifferent air that I could see she was wholly absorbed in the quarrel and did not care whether she spoke in my presence or not. The Princess too looked the same, and was clearly on Varenika's side, while Dimitri began, if anything, to raise his voice still more when I appeared, and Lubov Sergievna, for her part, observed to no one in particular: "Old people are quite right when they say, 'Si jeunesse savait, si vieillesse pouvait.'"

  Nevertheless this quotation did not check the dispute, though it somehow gave me the impression that the side represented by the speaker and her friend was in the wrong. Although it was a little awkward for me to be present at a petty family difference, the fact that the true relations of the family revealed themselves during its progress, and that my presence did nothing to hinder that revelation, afforded me considerable gratification.

  How often it happens that for years one sees a family cover themselves over with a conventional cloak of decorum, and preserve the real relations of its members a secret from every eye! How often, too, have I remarked that, the more impenetrable (and therefore the more decorous) is the cloak, the harsher are the relations which it conceals! Yet, once let some unexpected question--often a most trivial one (the colour of a woman's hair, a visit, a man's horses, and so forth)--arise in that family circle, and without any visible cause there will also arise an ever-growing difference, until in time the cloak of decorum becomes unequal to confining the quarrel within due bounds, and, to the dismay of the disputants and the astonishment of the auditors, the real and ill-adjusted relations of the family are laid bare, and the cloak, now useless for concealment, is bandied from hand to hand among the contending factions until it serves only to remind one of the years during which it successfully deceived one's perceptions. Sometimes to strike one's head violently against a ceiling hurts one less than just to graze some spot which has been hurt and bruised before: and in almost every family there exists some such raw and tender spot. In the Nechludoff family that spot was Dimitri's extraordinary affection for Lubov Sergievna, which aroused in the mother and sister, if not a jealous feeling, at all events a sense of hurt family pride. This was the grave significance which underlay, for all those present, the seeming dispute about Ivan Yakovlevitch and superstition.

  "In anything that other people deride and despise you invariably profess to see something extraordinarily good!" Varenika was saying in her clear voice, as she articulated each syllable with careful precision.

  "Indeed?" retorted Dimitri with an impatient toss of his head. "Now, in the first place, only a most unthinking person could ever speak of DESPISING such a remarkable man as Ivan Yakovlevitch, while, in the second place, it is YOU who invariably profess to see nothing good in what confronts you."

  Meanwhile Sophia Ivanovna kept looking anxiously at us as she turned first to her nephew, and then to her niece, and then to myself. Twice she opened her mouth as though to say what was in her mind and drew a deep sigh.

  "Varia, PLEASE go on reading," she said at length, at the same time handing her niece the book, and patting her hand kindly. "I wish to know whether he ever found HER again " (as a matter of fact, the novel in question contained not a word about any one finding any one else). "And, Mitia dear," she added to her nephew, despite the glum looks which he was throwing at her for having interrupted the logical thread of his deductions, "you had better let me poultice your cheek, or your teeth will begin to ache again."

  After that the reading was resumed. Yet the quarrel had in no way dispelled the calm atmosphere of family and intellectual harmony which enveloped this circle of ladies.

  Clearly deriving its inspiration and character from the Princess Maria Ivanovna, it was a circle which, for me, had a wholly novel and attractive character of logicalness mingled with simplicity and refinement. That character I could discern in the daintiness, good taste, and solidity of everything about me, whether the handbell, the binding of the book, the settee, or the table. Likewise, I divined it in the upright, well-corseted pose of the Princess, in her pendant curls of grey hair, in the manner in which she had, at our first introduction, called me plain "Nicolas" and "he," in the occupations of the ladies (the reading and the sewing of garments), and in the unusual whiteness of their hands. Those hands, en passant, showed a family feature common to all--namely, the feature that the flesh of the palm on the outer side was rosy in colour, and divided by a sharp, straight line from the pure whiteness of the upper portion of the hand. Still more was the character of this feminine circle expressed in the manner in which the three ladies spoke Russian and French--spoke them, that is to say, with perfect articulation of syllables and pedantic accuracy of substantives and prepositions. All this, and more especially the fact that the ladies treated me as simply and as seriously as a real grown-up-- telling me their opinions, and listening to my own (a thing to which I was so little accustomed that, for all my glittering buttons and blue facings, I was in constant fear of being told: "Surely you do not think that we are talking SERIOUSLY to you? Go away and learn something")--all this, I say, caused me to feel an entire absence of restraint in this society. I ventured at times to rise, to move about, and to talk boldly to each of the ladies except Varenika (whom I always felt it was unbecoming, or even forbidden, for me t
o address unless she first spoke to me).

  As I listened to her clear, pleasant voice reading aloud, I kept glancing from her to the path of the flower-garden, where the rain-spots were making small dark circles in the sand, and thence to the lime-trees, upon the leaves of which the rain was pattering down in large detached drops shed from the pale, shimmering edge of the livid blue cloud which hung suspended over us. Then I would glance at her again, and then at the last purple rays of the setting sun where they were throwing the dense clusters of old, rain-washed birches into brilliant relief. Yet again my eyes would return to Varenika, and, each time that they did so, it struck me afresh that she was not nearly so plain as at first I had thought her.

  "How I wish that I wasn't in love already!" I reflected, "or that Sonetchka was Varenika! How nice it would be if suddenly I could become a member of this family, and have the three ladies for my mother, aunt, and wife respectively!" All the time that these thoughts kept passing through my head I kept attentively regarding Varenika as she read, until somehow I felt as though I were magnetising her, and that presently she must look at me. Sure enough, at length she raised her head, threw me a glance, and, meeting my eyes, turned away.

  "The rain does not seem to stop," she remarked.

  Suddenly a new feeling came over me. I began to feel as though everything now happening to me was a repetition of some similar occurrence before--as though on some previous occasion a shower of rain had begun to fall, and the sun had set behind birch- trees, and I had been looking at her, and she had been reading aloud, and I had magnetised her, and she had looked up at me. Yes, all this I seemed to recall as though it had happened once before.

  "Surely she is not--SHE?" was my thought. "Surely IT is not beginning?" However, I soon decided that Varenika was not the "SHE" referred to, and that "it" was not "beginning." "In the first place," I said to myself, "Varenika is not at all BEAUTIFUL. She is just an ordinary girl whose acquaintance I have made in the ordinary way, whereas the she whom I shall meet somewhere and some day and in some not ordinary way will be anything but ordinary. This family pleases me so much only because hitherto I have never seen anybody. Such things will always be happening in the future, and I shall see many more such families during my life."

  XXVI

  I SHOW OFF

  AT tea time the reading came to an end, and the ladies began to talk among themselves of persons and things unknown to me. This I conceived them to be doing on purpose to make me conscious (for all their kind demeanour) of the difference which years and position in the world had set between them and myself. In general discussions, however, in which I could take part I sought to atone for my late silence by exhibiting that extraordinary cleverness and originality to which I felt compelled by my University uniform. For instance, when the conversation turned upon country houses, I said that Prince Ivan Ivanovitch had a villa near Moscow which people came to see even from London and Paris, and that it contained balustrading which had cost 380,000 roubles. Likewise, I remarked that the Prince was a very near relation of mine, and that, when lunching with him the same day, he had invited me to go and spend the entire summer with him at that villa, but that I had declined, since I knew the villa well, and had stayed in it more than once, and that all those balustradings and bridges did not interest me, since I could not bear ornamental work, especially in the country, where I liked everything to be wholly countrified. After delivering myself of this extraordinary and complicated romance, I grew confused, and blushed so much that every one must have seen that I was lying. Both Varenika, who was handing me a cup of tea, and Sophia Ivanovna, who had been gazing at me throughout, turned their heads away, and began to talk of something else with an expression which I afterwards learnt that good-natured people assume when a very young man has told them a manifest string of lies--an expression which says, "Yes, we know he is lying, and why he is doing it, the poor young fellow!"

  What I had said about Prince Ivan Ivanovitch having a country villa, I had related simply because I could find no other pretext for mentioning both my relationship to the Prince and the fact that I had been to luncheon with him that day; yet why I had said all I had about the balustrading costing 380,000 roubles, and about my having several times visited the Prince at that villa (I had never once been there--more especially since the Prince possessed no residences save in Moscow and Naples, as the Nechludoffs very well knew), I could not possibly tell you. Neither in childhood nor in adolescence nor in riper years did I ever remark in myself the vice of falsehood--on the contrary, I was, if anything, too outspoken and truthful. Yet, during this first stage of my manhood, I often found myself seized with a strange and unreasonable tendency to lie in the most desperate fashion. I say advisedly "in the most desperate fashion," for the reason that I lied in matters in which it was the easiest thing in the world to detect me. On the whole I think that a vain- glorious desire to appear different from what I was, combined with an impossible hope that the lie would never be found out, was the chief cause of this extraordinary impulse.

  After tea, since the rain had stopped and the after-glow of sunset was calm and clear, the Princess proposed that we should go and stroll in the lower garden, and admire her favourite spots there. Following my rule to be always original, and conceiving that clever people like myself and the Princess must surely be above the banalities of politeness, I replied that I could not bear a walk with no object in view, and that, if I DID walk, I liked to walk alone. I had no idea that this speech was simply rude; all I thought was that, even as nothing could be more futile than empty compliments, so nothing could be more pleasing and original than a little frank brusquerie. However, though much pleased with my answer, I set out with the rest of the company.

  The Princess's favourite spot of all was at the very bottom of the lower garden, where a little bridge spanned a narrow piece of swamp. The view there was very restricted, yet very intimate and pleasing. We are so accustomed to confound art with nature that, often enough, phenomena of nature which are never to be met with in pictures seem to us unreal, and give us the impression that nature is unnatural, or vice versa; whereas phenomena of nature which occur with too much frequency in pictures seem to us hackneyed, and views which are to be met with in real life, but which appear to us too penetrated with a single idea or a single sentiment, seem to us arabesques. The view from the Princess's favourite spot was as follows. On the further side of a small lake, over-grown with weeds round its edges, rose a steep ascent covered with bushes and with huge old trees of many shades of green, while, overhanging the lake at the foot of the ascent, stood an ancient birch tree which, though partly supported by stout roots implanted in the marshy bank of the lake, rested its crown upon a tall, straight poplar, and dangled its curved branches over the smooth surface of the pond--both branches and the surrounding greenery being reflected therein as in a mirror.