The Second Macabre Megapack

by Various Writers

  Like a leper he was shunned by everyone, and it was proposed to tie a bell to his neck, as is done with lepers, to warn people against sudden meetings. But someone remarked, growing frightfully pale, that it would be too horrible if by night the moaning of Lazarus’ bell were suddenly heard under the windows—and so the project was abandoned.

  And since he did not take care of himself, he would probably have starved to death, had not the neighbors brought him food in fear of something that they sensed but vaguely. The food was brought to him by children; they were not afraid of Lazarus, nor did they mock him with naive cruelty, as children are wont to do with the wretched and miserable. They were indifferent to him, and Lazarus answered them with the same coldness; he had no desire to caress the black little curls, and to look into their innocent shining eyes. Given to Time and to the Desert, his house was crumbling down, and long since had his famishing, lowing goats wandered away to the neighboring pastures. And his bridal garments became threadbare. Ever since that happy day, when the musicians played, he had worn them unaware of the difference of the new and the worn. The bright colors grew dull and faded; vicious dogs and the sharp thorn of the Desert turned the tender fabric into rags.

  By day, when the merciless sun slew all things alive, and even scorpions sought shelter under stones and writhed there in a mad desire to sting, he sat motionless under the sunrays, his blue face and the uncouth, bushy beared lifted up, bathing in the fiery flood.

  When people still talked to him, he was once asked:

  “Poor Lazarus, does it please thee to sit thus and to stare at the sun?”

  And he had answered:

  “Yes, it does.”

  So strong, it seemed, was the cold of his three days’ grave, so deep the darkness, that there was no heat on earth to warm Lazarus, nor a splendor that could brighten the darkness of his eyes. That is what came to the mind of those who spoke to Lazarus, and with a sigh they left him.

  And when the scarlet, flattened globe would lower, Lazarus would set out for the desert and walk straight toward the sun, as though striving to reach it. He always walked straight toward the sun and those who tried to follow him and to spy upon what he was doing at night in the desert, retained in their memory the black silhouette of a tall stout man against the red background of an enormous flattened disc. Night pursued them with her horrors, and so they did not learn of Lazarus’ doings in the desert, but the vision of the black on red was forever branded on their brain. Just as a beast with a splinter in its eye furiously rubs its muzzle with its paws, so they too foolishly rubbed their eyes, but what Lazarus had given was indelible, and Death alone could efface it.

  But there were people who lived far away, who never saw Lazarus and knew of him only by report. With daring curiosity, which is stronger than fear and feeds upon it, with hidden mockery, they would come to Lazarus who was sitting in the sun and enter into conversation with him. By this time Lazarus’ appearance had changed for the better and was not so terrible. The first minute they snapped their fingers and thought of how stupid the inhabitants of the holy city were; but when the short talk was over and they started homeward, their looks were such that the inhabitants of the holy city recognized them at once and said:

  “Look, there is one more fool on whom Lazarus has set his eye,”—and they shook their heads regretfully, and lifted up their arms.

  There came brave, intrepid warriors, with tinkling weapons; happy youths came with laughter and song; busy tradesmen, jingling their money, ran in for a moment, and haughty priests leaned their crosiers against Lazarus’ door, and they were all strangely changed, as they came back. The same terrible shadow swooped down upon their souls and gave a new appearance to the old familiar world.

  Those who still had the desire to speak, expressed their feelings thus:

  “All things tangible and visible grew hollow, light, and transparent—similar to lightsome shadows in the darkness of night;

  “for, that great darkness, which holds the whole cosmos, was dispersed neither by the sun or by the moon and the stars, but like an immense black shroud enveloped the earth and, like a mother, embraced it;

  “it penetrated all the bodies, iron and stone—and the particles of the bodies, having lost their ties, grew lonely; and it penetrated into the depth of the particles, and the particles of particles became lonely;

  “for that great void, which encircles the cosmos, was not filled by things visible: neither by the sun, nor by the moon and the stars, but reigned unrestrained, penetrating everywhere, severing body from body, particle from particle;

  “in the void hollow trees spread hollow roots threatening a fantastic fall; temples, palaces, and horses loomed up and they were hollow; and in the void men moved about restlessly but they were light and hollow like shadows;

  “for, Time was no more, and the beginning of all things came near their end: the building was still being built, and builders were still hammering away, and its ruins were already seen and the void in its place; the man was still being born, but already funeral candles were burning at his head, and now they were extinguished, and there was the void in place of the man and of the funeral candles.

  “and wrapped by void and darkness the man in despair trembled in the face of the Horror of the Infinite.”

  Thus spake the men who had still a desire to speak. But, surely, much more could have told those who wished not to speak, and died in silence.

  IV

  At that time there lived in Rome a renowned sculptor. In clay, marble, and bronze he wrought bodies of gods and men, and such was their beauty, that people called them immortal. But he himself was discontented and asserted that there was something even more beautiful, that he could not embody either in marble or in bronze. “I have not yet gathered the glimmers of the moon, nor have I my fill of sunshine,” he was wont to say, “and there is no soul in my marble, no life in my beautiful bronze.” And when on moonlight nights he slowly walked along the road, crossing the black shadows of cypresses, his white tunic glittering in the moonshine, those who met him would laugh in a friendly way and say:

  “Art thou going to gather moonshine, Aurelius? Why then didst thou not fetch baskets?”

  And he would answer, laughing and pointing to his eyes:

  “Here are the baskets wherein I gather the sheen of the moon and the glimmer of the sun.”

  And so it was: the moon glimmered in his eyes and the sun sparkled therein. But he could not translate them into marble and therein lay the serene tragedy of his life.

  He was descended from an ancient patrician race, had a good wife and children, and suffered from no want.

  When the obscure rumor about Lazarus reached him, he consulted his wife and friends and undertook the far journey to Judea to see him who had miraculously risen from the dead. He was somewhat weary in those days and he hoped that the road would sharpen his blunted senses. What was said of Lazarus did not frighten him: he had pondered much over Death, did not like it, but he disliked also those who confused it with life.

  “In this life—life and beauty;

  beyond—Death, the enigmatical”—

  thought he, and there is no better thing for a man to do than to delight in life and in the beauty of all things living. He had even a vainglorious desire to convince Lazarus of the truth of his own view and restore his soul to life, as his body had been restored. This seemed so much easier because the rumors, shy and strange, did not render the whole truth about Lazarus and but vaguely warned against something frightful.

  Lazarus had just risen from the stone in order to follow the sun which was setting in the desert, when a rich Roman attended by an armed slave, approached him and addressed him in a sonorous tone of voice:

  “Lazarus!”

  And Lazarus beheld a superb face, lit with glory, and arrayed in fine clothes, and precious stones sparkling in the sun. The red light lent to the Roman’s face and head the appearance of gleaming bronze—that also Lazarus noticed. He resumed
obediently his place and lowered his weary eyes.

  “Yes, thou art ugly, my poor Lazarus,”—quietly said the Roman, playing with his golden chain; “thou art even horrible, my poor friend; and Death was not lazy that day when thou didst fall so heedlessly into his hands. But thou art stout, and, as the great Caesar used to say, fat people are not ill-tempered; to tell the truth, I don’t understand why men fear thee. Permit me to spend the night in thy house; the hour is late, and I have no shelter.”

  Never had anyone asked Lazarus’ hospitality.

  “I have no bed,” said he.

  “I am somewhat of a soldier and I can sleep sitting,” the Roman answered. “We shall build a fire.”

  “I have no fire.”

  “Then we shall have our talk in the darkness, like two friends. I think thou wilt find a bottle of wine.”

  “I have no wine.”

  The Roman laughed.

  “Now I see why thou art so somber and dislikest thy second life. No wine! Why, then we shall do without it: there are words that make the head go round better than the Falernian.”

  By a sign he dismissed the slave, and they remained all alone. And again the sculptor started speaking, but it was as if, together with the setting sun, life had left his words; and they grew pale and hollow, as if they staggered on unsteady feet, as if they slipped and fell down, drunk with the heavy lees of weariness and despair. And black chasms grew up between the words—like far-off hints of the great void and the great darkness.

  “Now I am thy guest, and thou wilt not be unkind to me, Lazarus!”—said he. “Hospitality is the duty even of those who for three days were dead. Three days, I was told, thou didst rest in the grave. There it must be cold…and that is whence comes thy ill habit of going without fire and wine. As to me, I like fire; it grows dark here so rapidly.... The lines of thy eyebrows and forehead are quite, quite interesting: they are like ruins of strange palaces, buried in ashes after an earthquake. But why dost thou wear such ugly and queer garments? I have seen bridegrooms in thy country, and they wear such clothes—are they not funny—and terrible.... But art thou a bridegroom?”

  The sun had already disappeared, a monstrous black shadow came running from the east—it was as if gigantic bare feet began rumbling on the sand, and the wind sent a cold wave along the backbone.

  “In the darkness thou seemest still larger, Lazarus, as if thou hast grown stouter in these moments. Dost thou feed on darkness, Lazarus? I would fain have a little fire—at least a little fire, a little fire. I feel somewhat chilly, your nights are so barbarously cold.... Were it not so dark, I should say that thou wert looking at me, Lazarus. Yes, it seems to me, thou art looking.... Why, thou art looking at me, I feel it—but there thou art smiling.”

  Night came, and filled the air with heavy blackness.

  “How well it will be, when the sun will rise tomorrow anew.... I am a great sculptor, thou knowest; that is how my friends call me. I create. Yes, that is the word…but I need daylight. I give life to the cold marble, I melt sonorous bronze in fire, in bright hot fire.... Why didst thou touch me with thy hand?”

  “Come”—said Lazarus—“Thou art my guest.”

  And they went to the house. And a long night enveloped the earth.

  The slave, seeing that his master did not come, went to seek him, when the sun was already high in the sky. And he beheld his master side by side with Lazarus: in profound silence were they sitting right under the dazzling and scorching sunrays and looking upward. The slave began to weep and cried out:

  “My master, what has befallen thee, master?”

  The very same day the sculptor left for Rome. On the way Aurelius was pensive and taciturn, staring attentively at everything—the men, the ship, the sea, as though trying to retain something. On the high sea a storm burst upon them, and all through it Aurelius stayed on the deck and eagerly scanned the seas looming near and sinking with a thud.

  At home his friends were frightened at the change which had taken place in Aurelius, but he calmed them, saying meaningly:

  “I have found it.”

  And without changing the dusty clothes he wore on his journey, he fell to work, and the marble obediently resounded under his sonorous hammer. Long and eagerly worked he, admitting no one, until one morning he announced that the work was ready and ordered his friends to be summoned, severe critics and connoisseurs of art. And to meet them he put on bright and gorgeous garments, that glittered with yellow gold—and—scarlet byssus.

  “Here is my work,” said he thoughtfully.

  His friends glanced and a shadow of profound sorrow covered their faces. It was something monstrous, deprived of all the lines and shapes familiar to the eye, but not without a hint at some new, strange image.

  On a thin, crooked twig, or rather on an ugly likeness of a twig rested askew a blind, ugly, shapeless, outspread mass of something utterly and inconceivably distorted, a mad leap of wild and bizarre fragments, all feebly and vainly striving to part from one another. And, as if by chance, beneath one of the wildly-rent salients a butterfly was chiseled with divine skill, all airy loveliness, delicacy, and beauty, with transparent wings, which seemed to tremble with an impotent desire to take flight.

  “Wherefore this wonderful butterfly, Aurelius?” said somebody falteringly.

  “I know not”—was the sculptor’s answer.

  But it was necessary to tell the truth, and one of his friends who loved him best said firmly:

  “This is ugly, my poor friend. It must be destroyed. Give me the hammer.”

  And with two strokes he broke the monstrous man into pieces, leaving only the infinitely delicate butterfly untouched.

  From that time on Aurelius created nothing. With profound indifference he looked at marble and bronze, and on his former divine works, where everlasting beauty rested. With the purpose of arousing his former fervent passion for work and, awakening his deadened soul, his friends took him to see other artists’ beautiful works—but he remained indifferent as before, and the smile did not warm up his tightened lips. And only after listening to lengthy talks about beauty, he would retort wearily and indolently:

  “But all this is a lie.”

  And by the day, when the sun was shining, he went into his magnificent, skilfully built garden and having found a place without shadow, he exposed his bare head to the glare and heat. Red and white butterflies fluttered around; from the crooked lips of a drunken satyr, water streamed down with a splash into a marble cistern, but he sat motionless and silent—like a pallid reflection of him who, in the far-off distance, at the very gates of the stony desert, sat under the fiery sun.

  V

  And now it came to pass that the great, deified Augustus himself summoned Lazarus. The imperial messengers dressed him gorgeously, in solemn nuptial clothes, as if Time had legalized them, and he was to remain until his very death the bridegroom of an unknown bride. It was as though an old, rotting coffin had been gilt and furnished with new, gay tassels. And men, all in trim and bright attire, rode after him, as if in bridal procession indeed, and those foremost trumpeted loudly, bidding people to clear the way for the emperor’s messengers. But Lazarus’ way was deserted: his native land cursed the hateful name of him who had miraculously risen from the dead, and people scattered at the very news of his appalling approach. The solitary voice of the brass trumpets sounded in the motionless air, and the wilderness alone responded with its languid echo.

  Then Lazarus went by sea. And his was the most magnificently arrayed and the most mournful ship that ever mirrored itself in the azure waves of the Mediterranean Sea. Many were the travelers aboard, but like a tomb was the ship, all silence and stillness, and the despairing water sobbed at the steep, proudly curved prow. All alone sat Lazarus exposing his head to the blaze of the sun, silently listening to the murmur and splash of the wavelets, and afar seamen and messengers were sitting, a vague group of weary shadows. Had the thunder burst and the wind attacked the red sails, the ships
would probably have perished, for none of those aboard had either the will or the strength to struggle for life. With a supreme effort some mariners would reach the board and eagerly scan the blue, transparent deep, hoping to see a naiad’s pink shoulder flash in the hollow of an azure wave, or a drunken gay centaur dash along and in frenzy splash the wave with his hoof. But the sea was like a wilderness, and the deep was dumb and deserted.

  With utter indifference did Lazarus set his feet on the street of the eternal city. As though all her wealth, all the magnificence of her palaces built by giants, all the resplendence, beauty, and music of her refined life were but the echo of the wind in the wilderness, the reflection of the desert quicksand. Chariots were dashing, and along the streets were moving crowds of strong, fair, proud builders of the eternal city and haughty participants in her life; a song sounded; fountains and women laughed a pearly laughter; drunken philosophers harangued, and the sober listened to them with a smile; hoofs struck the stone pavements. And surrounded by cheerful noise, a stout, heavy man was moving, a cold spot of silence and despair, and on his way he sowed disgust, anger, and vague, gnawing weariness. Who dares to be sad in Rome, wondered indignantly the citizens, and frowned. In two days the entire city already knew all about him who had miraculously risen from the dead, and shunned him shyly.

  But some daring people there were, who wanted to test their strength, and Lazarus obeyed their imprudent summons. Kept busy by state affairs, the emperor constantly delayed the reception, and seven days did he who had risen from the dead go about visiting others.