Grimscribe: His Lives and Works

by Thomas Ligotti

  The entire episode was temporally rather brief, though its phantasmagoric quality made it seem of indefinite duration—the blink of an eye or an eon. Suddenly the brightness ceased flowing out toward me, as if some strange spigot had been abruptly turned off somewhere. The screaming had also stopped. With all caution, I stepped into the passageway I had seen Quinn enter. But nothing was there—nothing to relieve my sense of confusion as to what exactly had happened. (Though not a dilettante of the unreal, I have had my moments of dazed astonishment.) But perhaps there was one thing. On the ground was a burnt-out patch of earth, a shapeless and bare spot that was deprived of the weeds and litter that covered the surrounding area. Possibly it was only a place from which some object had recently been removed, spirited off, leaving the earth beneath it vacant and dead. For a moment, when I first looked at the spot, it seemed to twinkle with a faint luminosity. Possibly I only imagined its outline as being that of a human silhouette, though one contorted in such a way that it might also have been mistaken for other things, other shapes. In any case, whatever had been there was now gone.

  And around this barren little swatch of ground was only trash: newspapers mutilated by time and the elements; brown bags reduced by decay to their primal pulp; thousands of cigarette butts; and one item of debris that was almost new and had yet to have any transformations worked upon it. It was a thin book-like box. I picked it up. There were still two fresh cigars in it.

  3.

  Quinn never returned to the apartment we shared. After a few days I reported him as missing to the Nortown police. Before doing this I destroyed the notebook in his room, for in a fit of paranoia I thought the police would find it in the course of their investigations and then ask some rather uncomfortable questions. I did not want to explain to them things that they simply would not believe, especially activities indulged in that final night. This would only have erroneously cast suspicion upon myself. Fortunately, the Nortown authorities are notoriously lax in their official functions. As it turned out, they asked very few questions and never came to the apartment.

  After Quinn’s disappearance I immediately began looking for another place to live. And although my roommate was gone, strange dreams continued during my last days at the old residence. But these dreams were different in some particulars. The general backdrop was much the same nightmare expanse, but now I viewed it from a distance outside the dream. It was actually more like watching a film than dreaming, and in a way they did not seem to be my own dreams at all. I considered these to be Quinn’s leftover visions still haunting the apartment, for he always played their central role. Perhaps it was in these dreams that I continued to follow Quinn beyond the point at which I lost him. For at that point I imagined him as already starting to change, and in my last dreams he changed further.

  He no longer bore any resemblance to my former roommate, though with dreamlike omniscience I knew it was he. His shape kept changing, or rather was deliberately being changed by those kaleidoscopic beasts. Playing out a scene from some Boschian hell, the tormenting demons encircled their victim and were dreaming him. They carried him through a hideous series of transfigurations, maliciously altering the screaming mass of a damned soul. They were dreaming things out of him and dreaming things into him. Finally, the purpose of their transformations became apparent. They were torturing their victim through a number of stages which would ultimately result in his becoming one of them, fulfilling his most fearful and obsessive vision. I no longer recognized him but saw that there was now one more glittering beast that took its place with the others and frolicked among them.

  This was the last dream I had before leaving the apartment. There have been no others since, at least none that have troubled my own sleep. I cannot say the same for that of my new roommate, who rages in his slumber night after night in the shabby, and quite reasonably priced, little place where we reside. Once or twice he has attempted to communicate to me his strange visions and the company into which they have led him. But I affect only the slightest interest in his adventures. For as a student of anthropology, one of the few of my kind, I must keep a certain distance from my subjects. They are of a rare type, and outright intimacy tends to impact their behavior in ways that could spoil my study of them. In any case, companionship is not what these adventurers in an alternative existence seek. What they desire, like Jack Quinn, are witnesses to their downfall as they plummet into an abyss of nightmares. What they want are chroniclers of their explorations in a hell of their own choosing. And in these roles I am more than willing to accommodate them, for their desires and mine are complementary. Nevertheless, I sometimes feel a tinge of guilt on my side. In truth, I am a parasite who lives off a malady that afflicts them while I remain immune. And the part I play is that of a voyeur. For it is within my power to save them. If only I were moved to do so, I could hold out my hand to them as they hover over the pit. I can only wonder, then, what is the sickness from which I suffer that, like some depraved deity, I elect to let them fall.

  The Mystics of Muelenburg

  If things are not what they seem—and we are forever reminded that this is the case—then it must also be observed that enough of us ignore this truth to keep the world from collapsing. Though never exact, always shifting somewhat, the proportion is crucial. For a certain number of minds are fated to depart for realms of delusion, as if in accordance with some hideous timetable, and many will never be returning to us. Even among those who remain, how difficult it can be to hold the focus sharp, to keep the picture of the world from fading, from blurring in selected zones and, on occasion, from sustaining epic deformations over the entire visible scene.

  I once knew a man who claimed that, overnight, all the solid shapes of existence had been replaced by cheap substitutes: trees made of poster board, houses built of colored foam, whole landscapes composed of hair-clippings. His own flesh, he said, was now just so much putty. Needless to add, this acquaintance had deserted the cause of appearances and could no longer be depended on to stick to the common story. Alone he had wandered into a tale of another sort altogether; for him, all things now participated in this nightmare of nonsense. But although his revelations conflicted with the lesser forms of truth, nonetheless he did live in the light of a greater truth: that all is unreal. Within him this knowledge was vividly present down to his very bones, which had been newly simulated by a compound of mud and dust and ashes.

  In my own case, I must confess that the myth of a natural universe—that is, one that adheres to certain continuities whether we wish them or not—was losing its grip on me and gradually being supplanted by a hallucinatory view of creation. Forms, having nothing

  to offer except a mere suggestion of firmness, declined in importance; fantasy, that misty domain of pure meaning, gained in power and influence. This was in the days when esoteric wisdom seemed to count for something in my mind, and I would willingly have sacrificed a great deal in its pursuit. Hence, my interest in the man who called himself Klaus Klingman; hence, too, that brief yet profitable association between us, which came about through channels too twisted to recall.

  Without a doubt, Klingman was one of the illuminati and proved this many times over in various psychic experiments, particularly those of the seance type. In this regard, I need only mention the man who was severally known as Nemo the Necromancer, Marlowe the Magus, and Master Marinetti, each of whom was none other than Klaus Klingman himself. But Klingman’s highest achievement was not a matter of public spectacle and consisted entirely of this private triumph that he had attained, by laborious effort, an unwavering acceptance of the spectral nature of things, which to him were neither what they seemed to be nor were they quite anything at all.

  Klingman lived in the enormous upper story of a warehouse that had been part of his family’s legacy to him, and there I often found him wandering amidst a few pieces of furniture and the cavernous wasteland of dim and empty storage space. Collapsing into an ancient armchair, reposing far beneath crumblin
g rafters, he would gaze beyond the physical body of his visitor, his eyes surveying remote worlds and his facial expression badly disorganized by dreams and large quantities of alcohol. “Fluidity, always fluidity,” he shouted out, his voice carrying through the expansive haze around us, which muted daylight into dusk. The embodiment of his mystic precepts, he appeared at any given moment to be on the verge of an amazing disintegration, his particular complex of atoms ready to go shooting off into the great void like a burst of fireworks.

  We discussed the dangers—for me and for the world—of adopting a visionary program of existence. “The chemistry of things is so delicate,” he warned. “And this word chemistry. What does it mean but a mingling, a mixing, a gushing together? These are things that people fear.”

  Indeed, I had already suspected the hazards of Klingman’s company, and, as the sun was setting over the city beyond the great windows of the warehouse, I became afraid. With an uncanny perception of my feelings, Klingman pointed at me and bellowed: “The worst fear of the race—yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blinding sun. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth—to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: ‘Lay down your burden.’ Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak. And sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?”

  “And you?” I asked.

  “I?”

  “Yes, don’t you shoulder the universe in your own way?”

  “Not at all,” he replied, smiling and sitting up in his chair as on a throne. “I am a lucky one, parasite of chaos, maggot of vice. Where I live is all nightmare, thus a certain nonchalance. I am accustomed to drifting in the delirium of history. And by history I include events, and even whole eras, that have never gone on record. Speaking with the dead can be so instructive. They remember what the living have forgotten, or would not know if they could. The true frailty of things. What happened in the old town of Muelenburg, for example. Now there was an opportunity, a moment of distraction in which so much was nearly lost forever, so many lost in that medieval gloom, catastrophe of dreams. How their minds wandered in the shadows even as their bodies were seemingly bound to narrow rutted streets and apparently safeguarded by the spired cathedral which was erected between 1365 and 1399. A rare and fortuitous juncture when the burden of the heavens was heaviest—so much to keep in its place—and the psyche so ill-developed, so easily taxed and tempted away from its labors. But they knew nothing about that, and never could. They only knew the prospect of absolute terror.”

  Klingman smiled, then began giggling, his mind obviously turning inward to converse with itself. Hoping to draw his conversation outward, I said. “Mr. Klingman, you were speaking about Muelenburg. You said something about the cathedral.”

  “I see the cathedral, the colossal vault above, the central aisle stretching out before us. The woodcarvings leer down from dark corners, animals and freaks, men in the mouths of demons. Are you taking notes again? Fine, then take notes. Who knows what you will remember of all this? Or if memory will help you at all? In any case we are already there, sitting among the smothered sounds of the cathedral. Beyond the jeweled windows is the town in twilight.”

  Twilight, as Klingman explained, had come upon Muelenburg somewhat prematurely on a certain day deep into the autumn season. Early that afternoon, clouds had spread themselves evenly above the region surrounding the town, withholding heaven’s light and giving a dull appearance to the landscape of forests, thatched farmhouses, and windmills standing still against the horizon. Within the high stone walls of Muelenburg itself, no one seemed particularly troubled that the narrow streets—normally so cluttered with the pointed shadows of peaked roofs and jutting gables at this time of day—were still immersed in a lukewarm dimness which turned merchants’ brightly colored signs into faded artifacts of a dead town and which made faces look as if they were fashioned of pale clay. And in the central square—where the shadow from the clock-tower of the town hall at times overlapped those cast by the twin spires of the cathedral on the one hand, or the ones from high castle turrets looming at the border of the town on the other—there was only grayness undisturbed.

  Where were the minds of the townspeople? How had they ceased paying homage to the ancient order of things? And when had the severing taken place that set their world adrift on strange waters?

  For some time they remained innocent of the disaster, going about their ways as the ashen twilight lingered far too long, as it encroached upon the hours that belonged to evening and suspended the town between day and night. Everywhere windows began to glow with the yellow light of lamps, creating the illusion that darkness was imminent. Any moment, it seemed, the natural cycle would relieve the town of the prolonged dusk it had suffered that autumn day. How well-received the blackness would have been by those who waited silently in sumptuous chambers or humble rooms, for no one could bear the sight of Muelenburg’s twisting streets in that eerie, overstaying twilight. Even the night watchman shirked his nocturnal routine. And when the bells of the abbey sounded for the monks’ midnight prayers, each toll spread like an alarm throughout the town still held in the strange luminousness of the gloaming.

  Exhausted by fear, many shuttered their windows, extinguished lamps, and retired to their beds, hoping that all would be made right in the interval. Others sat up with a candle, enjoying the lost luxury of shadows. A few, being itinerants who were not fixed to the life of the town, broke through the unwatched gate and took to the roads, all the while gazing at the pale sky and wondering where they would go.

  Whether they kept the hours in their dreams or in sleepless vigils, all of Muelenburg’s citizens were disturbed by something in the spaces around them, as if some strangeness had seeped into the atmosphere of their town, their homes, and perhaps their souls. The air seemed heavier somehow, resisting them slightly, and also seemed to be flowing with things that could not be perceived except as swift, shadowlike movement escaping all sensible recognition, transparent flight which barely caressed one’s vision.

  When the clock high in the tower of the town hall proved that a nightful of hours had passed, some opened their shutters, even ventured into the streets. But the sky still hovered over them like an infinite vault of glowing dust. Here and there throughout the town the people began to gather in whispering groups. Appeals were soon made at the castle and the cathedral, and speculations were offered to calm the crowd. There was a struggle in heaven, some had reasoned, which had influenced the gross reality of the visible world. Others proposed a deception by demons or an ingenious punishment from on high. Certain persons met secretly in well-hidden chambers and spoke in stricken voices of old deities formerly driven from the earth who were now monstrously groping their way back. And all of these explications of the mystery were true in their own way, though none could abate the dread which had settled upon the town of Muelenburg.

  Submerged in unvarying grayness, distracted and confused by phantasmal intrusions about them, the people of the town felt their world dissolving. Even the clock in the town hall tower failed to keep their moments from wandering strangely. Within such disorder were bred curious thoughts and actions. Thus, in the garden of the abbey an ancient tree was shunned and rumors spread concerning som
e change in its twisted silhouette, something flaccid and ropelike about its branches, until finally the monks doused it with oil and set it aflame, their circle of squinting faces bathing in the glare. Likewise, a fountain standing in one of the castle’s most secluded courtyards became notorious when its waters appeared to suggest fabulous depths far beyond the natural dimensions of its shell-shaped basin. The cathedral itself had deteriorated into a hollow sanctuary where prayers were mocked by queer movements among the carved figures in cornices and by shadows streaming horribly in the twitching light of a thousand candles.

  Throughout the town, all places and things bore evidence to striking revisions in the base realm of matter: precisely sculptured stone began to loosen and lump, an abandoned cart melded with the sucking mud of the street, and objects in desolate rooms lost themselves in the surfaces they pressed upon, making metal tongs mix with brick hearth, prismatic jewels with lavish velvet, a corpse with the wood of its coffin. At last the faces of Muelenburg became subject to changing expressions which at first were quite subtle, though later these divergences were so exaggerated that it was no longer possible to recapture original forms. It followed that the townspeople could no more recognize themselves than they could one another. All were carried off in the great torrent of their dreams, all spinning in that grayish whirlpool of indefinite twilight, all churning and in the end merging into utter blackness.