The Odd Thomas Series 4-Book Bundle

by Dean Koontz

  By the time he was forty—which biographies also report—Elvis had been tormented by the belief that he had not served his mother’s memory well and that she would have been ashamed of his drug use and his self-indulgence.

  After his death at forty-two, he lingers because he fears the very thing that he most desperately desires: to see Gladys Presley. Love of this world, which was so good to him, is not what holds him here, as I once thought. He knows his mother loves him, and will take him in her arms without a word of criticism, but he burns with shame that he became the world’s biggest star—but not the man she might have hoped he would be.

  In the world to come, she will be delighted to receive him, but he feels he is not worthy of her company, because he believes that she resides now in the company of saints.

  I told him this theory on my next-to-last night in Stormy’s apartment.

  When I had finished, his eyes blurred with tears, and he closed them for a long time. When at last he looked at me again, he reached out and took one of my hands in both of his.

  Indeed, that is why he lingers. My analysis, however, is not enough to convince him that his fear of a mother-and-child reunion is without merit. Sometimes he can be a stubborn old rockabilly.

  My decision to leave Pico Mundo, at least for a while, has led to the solution of another mystery related to Elvis. He haunts this town not because it has any meaning for him, but because I am here. He believes that eventually I will be the bridge that takes him home, and to his mother.

  Consequently, he wants to come with me on the next phase of my journey. I doubt that I could prevent him from accompanying me, and I’ve no reason to reject him.

  I am amused at the thought of the King of Rock ’n’ Roll haunting a monastery. The monks might be good for him, and I’m sure that he’ll be good for me.

  This night, as I write, will be my last night in Pico Mundo. I will spend it in a gathering of friends.

  This town, in which I have slept every night of my life, will be difficult to leave. I will miss its streets, its sounds and scents, and I will remember always the quality of desert light and shadow that lend it mystery.

  Far more difficult will be leaving the company of my friends. I’ve nothing else in life but them. And hope.

  I don’t know what lies ahead for me in this world. But I know Stormy waits for me in the next, and that knowledge makes this world less dark than otherwise it would be.

  In spite of everything, I’ve chosen life. Now, on with it.

  This book is for Trixie, though she will never read it. On the most difficult days at the key board, when I despair, she can always make me laugh. The words good dog are inadequate in her case. She is a good heart and a kind soul, and an angel on four feet.

  AUTHOR’S NOTE

  The Panamint Indians of the Shoshoni–Comanche family do not operate a casino in California. If they had owned the Panamint Resort and Spa, no catastrophe would have befallen it, and I would not have had a story.

  —DK

  BROTHER ODD

  A Bantam Book / December 2006

  Published by Bantam Dell

  A Division of Random House, Inc.

  New York, New York

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.

  Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  All rights reserved.

  Copyright © 2006 by Dean Koontz

  Title page art from an original photograph by Cristian Saracco

  Half-title page art from an original photograph by Anssi Ruuska

  Drawing on this page © 2003 by Phil Parks

  Cover illustration by Tom Hallman.

  A signed, limited edition has been privately printed by Charnel House.

  Charnelhouse.com

  Bantam Books is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc.

  Library of Congress Cataloging-in-Publication Data

  Koontz, Dean R. (Dean Ray), 1945-

  Brother Odd / Dean Koontz

  p. cm.

  1. Mediums—Fiction. 2. Missing persons—Fiction. I. Title.

  PS3561.O55 F66 2006C 2006032253

  813/.54 22

  www.bantamdell.com

  eISBN: 978-0-307-41423-6

  v3.0

  Contents

  Master - Table of Contents

  Brother Odd

  Title Page

  Copyright

  Epigraph

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Dedication

  Note

  Teach us …

  To give and not to count the cost;

  To fight and not to heed the wounds;

  To toil and not to seek for rest …

  —St. Ignatius Loyola

  CHAPTER 1

  Embraced by stone, steeped in silence, I sat at the high window as the third day of the week surrendered to the fourth. The river of night rolled on, indifferent to the calendar.

  I hoped to witness that magical moment when the snow began to fall in earnest. Earlier the sky had shed a few flakes, then nothing more. The pending storm would not be rushed.

  The room was illuminated only by a fat candle in an amber glass on the corner desk. Each time a draft found the flame, melting light buttered the limestone walls and waves of fluid shadows oiled the corners.

  Most nights, I find lamplight too bright. And when I’m writing, the only glow is the computer screen, dialed down to gray text on a navy-blue field.

  Without a silvering of light, the window did not reflect my face. I had a clear view of the night beyond the panes.

  Living in a monastery, even as a guest rather than as a monk, you have more opportunities than you might have elsewhere to see the world as it is, instead of through the shadow that you cast upon it.

  St. Bartholomew’s Abbey was surrounded by the vastness of the Sierra Nevada, on the California side of the border. The primeval forests that clothed the rising slopes were themselves cloaked in darkness.

  From this third-floor window, I could see only part of the deep front yard and the blacktop lane that cleaved it. Four low lampposts with bell-shaped caps focused light in round pale pools.

  The guesthouse is in the northwest wing of the abbey. The ground floor features parlors. Private rooms occupy the higher and the highest floors.

  As I watched in anticipation of the storm, a whiteness that was not snow d
rifted across the yard, out of darkness, into lamplight.

  The abbey has one dog, a 110-pound German-shepherd mix, perhaps part Labrador retriever. He is entirely white and moves with the grace of fog. His name is Boo.

  My name is Odd Thomas. My dysfunctional parents claim a mistake was made on the birth certificate, that Todd was the wanted name. Yet they have never called me Todd.

  In twenty-one years, I have not considered changing to Todd. The bizarre course of my life suggests that Odd is more suited to me, whether it was conferred by my parents with intention or by fate.

  Below, Boo stopped in the middle of the pavement and gazed along the lane as it dwindled and descended into darkness.

  Mountains are not entirely slopes. Sometimes the rising land takes a rest. The abbey stands on a high meadow, facing north.

  Judging by his pricked ears and lifted head, Boo perceived a visitor approaching. He held his tail low.

  I could not discern the state of his hackles, but his tense posture suggested that they were raised.

  From dusk the driveway lamps burn until dawn ascends. The monks of St. Bart’s believe that night visitors, no matter how seldom they come, must be welcomed with light.

  The dog stood motionless for a while, then shifted his attention toward the lawn to the right of the blacktop. His head lowered. His ears flattened against his skull.

  For a moment, I could not see the cause of Boo’s alarm. Then … into view came a shape as elusive as a night shadow floating across black water. The figure passed near enough to one of the lampposts to be briefly revealed.

  Even in daylight, this was a visitor of whom only the dog and I could have been aware.

  I see dead people, spirits of the departed who, each for his own reason, will not move on from this world. Some are drawn to me for justice, if they were murdered, or for comfort, or for companionship; others seek me out for motives that I cannot always understand.

  This complicates my life.

  I am not asking for your sympathy. We all have our problems, and yours seem as important to you as mine seem to me.

  Perhaps you have a ninety-minute commute every morning, on freeways clogged with traffic, your progress hampered by impatient and incompetent motorists, some of them angry specimens with middle fingers muscular from frequent use. Imagine, however, how much more stressful your morning might be if in the passenger seat was a young man with a ghastly ax wound in his head and if in the backseat an elderly woman, strangled by her husband, sat pop-eyed and purple-faced.

  The dead don’t talk. I don’t know why. And an ax-chopped spirit will not bleed on your upholstery.

  Nevertheless, an entourage of the recently dead is disconcerting and generally not conducive to an upbeat mood.

  The visitor on the lawn was not an ordinary ghost, maybe not a ghost at all. In addition to the lingering spirits of the dead, I see one other kind of supernatural entity. I call them bodachs.

  They are ink-black, fluid in shape, with no more substance than shadows. Soundless, as big as an average man, they frequently slink like cats, low to the ground.

  The one on the abbey lawn moved upright: black and featureless, yet suggestive of something half man, half wolf. Sleek, sinuous, and sinister.

  The grass was not disturbed by its passage. Had it been crossing water, it would not have left a single ripple in its wake.

  In the folklore of the British Isles, a bodach is a vile beast that slithers down chimneys at night and carries off children who misbehave. Rather like Inland Revenue agents.

  What I see are neither bodachs nor tax collectors. They carry away neither misbehaving children nor adult miscreants. But I have seen them enter houses by chimneys—by keyholes, chinks in window frames, as protean as smoke—and I have no better name for them.

  Their infrequent appearance is always reason for alarm. These creatures seem to be spiritual vampires with knowledge of the future. They are drawn to places where violence or fiery catastrophe is destined to erupt, as if they feed on human suffering.

  Although he was a brave dog, with good reason to be brave, Boo shrank from the passing apparition. His black lips peeled back from his white fangs.

  The phantom paused as if to taunt the dog. Bodachs seem to know that some animals can see them.

  I don’t think they know that I can see them, too. If they did know, I believe that they would show me less mercy than mad mullahs show their victims when in a mood to behead and dismember.

  At the sight of this one, my first impulse was to shrink from the window and seek communion with the dust bunnies under my bed. My second impulse was to pee.

  Resisting both cowardice and the call of the bladder, I raced from my quarters into the hallway. The third floor of the guesthouse offers two small suites. The other currently had no occupant.

  On the second floor, the glowering Russian was no doubt scowling in his sleep. The solid construction of the abbey would not translate my footfalls into his dreams.

  The guesthouse has an enclosed spiral staircase, stone walls encircling granite steps. The treads alternate between black and white, making me think of harlequins and piano keys, and of a treacly old song by Paul McCartney and Stevie Wonder.

  Although stone stairs are unforgiving and the black-and-white pattern can be disorienting, I plunged toward the ground floor, risking damage to the granite if I fell and struck it with my head.

  Sixteen months ago, I lost what was most precious to me and found my world in ruins; nevertheless, I am not usually reckless. I have less to live for than I once did, but my life still has purpose, and I struggle to find meaning in the days.

  Leaving the stairs in the condition that I found them, I hurried across the main parlor, where only a night lamp with a beaded shade relieved the gloom. I pushed through a heavy oak door with a stained-glass window, and saw my breath plume before me in the winter night.

  The guesthouse cloister surrounds a courtyard with a reflecting pool and a white marble statue of St. Bartholomew. He is arguably the least known of the twelve apostles.

  Here depicted, a solemn St. Bartholomew stands with his right hand over his heart, left arm extended. In his upturned palm is what appears to be a pumpkin but might be a related variety of squash.

  The symbolic meaning of the squash eludes me.

  At this time of year, the pool was drained, and no scent of wet limestone rose from it, as in warmer days. I detected, instead, the faintest smell of ozone, as after lightning in a spring rain, and wondered about it, but kept moving.

  I followed the colonnade to the door of the guesthouse receiving room, went inside, crossed that shadowy chamber, and returned to the December night through the front door of the abbey.

  Our white shepherd mix, Boo, standing on the driveway, as I had last seen him from my third-floor window, turned his head to look at me as I descended the broad front steps. His stare was clear and blue, with none of the eerie eyeshine common to animals at night.

  Without benefit of stars or moon, most of the expansive yard receded into murk. If a bodach lurked out there, I could not see it.

  “Boo, where’s it gone?” I whispered.

  He didn’t answer. My life is strange but not so strange that it includes talking canines.

  With wary purpose, however, the dog moved off the driveway, onto the yard. He headed east, past the formidable abbey, which appears almost to have been carved from a single great mass of rock, so tight are the mortar joints between its stones.

  No wind ruffled the night, and darkness hung with folded wings.

  Seared brown by winter, the trampled grass crunched underfoot. Boo moved with far greater stealth than I could manage.

  Feeling watched, I looked up at the windows, but I didn’t see anyone, no light other than the faint flicker of the candle in my quarters, no pale face peering through a dark pane.

  I had rushed out of the guest wing wearing blue jeans and a T-shirt. December stropped its teeth on my bare arms.

  We pr
oceeded eastward alongside the church, which is part of the abbey, not a separate building.

  A sanctuary lamp glows perpetually, but it isn’t sufficient to fire the colorful stained glass. Through window after window, that dim light seemed to watch us as though it were the single sullen eye of something in a bloody mood.

  Having led me to the northeast corner of the building, Boo turned south, past the back of the church. We continued to the wing of the abbey that, on the first floor, contains the novitiate.

  Not yet having taken their vows, the novices slept here. Of the five who were currently taking instruction, I liked and trusted four.

  Suddenly Boo abandoned his cautious pace. He ran due east, away from the abbey, and I pursued him.

  As the yard relented to the untamed meadow, grass lashed my knees. Soon the first heavy snow would compact these tall dry blades.

  For a few hundred feet, the land sloped gently before leveling off, whereupon the knee-high grass became a mown lawn again. Before us in the gloom rose St. Bartholomew’s School.

  In part the word school is a euphemism. These students are unwanted elsewhere, and the school is also their home, perhaps the only one that some of them will ever have.

  This is the original abbey, internally remodeled but still an impressive pile of stone. The structure also houses the convent in which reside the nuns who teach the students and care for them.

  Behind the former abbey, the forest bristled against the storm-ready sky, black boughs sheltering blind pathways that led far into the lonely dark.

  Evidently tracking the bodach, the dog went up the broad steps to the front door of the school, and through.

  Few doors in the abbey are ever locked. But for the protection of the students, the school is routinely secured.

  Only the abbot, the mother superior, and I possess a universal key that allows admittance everywhere. No guest before me has been entrusted with such access.

  I take no pride in their trust. It is a burden. In my pocket, the simple key sometimes feels like an iron fate drawn to a lodestone deep in the earth.