Found in Translation
Page 109
Reiko too was gazing intently at her husband, so soon to die, and she thought that never in this world had she seen anything so beautiful. The lieutenant always looked well in uniform, but now, as he contemplated death with severe brows and firmly closed lips, he revealed what was perhaps masculine beauty at its most superb.
“It’s time to go,” the lieutenant said at last.
Reiko bent her body low to the mat in a deep bow. She could not raise her face. She did not wish to spoil her make-up with tears, but the tears could not be held back.
When at length she looked up she saw hazily through the tears that her husband had wound a white bandage around the blade of his now unsheathed sword, leaving five or six inches of naked steel showing at the point.
Resting the sword in its cloth wrapping on the mat before him, the lieutenant rose from his knees, resettled himself cross-legged, and unfastened the hooks of his uniform collar. His eyes no longer saw his wife. Slowly, one by one, he undid the flat brass buttons. The dusky brown chest was revealed, and then the stomach. He unclasped his belt and undid the buttons of his trousers. The pure whiteness of the thickly coiled loincloth showed itself. The lieutenant pushed the cloth down with both hands, further to ease his stomach, and then reached for the white-bandaged blade of his sword. With his left hand he massaged his abdomen, glancing downward as he did so.
To reassure himself on the sharpness of his sword’s cutting edge the lieutenant folded back the left trouser flap, exposing a little of his thigh, and lightly drew the blade across the skin. Blood welled up in the wound at once, and several streaks of red trickled downward, glistening in the strong light.
It was the first time Reiko had ever seen her husband’s blood, and she felt a violent throbbing in her chest. She looked at her husband’s face. The lieutenant was looking at the blood with calm appraisal. For a moment—though thinking at the same time that it was hollow comfort—Reiko experienced a sense of relief.
The lieutenant’s eyes fixed his wife with an intense, hawk-like stare. Moving the sword around to his front, he raised himself slightly on his hips and let the upper half of his body lean over the sword point. That he was mustering his whole strength was apparent from the angry tension of the uniform at his shoulders. The lieutenant aimed to strike deep into the left of his stomach. His sharp cry pierced the silence of the room.
Despite the effort he had himself put into the blow, the lieutenant had the impression that someone else had struck the side of his stomach agonizingly with a thick rod of iron. For a second or so his head reeled and he had no idea what had happened. The five or six inches of naked point had vanished completely into his flesh, and the white bandage, gripped in his clenched fist, pressed directly against his stomach.
He returned to consciousness. The blade had certainly pierced the wall of the stomach, he thought. His breathing was difficult, his chest thumped violently, and in some far deep region, which he could hardly believe was a part of himself, a fearful and excruciating pain came welling up as if the ground had split open to disgorge a boiling stream of molten rock. The pain came suddenly nearer, with terrifying speed. The lieutenant bit his lower lip and stilled an instinctive moan.
Was this seppuku?—he was thinking. It was a sensation of utter chaos, as if the sky had fallen on his head and the world was reeling drunkenly. His will power and courage, which had seemed so robust before he made the incision, had now dwindled to something like a single hairlike thread of steel, and he was assailed by the uneasy feeling that he must advance along this thread, clinging to it with desperation. His clenched fist had grown moist. Looking down, he saw that both his hand and the cloth about the blade were drenched in blood. His loincloth too was dyed a deep red. It struck him as incredible that, amidst this terrible agony, things which could be seen could still be seen, and existing things existed still.
The moment the lieutenant thrust the sword into his left side and she saw the deathly pallor fall across his face, like an abruptly lowered curtain, Reiko had to struggle to prevent herself from rushing to his side. Whatever happened, she must watch. She must be a witness. That was the duty her husband had laid upon her. Opposite her, a mat’s space away, she could clearly see her husband biting his lip to stifle the pain. The pain was there, with absolute certainty, before her eyes. And Reiko had no means of rescuing him from it.
The sweat glistened on her husband’s forehead. The lieutenant closed his eyes, and then opened them again, as if experimenting. The eyes had lost their luster, and seemed innocent and empty like the eyes of a small animal.
The agony before Reiko’s eyes burned as strong as the summer sun, utterly remote from the grief which seemed to be tearing herself apart within. The pain grew steadily in stature, stretching upward. Reiko felt that her husband had already become a man in a separate world, a man whose whole being had been resolved into pain, a prisoner in a cage of pain where no hand could reach out to him. But Reiko felt no pain at all. Her grief was not pain. As she thought about this, Reiko began to feel as if someone had raised a cruel wall of glass high between herself and her husband.
Ever since her marriage her husband’s existence had been her own existence, and every breath of his had been a breath drawn by herself. But now, while her husband’s existence in pain was a vivid reality, Reiko could find in this grief of hers no certain proof at all of her own existence.
With only his right hand on the sword the lieutenant began to cut sideways across his stomach. But as the blade became entangled with the entrails it was pushed constantly outward by their soft resilience; and the lieutenant realized that it would be necessary, as he cut, to use both hands to keep the point pressed deep into his stomach. He pulled the blade across. It did not cut as easily as he had expected. He directed the strength of his whole body into his right hand and pulled again. There was a cut of three or four inches.
The pain spread slowly outward from the inner depths until the whole stomach reverberated. It was like the wild clanging of a bell. Or like a thousand bells which jangled simultaneously at every breath he breathed and every throb of his pulse, rocking his whole being. The lieutenant could no longer stop himself from moaning. But by now the blade had cut its way through to below the navel, and when he noticed this he felt a sense of satisfaction, and a renewal of courage.
The volume of blood had steadily increased, and now it spurted from the wound as if propelled by the beat of the pulse. The mat before the lieutenant was drenched red with splattered blood, and more blood overflowed onto it from pools which gathered in the folds of the lieutenant’s khaki trousers. A spot, like a bird, came flying across to Reiko and settled on the lap of her white silk kimono.
By the time the lieutenant had at last drawn the sword across to the right side of his stomach, the blade was already cutting shallow and had revealed its naked tip, slippery with blood and grease. But, suddenly stricken by a fit of vomiting, the lieutenant cried out hoarsely. The vomiting made the fierce pain fiercer still, and the stomach, which had thus far remained firm and compact, now abruptly heaved, opening wide its wound, and the entrails burst through, as if the wound too were vomiting. Seemingly ignorant of their master’s suffering, the entrails gave an impression of robust health and almost disagreeable vitality as they slipped smoothly out and spilled over into the crotch. The lieutenant’s head drooped, his shoulders heaved, his eyes opened to narrow slits, and a thin trickle of saliva dribbled from his mouth. The gold markings on his epaulettes caught the light and glinted.
Blood was scattered everywhere. The lieutenant was soaked in it to his knees, and he sat now in a crumpled and listless posture, one hand on the floor. A raw smell filled the room. The lieutenant, his head drooping, retched repeatedly, and the movement showed vividly in his shoulders. The blade of the sword, now pushed back by the entrails and exposed to its tip, was still in the lieutenant’s right hand.
It would be difficult to imagine a more heroic sight than that of the lieutenant at this moment, as he mu
stered his strength and flung back his head. The movement was performed with sudden violence, and the back of his head struck with a sharp crack against the alcove pillar. Reiko had been sitting until now with her face lowered, gazing in fascination at the tide of blood advancing toward her knees, but the sound took her by surprise and she looked up.
The lieutenant’s face was not the face of a living man. The eyes were hollow, the skin parched, the once so lustrous cheeks and lips the color of dried mud. The right hand alone was moving. Laboriously gripping the sword, it hovered shakily in the air like the hand of a marionette and strove to direct the point at the base of the lieutenant’s throat. Reiko watched her husband make this last, most heart-rending, futile exertion. Glistening with blood and grease, the point was thrust at the throat again and again. And each time it missed its aim. The strength to guide it was no longer there. The straying point struck the collar and the collar badges. Although its hooks had been unfastened, the stiff military collar had closed together again and was protecting the throat.
Reiko could bear the sight no longer. She tried to go to her husband’s help, but she could not stand. She moved through the blood on her knees, and her white skirts grew deep red. Moving to the rear of her husband, she helped no more than by loosening the collar. The quivering blade at last contacted the naked flesh of the throat. At that moment Reiko’s impression was that she herself had propelled her husband forward; but that was not the case. It was a movement planned by the lieutenant himself, his last exertion of strength. Abruptly he threw his body at the blade, and the blade pierced his neck, emerging at the nape. There was a tremendous spurt of blood and the lieutenant lay still, cold blue-tinged steel protruding from his neck at the back.
5.
Slowly, her socks slippery with blood, Reiko descended the stairway. The upstairs room was now completely still.
Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this.
Returning from the toilet, Reiko stood finally on the cement floor of the porchway. When her husband had bolted the door here last night it had been in preparation for death. For a while she stood immersed in the consideration of a simple problem. Should she leave the bolt drawn? If she were to lock the door, it could be that the neighbors might not notice their suicide for several days. Reiko did not relish the thought of their two corpses putrefying before discovery. After all, it seemed, it would be best to leave it open…. She released the bolt, and also drew open the frosted-glass door a fraction…. At once a chill wind blew in. There was no sign of anyone in the midnight streets, and stars glittered ice-cold through the trees in the large house opposite.
Leaving the door as it was, Reiko mounted the stairs. She had walked here and there for some time and her socks were no longer slippery. About halfway up, her nostrils were already assailed by a peculiar smell.
The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss.
Then she rose and took from the closet a new white blanket and a waist cord. To prevent any derangement of her skirts, she wrapped the blanket about her waist and bound it there firmly with the cord.
Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet.
Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue.
Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.
FULL TIDE
Kōno Taeko
Translated from the Japanese by Lucy North
Kōno Taeko (1926–2015) was one of the most important Japanese women writers of the second half of the twentieth century. She established a reputation for herself as an acerbic essayist, a playwright and a literary critic. By the end of her life she was a leading presence in Japan’s literary establishment, and one of the first women writers to serve on the Akutagawa Literary Prize committee. Alternative sexual practices is a popular theme that permeates Kōno’s writing, such as sadomasochism and spouse-swapping.
Michi-shio, 1964
The children had gotten their mother to help them change into travel outfits: their hats on, they were all ready to go. But their mother was now busy getting herself dressed, and told them as she tied on her sash: “Now, all of you go and say goodbye to Grandma Hotta.”
A merchant family, they had always lived in the section of the city that was traditionally home to the wholesale trade. From now on, however, they were going to live in a new place in the suburbs, away from the family business. For a long time the girl had been hearing from her parents how nice it would be to live in their own house, on the city outskirts where the air was clean. And now, finally, it was happening: it was summer, and the girl was just ten years old.
The house they were moving to had been built on a plot of land an hour away from their business—her father intended to commute every day. With her younger sister, she would switch schools, and her brother, who wasn’t in school yet, would start kindergarten in their new neighborhood in the spring.
A few days before, after attending her primary school’s final assembly and closing ceremony before summer vacation, the girl had felt strange as she walked out the gate and realized that she wouldn’t be back next fall. But she didn’t feel too sad—the family shop would stay where it was. She was bound to come this way occasionally. Her friends seemed to take that for granted. “When will we see you again?” they asked when she said goodbye. “Can you come visit over the holidays?”
She was, in fact, longing to start her new life in the suburbs. She’d already visited the area a few times with her family—it was right on the sea, with mountains close by, and in between the sea and the mountains was a river with sandbars and beautiful grassy banks lined with rows of pine trees. At the foot of the mountains was a park with a slide said to be the highest in Japan. “Just one more time,” the girl remember
ed begging her parents, as they tried to persuade her to leave. She had scampered back to the slide which rose steeply above her in the late-afternoon spring sunshine—and, thinking back on it, the girl felt a fresh stab of nostalgia. The strap of her rubber swimming cap smelled of the sea, and she recalled her mounting excitement as she walked along the grassy bank, smelled the salt air, and listened to the pounding of the surf get louder and louder.
But the girl had not seen her new house yet.
“What’s it like?” she couldn’t help asking her parents. Apparently, it wasn’t creaky and dark like their old house—and it was only a stone’s throw from the sea.
“You’ll be able to go to the beach in your swimsuit and robe!” her father told her.
The girl’s eyes opened wide: “Really?”
It didn’t matter one bit that they would leave the streets where the girl had lived all her life. She felt a little anxious about going to a new school in the fall, but that was still more than a month away. Her whole heart had been longing for the day of their departure and the idea that they would have to go say goodbye to Grandma Hotta hadn’t even crossed her mind.
But when her mother told them to go, the girl stood up immediately, took off the hat she had been trying on in front of the mirror to see if the elastic strap belonged in front of her ears or behind them, and flung it aside.
“Remember to tell Grandma that you’ll write. And that you’ll come back and visit from time to time,” her mother added, glancing at her back in the mirror, her hands busy with the knot of her sash. “And don’t forget to say, ‘We hope that you stay well!’”