Wild Swans: Three Daughters of China

by Jung Chang

  Wild Swans: Three Daughters of China

  Jung Chang

  The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.

  ***

  "Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly

  "The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal

  "[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books

  "By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review

  "Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement

  "[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time

  "An evocative, often astonishing view of life in a changing China." The New York Times

  ***

  Amazon.com Review

  In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.

  From Publishers Weekly

  Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

  Jung Chang

  Wild Swans: Three Daughters of China

  To my grandmother and my father who did not live to see this book

  Author's Note

  My name "Jung' is pronounced "Yung."

  The names of members of my family and public figures are real, and are spelled in the way by which they are usually known. Other personal names are disguised.

  Two difficult phonetic symbols: X and Q are pronounced, respectively, as sh and ch in order to describe their functions accurately, I have translated the names of some Chinese organizations differently from the Chinese official versions. I use 'the Department of Public Affairs' rather than 'the Department of Propaganda' for xuan-chuan-bu, and 'the Cultural Revolution Authority' rather than 'the Cultural Revolution Group' for zhong-yang-well-ge.

  Acknowledgments

  Jon Halliday has helped me create Wild Swans. Of his many contributions, polishing my English was only the most obvious.

  Through our daily discussions, he forced me into greater clarification of both the stories and my thoughts, and helped me search the English language for the exact expressions. I felt safer under his historian's knowledgeable and meticulous scrutiny, and relied on his sound judgment.

  Toby Eady is the best agent anyone could possibly hope for. He helped push me, gently, into taking up the pen in the first place.

  I feel privileged to be associated with such outstanding professionals as Alice Mayhew, Charles Hayward, Jack McKeown and Victoria Meyer at Simon amp; Schuster in New York and Simon King, Carol O'Brien and Helen Ellis at HarperCollins in London.

  To Alice Mayhew, my editor at Simon amp; Schuster, I owe special gratitude for her insightful comments and invaluable dynamism.

  Robert Lacey at HarperCollins did a superb job editing the manuscript, for which I am deeply indebted. Ari Hoogenboom's efficiency and warmth on the transatlantic phone have been energizing. I am also thankful to all those who have worked on this book.

  The enthusiastic interest of my friends has been a perpetual source of encouragement. To all of them I am most grateful. I have received particular help from Peter Whitaker, I Fu En, Emma Termant, Gavan McCormack, Herbert Bix, R. G. Tiedemann, Hugh Baker, Yan Jia-qi, Su Li-qun, Y. H. Zhao, Michael Fu, John Chow, Clare Peploe, Andri Deutsch, Peter Simpkin, Ron Sarkar, and Vanessa Green. Clive Lindley has played a special role through his valuable advice from the beginning.

  My brothers and sister and my relatives and friends in China have generously allowed me to tell their stories, without which Wild Swans would not have been possible. I can never thank them sufficiently.

  Much of the book is the story of my mother. I hope I have done her justice.

  JUNG CHANG

  London May 1991

  Genealogical Tree

  Map

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  1. "Three-Inch Golden Lilies"

  Concubine to a Warlord General (1909-1933)

  At the age of fifteen my grandmother became the concubine of a warlord general, the police chief of a tenuous national government of China. The year was 1924 and China was in chaos. Much of it, including Manchuria, where my grandmot
her lived, was ruled by warlords. The liaison was arranged by her father, a police official in the provincial town of Yixian in southwest Manchuria, about a hundred miles north of the Great Wall and 250 miles northeast of Peking.

  Like most towns in China, Yixian was built like a fortress. It was encircled by walls thirty feet high and twelve feet thick dating from the Tang dynasty (AD 618-907), surmounted by battlements, dotted with sixteen forts at regular intervals, and wide enough to ride a horse quite easily along the top. There were four gates into the city, one at each point of the compass, with outer protecting gates, and the fortifications were surrounded by a deep moat.

  The town's most conspicuous feature was a tall, richly decorated bell tower of dark brown stone, which had originally been built in the sixth century when Buddhism had been introduced to the area. Every night the bell was rung to signal the time, and the tower also functioned as a fire and flood alarm. Yixian was a prosperous market town. The plains around produced cotton, maize, sorghum, soybeans, sesame, pears, apples, and grapes. In the grassland areas and in the hills to the west, farmers grazed sheep and cattle.

  My great-grandfather, Yang Ru-shan, was born in 1894, when the whole of China was ruled by an emperor who resided in Peking. The imperial family were Manchus who had conquered China in 1644 from Manchuria, which was their base. The Yangs were Han, ethnic Chinese, and had ventured north of the Great Wall in search of opportunity.

  My great-grandfather was the only son, which made him of supreme importance to his family. Only a son could perpetuate the family name without him, the family line would stop, which, to the Chinese, amounted to the greatest possible betrayal of one's ancestors. He was sent to a good school. The goal was for him to pass the examinations to become a mandarin, an official, which was the aspiration of most Chinese males at the time. Being an official brought power, and power brought money. Without power or money, no Chinese could feel safe from the depredations of officialdom or random violence. There had never been a proper legal system. Justice was arbitrary, and cruelty was both institutionalized and capricious. An official with power was the law. Becoming a mandarin was the only way the child of a non-noble family could escape this cycle of injustice and fear. Yang's father had decided that his son should not follow him into the family business of felt-making, and sacrificed himself and his family to pay for his son's education. The women took in sewing for local tailors and dressmakers, toiling late into the night. To save money, they turned their oil lamps down to the absolute minimum, causing lasting damage to their eyes. The joints in their fingers became swollen from the long hours.

  Following the custom, my great-grandfather was married young, at fourteen, to a woman six years his senior. It was considered one of the duties of a wife to help bring up her husband.

  The story of his wife, my great-grandmother, was typical of millions of Chinese women of her time. She came from a family of tanners called Wu. Because her family was not an intellectual one and did not hold any official post, and because she was a girl, she was not given a name at all.

  Being the second daughter, she was simply called "Number Two Girl' (Er-ya-tou). Her father died when she was an infant, and she was brought up by an uncle. One day, when she was six years old, the uncle was dining with a friend whose wife was pregnant. Over dinner the two men agreed that if the baby was a boy he would be married to the six-year-old niece. The two young people never met before their wedding. In fact, falling in love was considered almost shameful, a family disgrace. Not because it was taboo-there was, after all, a venerable tradition of romantic love in China-but because young people were not supposed to be exposed to situations where such a thing could happen, partly because it was immoral for them to meet, and partly because marriage was seen above all as a duty, an arrangement between two families. With luck, one could fall in love after getting married.

  At fourteen, and having lived a very sheltered life, my great-grandfather was little more than a boy at the time of his marriage. On the first night, he did not want to go into the wedding chamber. He went to bed in his mother's room and had to be carried in to his bride after he fell asleep. But, although he was a spoiled child and still needed help to get dressed, he knew how to 'plant children," according to his wife. My grandmother was born within a year of the wedding, on the fifth day of the fifth moon, in early summer 1909. She was in a better position than her mother, for she was actually given a name: Yufang. Yu, meaning 'jade," was her generation name, given to all the offspring of the same generation, while fang means 'fragrant flowers."

  The world she was born into was one of total unpredictability. The Manchu empire, which had ruled China for over 260 years, was tottering. In 1894-95 Japan attacked China in Manchuria, with China suffering devastating defeats and loss of territory. In 1900 the nationalist Boxer Rebellion was put down by eight foreign armies, contingents of which had stayed on, some in Manchuria and some along the Great Wall. Then in 1904-5 Japan and Russia fought a major war on the plains of Manchuria. Japan 's victory made it the dominant outside force in Manchuria. In 1911 the five-year-old emperor of China, Pu Yi, was overthrown and a republic was set up with the charismatic figure of Sun Yat-sen briefly at its head.

  The new republican government soon collapsed and the country broke up into fiefs. Manchuria was particularly disaffected from the republic, since the Manchu dynasty had originated there. Foreign powers, especially Japan, intensified their attempts to encroach on the area. Under all these pressures, the old institutions collapsed, resulting in a vacuum of power, morality, and authority. Many people sought to get to the top by bribing local potentates with expensive gifts like gold, silver, and jewelry. My great grandfather was not rich enough to buy himself a lucrative position in a big city, and by the time he was thirty he had risen no higher than an official in the police station of his native Yixian, a provincial backwater. But he had plans. And he had one valuable asset-his daughter.

  My grandmother was a beauty. She had an oval face, with rosy cheeks and lustrous skin. Her long, shiny black hair was woven into a thick plait reaching down to her waist.

  She could be demure when the occasion demanded, which was most of the time, but underneath her composed exterior she was bursting with suppressed energy. She was petite, about five feet three inches, with a slender figure and sloping shoulders, which were considered the ideal.

  But her greatest assets were her bound feet, called in Chinese 'three-inch golden lilies' (san-tsun-gin-lian). This meant she walked 'like a tender young willow shoot in a spring breeze," as Chinese connoisseurs of women traditionally put it. The sight of a woman teetering on bound feet was supposed to have an erotic effect on men, partly because her vulnerability induced a feeling of protectiveness in the onlooker.

  My grandmother's feet had been bound when she was two years old. Her mother, who herself had bound feet, first wound a piece of white cloth about twenty feet long round her feet, bending all the toes except the big toe inward and under the sole. Then she placed a large stone on top to crush the arch. My grandmother screamed in agony and begged her to stop. Her mother had to stick a cloth into her mouth to gag her. My grandmother passed out repeatedly from the pain.

  The process lasted several years. Even after the bones had been broken, the feet had to be bound day and night in thick cloth because the moment they were released they would try to recover. For years my grandmother lived in relentless, excruciating pain. When she pleaded with her mother to untie the bindings, her' mother would weep and tell her that unbound feet would ruin her entire life, and that she was doing it for her own future happiness.

  In those days, when a woman was married, the first thing the bridegroom's family did was to examine her feet. Large feet, meaning normal feet, were considered to bring shame on the husband's household. The mother-in-law would lift the hem of the bride's long skirt, and if the feet were more than about four inches long, she would throw down the skirt in a demonstrative gesture of contempt and stalk off, leaving the bride to
the critical gaze of the wedding guests, who would stare at her feet and insultingly mutter their disdain. Sometimes a mother would take pity on her daughter and remove the binding cloth; but when the child grew up and had to endure the contempt of her husband's family and the disapproval of society, she would blame her mother for having been too weak.

  The practice of binding feet was originally introduced about a thousand years ago, allegedly by a concubine of the emperor. Not only was the sight of women hobbling on tiny feet considered erotic, men would also get excited playing with bound feet, which were always hidden in embroidered silk shoes. Women could not remove the binding cloths even when they were adults, as their feet would start growing again. The binding could only be loosened temporarily at night in bed, when they would put on soft-soled shoes. Men rarely saw naked bound feet, which were usually covered in rotting flesh and stank when the bindings were removed. As a child, I can remember my grandmother being in constant pain. When we came home from shopping, the first thing she would do was soak her feet in a bowl of hot water, sighing with relief as she did so. Then she would set about cutting off pieces of dead skin. The pain came not only from the broken bones, but also from her toenails, which grew into the balls of her feet.

  In fact, my grandmother's feet were bound just at the moment when foot-binding was disappearing for good. By the time her sister was born in 1917, the practice had virtually been abandoned, so she escaped the torment.

  However, when my grandmother was growing up, the prevailing attitude in a small town like Yixian was still that bound feet were essential for a good marriage-but they were only a start. Her father's plans were for her to be trained as either a perfect lady or a high-class courtesan. Scorning the received wisdom of the time-that it was virtuous for a lower class woman to be illiterate-he sent her to a girl's school that had been set up in the town in 1905. She also learned to play Chinese chess, mah-jongg, and go. She studied drawing and embroidery. Her favorite design was mandarin ducks (which symbolize love, because they always swim in pairs), and she used to embroider them onto the tiny shoes she made for herself. To crown her list of accomplishments, a tutor was hired to teach her to play the qin, a musical instrument like a zither.