Delphi Works of M. E. Braddon

by Mary Elizabeth Braddon

  And this splendid dwelling-place, rendered almost sacred by legendary associations and historical recollections, was now the property of a certain Sir Philip Jocelyn — a dashing young baronet, who had been endowed by nature with a handsome face, frank, fearless eyes that generally had a smile in them, and the kind of manly figure which the late Mr. G.P.R. James was wont to designate stalwart; and who was moreover a crack shot, a reckless cross-country-going rider, and a very tolerable amateur artist.

  Sir Philip Jocelyn was not what is usually called an intellectual man. He was more warmly interested in a steeplechase on Shorncliffe Common than in a pamphlet on political economy, even though Mr. Stuart Mill should himself be the author of the brochure. He thought John Scott a greater man than Maculloch; and Manton the gunmaker only second to Dr. Jenner as a benefactor of his race. He found the works of the late Mr. Apperly more entertaining than the last new Idyl from the pen of the Laureate; and was rather at a loss for small-talk when he found his feminine neighbour at a dinner-table was “deeply, darkly, beautifully blue.” But the young baronet was by no means a fool, notwithstanding these sportsmanlike proclivities. The Jocelyns had been hard riders for half-a-dozen centuries or so, and crack shots ever since the invention of firearms. Sir Philip was a sportsman, but he did not “hunt in dreams,” and he was prepared to hold his wife a great deal “higher than his horse,” whenever he should win that pleasant addition to his household. As yet he had thought very little of the future Lady Jocelyn. He had a vague idea that he should marry, as the rest of the Jocelyns had married; and that he should live happily with his wife, as his ancestors had lived with their wives: with the exception of one dreadful man, called Hildebrande Jocelyn, who, at some remote and mediaeval period, had been supposed to throw his liege lady out of an oriel window that overhung the waterfall, upon the strength of an unfounded suspicion; and who afterwards, according to the legend, dug, or rather scooped, for himself a cave out of the cliff-side with no better tools than his own finger-nails, which he never cut after the unfortunate lady’s foul murder. The legend went on further to state that the white wraith of the innocent victim might be seen, on a certain night in the year, rising out of the misty spray of the waterfall: but as nobody except one very weak-witted female Jocelyn had ever seen the vision, the inhabitants of the house upon the crag had taken so little heed of the legend that the date of the anniversary had come at last to be forgotten.

  Sir Philip Jocelyn thought that he should marry “some of these days,” and in the meantime troubled himself very little about the pretty daughters of country gentlemen whom he met now and again at races, and archery-meetings, and flower-shows, and dinner-parties, and hunting-balls, in the queer old town-hall at Shorncliffe. He was heart-whole; and looking out at life from the oriel window of his dressing-room, whence he saw nothing but his own land, neatly enclosed in a ring-fence, he thought the world, about which some people made such dismal howling, was, upon the whole, an extremely pleasant place, containing very little that “a fellow” need complain of. He built himself a painting-room at Jocelyn’s Rock; and-whistled to himself for the hour together, as he stood before the easel, painting scenes in the hunting-field, or Arab horsemen whom he had met on the great flat sandy plains beyond Cairo, or brown-faced boys, or bright Italian peasant-girls; all sorts of pleasant objects, under cloudless skies of ultra-marine, with streaks of orange and vermilion to represent the sunset. He was not a great painter, nor indeed was there any element of greatness in his nature; but he painted as recklessly as he rode; his subjects were bright and cheerful; and his pictures were altogether of the order which unsophisticated people admire and call “pretty.”

  He was a very cheerful young man, and perhaps that cheerfulness was the greatest charm he possessed. He was a man in whom no force of fashion or companionship would ever engender the peevish blasé-ness so much affected by modern youth. Did he dance? Of course he did, and he adored dancing. Did he sing? Well, he did his best, and had a fine volume of rich bass voice, that sounded remarkably well on the water, after a dinner at the Star and Garter, in that dim dewy hour, when the willow shadowed Thames is as a southern lake, and the slow dip of the oars is in itself a kind of melody. Had he been much abroad? Yes, and he gloried in the Continent; the dear old inconvenient inns, and the extortionate landlords, and the insatiable commissionaires — he revelled in the commissionaires; and the dear drowsy slow trains, with an absurd guard, who talks an unintelligible patois, and the other man, who always loses one’s luggage! Delicious! And the dear little peasant-girls with white caps, who are so divinely pretty when you see them in the distance under a sunny meridian sky, and are so charming in coloured chalk upon tinted paper, but such miracles of ugliness, comparatively speaking, when you behold them at close quarters. And the dear jingling diligences, with very little harness to speak of, but any quantity of old rope; and the bad wines, and the dust, and the cathedrals, and the beggars, and the trente-et-quarante tables, and in short everything. Sir Philip Jocelyn spoke of the universe as a young husband talks of his wife; and was never tired of her beauty or impatient of her faults.

  The poor about Jocelyn’s Rock idolized the young lord of the soil. The poor like happy people, if there is nothing insolent in their happiness. Philip was rich, and he distributed his wealth right royally: he was happy, and he shared his happiness as freely as he shared his wealth. He would divide a case of choice Manillas with a bedridden pensioner in the Union, or carry a bottle of the Jocelyn Madeira — the celebrated Madeira with the brown seal — in the pocket of his shooting-coat, to deliver it into the horny hands of some hard-working mother who was burdened with a sick child. He would sit for an hour together telling an agricultural labourer of the queer farming he had seen abroad; and he had stood godfather — by proxy — to half the yellow-headed urchins within ten miles’ radius of Jocelyn’s Bock. No taint of vice or dissipation had ever sullied the brightness of his pleasant life. No wretched country girl had ever cursed his name before she cast herself into the sullen waters of a lonely mill-stream. People loved him; and he deserved their love, and was worthy of their respect. He had taken no high honours at Oxford; but the sternest officials smiled when they spoke of him, and recalled the boyish follies that were associated with his name; a sickly bedmaker had been pensioned for life by him; and the tradesmen who had served him testified to his merits as a prompt and liberal paymaster. I do not think that in all his life Philip Jocelyn had ever directly or indirectly caused a pang of pain or sorrow to any human being, unless it was, indeed, to a churlish heir-at-law, who may have looked with a somewhat evil eye upon the young man’s vigorous and healthful aspect, which gave little hope to his possible successor.

  The heir-at-law would have gnashed his teeth in impotent rage had he known the crisis which came to pass in the baronet’s life a short time after Mr. Dunbar’s return from India; a crisis very common to youth, and very lightly regarded by youth, but a solemn and a fearful crisis notwithstanding.

  The master of Jocelyn’s Rock fell in love. All the poetry of his nature, all the best feelings, the purest attributes of an imperfect character, concentrated themselves into one passion, Sir Philip Jocelyn fell in love. The arch magician waved his wand, and all the universe was transformed into fairyland: a lovely Paradise, a modern Eden, radiant with the reflected light that it received from the face of a woman. I almost hesitate to tell this old, old story over again — this perpetual story of love at first sight.

  It is very beautiful, this sudden love, which is born of one glance at the wonderful face that has been created to bewitch us; but I doubt if it is not, after all, the baser form of the great passion. The love that begins with esteem, that slowly grows out of our knowledge of the loved one, is surely the purer and holier type of affection.

  This love, whose gradual birth we rarely watch or recognize — this love, that steals on us like the calm dawning of the eastern light, strikes to a deeper root and grows into a grander tree than that fair sudden
growth, that marvellous far-shooting butterfly-blossoming orchid, called love at first sight. The glorious exotic flower may be wanting, but the strong root lies deeply hidden in the heart.

  The man who loves at first sight generally falls in love with the violet blue of a pair of tender eyes, the delicate outline of a Grecian nose. The man who loves the woman he has known and watched, loves her because he believes her to be the purest and truest of her sex.

  To this last, love is faith. He cannot doubt the woman he adores: for he adores her because he believes and has proved her to be above all doubt. We may fairly conjecture that Othello’s passion for the simple Venetian damsel was love at first sight. He loved Desdemona because she was pretty, and looked at him with sweet maidenly glances of pity when he told those prosy stories of his — with full traveller’s license, no doubt — over Brabantio’s mahogany.

  The tawny-visaged general loved the old man’s daughter because he admired her, and not because he knew her; and so, by and bye, on the strength of a few foul hints from a scoundrel, he is ready to believe this gentle, pitiful girl the basest and most abandoned of women.

  Hamlet would not so have acted had it been his fate to marry the woman he loved. Depend upon it, the Danish prince had watched Ophelia closely, and knew all the ins and outs of that young lady’s temper, and had laid conversational traps for her occasionally, I dare say, trying to entice her into some bit of toadyism that should betray any latent taint of falsehood inherited from poor time-serving Polonius. The Prince of Denmark would have been rather a fidgety husband, perhaps, but he would never have had recourse to a murderous bolster at the instigation of a low-born knave.

  Unhappily, some women are apt to prefer passionate, blustering Othello to sentimental and metaphysical Hamlet. The foolish creatures are carried away by noise and clamour, and most believe him who protests the loudest.

  Philip Jocelyn and Laura Dunbar met at that dinner-party which the millionaire gave to his friends in celebration of his return. They met again at the ball, where Laura waltzed with Philip; the young man had learned to waltz upon the other side of the Alps, and Miss Dunbar preferred him to any other of her partners. At the fête champêtre they met again; and had their future lives revealed to them by a theatrical-looking gipsy imported from London for the occasion, whose arch prophecies brought lovely blushes into Laura’s cheeks, and afforded Philip an excellent opportunity for admiring the effect of dark-brown eyelashes drooping over dark-blue eyes. They met again and again; now at a steeple-chase, now at a dinner-party, where Laura appeared with some friendly chaperon; and the baronet fell in love with the banker’s beautiful daughter.

  He loved her truly and devotedly, after his own mad-headed fashion. He was a true Jocelyn — impetuous, mad-headed daring; and from the time of those festivities at Maudesley Abbey he only dreamed and thought of Laura Dunbar. From that hour he haunted the neighbourhood of Maudesley Abbey. There was a bridle-path through the park to a little village called Lisford; and if that primitive Warwickshire village had been the most attractive place upon this earth, Sir Philip could scarcely have visited it oftener than he did.

  Heaven knows what charm he found in the shady slumberous old street, the low stone market-place, with rusty iron gates surmounted by the Jocelyn escutcheon. The grass grew in the quiet quadrangle; the square church-tower was half hidden by the sheltering ivy; the gabled cottage-roofs were lop-sided with age. It was scarcely a place to offer any very great attraction to the lord of Jocelyn Rock in all the glory of his early man-hood; and yet Philip Jocelyn went there three times a week upon an average, during the period that succeeded the ball and morning concert at Maudesley Abbey.

  The shortest way from Jocelyn’s Bock to Lisford was by the high road, but Philip Jocelyn did not care to go by the shortest way. He preferred to take that pleasant bridle-path through Maudesley Park, that delicious grassy arcade where the overarching branches of the old elms made a shadowy twilight, only broken now and then by sudden patches of yellow sunshine; where the feathery ferns trembled with every low whisper of the autumn breeze: where there was a faint perfume of pine wood; where every here and there, between the lower branches of the trees, there was a blue glimmer of still water-pools, half-hidden under flat green leaves of wild aquatic plants, where there was a solemn stillness that reminded one of the holy quiet of a church, and where Sir Philip Jocelyn had every chance of meeting with Laura Dunbar.

  He met her there very often. Not alone, for Dora Macmahon was sometimes with her, and the faithful Elizabeth Madden was always at hand to play propriety, and to keep a sharp eye upon the interests of her young mistress. But then it happened unfortunately that the faithful Elizabeth was very stout, and rather asthmatic; and though Miss Dunbar could not have had a more devoted duenna, she might certainly have had a more active one. And it also happened that Miss Macmahon, having received several practical illustrations of the old adage with regard to the disadvantage of a party of three persons as compared to a party of two persons, fell into the habit of carrying her books with her, and would sit and read in some shady nook near the abbey, while Laura wandered into the wilder regions of the park.

  Beneath the shelter of the overarching elms, amidst the rustling of the trembling ferns, Laura Dunbar and Philip Jocelyn met very often during that bright autumnal weather. Their meetings were purely accidental of course, as such meetings always are, but they were not the less pleasant because of their uncertainty.

  They were all the more pleasant, perhaps. There was that delicious fever of suspense which kept both young eager hearts in a constant glow. There were Laura’s sudden blushes, which made her wonderful beauty doubly wonderful. There was Philip Jocelyn’s start of glad astonishment, and the bright sparkle in his dark-brown eyes as he saw the slender, queenly figure approaching him under the shadow of the trees. How beautiful she looked, with the folds of her dress trailing over the dewy grass, and a flickering halo of sunlight tremulous upon her diadem of golden hair! Sometimes she wore a coquettish little hat, with a turned-up brim and a peacock’s plume; sometimes a broad-leaved hat of yellow straw, with floating ribbon and a bunch of feathery grasses perched bewitchingly upon the brim. She had the dog Pluto with her always, and generally a volume of some new novel under her arm. I am ashamed to be obliged to confess that this young heiress was very frivolous, and liked reading novels better than improving her mind by the perusal of grave histories, or by the study of the natural sciences. She spent day after day in happy idleness — reading, sketching, playing, singing, talking, sometimes gaily sometimes seriously, to her faithful old nurse, or to Dora, or to Arthur Lovell, as the case might be. She had a thorough-bred horse that had been given to her by her grandfather, but she very rarely rode him beyond the grounds, for Dora Macmahon was no horsewoman, having been brought up by a prim aunt of her dead mother’s, who looked upon riding as an unfeminine accomplishment; and Miss Dunbar had therefore no better companion for her rides than a grey-haired old groom, who had ridden behind Percival Dunbar for forty years or so.

  Philip Jocelyn generally went to Lisford upon horseback; but when, as so often happened, he met Miss Dunbar and her companion strolling amongst the old elms, it was his habit to get off his horse, and to walk by Laura’s side, leading the animal by the bridle. Sometimes he found the two young ladies sitting on camp-stools at the foot of one of the trees, sketching effects of light and shadow in the deep glades around them. On such occasions the baronet used to tie his horse to the lower branch of an old elm, and taking his stand behind Miss Dunbar, would amuse himself by giving her a lesson in perspective, with occasional hints to Miss Macmahon, who, as the young man remarked, drew so much better than her sister, that she really required very little assistance.

  By-and-by this began to be an acknowledged thing. Special hours were appointed for these artistic studies: and Philip Jocelyn ceased to go to Lisford at all, contenting himself with passing almost every fine morning under the elms at Maudesley. He found that he had a very int
elligent pupil in the banker’s daughter: but I think, if Miss Dunbar had been less intelligent, her instructor would have had patience with her, and would have still found his best delight beneath the shadow of those dear old elms.

  What words can paint the equal pleasure of giving and receiving those lessons, in the art which was loved alike by pupil and master; but which was so small an element in the happiness of those woodland meetings? What words can describe Laura’s pleading face when she found that the shadow of a ruined castle wouldn’t agree with the castle itself, or that a row of poplars in the distance insisted on taking that direction which our transatlantic brothers call “slantindicular?” And then the cutting of pencils, and crumbling of bread, and searching for mislaid scraps of India-rubber, and mixing of water-colours, and adjusting of palettes on the prettiest thumb in Christendom, or the planting a sheaf of brushes in the dearest little hand that ever trembled when it met the tenderly timid touch of an amateur drawing-master’s fingers; — all these little offices, so commonplace and wearisome when a hard-worked and poorly-paid professor performs them for thirty or forty clamorous girls, on a burning summer afternoon, in a great dust-flavoured schoolroom with bare curtainless windows, were in this case more delicious than any words of mine can tell.