Yog Sothothery - The Definitive H.P. Lovecraft Anthology

by H. P. Lovecraft

  It was not what the madman said, but the way he said it, that disorganised Jones so badly. The utter, insane confidence and sincerity in that crazed whisper were damnably contagious. Imagination, with such a stimulus, could find an active menace in the devilish wax figure that lurked unseen just beyond the heavy planking. Eyeing the door in unholy fascination, Jones noticed that it bore several distinct cracks, though no marks of violent treatment were visible on this side. He wondered how large a room or closet lay behind it, and how the waxen figure was arranged. The maniac’s idea of a tank and runway was as clever as all his other imaginings.

  Then, in one terrible instant, Jones completely lost the power to draw a breath. The leather belt he had seized for Rogers’ further strapping fell from his limp hands, and a spasm of shivering convulsed him from head to foot. He might have known the place would drive him mad as it had driven Rogers—and now he was mad. He was mad, for he now harboured hallucinations more weird than any which had assailed him earlier that night. The madman was bidding him hear the splashing of a mythical monster in a tank beyond the door—and now, God help him, he did hear it!

  Rogers saw the spasm of horror reach Jones’s face and transform it to a staring mask of fear. He cackled.

  “At last, fool, you believe! At last you know! You hear It and It comes! Get me my keys, fool—we must do homage and serve It!”

  But Jones was past paying attention to any human words, mad or sane. Phobic paralysis held him immobile and half-conscious, with wild images racing phantasmagorically through his helpless imagination. There was a splashing. There was a padding or shuffling, as of great wet paws on a solid surface. Something was approaching. Into his nostrils, from the cracks in that nightmare plank door, poured a noisome animal stench like and yet unlike that of the mammal cages at the zoölogical gardens in Regent’s Park.

  He did not know now whether Rogers was talking or not. Everything real had faded away, and he was a statue obsessed with dreams and hallucinations so unnatural that they became almost objective and remote from him. He thought he heard a sniffing or snorting from the unknown gulf beyond the door, and when a sudden baying, trumpeting noise assailed his ears he could not feel sure that it came from the tightly bound maniac whose image swam uncertainly in his shaken vision. The photograph of that accursed, unseen wax thing persisted in floating through his consciousness. Such a thing had no right to exist. Had it not driven him mad?

  Even as he reflected, a fresh evidence of madness beset him. Something, he thought, was fumbling with the latch of the heavy padlocked door. It was patting and pawing and pushing at the planks. There was a thudding on the stout wood, which grew louder and louder. The stench was horrible. And now the assault on that door from the inside was a malign, determined pounding like the strokes of a battering-ram. There was an ominous cracking—a splintering—a welling foetor—a falling plank—a black paw ending in a crab-like claw…

  “Help! Help! God help me!… Aaaaaaa!…”

  With intense effort Jones is today able to recall a sudden bursting of his fear-paralysis into the liberation of frenzied automatic flight. What he evidently did must have paralleled curiously the wild, plunging flights of maddest nightmares; for he seems to have leaped across the disordered crypt at almost a single bound, yanked open the outside door, which closed and locked itself after him with a clatter, sprung up the worn stone steps three at a time, and raced frantically and aimlessly out of that dank cobblestoned court and through the squalid streets of Southwark.

  Here the memory ends. Jones does not know how he got home, and there is no evidence of his having hired a cab. Probably he raced all the way by blind instinct—over Waterloo Bridge, along the Strand and Charing Cross, and up Haymarket and Regent Street to his own neighbourhood. He still had on the queer mélange of museum costumes when he grew conscious enough to call the doctor.

  A week later the nerve specialists allowed him to leave his bed and walk in the open air.

  But he had not told the specialists much. Over his whole experience hung a pall of madness and nightmare, and he felt that silence was the only course. When he was up, he scanned intently all the papers which had accumulated since that hideous night, but found no reference to anything queer at the museum. How much, after all, had been reality? Where did reality end and morbid dream begin? Had his mind gone wholly to pieces in that dark exhibition chamber, and had the whole fight with Rogers been a phantasm of fever? It would help to put him on his feet if he could settle some of these maddening points. He must have seen that damnable photograph of the wax image called ‘It’, for no brain but Rogers’ could ever have conceived such a blasphemy.

  It was a fortnight before he dared to enter Southwark Street again. He went in the middle of the morning, when there was the greatest amount of sane, wholesome activity around the ancient, crumbling shops and warehouses. The museum’s sign was still there, and as he approached he saw that the place was open. The gateman nodded in a pleasant recognition as he summoned up the courage to enter, and in the vaulted chamber below an attendant touched his cap cheerfully. Perhaps everything had been a dream. Would he dare to knock at the door of the workroom and look for Rogers?

  Then Orabona advanced to greet him. His dark, sleek face was a trifle sardonic, but Jones felt that he was not unfriendly. He spoke with a trace of accent.

  “Good morning, Mr. Jones. It is some time since we have seen you here. Did you wish Mr. Rogers? I’m sorry, but he is away. He had word of business in America, and had to go. Yes, it was very sudden. I am in charge now—here, and at the house. I try to maintain Mr. Rogers’ high standard—till he is back.”

  The foreigner smiled—perhaps from affability alone. Jones scarcely knew how to reply, but managed to mumble out a few inquiries about the day after his last visit. Orabona seemed greatly amused by the questions, and took considerable care in framing his replies.

  “Oh, yes, Mr. Jones—the twenty-eighth of last month. I remember it for many reasons. In the morning—before Mr. Rogers got here, you understand—I found the workroom in quite a mess. There was a great deal of—cleaning up—to do. There had been—late work, you see. Important new specimen given its secondary baking process. I took complete charge when I came.

  “It was a hard specimen to prepare—but of course Mr. Rogers has taught me a great deal. He is, as you know, a very great artist. When he came he helped me complete the specimen—helped very materially, I assure you—but he left soon without even greeting the men. As I tell you, he was called away suddenly. There were important chemical reactions involved. They made loud noises—in fact, some teamsters in the court outside fancy they heard several pistol shots—very amusing idea!

  “As for the new specimen—that matter is very unfortunate. It is a great masterpiece—designed and made, you understand, by Mr. Rogers. He will see about it when he gets back.”

  Again Orabona smiled.

  “The police, you know. We put it on display a week ago, and there were two or three faintings. One poor fellow had an epileptic fit in front of it. You see, it is a trifle—stronger—than the rest. Larger, for one thing. Of course, it was in the adult alcove. The next day a couple of men from Scotland Yard looked it over and said it was too morbid to be shewn. Said we’d have to remove it. It was a tremendous shame—such a masterpiece of art—but I didn’t feel justified in appealing to the courts in Mr. Rogers’ absence. He would not like so much publicity with the police now—but when he gets back—when he gets back—”

  For some reason or other Jones felt a mounting tide of uneasiness and repulsion. But Orabona was continuing.

  “You are a connoisseur, Mr. Jones. I am sure I violate no law in offering you a private view. It may be—subject, of course, to Mr. Rogers’ wishes—that we shall destroy the specimen some day—but that would be a crime.”

  Jones had a powerful impulse to refuse the sight and flee precipitately, but Orabona was leading him forward by the arm with an artist’s enthusiasm. The adult alcove,
crowded with nameless horrors, held no visitors. In the farther corner a large niche had been curtained off, and to this the smiling assistant advanced.

  “You must know, Mr. Jones, that the title of this specimen is ‘The Sacrifice to Rhan-Tegoth’.”

  Jones started violently, but Orabona appeared not to notice.

  “The shapeless, colossal god is a feature in certain obscure legends which Mr. Rogers has studied. All nonsense, of course, as you’ve so often assured Mr. Rogers. It is supposed to have come from outer space, and to have lived in the Arctic three million years ago. It treated its sacrifices rather peculiarly and horribly, as you shall see. Mr. Rogers had made it fiendishly life-like—even to the face of the victim.”

  Now trembling violently, Jones clung to the brass railing in front of the curtained niche. He almost reached out to stop Orabona when he saw the curtain beginning to swing aside, but some conflicting impulse held him back. The foreigner smiled triumphantly.

  “Behold!”

  Jones reeled in spite of his grip on the railing.

  “God!—great god!”

  Fully ten feet high despite a shambling, crouching attitude expressive of infinite cosmic malignancy, a monstrosity of unbelievable horror was shewn starting forward from a Cyclopean ivory throne covered with grotesque carvings. In the central pair of its six legs it bore a crushed, flattened, distorted, bloodless thing, riddled with a million punctures, and in places seared as with some pungent acid. Only the mangled head of the victim, lolling upside down at one side, revealed that it represented something once human.

  The monster itself needed no title for one who had seen a certain hellish photograph. That damnable print had been all too faithful; yet it could not carry the full horror which lay in the gigantic actuality. The globular torso—the bubble-like suggestion of a head—the three fishy eyes—the foot-long proboscis—the bulging gills—the monstrous capillation of asp-like suckers—the six sinuous limbs with their black paws and crab-like claws—God! the familiarity of that black paw ending in a crab-like claw!…

  Orabona’s smile was utterly damnable. Jones choked, and stared at the hideous exhibit with a mounting fascination which perplexed and disturbed him. What half-revealed horror was holding and forcing him to look longer and search out details? This had driven Rogers mad… Rogers, supreme artist… said they weren’t artificial…

  Then he localised the thing that held him. It was the crushed waxen victim’s lolling head, and something that it implied. This head was not entirely devoid of a face, and that face was familiar. It was like the mad face of poor Rogers. Jones peered closer, hardly knowing why he was driven to do so. Wasn’t it natural for a mad egotist to mould his own features into his masterpiece? Was there anything more that subconscious vision had seized on and suppressed in sheer terror?

  The wax of the mangled face had been handled with boundless dexterity. Those punctures—how perfectly they reproduced the myriad wounds somehow inflicted on that poor dog! But there was something more. On the left cheek one could trace an irregularity which seemed outside the general scheme—as if the sculptor had sought to cover up a defect of his first modelling. The more Jones looked at it, the more mysteriously it horrified him—and then, suddenly, he remembered a circumstance which brought his horror to a head. That night of hideousness—the tussle—the bound madman—and the long, deep scratch down the left cheek of the actual living Rogers…

  Jones, releasing his desperate clutch on the railing, sank in a total faint.

  Orabona continued to smile.

  In the Walls of Eryx aka “Within the Walls of Eryx”

  By H. P. Lovecraft & Kenneth Sterling

  Written: January 1936

  First Published: Weird Tales,

  Vol. 34, No. 4 (October 1939), Pages 50-68

  Before I try to rest I will set down these notes in preparation for the report I must make. What I have found is so singular, and so contrary to all past experience and expectations, that it deserves a very careful description.

  I reached the main landing on Venus, March 18th, terrestrial time; VI, 9 of the planet’s calendar. Being put in the main group under Miller, I received my equipment—watch tuned to Venus’s slightly quicker rotation—and went through the usual mask drill. After two days I was pronounced fit for duty.

  Leaving the Crystal Company’s post at Terra Nova around dawn, VI, 12, I followed the southerly route which Anderson had mapped out from the air. The going was bad, for these jungles are always half impassable after a rain. It must be the moisture that gives the tangled vines and creepers that leathery toughness; a toughness so great that a knife has to work ten minutes on some of them. By noon it was dryer—the vegetation getting soft and rubbery so that my knife went through it easily—but even then I could not make much speed. These Carter oxygen masks are too heavy—just carrying one half wears an ordinary man out. A Dubois mask with sponge-reservoir instead of tubes would give just as good air at half the weight.

  The crystal-detector seemed to function well, pointing steadily in a direction verifying Anderson’s report. It is curious how that principle of affinity works—without any of the fakery of the old ‘divining rods’ back home. There must be a great deposit of crystals within a thousand miles, though I suppose those damnable man-lizards always watch and guard it. Possibly they think we are just as foolish for coming to Venus to hunt the stuff as we think they are for grovelling in the mud whenever they see a piece of it, or for keeping that great mass on a pedestal in their temple. I wish they’d get a new religion, for they have no use for the crystals except to pray to. Barring theology, they would let us take all we want—and even if they learned to tap them for power there’d be more than enough for their planet and the earth besides. I for one am tired of passing up the main deposits and merely seeking separate crystals out of jungle river-beds. Sometime I’ll urge the wiping out of these scaly beggars by a good stiff army from home. About twenty ships could bring enough troops across to turn the trick. One can’t call the damned things men for all their ‘cities’ and towers. They haven’t any skill except building—and using swords and poison darts—and I don’t believe their so-called ‘cities’ mean much more than ant-hills or beaver-dams. I doubt if they even have a real language—all the talk about psychological communication through those tentacles down their chests strikes me as bunk. What misleads people is their upright posture; just an accidental physical resemblance to terrestrial man.

  I’d like to go through a Venus jungle for once without having to watch out for skulking groups of them or dodge their cursed darts. They may have been all right before we began to take the crystals, but they’re certainly a bad enough nuisance now—with their dart-shooting and their cutting of our water pipes. More and more I come to believe that they have a special sense like our crystal-detectors. No one ever knew them to bother a man—apart from long- distance sniping—who didn’t have crystals on him.

  Around 1 P.M. a dart nearly took my helmet off, and I thought for a second one of my oxygen tubes was punctured. The sly devils hadn’t made a sound, but three of them were closing in on me. I got them all by sweeping in a circle with my flame pistol, for even though their colour blended with the jungle, I could spot the moving creepers. One of them was fully eight feet tall, with a snout like a tapir’s. The other two were average seven-footers. All that makes them hold their own is sheer numbers—even a single regiment of flame throwers could raise hell with them. It is curious, though, how they’ve come to be dominant on the planet. Not another living thing higher than the wriggling akmans and skorahs, or the flying tukahs of the other continent—unless of course those holes in the Dionaean Plateau hide something.

  About two o’clock my detector veered westward, indicating isolated crystals ahead on the right. This checked up with Anderson, and I turned my course accordingly. It was harder going—not only because the ground was rising, but because the animal life and carnivorous plants were thicker. I was always slashing ugrats and st
epping on skorahs, and my leather suit was all speckled from the bursting darohs which struck it from all sides. The sunlight was all the worse because of the mist, and did not seem to dry up the mud in the least. Every time I stepped my feet sank down five or six inches, and there was a sucking sort of blup every time I pulled them out. I wish somebody would invent a safe kind of suiting other than leather for this climate. Cloth of course would rot; but some thin metallic tissue that couldn’t tear—like the surface of this revolving decay-proof record scroll—ought to be feasible sometime.

  I ate about 3:30—if slipping these wretched food tablets through my mask can be called eating. Soon after that I noticed a decided change in the landscape—the bright, poisonous-looking flowers shifting in colour and getting wraith-like. The outlines of everything shimmered rhythmically, and bright points of light appeared and danced in the same slow, steady tempo. After that the temperature seemed to fluctuate in unison with a peculiar rhythmic drumming.

  The whole universe seemed to be throbbing in deep, regular pulsations that filled every corner of space and flowed through my body and mind alike. I lost all sense of equilibrium and staggered dizzily, nor did it change things in the least when I shut my eyes and covered my ears with my hands. However, my mind was still clear, and in a very few minutes I realized what had happened.

  I had encountered at last one of those curious mirage-plants about which so many of our men told stories. Anderson had warned me of them, and described their appearance very closely—the shaggy stalk, the spiky leaves, and the mottled blossoms whose gaseous, dream-breeding exhalations penetrate every existing make of mask.

  Recalling what happened to Bailey three years ago, I fell into a momentary panic, and began to dash and stagger about in the crazy, chaotic world which the plant’s exhalations had woven around me. Then good sense came back, and I realized all I need do was retreat from the dangerous blossoms—heading away from the source of the pulsations, and cutting a path blindly—regardless of what might seem to swirl around me—until safely out of the plant’s effective radius.