Yog Sothothery - The Definitive H.P. Lovecraft Anthology

by H. P. Lovecraft

  Had it all been a dream, or was I indeed mad? I recalled my anxiety and overwrought nerves, and shuddered. Thanking the guard and doctor, and shaking free of the curious crowd, I staggered into a cab and was taken to the Fonda Nacional, where, after telegraphing Jackson at the mine, I slept till afternoon in an effort to get a fresh grip on myself. I had myself called at one o’clock, in time to catch the narrow-gauge for the mining country, but when I got up I found a telegram under the door. It was from Jackson, and said that Feldon had been found dead in the mountains that morning, the news reaching the mine about ten o’clock. The papers were all safe, and the San Francisco office had been duly notified. So the whole trip, with its nervous haste and harrowing mental ordeal, had been for nothing!

  Knowing that McComb would expect a personal report despite the course of events, I sent another wire ahead and took the narrow-gauge after all. Four hours later I was rattled and jolted into the station of Mine №3, where Jackson was waiting to give a cordial greeting. He was so full of the affair at the mine that he did not notice my still shaken and seedy appearance.

  The superintendent’s story was brief, and he told me it as he led me toward the shack up the hillside above the arrastre, where Feldon’s body lay. Feldon, he said, had always been a queer, sullen character, ever since he was hired the year before; working at some secret mechanical device and complaining of constant espionage, and being disgustingly familiar with the native workmen. But he certainly knew the work, the country, and the people. He used to make long trips into the hills where the peons lived, and even to take part in some of their ancient, heathenish ceremonies. He hinted at odd secrets and strange powers as often as he boasted of his mechanical skill. Of late he had disintegrated rapidly; growing morbidly suspicious of his colleagues, and undoubtedly joining his native friends in ore-thieving after his cash got low. He needed unholy amounts of money for something or other—was always having boxes come from laboratories and machine shops in Mexico City or the States.

  As for the final absconding with all the papers—it was only a crazy gesture of revenge for what he called ‘spying’. He was certainly stark mad, for he had gone across country to a hidden cave on the wild slope of the haunted Sierra de Malinche, where no white men live, and had done some amazingly queer things. The cave, which would never have been found but for the final tragedy, was full of hideous old Aztec idols and altars; the latter covered with the charred bones of recent burnt-offerings of doubtful nature. The natives would tell nothing—indeed, they swore they knew nothing—but it was easy to see that the cave was an old rendezvous of theirs, and that Feldon had shared their practices to the fullest extent.

  The searchers had found the place only because of the chanting and the final cry. It had been close to five that morning, and after an all-night encampment the party had begun to pack up for its empty-handed return to the mines. Then somebody had heard faint rhythms in the distance, and knew that one of the noxious old native rituals was being howled from some lonely spot up the slope of the corpse-shaped mountain. They heard the same old names—Mictlanteuctli, Tonatiuh-Metzli, Cthulhutl, Ya-R’lyeh, and all the rest—but the queer thing was that some English words were mixed with them. Real white man’s English, and no greaser patter. Guided by the sound, they had hastened up the weed-entangled mountainside toward it, when after a spell of quiet the shriek had burst upon them. It was a terrible thing—a worse thing than any of them had ever heard before. There seemed to be some smoke, too, and a morbid acrid smell.

  Then they stumbled on the cave, its entrance screened by scrub mesquites, but now emitting clouds of foetid smoke. It was lighted within, the horrible altars and grotesque images revealed flickeringly by candles which must have been changed less than a half-hour before; and on the gravelly floor lay the horror that made all the crowd reel backward. It was Feldon, head burned to a crisp by some odd device he had slipped over it—a kind of wire cage connected with a rather shaken-up battery which had evidently fallen to the floor from a nearby altar-pot. When the men saw it they exchanged glances, thinking of the ‘electric executioner’ Feldon had always boasted of inventing—the thing which everyone had rejected, but had tried to steal and copy. The papers were safe in Feldon’s open portmanteau which stood close by, and an hour later the column of searchers started back for №3 with a grisly burden on an improvised stretcher.

  That was all, but it was enough to make me turn pale and falter as Jackson led me up past the arrastre to the shed where he said the body lay. For I was not without imagination, and knew only too well into what hellish nightmare this tragedy somehow supernaturally dovetailed. I knew what I should see inside that gaping door around which the curious miners clustered, and did not flinch when my eyes took in the giant form, the rough corduroy clothes, the oddly delicate hands, the wisps of burnt beard, and the hellish machine itself—battery slightly broken, and headpiece blackened by the charring of what was inside. The great, bulging portmanteau did not surprise me, and I quailed only at two things—the folded sheets of paper sticking out of the left-hand pocket, and the queer sagging of the corresponding right-hand pocket. In a moment when no one was looking I reached out and seized the too familiar sheets, crushing them in my hand without daring to look at their penmanship. I ought to be sorry now that a kind of panic fear made me burn them that night with averted eyes. They would have been a positive proof or disproof of something—but for that matter I could still have had proof by asking about the revolver the coroner afterward took from that sagging right-hand coat pocket. I never had the courage to ask about that—because my own revolver was missing after the night on the train. My pocket pencil, too, shewed signs of a crude and hasty sharpening unlike the precise pointing I had given it Friday afternoon on the machine in President McComb’s private car.

  So in the end I went home still puzzled—mercifully puzzled, perhaps. The private car was repaired when I got back to Querétaro, but my greatest relief was crossing the Rio Grande into El Paso and the States. By the next Friday I was in San Francisco again, and the postponed wedding came off the following week.

  As to what really happened that night—as I’ve said, I simply don’t dare to speculate. That chap Feldon was insane to start with, and on top of his insanity he had piled a lot of prehistoric Aztec witch-lore that nobody has any right to know. He was really an inventive genius, and that battery must have been the genuine stuff. I heard later how he had been brushed aside in former years by press, public, and potentates alike. Too much disappointment isn’t good for men of a certain kind. Anyhow, some unholy combination of influences was at work. He had really, by the way, been a soldier of Maximilian’s.

  When I tell my story most people call me a plain liar. Others lay it to abnormal psychology—and heaven knows I was overwrought—while still others talk of ‘astral projection’ of some sort. My zeal to catch Feldon certainly sent my thoughts ahead toward him, and with all his Indian magic he’d be about the first one to recognise and meet them. Was he in the railway carriage or was I in the cave on the corpse-shaped haunted mountain? What would have happened to me, had I not delayed him as I did? I’ll confess I don’t know, and I’m not sure that I want to know. I’ve never been in Mexico since—and as I said at the start, I don’t enjoy hearing about electric executions.

  The Horror in the Burying-Ground

  By H. P. Lovecraft & Hazel Heald

  Written: circa 1933-1934

  First Published: Weird Tales,

  Vol. 29, No. 5 (May 1937), Pages 596-606

  When the state highway to Rutland is closed, travellers are forced to take the Stillwater road past Swamp Hollow. The scenery is superb in places, yet somehow the route has been unpopular for years. There is something depressing about it, especially near Stillwater itself. Motorists feel subtly uncomfortable about the tightly shuttered farmhouse on the knoll just north of the village, and about the white-bearded half-wit who haunts the old burying-ground on the south, apparently talking to the occupants of s
ome of the graves.

  Not much is left of Stillwater, now. The soil is played out, and most of the people have drifted to the towns across the distant river or to the city beyond the distant hills. The steeple of the old white church has fallen down, and half of the twenty-odd straggling houses are empty and in various stages of decay. Normal life is found only around Peck’s general store and filling-station, and it is here that the curious stop now and then to ask about the shuttered house and the idiot who mutters to the dead.

  Most of the questioners come away with a touch of distaste and disquiet. They find the shabby loungers oddly unpleasant and full of unnamed hints in speaking of the long-past events brought up. There is a menacing, portentous quality in the tones which they use to describe very ordinary events—a seemingly unjustified tendency to assume a furtive, suggestive, confidential air, and to fall into awesome whispers at certain points—which insidiously disturbs the listener. Old Yankees often talk like that; but in this case the melancholy aspect of the half-mouldering village, and the dismal nature of the story unfolded, give these gloomy, secretive mannerisms an added significance. One feels profoundly the quintessential horror that lurks behind the isolated Puritan and his strange repressions—feels it, and longs to escape precipitately into clearer air.

  The loungers whisper impressively that the shuttered house is that of old Miss Sprague—Sophie Sprague, whose brother Tom was buried on the seventeenth of June, back in ’86. Sophie was never the same after that funeral—that and the other thing which happened the same day—and in the end she took to staying in all the time. Won’t even be seen now, but leaves notes under the back-door mat and has her things brought from the store by Ned Peck’s boy. Afraid of something—the old Swamp Hollow burying-ground most of all. Never could be dragged near there since her brother—and the other one—were laid away. Not much wonder, though, seeing the way crazy Johnny Dow rants. He hangs around the burying-ground all day and sometimes at night, and claims he talks with Tom—and the other. Then he marches by Sophie’s house and shouts things at her—that’s why she began to keep the shutters closed. He says things are coming from somewhere to get her sometime. Ought to be stopped, but one can’t be too hard on poor Johnny. Besides, Steve Barbour always had his opinions.

  Johnny does his talking to two of the graves. One of them is Tom Sprague’s. The other, at the opposite end of the graveyard, is that of Henry Thorndike, who was buried on the same day. Henry was the village undertaker—the only one in miles—and never liked around Stillwater. A city fellow from Rutland—been to college and full of book learning. Read queer things nobody else ever heard of, and mixed chemicals for no good purpose. Always trying to invent something new—some new-fangled embalming-fluid or some foolish kind of medicine. Some folks said he had tried to be a doctor but failed in his studies and took to the next best profession. Of course, there wasn’t much undertaking to do in a place like Stillwater, but Henry farmed on the side.

  Mean, morbid disposition—and a secret drinker if you could judge by the empty bottles in his rubbish heap. No wonder Tom Sprague hated him and blackballed him from the Masonic lodge, and warned him off when he tried to make up to Sophie. The way he experimented on animals was against Nature and Scripture. Who could forget the state that collie dog was found in, or what happened to old Mrs. Akeley’s cat? Then there was the matter of Deacon Leavitt’s calf, when Tom had led a band of the village boys to demand an accounting. The curious thing was that the calf came alive after all in the end, though Tom had found it as stiff as a poker. Some said the joke was on Tom, but Thorndike probably thought otherwise, since he had gone down under his enemy’s fist before the mistake was discovered.

  Tom, of course, was half drunk at the time. He was a vicious brute at best, and kept his poor sister half cowed with threats. That’s probably why she is such a fear-racked creature still. There were only the two of them, and Tom would never let her leave because that meant splitting the property. Most of the fellows were too afraid of him to shine up to Sophie—he stood six feet one in his stockings—but Henry Thorndike was a sly cuss who had ways of doing things behind folks’ backs. He wasn’t much to look at, but Sophie never discouraged him any. Mean and ugly as he was, she’d have been glad if anybody could have freed her from her brother. She may not have stopped to wonder how she could get clear of him after he got her clear of Tom.

  Well, that was the way things stood in June of ’86. Up to this point, the whispers of the loungers at Peck’s store are not so unbearably portentous; but as they continue, the element of secretiveness and malign tension grows. Tom Sprague, it appears, used to go to Rutland on periodic sprees, his absences being Henry Thorndike’s great opportunities. He was always in bad shape when he got back, and old Dr. Pratt, deaf and half blind though he was, used to warn him about his heart, and about the danger of delirium tremens. Folks could always tell by the shouting and cursing when he was home again.

  It was on the ninth of June—on a Wednesday, the day after young Joshua Goodenough finished building his new-fangled silo—that Tom started out on his last and longest spree. He came back the next Tuesday morning and folks at the store saw him lashing his bay stallion the way he did when whiskey had a hold of him. Then there came shouts and shrieks and oaths from the Sprague house, and the first thing anybody knew Sophie was running over to old Dr. Pratt’s at top speed.

  The doctor found Thorndike at Sprague’s when he got there, and Tom was on the bed in his room, with eyes staring and foam around his mouth. Old Pratt fumbled around and gave the usual tests, then shook his head solemnly and told Sophie she had suffered a great bereavement—that her nearest and dearest had passed through the pearly gates to a better land, just as everybody knew he would if he didn’t let up on his drinking.

  Sophie kind of sniffled, the loungers whisper, but didn’t seem to take on much. Thorndike didn’t do anything but smile—perhaps at the ironic fact that he, always an enemy, was now the only person who could be of any use to Thomas Sprague. He shouted something in old Dr. Pratt’s half-good ear about the need of having the funeral early on account of Tom’s condition. Drunks like that were always doubtful subjects, and any extra delay—with merely rural facilities—would entail consequences, visual and otherwise, hardly acceptable to the deceased’s loving mourners. The doctor had muttered that Tom’s alcoholic career ought to have embalmed him pretty well in advance, but Thorndike assured him to the contrary, at the same time boasting of his own skill, and of the superior methods he had devised through his experiments.

  It is here that the whispers of the loungers grow acutely disturbing. Up to this point the story is usually told by Ezra Davenport, or Luther Fry, if Ezra is laid up with chilblains, as he is apt to be in winter; but from there on old Calvin Wheeler takes up the thread, and his voice has a damnably insidious way of suggesting hidden horror. If Johnny Dow happens to be passing by there is always a pause, for Stillwater does not like to have Johnny talk too much with strangers.

  Calvin edges close to the traveller and sometimes seizes a coat-lapel with his gnarled, mottled hand while he half shuts his watery blue eyes.

  “Well, sir,” he whispers, “Henry he went home an’ got his undertaker’s fixin’s—crazy Johnny Dow lugged most of ’em, for he was always doin’ chores for Henry—an’ says as Doc Pratt an’ crazy Johnny should help lay out the body. Doc always did say as how he thought Henry talked too much—a-boastin’ what a fine workman he was, an’ how lucky it was that Stillwater had a reg’lar undertaker instead of buryin’ folks jest as they was, like they do over to Whitby.

  “ ‘Suppose’, says he, ‘some fellow was to be took with some of them paralysin’ cramps like you read about. How’d a body like it when they lowered him down and begun shovelin’ the dirt back? How’d he like it when he was chokin’ down there under the new headstone, scratchin’ an’ tearin’ if he chanced to get back the power, but all the time knowin’ it wasn’t no use? No, sir, I tell you it’s a blessin’ Stillwater�
�s got a smart doctor as knows when a man’s dead and when he ain’t, and a trained undertaker who can fix a corpse so he’ll stay put without no trouble’.

  “That was the way Henry went on talkin’, most like he was talkin’ to poor Tom’s remains; and old Doc Pratt he didn’t like what he was able to catch of it, even though Henry did call him a smart doctor. Crazy Johnny kept watchin’ of the corpse, and it didn’t make it none too pleasant the way he’d slobber about things like, ‘He ain’t cold, Doc’, or ‘I see his eyelids move’, or ‘There’s a hole in his arm jest like the ones I git when Henry gives me a syringe full of what makes me feel good’. Thorndike shut him up on that, though we all knowed he’d been givin’ poor Johnny drugs. It’s a wonder the poor fellow ever got clear of the habit.

  “But the worst thing, accordin’ to the doctor, was the way the body jerked up when Henry begun to shoot it full of embalmin’-fluid. He’d been boastin’ about what a fine new formula he’d got practicin’ on cats and dogs, when all of a sudden Tom’s corpse began to double up like it was alive and fixin’ to wrassle. Land of Goshen, but Doc says he was scared stiff, though he knowed the way corpses act when the muscles begin to stiffen. Well, sir, the long and short of it is, that the corpse sat up an’ grabbed a holt of Thorndike’s syringe so that it got stuck in Henry hisself, an’ give him as neat a dose of his own embalmin’-fluid as you’d wish to see. That got Henry pretty scared, though he yanked the point out and managed to get the body down again and shot full of the fluid. He kept measurin’ more of the stuff out as though he wanted to be sure there was enough, and kept reassurin’ himself as not much had got into him, but crazy Johnny begun singin’ out, ‘That’s what you give Lige Hopkins’s dog when it got all dead an’ stiff an’ then waked up agin. Now you’re a-going to get dead an’ stiff like Tom Sprague be! Remember it don’t set to work till after a long spell if you don’t get much’.