Yog Sothothery - The Definitive H.P. Lovecraft Anthology

by H. P. Lovecraft

  April 26

  Up on the hill again this evening, and found that windy whispering much more distinct. The almost angry humming came close to actual speech—of a vague sibilant sort—and reminded me of the strange piping chant I had heard from afar. After sunset there came a curious flash of premature summer lightning on the northern horizon, followed almost at once by a queer detonation high in the fading sky. Something about this phenomenon disturbed me greatly, and I could not escape the impression that the noise ended in a kind of unhuman hissing speech which trailed off into guttural cosmic laughter. Is my mind tottering at last, or has my unwarranted curiosity evoked unheard-of horrors from the twilight spaces? The Sabbat is close at hand now. What will be the end?

  April 27

  At last my dreams are to be realised! Whether or not my life or spirit or body will be claimed, I shall enter the gateway! Progress in deciphering those crucial hieroglyphs in the picture has been slow, but this afternoon I hit upon the final clue. By evening I knew their meaning—and that meaning can apply in only one way to the things I have encountered in this house.

  There is beneath this house—sepulchred I know not where—an ancient forgotten One who will shew me the gateway I would enter, and give me the lost signs and words I shall need. How long It has lain buried here—forgotten save by those who reared the stones on the hill, and by those who later sought out this place and built this house—I cannot conjecture. It was in search of this Thing, beyond question, that Hendrik van der Heyl came to New-Netherland in 1638. Men of this earth know It not, save in the secret whispers of the fear-shaken few who have found or inherited the key. No human eye has even yet glimpsed It—unless, perhaps, the vanished wizards of this house delved farther than has been guessed.

  With knowledge of the symbols came likewise a mastery of the Seven Lost Signs of Terror—and a tacit recognition of the hideous and unutterable Words of Fear. All that remains for me to accomplish is the Chant which will transfigure that Forgotten One who is Guardian of the Ancient Gateway. I marvel much at the Chant. It is composed of strange and repellent gutturals and disturbing sibilants resembling no language I have ever encountered—even in the blackest chapters of the Livre d’Eibon. When I visited the hill at sunset I tried to read it aloud, but evoked in response only a vague, sinister rumbling on the far horizon, and a thin cloud of elemental dust that writhed and whirled like some evil living thing. Perhaps I do not pronounce the alien syllables correctly, or perhaps it is only on the Sabbat—that hellish Sabbat for which the Powers in this house are without question holding me—that the great Transfiguration can occur.

  Had an odd spell of fright this morning. I thought for a moment that I recalled where I had seen that baffling name of Sleght before, and the prospect of realisation filled me with unutterable horror.

  April 28

  Today dark ominous clouds have hovered intermittently over the circle on the hill. I have noticed such clouds several times before, but their contours and arrangements now hold a fresh significance. They are snake-like and fantastic, and curiously like the evil shadow-shapes I have seen in the house. They float in a circle around the primal cromlech—revolving repeatedly as though endowed with a sinister life and purpose. I could swear, too, that they give forth an angry murmuring. After some fifteen minutes they sail slowly away, ever to the eastward, like the units of a straggling battalion. Are they indeed those dread Ones whom Solomon knew of old—those giant black beings whose number is legion and whose tread doth shake the earth?

  I have been rehearsing the Chant that will transfigure the Nameless Thing, yet strange fears assail me even when I utter the syllables under my breath. Piecing all evidence together, I have now discovered that the only way to It is through the locked cellar vault. That vault was built with a hellish purpose, and must cover the hidden burrow leading to the Immemorial Lair. What guardians live endlessly within, flourishing from century to century on an unknown nourishment, only the mad may conjecture. The warlocks of this house, who called them out of inner earth, have known them only too well, as the shocking portraits and memories of the place reveal.

  What troubles me most is the limited nature of the Chant. It evokes the Nameless One, yet provides no method for the control of That Which is evoked. There are, of course, the general signs and gestures, but whether they will prove effective toward such an One remains to be seen. Still, the rewards are great enough to justify any danger—and I could not retreat if I would, since an unknown force plainly urges me on.

  I have discovered one more obstacle. Since the locked cellar vault must be traversed, the key to that place must be found. The lock is infinitely too strong for forcing. That the key is somewhere hereabouts cannot be doubted, but the time before the Sabbat is very short. I must search diligently and thoroughly. It will take courage to unlock that iron door, for what prisoned horrors may not lurk within?

  Later

  I have been shunning the cellar for the past day or two, but late this afternoon I again descended to those forbidding precincts. At first all was silent, but within five minutes the menacing padding and muttering began once more beyond the iron door. This time it was loud and more terrifying than on any previous occasion, and I likewise recognised the slithering that bespoke some monstrous sea-beast—now swifter and nervously intensified, as if the thing were striving to force its way through the portal to where I stood.

  As the pacing grew louder, more restless, and more sinister, there began to pound through it those hellish and unidentifiable reverberations which I had heard on my second visit to the cellar—those muffled reverberations which seemed to echo from far horizons like distant thunder. Now, however, their volume was magnified an hundredfold, and their timbre freighted with new and terrifying implications. I can compare the sound to nothing more aptly than to the roar of some dread monster of the vanished saurian age, when primal horrors roamed the earth, and Valusia’s serpent-men laid the foundation-stones of evil magic. To such a roar—but swelled to deafening heights reached by no known organic throat—was this shocking sound akin. Dare I unlock the door and face the onslaught of what lies beyond?

  April 29

  The key to the vault is found. I came upon it this noon in the little locked room—buried beneath rubbish in a drawer of the ancient desk, as if some belated effort to conceal it had been made. It was wrapped in a crumbling newspaper dated Oct. 31st, 1872; but there was an inner wrapping of dried skin—evidently the hide of some unknown reptile—which bore a Low Latin message in the same crabbed writing as that of the notebooks I found. As I had thought, the lock and key were vastly older than the vault. Old Claes van der Heyl had them ready for something he or his descendants meant to do—and how much older than he they were I could not estimate. Deciphering the Latin message, I trembled in a fresh access of clutching terror and nameless awe.

  “The secrets of the monstrous primal Ones,” ran the crabbed text, “whose cryptic words relate the hidden things that were before man; the things no one of earth should learn, lest peace be forever forfeited; shall by me never suffer revelation. To Yian-Ho, that lost and forbidden city of countless aeons whose place may not be told, I have been in the veritable flesh of this body, as none other among the living has been. Therein have I found, and thence have I borne away, that knowledge which I would gladly lose, though I may not. I have learnt to bridge a gap that should not be bridged, and must call out of the earth That Which should not be waked or called. And what is sent to follow me will not sleep till I or those after me have found and done what is to be found and done.

  “That which I have awaked and borne away with me, I may not part with again. So is it written in the Book of Hidden Things. That which I have willed to be has twined its dreadful shape around me, and—if I live not to do the bidding—around those children born and unborn who shall come after me, until the bidding be done. Strange may be their joinings, and awful the aid they may summon till the end be reached. Into lands unknown and dim must the se
eking go, and a house must be built for the outer Guardians.

  “This is the key to that lock which was given me in the dreadful, aeon-old, and forbidden city of Yian-Ho; the lock which I or mine must place upon the vestibule of That Which is to be found. And may the Lords of Yaddith succour me—or him—who must set that lock in place or turn the key thereof.”

  Such was the message—a message which, once I had read it, I seemed to have known before. Now, as I write these words, the key is before me. I gaze on it with mixed dread and longing, and cannot find words to describe its aspect. It is of the same unknown, subtly greenish frosted metal as the lock; a metal best compared to brass tarnished with verdigris. Its design is alien and fantastic, and the coffin-shaped end of the ponderous bulk leaves no doubt of the lock it was meant to fit. The handle roughly forms a strange, non-human image, whose exact outlines and identity cannot now be traced. Upon holding it for any length of time I seem to feel an alien, anomalous life in the cold metal—a quickening or pulsing too feeble for ordinary recognition. Below the eidolon is graven a faint, aeon-worn legend in those blasphemous, Chinese-like hieroglyphs I have come to know so well. I can make out only the beginning—the words “my vengeance lurks”—before the text fades to indistinctness. There is some fatality in this timely finding of the key—for tomorrow night comes the hellish Sabbat. But strangely enough, amidst all this hideous expectancy, that question of the Sleght name bothers me more and more. Why should I dread to find it linked with the van der Heyls?

  Walpurgis-Eve—April 30

  The time has come. I waked last night to see the sky glowing with a lurid greenish radiance—that same morbid green which I have seen in the eyes and skin of certain portraits here, on the shocking lock and key, on the monstrous menhirs of the hill, and in a thousand other recesses of my consciousness. There were strident whispers in the air—sibilant whistlings like those of the wind around that dreadful cromlech. Something spoke to me out of the frore aether of space, and it said, “The hour falls.” It is an omen, and I laugh at my own fears. Have I not the dread words and the Seven Lost Signs of Terror—the power coercive of any Dweller in the cosmos or in the unknown darkened spaces? I will no longer hesitate.

  The heavens are very dark, as if a terrific storm were coming on—a storm even greater than that of the night when I reached here, nearly a fortnight ago. From the village—less than a mile away—I hear a queer and unwonted babbling. It is as I thought—these poor degraded idiots are within the secret, and keep the awful Sabbat on the hill. Here in the house the shadows gather densely. In the darkness the key before me almost glows with a greenish light of its own. I have not yet been to the cellar. It is better that I wait, lest the sound of that muttering and padding—those slitherings and muffled reverberations—unnerve me before I can unlock the fateful door.

  Of what I shall encounter, and what I must do, I have only the most general idea. Shall I find my task in the vault itself, or must I burrow deeper into the nighted heart of our planet? There are things I do not yet understand—or at least, prefer not to understand —despite a dreadful, increasing, and inexplicable sense of bygone familiarity with this fearsome house. That chute, for instance, leading down from the little locked room. But I think I know why the wing with the vault extends toward the hill.

  6 p.m.

  Looking out the north windows, I can see a group of villagers on the hill. They seem unaware of the lowering sky, and are digging near the great central menhir. It occurs to me that they are working on that stone-rimmed hollow place which looks like a long-choked tunnel entrance. What is to come? How much of the olden Sabbat rites have these people retained? That key glows horribly—it is not imagination. Dare I use it as it must be used? Another matter has greatly disturbed me. Glancing nervously through a book in the library I came upon an ampler form of the name that has teased my memory so sorely: Trintje, wife of Adriaen Sleght. The Adriaen leads me to the very brink of recollection.

  Midnight

  Horror is unleashed, but I must not weaken. The storm has broken with pandaemoniac fury, and lightning has struck the hill three times, yet the hybrid, malformed villagers are gathering within the cromlech. I can see them in the almost constant flashes. The great standing stones loom up shockingly, and have a dull green luminosity that reveals them even when the lightning is not there. The peals of thunder are deafening, and every one seems to be horribly answered from some indeterminate direction. As I write, the creatures on the hill have begun to chant and howl and scream in a degraded, half-simian version of the ancient ritual. Rain pours down like a flood, yet they leap and emit sounds in a kind of diabolic ecstasy.

  “Iä! Shub-Niggurath! The Goat with a Thousand Young!”

  But the worst thing is within the house. Even at this height, I have begun to hear sounds from the cellar. It is the padding and muttering and slithering and muffled reverberations within the vault…

  Memories come and go. That name of Adriaen Sleght pounds oddly at my consciousness. Dirck van der Heyl’s son-in-law—his child old Dirck’s granddaughter and Abaddon Corey’s great-granddaughter…

  Later

  Merciful God! At last I know where I saw that name. I know, and am transfixed with horror. All is lost…

  The key has begun to feel warm as my left hand nervously clutches it. At times that vague quickening or pulsing is so distinct that I can almost feel the living metal move. It came from Yian-Ho for a terrible purpose, and to me—who all too late know the thin stream of van der Heyl blood that trickles down through the Sleghts into my own lineage—has descended the hideous task of fulfilling that purpose…

  My courage and curiosity wane. I know the horror that lies beyond that iron door. What if Claes van der Heyl was my ancestor—need I expiate his nameless sin? I will not—I swear I will not!…

  [Writing here grows indistinct]

  Too late—cannot help self—black paws materialise—am dragged away toward the cellar…

  The Last Test

  By H. P. Lovecraft & Adolphe de Castro

  Written: October-November 1927

  First Published: Weird Tales,

  Vol. 12, No. 5 (November 1928), Pages 625-656

  Chapter I

  Few persons know the inside of the Clarendon story, or even that there is an inside not reached by the newspapers. It was a San Francisco sensation in the days before the fire, both because of the panic and menace that kept it company, and because of its close linkage with the governor of the state. Governor Dalton, it will be recalled, was Clarendon’s best friend, and later married his sister. Neither Dalton nor Mrs. Dalton would ever discuss the painful affair, but somehow the facts have leaked out to a limited circle. But for that and for the years which have given a sort of vagueness and impersonality to the actors, one would still pause before probing into secrets so strictly guarded at the time.

  The appointment of Dr. Alfred Clarendon as medical director of San Quentin Penitentiary in 189- was greeted with the keenest enthusiasm throughout California. San Francisco had at last the honour of harbouring one of the greatest biologists and physicians of the period, and solid pathological leaders from all over the world might be expected to flock thither to study his methods, profit by his advice and researches, and learn how to cope with their own local problems. California, almost over night, would become a centre of medical scholarship with earthwide influence and reputation.

  Governor Dalton, anxious to spread the news in its fullest significance, saw to it that the press carried ample and dignified accounts of his new appointee. Pictures of Dr. Clarendon and his new home near old Goat Hill, sketches of his career and manifold honours, and popular accounts of his salient scientific discoveries were all presented in the principal California dailies, till the public soon felt a sort of reflected pride in the man whose studies of pyemia in India, of the pest in China, and of every sort of kindred disorder elsewhere would soon enrich the world of medicine with an antitoxin of revolutionary importance—a basic an
titoxin combating the whole febrile principle at its very source, and ensuring the ultimate conquest and extirpation of fever in all its diverse forms.

  Back of the appointment stretched an extended and not wholly unromantic history of early friendship, long separation, and dramatically renewed acquaintance. James Dalton and the Clarendon family had been friends in New York ten years before—friends and more than friends, since the doctor’s only sister, Georgina, was the sweetheart of Dalton’s youth, while the doctor himself had been his closest associate and almost his protégé in the days of school and college. The father of Alfred and Georgina, a Wall Street pirate of the ruthless elder breed, had known Dalton’s father well; so well, indeed, that he had finally stripped him of all he possessed in a memorable afternoon’s fight on the stock exchange. Dalton Senior, hopeless of recuperation and wishing to give his one adored child the benefit of his insurance, had promptly blown out his brains; but James had not sought to retaliate. It was, as he viewed it, all in the game; and he wished no harm to the father of the girl he meant to marry and of the budding young scientist whose admirer and protector he had been throughout their years of fellowship and study. Instead, he turned to the law, established himself in a small way, and in due course of time asked “Old Clarendon” for Georgina’s hand.

  Old Clarendon had refused very firmly and loudly, vowing that no pauper and upstart lawyer was fit to be his son-in-law; and a scene of considerable violence had occurred. James, telling the wrinkled freebooter at last what he ought to have been told long before, had left the house and the city in a high temper; and was embarked within a month upon the California life which was to lead him to the governorship through many a fight with ring and politician. His farewells to Alfred and Georgina had been brief, and he had never known the aftermath of that scene in the Clarendon library. Only by a day did he miss the news of Old Clarendon’s death from apoplexy, and by so missing it, changed the course of his whole career. He had not written Georgina in the decade that followed; knowing her loyalty to her father, and waiting till his own fortune and position might remove all obstacles to the match. Nor had he sent any word to Alfred, whose calm indifference in the face of affection and hero-worship had always savoured of conscious destiny and the self-sufficiency of genius. Secure in the ties of a constancy rare even then, he had worked and risen with thoughts only of the future; still a bachelor, and with a perfect intuitive faith that Georgina also was waiting.