Father Brown Omnibus

by G. K. Chesterton

  The prince made an inexplicable noise like an animal; in his shadowed face the eyes were shining queerly. A new and shrewd thought exploded silently in the other's mind. Was there another meaning in Saradine's blend of brilliancy and abruptness? Was the prince— Was he perfectly sane? He was repeating, "The wrong person—the wrong person," many more times than was natural in a social exclamation.

  Then Father Brown awoke tardily to a second truth. In the mirrors before him he could see the silent door standing open, and the silent Mr. Paul standing in it, with his usual pallid impassiveness.

  "I thought it better to announce at once," he said, with the same stiff respectfulness as of an old family lawyer, "a boat rowed by six men has come to the landing-stage, and there's a gentleman sitting in the stern."

  "A boat!" repeated the prince; "a gentleman?" and he rose to his feet.

  There was a startled silence punctuated only by the odd noise of the bird in the sedge; and then, before anyone could speak again, a new face and figure passed in profile round the three sunlit windows, as the prince had passed an hour or two before.

  But except for the accident that both outlines were aquiline, they had little in common. Instead of the new white topper of Saradine, was a black one of antiquated or foreign shape; under it was a young and very solemn face, clean shaven, blue about its resolute chin, and carrying a faint suggestion of the young Napoleon. The association was assisted by something old and odd about the whole get-up, as of a man who had never troubled to change the fashions of his fathers. He had a shabby blue frock coat, a red, soldierly looking waistcoat, and a kind of coarse white trousers common among the early Victorians, but strangely incongruous today. From all this old clothes-shop his olive face stood out strangely young and monstrously sincere.

  "The deuce!" said Prince Saradine, and clapping on his white hat he went to the front door himself, flinging it open on the sunset garden.

  By that time the new-comer and his followers were drawn up on the lawn like a small stage army. The six boatmen had pulled the boat well up on shore, and were guarding it almost menacingly, holding their oars erect like spears. They were swarthy men, and some of them wore earrings. But one of them stood forward beside the olive-faced young man in the red waistcoat, and carried a large black case of unfamiliar form.

  "Your name," said the young man, "is Saradine?"

  Saradine assented rather negligently.

  The new-comer had dull, dog-like brown eyes, as different as possible from the restless and glittering grey eyes of the prince.

  But once again Father Brown was tortured with a sense of having seen somewhere a replica of the face; and once again he remembered the repetitions of the glass-panelled room, and put down the coincidence to that. "Confound this crystal palace!" he muttered.

  "One sees everything too many times. It's like a dream."

  "If you are Prince Saradine," said the young man, "I may tell you that my name is Antonelli."

  "Antonelli," repeated the prince languidly. "Somehow I remember the name."

  "Permit me to present myself," said the young Italian.

  With his left hand he politely took off his old-fashioned top-hat; with his right he caught Prince Saradine so ringing a crack across the face that the white top hat rolled down the steps and one of the blue flower-pots rocked upon its pedestal.

  The prince, whatever he was, was evidently not a coward; he sprang at his enemy's throat and almost bore him backwards to the grass. But his enemy extricated himself with a singularly inappropriate air of hurried politeness.

  "That is all right," he said, panting and in halting English.

  "I have insulted. I will give satisfaction. Marco, open the case."

  The man beside him with the earrings and the big black case proceeded to unlock it. He took out of it two long Italian rapiers, with splendid steel hilts and blades, which he planted point downwards in the lawn. The strange young man standing facing the entrance with his yellow and vindictive face, the two swords standing up in the turf like two crosses in a cemetery, and the line of the ranked towers behind, gave it all an odd appearance of being some barbaric court of justice. But everything else was unchanged, so sudden had been the interruption. The sunset gold still glowed on the lawn, and the bittern still boomed as announcing some small but dreadful destiny.

  "Prince Saradine," said the man called Antonelli, "when I was an infant in the cradle you killed my father and stole my mother; my father was the more fortunate. You did not kill him fairly, as I am going to kill you. You and my wicked mother took him driving to a lonely pass in Sicily, flung him down a cliff, and went on your way. I could imitate you if I chose, but imitating you is too vile. I have followed you all over the world, and you have always fled from me. But this is the end of the world—and of you. I have you now, and I give you the chance you never gave my father. Choose one of those swords."

  Prince Saradine, with contracted brows, seemed to hesitate a moment, but his ears were still singing with the blow, and he sprang forward and snatched at one of the hilts. Father Brown had also sprung forward, striving to compose the dispute; but he soon found his personal presence made matters worse. Saradine was a French freemason and a fierce atheist, and a priest moved him by the law of contraries. And for the other man neither priest nor layman moved him at all. This young man with the Bonaparte face and the brown eyes was something far sterner than a puritan—a pagan. He was a simple slayer from the morning of the earth; a man of the stone age—a man of stone.

  One hope remained, the summoning of the household; and Father Brown ran back into the house. He found, however, that all the under servants had been given a holiday ashore by the autocrat Paul, and that only the sombre Mrs. Anthony moved uneasily about the long rooms. But the moment she turned a ghastly face upon him, he resolved one of the riddles of the house of mirrors. The heavy brown eyes of Antonelli were the heavy brown eyes of Mrs. Anthony; and in a flash he saw half the story.

  "Your son is outside," he said without wasting words; "either he or the prince will be killed. Where is Mr. Paul?"

  "He is at the landing-stage," said the woman faintly. "He is —he is—signalling for help."

  "Mrs. Anthony," said Father Brown seriously, "there is no time for nonsense. My friend has his boat down the river fishing.

  Your son's boat is guarded by your son's men. There is only this one canoe; what is Mr. Paul doing with it?"

  "Santa Maria! I do not know," she said; and swooned all her length on the matted floor.

  Father Brown lifted her to a sofa, flung a pot of water over her, shouted for help, and then rushed down to the landing-stage of the little island. But the canoe was already in mid-stream, and old Paul was pulling and pushing it up the river with an energy incredible at his years.

  "I will save my master," he cried, his eyes blazing maniacally.

  "I will save him yet!"

  Father Brown could do nothing but gaze after the boat as it struggled up-stream and pray that the old man might waken the little town in time.

  "A duel is bad enough," he muttered, rubbing up his rough dust-coloured hair, "but there's something wrong about this duel, even as a duel. I feel it in my bones. But what can it be?"

  As he stood staring at the water, a wavering mirror of sunset, he heard from the other end of the island garden a small but unmistakable sound—the cold concussion of steel. He turned his head.

  Away on the farthest cape or headland of the long islet, on a strip of turf beyond the last rank of roses, the duellists had already crossed swords. Evening above them was a dome of virgin gold, and, distant as they were, every detail was picked out.

  They had cast off their coats, but the yellow waistcoat and white hair of Saradine, the red waistcoat and white trousers of Antonelli, glittered in the level light like the colours of the dancing clockwork dolls. The two swords sparkled from point to pommel like two diamond pins. There was something frightful in the two figures appearing so little and so gay. They loo
ked like two butterflies trying to pin each other to a cork.

  Father Brown ran as hard as he could, his little legs going like a wheel. But when he came to the field of combat he found he was born too late and too early—too late to stop the strife, under the shadow of the grim Sicilians leaning on their oars, and too early to anticipate any disastrous issue of it. For the two men were singularly well matched, the prince using his skill with a sort of cynical confidence, the Sicilian using his with a murderous care. Few finer fencing matches can ever have been seen in crowded amphitheatres than that which tinkled and sparkled on that forgotten island in the reedy river. The dizzy fight was balanced so long that hope began to revive in the protesting priest; by all common probability Paul must soon come back with the police. It would be some comfort even if Flambeau came back from his fishing, for Flambeau, physically speaking, was worth four other men. But there was no sign of Flambeau, and, what was much queerer, no sign of Paul or the police. No other raft or stick was left to float on; in that lost island in that vast nameless pool, they were cut off as on a rock in the Pacific.

  Almost as he had the thought the ringing of the rapiers quickened to a rattle, the prince's arms flew up, and the point shot out behind between his shoulder-blades. He went over with a great whirling movement, almost like one throwing the half of a boy's cart-wheel. The sword flew from his hand like a shooting star, and dived into the distant river. And he himself sank with so earth-shaking a subsidence that he broke a big rose-tree with his body and shook up into the sky a cloud of red earth—like the smoke of some heathen sacrifice. The Sicilian had made blood-offering to the ghost of his father.

  The priest was instantly on his knees by the corpse; but only to make too sure that it was a corpse. As he was still trying some last hopeless tests he heard for the first time voices from farther up the river, and saw a police boat shoot up to the landing-stage, with constables and other important people, including the excited Paul. The little priest rose with a distinctly dubious grimace.

  "Now, why on earth," he muttered, "why on earth couldn't he have come before?"

  Some seven minutes later the island was occupied by an invasion of townsfolk and police, and the latter had put their hands on the victorious duellist, ritually reminding him that anything he said might be used against him.

  "I shall not say anything," said the monomaniac, with a wonderful and peaceful face. "I shall never say anything more.

  I am very happy, and I only want to be hanged."

  Then he shut his mouth as they led him away, and it is the strange but certain truth that he never opened it again in this world, except to say "Guilty" at his trial.

  Father Brown had stared at the suddenly crowded garden, the arrest of the man of blood, the carrying away of the corpse after its examination by the doctor, rather as one watches the break-up of some ugly dream; he was motionless, like a man in a nightmare.

  He gave his name and address as a witness, but declined their offer of a boat to the shore, and remained alone in the island garden, gazing at the broken rose bush and the whole green theatre of that swift and inexplicable tragedy. The light died along the river; mist rose in the marshy banks; a few belated birds flitted fitfully across.

  Stuck stubbornly in his sub-consciousness (which was an unusually lively one) was an unspeakable certainty that there was something still unexplained. This sense that had clung to him all day could not be fully explained by his fancy about "looking-glass land." Somehow he had not seen the real story, but some game or masque. And yet people do not get hanged or run through the body for the sake of a charade.

  As he sat on the steps of the landing-stage ruminating he grew conscious of the tall, dark streak of a sail coming silently down the shining river, and sprang to his feet with such a backrush of feeling that he almost wept.

  "Flambeau!" he cried, and shook his friend by both hands again and again, much to the astonishment of that sportsman, as he came on shore with his fishing tackle. "Flambeau," he said, "so you're not killed?"

  "Killed!" repeated the angler in great astonishment. "And why should I be killed?"

  "Oh, because nearly everybody else is," said his companion rather wildly. "Saradine got murdered, and Antonelli wants to be hanged, and his mother's fainted, and I, for one, don't know whether I'm in this world or the next. But, thank God, you're in the same one." And he took the bewildered Flambeau's arm.

  As they turned from the landing-stage they came under the eaves of the low bamboo house, and looked in through one of the windows, as they had done on their first arrival. They beheld a lamp-lit interior well calculated to arrest their eyes. The table in the long dining-room had been laid for dinner when Saradine's destroyer had fallen like a stormbolt on the island. And the dinner was now in placid progress, for Mrs. Anthony sat somewhat sullenly at the foot of the table, while at the head of it was Mr. Paul, the major domo, eating and drinking of the best, his bleared, bluish eyes standing queerly out of his face, his gaunt countenance inscrutable, but by no means devoid of satisfaction.

  With a gesture of powerful impatience, Flambeau rattled at the window, wrenched it open, and put an indignant head into the lamp-lit room.

  "Well," he cried. "I can understand you may need some refreshment, but really to steal your master's dinner while he lies murdered in the garden—"

  "I have stolen a great many things in a long and pleasant life," replied the strange old gentleman placidly; "this dinner is one of the few things I have not stolen. This dinner and this house and garden happen to belong to me."

  A thought flashed across Flambeau's face. "You mean to say," he began, "that the will of Prince Saradine—"

  "I am Prince Saradine," said the old man, munching a salted almond.

  Father Brown, who was looking at the birds outside, jumped as if he were shot, and put in at the window a pale face like a turnip.

  "You are what?" he repeated in a shrill voice.

  "Paul, Prince Saradine, A vos ordres," said the venerable person politely, lifting a glass of sherry. "I live here very quietly, being a domestic kind of fellow; and for the sake of modesty I am called Mr. Paul, to distinguish me from my unfortunate brother Mr. Stephen. He died, I hear, recently—in the garden. Of course, it is not my fault if enemies pursue him to this place. It is owing to the regrettable irregularity of his life. He was not a domestic character."

  He relapsed into silence, and continued to gaze at the opposite wall just above the bowed and sombre head of the woman.

  They saw plainly the family likeness that had haunted them in the dead man. Then his old shoulders began to heave and shake a little, as if he were choking, but his face did not alter.

  "My God!" cried Flambeau after a pause, "he's laughing!"

  "Come away," said Father Brown, who was quite white. "Come away from this house of hell. Let us get into an honest boat again."

  Night had sunk on rushes and river by the time they had pushed off from the island, and they went down-stream in the dark, warming themselves with two big cigars that glowed like crimson ships' lanterns. Father Brown took his cigar out of his mouth and said:

  "I suppose you can guess the whole story now? After all, it's a primitive story. A man had two enemies. He was a wise man.

  And so he discovered that two enemies are better than one."

  "I do not follow that," answered Flambeau.

  "Oh, it's really simple," rejoined his friend. "Simple, though anything but innocent. Both the Saradines were scamps, but the prince, the elder, was the sort of scamp that gets to the top, and the younger, the captain, was the sort that sinks to the bottom. This squalid officer fell from beggar to blackmailer, and one ugly day he got his hold upon his brother, the prince.

  Obviously it was for no light matter, for Prince Paul Saradine was frankly `fast,' and had no reputation to lose as to the mere sins of society. In plain fact, it was a hanging matter, and Stephen literally had a rope round his brother's neck. He had somehow discovered the truth about the
Sicilian affair, and could prove that Paul murdered old Antonelli in the mountains. The captain raked in the hush money heavily for ten years, until even the prince's splendid fortune began to look a little foolish.

  "But Prince Saradine bore another burden besides his blood-sucking brother. He knew that the son of Antonelli, a mere child at the time of the murder, had been trained in savage Sicilian loyalty, and lived only to avenge his father, not with the gibbet (for he lacked Stephen's legal proof), but with the old weapons of vendetta. The boy had practised arms with a deadly perfection, and about the time that he was old enough to use them Prince Saradine began, as the society papers said, to travel. The fact is that he began to flee for his life, passing from place to place like a hunted criminal; but with one relentless man upon his trail. That was Prince Paul's position, and by no means a pretty one. The more money he spent on eluding Antonelli the less he had to silence Stephen. The more he gave to silence Stephen the less chance there was of finally escaping Antonelli. Then it was that he showed himself a great man—a genius like Napoleon.

  "Instead of resisting his two antagonists, he surrendered suddenly to both of them. He gave way like a Japanese wrestler, and his foes fell prostrate before him. He gave up the race round the world, and he gave up his address to young Antonelli; then he gave up everything to his brother. He sent Stephen money enough for smart clothes and easy travel, with a letter saying roughly: `This is all I have left. You have cleaned me out. I still have a little house in Norfolk, with servants and a cellar, and if you want more from me you must take that. Come and take possession if you like, and I will live there quietly as your friend or agent or anything.' He knew that the Sicilian had never seen the Saradine brothers save, perhaps, in pictures; he knew they were somewhat alike, both having grey, pointed beards. Then he shaved his own face and waited. The trap worked. The unhappy captain, in his new clothes, entered the house in triumph as a prince, and walked upon the Sicilian's sword.

  "There was one hitch, and it is to the honour of human nature.