Father Brown Omnibus

by G. K. Chesterton

  9. The Vampire of the Village

  At the twist of a path in the hills, where two poplars stood up like pyramids dwarfing the tiny village of Potter’s Pond, a mere huddle of houses, there once walked a man in a costume of a very conspicuous cut and colour, wearing a vivid magenta coat and a white hat tilted upon black ambrosial curls, which ended with a sort of Byronic flourish of whisker.

  The riddle of why he was wearing clothes of such fantastic antiquity, yet wearing them with an air of fashion and even swagger, was but one of the many riddles that were eventually solved in solving the mystery of his fate. The point here is that when he had passed the poplars he seemed to have vanished; as if he had faded into the wan and widening dawn or been blown away upon the wind of morning.

  It was only about a week afterwards that his body was found a quarter of a mile away, broken upon the steep rockeries of a terraced garden leading up to a gaunt and shuttered house called The Grange. Just before he had vanished, he had been accidentally overheard apparently quarrelling with some bystanders, and especially abusing their village as ‘a wretched little hamlet’; and it was supposed that he had aroused some extreme passions of local patriotism and eventually been their victim. At least the local doctor testified that the skull had suffered a crushing blow that might have caused death, through probably only inflicted with some sort of club or cudgel. This fitted in well enough with the notion of an attack by rather savage yokels. But nobody ever found any means of tracing any particular yokel; and the inquest returned a verdict of murder by some persons unknown.

  A year or two afterwards the question was re-opened in a curious way; a series of events which led a certain Dr Mulborough, called by his intimates Mulberry in apt allusion to something rich and fruity about his dark rotundity and rather empurpled visage, travelling by train down to Potter’s Pond, with a friend whom he had often consulted upon problems of the kind. In spite of the somewhat port-winy and ponderous exterior of the doctor, he had a shrewd eye and was really a man of very remarkable sense; which he considered that he showed in consulting a little priest named Brown, whose acquaintance he had made over a poisoning case long ago. The little priest was sitting opposite to him, with the air of a patient baby absorbing instruction; and the doctor was explaining at length the real reasons for the journey.

  ‘I cannot agree with the gentleman in the magenta coat that Potter’s Pond is only a wretched little hamlet. But it is certainly a very remote and secluded village; so that it seems quite outlandish, like a village of a hundred years ago. The spinsters are really spinsters—damn it, you could almost imagine you saw them spin. The ladies are not just ladies. They are gentlewomen; and their chemist is not a chemist, but an apothecary; pronounced potecary. They do just admit the existence of an ordinary doctor like myself to assist the apothecary. But I am considered rather a juvenile innovation, because I am only fifty-seven years old and have only been in the county for twenty-eight years. The solicitor looks as if he had known it for twenty-eight thousand years. Then there is the old Admiral, who is just like a Dickens illustration; with a house full of cutlasses and cuttle-fish and equipped with a telescope.’

  ‘I suppose,’ said Father Brown, ‘there are always a certain number of Admirals washed up on the shore. But I never understood why they get stranded so far inland.’

  ‘Certainly no dead-alive place in the depths of the country is complete without one of these little creatures,’ said the doctor. ‘And then, of course, there is the proper sort of clergyman; Tory and High Church in a dusty fashion dating from Archbishop Laud; more of an old woman than any of the old women. He’s a white-haired studious old bird, more easily shocked than the spinsters. Indeed, the gentlewomen, though Puritan in their principles, are sometimes pretty plain in their speech; as the real Puritans were. Once or twice I have known old Miss Carstairs-Carew use expressions as lively as anything in the Bible. The dear old clergyman is assiduous in reading the Bible; but I almost fancy he shuts his eyes when he comes to those words. Well, you know I’m not particularly modern. I don’t enjoy this jazzing and joy-riding of the Bright Young Things—‘

  ‘The Bright Young Things don’t enjoy it,’ said Father Brown. ‘That is the real tragedy.’

  ‘But I am naturally rather more in touch with the world than the people in this prehistoric village,’ pursued the doctor. ‘And I had reached a point when I almost welcomed the Great Scandal.’

  ‘Don’t say the Bright Young Things have found Potter’s Pond after all,‘ observed the priest, smiling.

  ‘Oh, even our scandal is on old-established melodramatic lines. Need I say that the clergyman’s son promises to be our problem? It would be almost irregular, if the clergyman’s son were quite regular. So far as I can see, he is very mildly and almost feebly irregular. He was first seen drinking ale outside the Blue Lion. Only it seems he is a poet, which in those parts is next door to being a poacher.’

  ‘Surely,’ said Father Brown, ‘even in Potter’s Pond that cannot be the Great Scandal.’

  ‘No,’ replied the doctor gravely. ‘The Great Scandal began thus. In the house called The Grange, situated at the extreme end of The Grove, there lives a lady. A Lonely Lady. She calls herself Mrs Maltravers (that is how we put it); but she only came a year or two ago and nobody knows anything about her. “I can’t think why she wants to live here,” said Miss Carstairs-Carew; “we do not visit her.”‘

  ‘Perhaps that’s why she wants to live there,’ said Father Brown.

  ‘Well, her seclusion is considered suspicious. She annoys them by being good-looking and even what is called good style. And all the young men are warned against her as a vamp.’

  ‘People who lose all their charity generally lose all their logic,’ remarked Father Brown. ‘It’s rather ridiculous to complain that she keeps to herself; and then accuse her of vamping the whole male population.’

  ‘That is true,’ said the doctor. ‘And yet she is really rather a puzzling person. I saw her and found her intriguing; one of those brown women, long and elegant and beautifully ugly, if you know what I mean. She is rather witty, and though young enough certainly gives me an impression of what they call—well, experience. What the old ladies call a Past.’

  ‘All the old ladies having been born this very minute,’ observed Father Brown. ‘I think I can assume she is supposed to have vamped the parson’s son.’

  ‘Yes, and it seems to be a very awful problem to the poor old parson. She is supposed to be a widow.’

  Father Brown’s face had a flash and spasm of his rare irritation. ‘She is supposed to be a widow, as the parson’s son is supposed to be the parson’s son, and the solicitor is supposed to be a solicitor and you are supposed to be a doctor. Why in thunder shouldn’t she be a widow? Have they one speck of prima facie evidence for doubting that she is what she says she is?’,

  Dr Mulborough abruptly squared his broad shoulders and sat up. ‘Of course you’re right again,’ he said. ‘But we haven’t come to the scandal yet. Well, the scandal is that she is a widow.’

  ‘Oh,’ said Father Brown; and his face altered and he said something soft and faint, that might almost have been ‘My God!’

  ‘First of all,’ said the doctor, ‘they have made one discovery about Mrs Maltravers. She is an actress.’

  ‘I fancied so,’ said Father Brown. ‘Never mind why. I had another fancy about her, that would seem even more irrelevant.’

  ‘Well, at that instant it was scandal enough that she was an actress. The dear old clergyman of course is heartbroken, to think that his white hairs should be brought in sorrow to the grave by an actress and adventuress. The spinsters shriek in chorus. The Admiral admits he has sometimes been to a theatre in town; but objects to such things in what he calls “our midst”. Well, of course I’ve no particular objections of that kind. This actress is certainly a lady, if a bit of a Dark Lady, in the manner of the Sonnets; the young man is very much in love with her; and I am no doubt a sentimental old foo
l in having a sneaking sympathy with the misguided youth who is sneaking round the Moated Grange; and I was getting into quite a pastoral frame of mind about this idyll, when suddenly the thunderbolt fell. And I, who am the only person who ever had any sympathy with these people, am sent down to be the messenger of doom.’

  ‘Yes,’ said Father Brown, ‘and why were you sent down?’

  The doctor answered with a sort of groan:

  ‘Mrs Maltravers is not only a widow, but she is the widow of Mr Maltravers.’

  ‘It sounds like a shocking revelation, as you state it,’ acknowledged the priest seriously.

  ‘And Mr Maltravers,’ continued his medical friend, ‘was the man who was apparently murdered in this very village a year or two ago; supposed to have been bashed on the head by one of the simple villagers.’

  ‘I remember you told me,’ said Father Brown. ‘The doctor, or some doctor, said he had probably died of being clubbed on the head with a cudgel.’

  Dr Mulborough was silent for a moment in frowning embarrassment, and then said curtly:

  ‘Dog doesn’t eat dog, and doctors don’t bite doctors, not even when they are mad doctors. I shouldn’t care to cast any reflection on my eminent predecessor in Potter’s Pond, if I could avoid it; but I know you are really safe for secrets. And, speaking in confidence, my eminent predecessor at Potter’s Pond was a blasted fool; a drunken old humbug and absolutely incompetent. I was asked, originally by the Chief Constable of the County (for I’ve lived a long time in the county, though only recently in the village), to look into the whole business; the depositions and reports of the inquest and so on. And there simply isn’t any question about it. Maltravers may have been hit on the head; he was a strolling actor passing through the place; and Potter’s Pond probably thinks it is all in the natural order that such people should be hit on the head. But whoever hit him on the head did not kill him; it is simply impossible for the injury, as described, to do more than knock him out for a few hours. But lately I have managed to turn up some other facts bearing on the matter; and the result of it is pretty grim.’

  He sat louring at the landscape as it slid past the window, and then said more curtly: ‘I am coming down here, and asking your help, because there’s going to be an exhumation. There is very strong suspicion of poison.’

  ‘And here we are at the station,’ said Father Brown cheerfully. ‘I suppose your idea is that poisoning the poor man would naturally fall among the household duties of his wife.’

  ‘Well, there never seems to have been anyone else here who had any particular connection with him,’ replied Mulborough, as they alighted from the train. ‘At least there is one queer old crony of his, a broken-down actor, hanging around; but the police and the local solicitor seem convinced he is an unbalanced busybody; with some idee fixe about a quarrel with an actor who was his enemy; but who certainly wasn’t Maltravers. A wandering accident, I should say, and certainly nothing to do with the problem of the poison.’

  Father Brown had heard the story. But he knew that he never knew a story until he knew the characters in the story. He spent the next two or three days in going the rounds, on one polite excuse or another, to visit the chief actors of the drama. His first interview with the mysterious widow was brief but bright. He brought away from it at least two facts; one that Mrs Maltravers sometimes talked in a way which the Victorian village would call cynical; and, second, that like not a few actresses, she happened to belong to his own religious communion.

  He was not so illogical (nor so unorthodox) as to infer from this alone that she was innocent of the alleged crime. He was well aware that his old religious communion could boast of several distinguished poisoners. But he had no difficulty in understanding its connection, in this sort of case, with a certain intellectual liberty which these Puritans would call laxity; and which would certainly seem to this parochial patch of an older England to be almost cosmopolitan. Anyhow, he was sure she could count for a great deal, whether for good or evil. Her brown eyes were brave to the point of battle, and her enigmatic mouth, humorous and rather large, suggested that her purposes touching the parson’s poetical son, whatever they might be, were planted pretty deep.

  The parson’s poetical son himself, interviewed amid vast village scandal on a bench outside the Blue Lion, gave an impression of pure sulks. Hurrel Horner, a son of the Rev. Samuel Horner, was a square-built young man in a pale grey suit with a touch of something arty in a pale green tie, otherwise mainly notable for a mane of auburn hair and a permanent scowl. But Father Brown had a way with him in getting people to explain at considerable length why they refused to say a single word. About the general scandalmongering in the village, the young man began to curse freely. He even added a little scandalmongering of his own. He referred bitterly to alleged past flirtations between the Puritan Miss Carstairs — Carew and Mr Carver the solicitor. He even accused that legal character of having attempted to force himself upon the acquaintance of Mrs Maltravers. But when he came to speak of his own father, whether out of an acid decency or piety, or because his anger was too deep for speech, he snapped out only a few words.

  ‘Well, there it is. He denounces her day and night as a painted adventuress; a sort of barmaid with gilt hair. I tell him she’s not; you’ve met her yourself, and you know she’s not. But he won’t even meet her. He won’t even see her in the street or look at her out of a window. An actress would pollute his house and even his holy presence. If he is called a Puritan he says he’s proud to be a Puritan.’

  ‘Your father,’ said Father Brown, ‘is entitled to have his views respected, whatever they are; they are not views I understand very well myself. But I agree he is not entitled to lay down the law about a lady he has never seen and then refuse even to look at her, to see if he is right. That is illogical.’

  ‘That’s his very stiffest point,’ replied the youth. ‘Not even one momentary meeting. Of course, he thunders against my other theatrical tastes as well.’

  Father Brown swiftly followed up the new opening, and learnt much that he wanted to know. The alleged poetry, which was such a blot on the young man’s character, was almost entirely dramatic poetry. He had written tragedies in verse which had been admired by good judges. He was no mere stage-struck fool; indeed he was no fool of any kind. He had some really original ideas about acting Shakespeare; it was easy to understand his having been dazzled and delighted by finding the brilliant lady at the Grange. And even the priest’s intellectual sympathy so far mellowed the rebel of Potter’s Pond that at their parting he actually smiled.

  It was that smile which suddenly revealed to Father Brown that the young man was really miserable. So long as he frowned, it might well have been only sulks; but when he smiled it was somehow a more real revelation of sorrow.

  Something continued to haunt the priest about that interview with the poet. An inner instinct certified that the sturdy young man was eaten from within, by some grief greater even than the conventional story of conventional parents being obstacles to the course of true love. It was all the more so, because there were not any obvious alternative causes. The boy was already rather a literary and dramatic success; his books might be said to be booming. Nor did he drink or dissipate his well-earned wealth. His notorious revels at the Blue Lion reduced themselves to one glass of light ale; and he seemed to be rather careful with his money. Father Brown thought of another possible complication in connection with Hurrel’s large resources and small expenditure; and his brow darkened.

  The conversation of Miss Carstairs-Carew, on whom he called next, was certainly calculated to paint the parson’s son in the darkest colours. But as it was devoted to blasting him with all the special vices which Father Brown was quite certain the young man did not exhibit, he put it down to a common combination of Puritanism and gossip. The lady, though lofty, was quite gracious, however, and offered the visitor a small glass of port-wine and a slice of seed-cake, in the manner of everybody’s most ancient great-aunts, bef
ore he managed to escape from a sermon on the general decay of morals and manners.

  His next port of call was very much of a contrast; for he disappeared down a dark and dirty alley, where Miss Carstairs-Carew would have refused to follow him even in thought; and then into a narrow tenement made noisier by a high and declamatory voice in an attic… From this he re-emerged, with a rather dazed expression, pursued on to the pavement by a very excited man with a blue chin and a black frock-coat faded to bottle-green, who was shouting argumentatively: ‘He did not disappear! Maltravers never disappeared! He appeared: he appeared dead and I’ve appeared alive. But where’s all the rest of the company? Where’s that man, that monster, who deliberately stole my lines, crabbed my best scenes and ruined my career? I was the finest Tubal that ever trod the boards. He acted Shylock—he didn’t need to act much for that! And so with the greatest opportunity of my whole career. I could show you press-cuttings on my renderings of Fortinbras—‘

  ‘I’m quite sure they were splendid and very well-deserved,’ gasped the little priest. ‘I understood the company had left the village before Maltravers died. But it’s all right. It’s quite all right.’ And he began to hurry down the street again.

  ‘He was to act Polonius,’ continued the unquenchable orator behind him. Father Brown suddenly stopped dead.

  ‘Oh,’ he said very slowly, ‘he was to act Polonius.’