Dombey and Son

by Charles Dickens

  'Hooroar, my Heart's Delight!' vociferates the Captain, with a countenance of strong emotion. 'Hooroar, Wal'r my lad. Hooroar!

  Hooroar!'

  What with the young husband at one window, and the young wife at the other; the Captain hanging on at this door, and Susan Nipper holding fast by that; the coach obliged to go on whether it will or no, and all the other carts and coaches turbulent because it hesitates; there never was so much confusion on four wheels. But Susan Nipper gallantly maintains her point. She keeps a smiling face upon her mistress, smiling through her tears, until the last. Even when she is left behind, the Captain continues to appear and disappear at the door, crying 'Hooroar, my lad! Hooroar, my Heart's Delight!' with his shirt-collar in a violent state of agitation, until it is hopeless to attempt to keep up with the coach any longer. Finally, when the coach is gone, Susan Nipper, being rejoined by the Captain, falls into a state of insensibility, and is taken into a baker's shop to recover.

  Uncle Sol and Mr Toots wait patiently in the churchyard, sitting on the coping-stone of the railings, until Captain Cuttle and Susan come back, Neither being at all desirous to speak, or to be spoken to, they are excellent company, and quite satisfied. When they all arrive again at the little Midshipman, and sit down to breakfast, nobody can touch a morsel. Captain Cuttle makes a feint of being voracious about toast, but gives it up as a swindle. Mr Toots says, after breakfast, he will come back in the evening; and goes wandering about the town all day, with a vague sensation upon him as if he hadn't been to bed for a fortnight.

  There is a strange charm in the house, and in the room, in which they have been used to be together, and out of which so much is gone.

  It aggravates, and yet it soothes, the sorrow of the separation. Mr Toots tells Susan Nipper when he comes at night, that he hasn't been so wretched all day long, and yet he likes it. He confides in Susan Nipper, being alone with her, and tells her what his feelings were when she gave him that candid opinion as to the probability of Miss Dombey's ever loving him. In the vein of confidence engendered by these common recollections, and their tears, Mr Toots proposes that they shall go out together, and buy something for supper. Miss Nipper assenting, they buy a good many little things; and, with the aid of Mrs Richards, set the supper out quite showily before the Captain and old Sol came home.

  The Captain and old Sol have been on board the ship, and have established Di there, and have seen the chests put aboard. They have much to tell about the popularity of Walter, and the comforts he will have about him, and the quiet way in which it seems he has been working early and late, to make his cabin what the Captain calls 'a picter,' to surprise his little wife. 'A admiral's cabin, mind you,' says the Captain, 'ain't more trim.'

  But one of the Captain's chief delights is, that he knows the big watch, and the sugar-tongs, and tea-spoons, are on board: and again and again he murmurs to himself, 'Ed'ard Cuttle, my lad, you never shaped a better course in your life than when you made that there little property over jintly. You see how the land bore, Ed'ard,' says the Captain, 'and it does you credit, my lad.'

  The old Instrument-maker is more distraught and misty than he used to be, and takes the marriage and the parting very much to heart. But he is greatly comforted by having his old ally, Ned Cuttle, at his side; and he sits down to supper with a grateful and contented face.

  'My boy has been preserved and thrives,' says old Sol Gills, rubbing his hands. 'What right have I to be otherwise than thankful and happy!'

  The Captain, who has not yet taken his seat at the table, but who has been fidgeting about for some time, and now stands hesitating in his place, looks doubtfully at Mr Gills, and says: 'Sol! There's the last bottle of the old Madeira down below. Would you wish to have it up to-night, my boy, and drink to Wal'r and his wife?'

  The Instrument-maker, looking wistfully at the Captain, puts his hand into the breast-pocket of his coffee-coloured coat, brings forth his pocket-book, and takes a letter out.

  'To Mr Dombey,' says the old man. 'From Walter. To be sent in three weeks' time. I'll read it.'

  '"Sir. I am married to your daughter. She is gone with me upon a distant voyage. To be devoted to her is to have no claim on her or you, but God knows that I am.

  '"Why, loving her beyond all earthly things, I have yet, without remorse, united her to the uncertainties and dangers of my life, I will not say to you. You know why, and you are her father.

  '"Do not reproach her. She has never reproached you.

  '"I do not think or hope that you will ever forgive me. There is nothing I expect less. But if an hour should come when it will comfort you to believe that Florence has someone ever near her, the great charge of whose life is to cancel her remembrance of past sorrow, I solemnly assure you, you may, in that hour, rest in that belief."'

  Solomon puts back the letter carefully in his pocket-book, and puts back his pocket-book in his coat.

  'We won't drink the last bottle of the old Madeira yet, Ned,' says the old man thoughtfully. 'Not yet.

  'Not yet,' assents the Captain. 'No. Not yet.'

  Susan and Mr Toots are of the same opinion. After a silence they all sit down to supper, and drink to the young husband and wife in something else; and the last bottle of the old Madeira still remains among its dust and cobwebs, undisturbed.

  A few days have elapsed, and a stately ship is out at sea, spreading its white wings to the favouring wind.

  Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless — something that it is good and pleasant to have there, and that should make the voyage prosperous — is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon.

  At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, 'Oh Walter, dearest love, I am so happy!'

  Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely.

  'As I hear the sea,' says Florence, 'and sit watching it, it brings so many days into my mind. It makes me think so much — '

  'Of Paul, my love. I know it does.'

  Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love — of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!

  CHAPTER 58

  After a Lapse

  The sea had ebbed and flowed, through a whole year. Through a whole year, the winds and clouds had come and gone; the ceaseless work of Time had been performed, in storm and sunshine. Through a whole year, the tides of human chance and change had set in their allotted courses. Through a whole year, the famous House of Dombey and Son had fought a fight for life, against cross accidents, doubtful rumours, unsuccessful ventures, unpropitious times, and most of all, against the infatuation of its head, who would not contract its enterprises by a hair's breadth, and would not listen to a word of warning that the ship he strained so hard against the storm, was weak, and could not bear it. The year was out, and the great House was down.

  One summer afternoon; a year, wanting some odd days, after the marriage in the City church; there was a buzz and whisper upon 'Change of a great failure. A certain cold proud man, well known there, was not there, nor was he represented there. Next day it was noised abroad that Dombey and Son had stopped, and next night there was a List of Bankrupts published, headed by that name.

  The world was very busy now, in sooth, and had a deal to say. It was an innocently credulous and a much ill-used world. It was a world in which there was 'no other sort of bankruptcy whatever. There were no conspicuous people in it, trading far and wide on rotten banks of religion, patriotism, virtue, honour. There was no amount worth mentioning of mere paper in circulation, on which anybody lived pretty handsomely, promising t
o pay great sums of goodness with no effects.

  There were no shortcomings anywhere, in anything but money. The world was very angry indeed; and the people especially, who, in a worse world, might have been supposed to be apt traders themselves in shows and pretences, were observed to be mightily indignant.

  Here was a new inducement to dissipation, presented to that sport of circumstances, Mr Perch the Messenger! It was apparently the fate of Mr Perch to be always waking up, and finding himself famous. He had but yesterday, as one might say, subsided into private life from the celebrity of the elopement and the events that followed it; and now he was made a more important man than ever, by the bankruptcy. Gliding from his bracket in the outer office where he now sat, watching the strange faces of accountants and others, who quickly superseded nearly all the old clerks, Mr Perch had but to show himself in the court outside, or, at farthest, in the bar of the King's Arms, to be asked a multitude of questions, almost certain to include that interesting question, what would he take to drink? Then would Mr Perch descant upon the hours of acute uneasiness he and Mrs Perch had suffered out at Balls Pond, when they first suspected 'things was going wrong.'

  Then would Mr Perch relate to gaping listeners, in a low voice, as if the corpse of the deceased House were lying unburied in the next room, how Mrs Perch had first come to surmise that things was going wrong by hearing him (Perch) moaning in his sleep, 'twelve and ninepence in the pound, twelve and ninepence in the pound!' Which act of somnambulism he supposed to have originated in the impression made upon him by the change in Mr Dombey's face. Then would he inform them how he had once said, 'Might I make so bold as ask, Sir, are you unhappy in your mind?' and how Mr Dombey had replied, 'My faithful Perch — but no, it cannot be!' and with that had struck his hand upon his forehead, and said, 'Leave me, Perch!' Then, in short, would Mr Perch, a victim to his position, tell all manner of lies; affecting himself to tears by those that were of a moving nature, and really believing that the inventions of yesterday had, on repetition, a sort of truth about them to-day.

  Mr Perch always closed these conferences by meekly remarking, That, of course, whatever his suspicions might have been (as if he had ever had any!) it wasn't for him to betray his trust, was it? Which sentiment (there never being any creditors present) was received as doing great honour to his feelings. Thus, he generally brought away a soothed conscience and left an agreeable impression behind him, when he returned to his bracket: again to sit watching the strange faces of the accountants and others, making so free with the great mysteries, the Books; or now and then to go on tiptoe into Mr Dombey's empty room, and stir the fire; or to take an airing at the door, and have a little more doleful chat with any straggler whom he knew; or to propitiate, with various small attentions, the head accountant: from whom Mr Perch had expectations of a messengership in a Fire Office, when the affairs of the House should be wound up.

  To Major Bagstock, the bankruptcy was quite a calamity. The Major was not a sympathetic character — his attention being wholly concentrated on J. B. — nor was he a man subject to lively emotions, except in the physical regards of gasping and choking. But he had so paraded his friend Dombey at the club; had so flourished him at the heads of the members in general, and so put them down by continual assertion of his riches; that the club, being but human, was delighted to retort upon the Major, by asking him, with a show of great concern, whether this tremendous smash had been at all expected, and how his friend Dombey bore it. To such questions, the Major, waxing very purple, would reply that it was a bad world, Sir, altogether; that Joey knew a thing or two, but had been done, Sir, done like an infant; that if you had foretold this, Sir, to J. Bagstock, when he went abroad with Dombey and was chasing that vagabond up and down France, J. Bagstock would have pooh-pooh'd you — would have pooh— pooh'd you, Sir, by the Lord! That Joe had been deceived, Sir, taken in, hoodwinked, blindfolded, but was broad awake again and staring; insomuch, Sir, that if Joe's father were to rise up from the grave to-morrow, he wouldn't trust the old blade with a penny piece, but would tell him that his son Josh was too old a soldier to be done again, Sir. That he was a suspicious, crabbed, cranky, used-up, J. B. infidel, Sir; and that if it were consistent with the dignity of a rough and tough old Major, of the old school, who had had the honour of being personally known to, and commended by, their late Royal Highnesses the Dukes of Kent and York, to retire to a tub and live in it, by Gad! Sir, he'd have a tub in Pall Mall to-morrow, to show his contempt for mankind!'

  Of all this, and many variations of the same tune, the Major would deliver himself with so many apoplectic symptoms, such rollings of his head, and such violent growls of ill usage and resentment, that the younger members of the club surmised he had invested money in his friend Dombey's House, and lost it; though the older soldiers and deeper dogs, who knew Joe better, wouldn't hear of such a thing. The unfortunate Native, expressing no opinion, suffered dreadfully; not merely in his moral feelings, which were regularly fusilladed by the Major every hour in the day, and riddled through and through, but in his sensitiveness to bodily knocks and bumps, which was kept continually on the stretch. For six entire weeks after the bankruptcy, this miserable foreigner lived in a rainy season of boot-jacks and brushes.

  Mrs Chick had three ideas upon the subject of the terrible reverse.

  The first was that she could not understand it. The second, that her brother had not made an effort. The third, that if she had been invited to dinner on the day of that first party, it never would have happened; and that she had said so, at the time.

  Nobody's opinion stayed the misfortune, lightened it, or made it heavier. It was understood that the affairs of the House were to be wound up as they best could be; that Mr Dombey freely resigned everything he had, and asked for no favour from anyone. That any resumption of the business was out of the question, as he would listen to no friendly negotiation having that compromise in view; that he had relinquished every post of trust or distinction he had held, as a man respected among merchants; that he was dying, according to some; that he was going melancholy mad, according to others; that he was a broken man, according to all.

  The clerks dispersed after holding a little dinner of condolence among themselves, which was enlivened by comic singing, and went off admirably. Some took places abroad, and some engaged in other Houses at home; some looked up relations in the country, for whom they suddenly remembered they had a particular affection; and some advertised for employment in the newspapers. Mr Perch alone remained of all the late establishment, sitting on his bracket looking at the accountants, or starting off it, to propitiate the head accountant, who was to get him into the Fire Office. The Counting House soon got to be dirty and neglected. The principal slipper and dogs' collar seller, at the corner of the court, would have doubted the propriety of throwing up his forefinger to the brim of his hat, any more, if Mr Dombey had appeared there now; and the ticket porter, with his hands under his white apron, moralised good sound morality about ambition, which (he observed) was not, in his opinion, made to rhyme to perdition, for nothing.

  Mr Morfin, the hazel-eyed bachelor, with the hair and whiskers sprinkled with grey, was perhaps the only person within the atmosphere of the House — its head, of course, excepted — who was heartily and deeply affected by the disaster that had befallen it. He had treated Mr Dombey with due respect and deference through many years, but he had never disguised his natural character, or meanly truckled to him, or pampered his master passion for the advancement of his own purposes. He had, therefore, no self-disrespect to avenge; no long-tightened springs to release with a quick recoil. He worked early and late to unravel whatever was complicated or difficult in the records of the transactions of the House; was always in attendance to explain whatever required explanation; sat in his old room sometimes very late at night, studying points by his mastery of which he could spare Mr Dombey the pain of being personally referred to; and then would go home to Islington, and calm his mind by producing the mos
t dismal and forlorn sounds out of his violoncello before going to bed.

  He was solacing himself with this melodious grumbler one evening, and, having been much dispirited by the proceedings of the day, was scraping consolation out of its deepest notes, when his landlady (who was fortunately deaf, and had no other consciousness of these performances than a sensation of something rumbling in her bones) announced a lady.

  'In mourning,' she said.

  The violoncello stopped immediately; and the performer, laying it on the sofa with great tenderness and care, made a sign that the lady was to come in. He followed directly, and met Harriet Carker on the stair.

  'Alone!' he said, 'and John here this morning! Is there anything the matter, my dear? But no,' he added, 'your face tells quite another story.'

  'I am afraid it is a selfish revelation that you see there, then,' she answered.

  'It is a very pleasant one,' said he; 'and, if selfish, a novelty too, worth seeing in you. But I don't believe that.'

  He had placed a chair for her by this time, and sat down opposite; the violoncello lying snugly on the sofa between them.

  'You will not be surprised at my coming alone, or at John's not having told you I was coming,' said Harriet; 'and you will believe that, when I tell you why I have come. May I do so now?'

  'You can do nothing better.'

  'You were not busy?'

  He pointed to the violoncello lying on the sofa, and said 'I have been, all day. Here's my witness. I have been confiding all my cares to it. I wish I had none but my own to tell.'

  'Is the House at an end?' said Harriet, earnestly.

  'Completely at an end.'

  'Will it never be resumed?'

  'Never.'

  The bright expression of her face was not overshadowed as her lips silently repeated the word. He seemed to observe this with some little involuntary surprise: and said again: 'Never. You remember what I told you. It has been, all along, impossible to convince him; impossible to reason with him; sometimes, impossible even to approach him. The worst has happened; and the House has fallen, never to be built up any more.'