Philo Vance 12 Novels Complete Bundle

by S. S. Van Dine

  The document was unquestionably a sheet of the yellow scratch-pad we had seen in the museum; and on it were four lines of old Egyptian characters painstakingly limned in green ink.

  Vance placed his finger on one of the groups of characters.

  "That," he told us, "is the ankh heiroglyph." He shifted his finger. "And that is the was sign. . . . And here, toward the end, is the tem sign."

  "And then what?" Heath was frankly nonplussed, and his tone was far from civil. "We can't arrest a guy because he drew a lot of cock-eyed pictures on a piece of yellow paper."

  "My word, Sergeant! Must you always be thinkin' of clappin' persons into oubliettes? I fear you haven't a humane nature. Very sad. . . . Why not try to cerebrate occasionally?" He looked up and I was startled by his seriousness. "The young and impetuous Mr. Salveter confesses that he has foolishly penned a letter to his Dulcibella in the language of the Pharaohs. He tells us he has placed the unfinished billet-doux in the drawer of a table in the museum. We discover that it is not in the table-drawer, but has been ruthlessly dismembered and thrown into the waste-basket in Doctor Bliss's study. . . . On what possible grounds could you regard the Paul of this epistle as a murderer?"

  "I ain't regarding nobody as anything," retorted Heath violently. "But there's too much shenanigan going on around here to suit me. I want action."

  Vance contemplated him gravely.

  "For once I, too, want action, Sergeant. If we don't get some sort of action before long, we may expect something even worse than has already happened. But it must be intelligent action--not the action that the murderer wants us to take. We're caught in the meshes of a cunningly fabricated plot; and, unless we watch our step, the culprit will go free and we'll still be battling with the cobwebs."

  Heath grunted and began poring over the reconstructed letter.

  "That's a hell of a way for a guy to write to a dame," he commented, with surly disdain. "Give me a nice dirty shooting by a gangster. These flossy crimes make me sick."

  Markham was scowling.

  "See here, Vance," he said; "do you believe the murderer tore up that letter and threw it in Doctor Bliss's waste-basket?"

  "Can there be any doubt of it?" Vance asked in return.

  "But what, in Heaven's name, could have been his object?"

  "I don't know--yet. That's why I'm frightened." Vance gazed out of the rear window. "But the destruction of that letter is part of the plot; and until we can get some definite and workable evidence, we're helpless."

  "Still," persisted Markham, "if the letter was incriminating, it strikes me it would have been valuable to the murderer. Tearing it up doesn't help any one."

  Heath looked first at Vance and then at Markham.

  "Maybe," he offered, "Salveter tore it up himself."

  "When?" Vance asked quietly.

  "How do I know?" The Sergeant was nettled. "Maybe when he croaked the old man."

  "If that were the case, he wouldn't have admitted having written it."

  "Well," Heath persevered, "maybe he tore it up when you sent him to find it a few minutes ago."

  "And then, after tearing it up he came here and put it in the basket where it might be found. . . . No, Sergeant. That's not entirely reasonable. If Salveter had been frightened and had decided to get rid of the letter, he'd have destroyed it completely--burned it, most likely, and left no traces of it about."

  Markham, too, had become fascinated by the hieroglyphs Vance had pieced together. He stood regarding the conjoined bits of paper perplexedly.

  "You think, then, we were intended to find it?" he asked.

  "I don't know." Vance's far-away gaze did not shift. "It may be . . . and yet. . . . No! There was only one chance in a thousand that we would come across it. The person who put it in the wastebasket here couldn't have known, or even guessed, that Salveter would tell us of having written it and left it lying about."

  "On the other hand,"--Markham was loath to relinquish his train of thought--"the letter might have been put here in the hope of involving Bliss still further--that is, it might have been regarded by the murderer as another planted clew, along with the scarab pin, the financial report, and the footprints."

  Vance shook his head.

  "No. That couldn't be. Bliss, d' ye see, couldn't have written the letter,--it's too obviously a communication from Salveter to Mrs. Bliss."

  Vance picked up the assembled letter and studied it for a time.

  "It's not particularly difficult to read for any one who knows something of Egyptian. It says exactly what Salveter said it did." He tossed the paper back on the desk. "There's something unspeakably devilish behind this. And the more I think of it the more I'm convinced we were not intended to find the letter. My feeling is, it was carelessly thrown away by some one--after it had served its purpose."

  "But what possible purpose--?" Markham began.

  "If we knew the purpose, Markham," said Vance with much gravity, "we might avert another tragedy."

  Markham compressed his lips grimly. I knew what was going through his mind: he was thinking of Vance's terrifying predictions in the Greene and the Bishop cases--predictions which came true with all the horror of final and ineluctable catastrophe.

  "You believe this affair isn't over yet?" he asked slowly.

  "I know it isn't over. The plan isn't complete. We forestalled the murderer by releasing Doctor Bliss. And now he must carry on. We've seen only the dark preliminaries of his damnable scheme--and when the plot is finally revealed, it will be monstrous. . . ."

  Vance went quietly to the door leading into the hall and, opening it a few inches, looked out.

  "And, Markham," he said, reclosing the door, "we must be careful--that's what I've been insisting on right along. We must not fall into any of the murderer's traps. The arrest of Doctor Bliss was one of those traps. A single false step on our part, and the plot will succeed."

  He turned to Heath.

  "Sergeant, will you be so good as to bring me the yellow pad and the pen and ink from the table in the museum? . . . We, too, must cover up our tracks, for we are being stalked as closely as we are stalking the murderer."

  Heath, without a word, went into the museum, and a few moments later returned with the requested articles. Vance took them and sat down at the doctor's desk. Then placing Salveter's letter before him he began copying roughly the phonograms and ideograms on a sheet of the yellow pad.

  "It's best, I think," he explained as he worked, "that we hide the fact that we've found the letter. The person who tore it up and threw it in the basket may suspect that we've discovered it and look for the fragments. If they're not here, he will be on his guard. It's merely a remote precaution, but we can't afford to make a slip. We're confronted by a mind of diabolical cleverness. . . ."

  When he had finished transcribing a dozen or so of the symbols, he tore the paper into pieces of the same size as those of the original letter, and mixed them with the contents of the waste-basket. Then he folded up Salveter's original letter and placed it in his pocket.

  "Do you mind, Sergeant, returning the paper and ink to the museum?"

  "You oughta been a crook, Mr. Vance," Heath remarked good-naturedly, picking up the pad and ink-stand and disappearing through the steel door.

  "I don't see any light," Markham commented gloomily. "The farther we go, the more involved the case becomes."

  Vance nodded sombrely.

  "There's nothing we can do now but await developments. Thus far we've checked the murderer's king; but he still has several moves. It's like one of Alekhine's chess combinations--we can't tell just what was in his mind when he began the assault. And he may produce a combination that will clean the board and leave us defenseless. . . ."

  Heath reappeared at this moment, looking uneasy.

  "I don't like that damn room," he grumbled. "Too many corpses. Why do these scientific bugs have to go digging up mummies and things? It's what you might call morbid."

  "A perfect cri
ticism of Egyptologists, Sergeant," Vance replied with a sympathetic grin. "Egyptology isn't an archaeological science--it's a pathological condition, a cerebral visitation--dementia scholastica. Once the spirillum terrigenum enters your system, you're lost--cursed with an incurable disease. If you dig up corpses that are thousands of years old, you're an Egyptologist; if you dig up recent corpses you're a Burke or a Hare, and the law swoops down on you. It all comes under the head of body-snatching. . . ."*

  * Vance was here indulging in hyperbole, and believed it no more than John Dennis believed that "a man who could make so vile a pun would not scruple to pick a pocket." Vance knew several Egyptologists and respected them highly. Among them were Doctor Ludlow Bull and Doctor Henry A. Carey of the Metropolitan Museum of Art, who had once generously assisted him in his work on the Menander fragments.

  "Be that as it may,"--Heath was still troubled and was chewing his cigar viciously--"I don't like the things in that morgue. And I specially don't like that black coffin under the front windows. What's in it, Mr. Vance?"

  "The granite sarcophagus? Really, I don't know, Sergeant. It's empty in all probability, unless Doctor Bliss uses it as a storage chest--which isn't likely, considerin' the weight of the lid."

  There came a knock on the hall door, and Snitkin informed us that Guilfoyle had arrived with Doctor Bliss.

  "There are one or two questions," Vance said, "that I want to ask him. Then, I think, Markham, we can toddle along: I'm fainting for muffins and marmalade. . . ."

  "Quit now?" demanded Heath in astonished disgust. "What's the idea? We've just begun this investigation!"

  "We've done more than that," Vance told him softly. "We've avoided every snare laid for us by the murderer. We've upset all his calculations and forced him to reconstruct his trenches. As the case stands now, it's a stalemate. The board will have to be set up again--and, fortunately for us, the murderer gets the white pieces. It's his first move. He simply has to win the game, d' ye see. We can afford to play for a draw."

  "I'm beginning to understand what you mean, Vance." Markham nodded slowly. "We've refused to follow his false moves, and now he must rebait his trap."

  "Spoken with a precision and clarity wholly unbecoming a lawyer," returned Vance, with a forced smile. Then he sobered again. "Yes, I think he will rebait the trap before he takes any final steps. And I'm hopin' that the new bait will give us a solution to the entire plot and permit the Sergeant to make his arrest."

  "Well, all I've gotta say," Heath complained, "is that this is the queerest case I was ever mixed up in. We go and eat muffins, and wait for the guilty guy to spill the beans! If I was to outline that technic to O'Brien* he'd call an ambulance and send me to Bellevue."

  "I'll see you don't go to a psychopathic ward, Sergeant," Markham said irritably, walking toward the door.

  * Chief Inspector O'Brien was at that time in charge of the entire Police Department of the City of New York.

  16

  A CALL AFTER MIDNIGHT

  (Friday, July 13; 5:15 P.M.)

  We found Doctor Bliss in the drawing-room, slumped in a deep sprawling chair, his tweed hat pulled down over his eyes. Beside him stood Guilfoyle smirking triumphantly.

  Vance was annoyed, and took no pains to hide the fact.

  "Tell your efficient bloodhound to wait outside, will you, Sergeant?"

  "O.K." Heath looked commiseratingly at Guilfoyle. "Out on the cement, Guil," he ordered. "And don't ask any questions. This ain't a murder case--it's a Hallowe'en party in a bug-house."

  The detective grinned and left us.

  Bliss lifted his eyes. He was a dejected-looking figure. His face was flushed, and apprehension and humiliation were written on his sunken features.

  "Now, I suppose," he said in a quavering voice, "you'll arrest me for this heinous murder. But--oh, my God, gentlemen!--I assure you--"

  Vance had stepped toward him.

  "Just a moment, doctor," he broke in. "Don't upset yourself. We're not going to arrest you; but we would like an explanation of your amazin' action. Why should you, if you are innocent, attempt to leave the country?"

  "Why . . . why?" The man was nervous and excited. "I was afraid--that's why. Everything is against me. All the evidence points toward me. . . . There's some one here who hates me and wants me out of the way. It's only too obvious. The planting of my scarab pin beside poor Kyle's body, and that financial report found in the murdered man's hand, and those terrible footprints leading to my study--don't you think I know what it all means? It means that I must pay the price--I, I." He struck his chest weakly. "And other things will be found; the person who killed Kyle won't rest content until I'm behind the bars--or dead. I know it--I know it! . . . That's why I tried to get away. And now you've brought me back to a living death--to a fate more awful than the one that befell my old benefactor. . . ."

  His head dropped forward and a shudder ran through his body.

  "Still, it was foolish to attempt to escape, doctor," Markham said gently. "You might have trusted us. I assure you no injustice will be done you. We have learned many things in the course of our investigation; and we have reason to believe that you were drugged with powdered opium during the period of the crime--"

  "Powdered opium!" Bliss almost leapt out of his chair. "That's what I tasted! There was something the matter with the coffee this morning--it had a curious flavor. At first I thought Brush hadn't made it the way I'd instructed him. Then I got drowsy, and forgot all about it. . . . Opium! I know the taste. I once had dysentery in Egypt, and took opium and capsicum--my Sun Cholera Mixture* had run out." His mouth sagged open, and he gave Markham a look of terrified appeal. "Poisoned in my own house!" Suddenly a grim vindictiveness shone in his eyes. "You're right, sir," he said, with metallic hardness. "I shouldn't have attempted to run away. My place is here, and my duty is to help you--"

  * The Sun Cholera Mixture for dysentery (a recipe of Doctor G. W. Busteed) was so named because its formula had been published by the New York Sun during the cholera excitement in New York in June, 1849. It was admitted to the first edition of the National Formulary in 1883. Its constituents were tincture of capsicum, tincture of rhubarb, spirits of camphor, essence of peppermint, and opium.

  "Yes, yes, doctor." Vance was palpably bored. "Regrets are very comfortin', but we're tryin' to deal with facts. And thus far you haven't been very helpful. . . . I say, who had charge of the medical supplies?" He put the question abruptly.

  "Why . . . why . . . let me see. . . ." Bliss averted his eyes and began fidgeting with the crease in his trousers.

  "We'll drop the matter." Vance made a resigned gesture. "Maybe you're willing to tell us how well Mrs. Bliss knows Egyptian hieroglyphs."

  Bliss looked surprised, and it took him several moments to regain his equanimity.

  "She knows them practically as well as I do," he answered at length. "Her father, Abercrombie, taught her the old Egyptian language when she was a child, and she has worked with me for years in the deciphering of inscriptions. . . ."

  "And Hani?"

  "Oh, he has a smattering of hieroglyphic writing--nothing unusual. He lacks the trained mind--"

  "And how well does Mr. Salveter know Egyptian?"

  "Fairly well. He's weak on grammatical points, but his knowledge of the signs and the vocabulary is rather extensive. He has studied Greek and Arabic; and I believe he had a year or two of Assyrian. Coptic, too. The usual linguistic foundation for an archaeologist.--Scarlett, on the other hand, is something of a wizard, though he's a loyal adherent of Budge's system--like many amateurs.* And Budge, of course, is antiquated. Don't misunderstand me. Budge is a great man--his contributions to Egyptology are invaluable; and his publication of the Book of the Dead--"

  * Sir E. A. Wallis Budge was for many years Keeper of the Egyptian and Assyrian Antiquities in the British Museum.

  "I know." Vance nodded with impatience. "His Index makes it possible to find almost any passage in the Papyrus of Ani. . . .
"

  "Just so." Bliss had begun to reveal a curious animation: his scientific enthusiasm was manifesting itself. "But Alan Gardiner is the true modern scholar. His 'Egyptian Grammar' is a profound and accurate work. The most important opus on Egyptology, however, is the Erman-Grapow 'Wörterbuch der aegyptischen Sprache.' . . ."

  Vance had become suddenly interested.

  "Does Mr. Salveter use the Erman-Grapow 'Wörterbuch'?" he asked.

  "Certainly. I insisted upon it. I ordered three sets from Leipzig--one for myself, and one each for Salveter and Scarlett."

  "The signs differ considerably, I believe, from the Theinhardt type used by Budge."

  "Oh, yes." Bliss removed his hat and threw it on the floor. "The consonant transliterated u by Budge--the quail chick--appears as w in the 'Wörterbuch' and every other modern work. And, of course, there's the cursive spiral sign which is also the hieroglyphic adaptation of the hieratic abbreviated form of the quail. . . ."

  "Thank you, doctor." Vance took out his cigarette-case, saw he had only one Régie left, and returned it to his pocket. "I understand that Mr. Scarlett, before leaving the house this afternoon, went up-stairs. I rather thought, don't y' know, that he dropped in to see you."

  "Yes." Bliss sank back in his chair. "A very sympathetic fellow, Scarlett."

  "What did he say to you?"

  "Nothing of any importance. He wished me good luck--said he'd stand by, in case I wanted him. That sort of thing."

  "How long was he with you?"

  "A minute or so. He went away immediately. Said he was going home."

  "One more question, doctor," Vance said, after several moments' pause. "Who in this house would have any reason for wanting to saddle you with the crime of killing Mr. Kyle?"

  A sudden change came over Bliss. His eyes glared straight ahead, and the lines of his face hardened into almost terrifying contours. He clutched the arms of his chair and drew in his feet. Both fear and hatred possessed him; he was a man about to leap at a mortal enemy. Then he stood up, every muscle in his body tense.