The Darling and Other Stories

by Anton Chekhov

  "The right lung consists of three parts . . ." Klotchkov repeated. "Boundaries! Upper part on anterior wall of thorax reaches the fourth or fifth rib, on the lateral surface, the fourth rib . . . behind to the spina scapulæ. . ."

  Klotchkov raised his eyes to the ceiling, striving to visualise what he had just read. Unable to form a clear picture of it, he began feeling his upper ribs through his waistcoat.

  "These ribs are like the keys of a piano," he said. "One must familiarise oneself with them somehow, if one is not to get muddled over them. One must study them in the skeleton and the living body . . . . I say, Anyuta, let me pick them out."

  Anyuta put down her sewing, took off her blouse, and straightened herself up. Klotchkov sat down facing her, frowned, and began counting her ribs.

  "H'm! . . . One can't feel the first rib; it's behind the shoulder-blade . . . . This must be the second rib. . . . Yes . . . this is the third . . . this is the fourth. . . . H'm! . . . yes. . . . Why are you wriggling?"

  "Your fingers are cold!"

  "Come, come . . . it won't kill you. Don't twist about. That must be the third rib, then . . . this is the fourth. . . . You look such a skinny thing, and yet one can hardly feel your ribs. That's the second . . . that's the third. . . . Oh, this is muddling, and one can't see it clearly. . . . I must draw it. . . . Where's my crayon?"

  Klotchkov took his crayon and drew on Anyuta's chest several parallel lines corresponding with the ribs.

  "First-rate. That's all straightforward. . . . Well, now I can sound you. Stand up!"

  Anyuta stood up and raised her chin. Klotchkov began sounding her, and was so absorbed in this occupation that he did not notice how Anyuta's lips, nose, and fingers turned blue with cold. Anyuta shivered, and was afraid the student, noticing it, would leave off drawing and sounding her, and then, perhaps, might fail in his exam.

  "Now it's all clear," said Klotchkov when he had finished. "You sit like that and don't rub off the crayon, and meanwhile I'll learn up a little more."

  And the student again began walking to and fro, repeating to himself. Anyuta, with black stripes across her chest, looking as though she had been tattooed, sat thinking, huddled up and shivering with cold. She said very little as a rule; she was always silent, thinking and thinking. . . .

  In the six or seven years of her wanderings from one furnished room to another, she had known five students like Klotchkov. Now they had all finished their studies, had gone out into the world, and, of course, like respectable people, had long ago forgotten her. One of them was living in Paris, two were doctors, the fourth was an artist, and the fifth was said to be already a professor. Klotchkov was the sixth. . . . Soon he, too, would finish his studies and go out into the world. There was a fine future before him, no doubt, and Klotchkov probably would become a great man, but the present was anything but bright; Klotchkov had no tobacco and no tea, and there were only four lumps of sugar left. She must make haste and finish her embroidery, take it to the woman who had ordered it, and with the quarter rouble she would get for it, buy tea and tobacco.

  "Can I come in?" asked a voice at the door.

  Anyuta quickly threw a woollen shawl over her shoulders. Fetisov, the artist, walked in.

  "I have come to ask you a favour," he began, addressing Klotchkov, and glaring like a wild beast from under the long locks that hung over his brow. "Do me a favour; lend me your young lady just for a couple of hours! I'm painting a picture, you see, and I can't get on without a model."

  "Oh, with pleasure," Klotchkov agreed. "Go along, Anyuta."

  "The things I've had to put up with there," Anyuta murmured softly.

  "Rubbish! The man's asking you for the sake of art, and not for any sort of nonsense. Why not help him if you can?"

  Anyuta began dressing.

  "And what are you painting?" asked Klotchkov.

  "Psyche; it's a fine subject. But it won't go, somehow. I have to keep painting from different models. Yesterday I was painting one with blue legs. 'Why are your legs blue?' I asked her. 'It's my stockings stain them,' she said. And you're still grinding! Lucky fellow! You have patience."

  "Medicine's a job one can't get on with without grinding."

  "H'm! . . . Excuse me, Klotchkov, but you do live like a pig! It's awful the way you live!"

  "How do you mean? I can't help it. . . . I only get twelve roubles a month from my father, and it's hard to live decently on that."

  "Yes . . . yes . . ." said the artist, frowning with an air of disgust; "but, still, you might live better. . . . An educated man is in duty bound to have taste, isn't he? And goodness knows what it's like here! The bed not made, the slops, the dirt . . . yesterday's porridge in the plates. . . Tfoo!"

  "That's true," said the student in confusion; "but Anyuta has had no time to-day to tidy up; she's been busy all the while."

  When Anyuta and the artist had gone out Klotchkov lay down on the sofa and began learning, lying down; then he accidentally dropped asleep, and waking up an hour later, propped his head on his fists and sank into gloomy reflection. He recalled the artist's words that an educated man was in duty bound to have taste, and his surroundings actually struck him now as loathsome and revolting. He saw, as it were in his mind's eye, his own future, when he would see his patients in his consulting-room, drink tea in a large dining-room in the company of his wife, a real lady. And now that slop-pail in which the cigarette ends were swimming looked incredibly disgusting. Anyuta, too, rose before his imagination—a plain, slovenly, pitiful figure . . . and he made up his mind to part with her at once, at all costs.

  When, on coming back from the artist's, she took off her coat, he got up and said to her seriously:

  "Look here, my good girl . . . sit down and listen. We must part!

  The fact is, I don't want to live with you any longer."

  Anyuta had come back from the artist's worn out and exhausted. Standing so long as a model had made her face look thin and sunken, and her chin sharper than ever. She said nothing in answer to the student's words, only her lips began to tremble.

  "You know we should have to part sooner or later, anyway," said the student. "You're a nice, good girl, and not a fool; you'll understand. . . ."

  Anyuta put on her coat again, in silence wrapped up her embroidery in paper, gathered together her needles and thread: she found the screw of paper with the four lumps of sugar in the window, and laid it on the table by the books.

  "That's . . . your sugar . . ." she said softly, and turned away to conceal her tears.

  "Why are you crying?" asked Klotchkov.

  He walked about the room in confusion, and said:

  "You are a strange girl, really. . . . Why, you know we shall have to part. We can't stay together for ever."

  She had gathered together all her belongings, and turned to say good-bye to him, and he felt sorry for her.

  "Shall I let her stay on here another week?" he thought. "She really may as well stay, and I'll tell her to go in a week;" and vexed at his own weakness, he shouted to her roughly:

  "Come, why are you standing there? If you are going, go; and if you don't want to, take off your coat and stay! You can stay!"

  Anyuta took off her coat, silently, stealthily, then blew her nose also stealthily, sighed, and noiselessly returned to her invariable position on her stool by the window.

  The student drew his textbook to him and began again pacing from corner to corner. "The right lung consists of three parts," he repeated; "the upper part, on anterior wall of thorax, reaches the fourth or fifth rib . . . ."

  In the passage some one shouted at the top of his voice: "Grigory!

  The samovar!"

  THE TWO VOLODYAS

  "LET me; I want to drive myself! I'll sit by the driver!" Sofya Lvovna said in a loud voice. "Wait a minute, driver; I'll get up on the box beside you."

  She stood up in the sledge, and her husband, Vladimir Nikititch, and the friend of her childhood, Vladimir Mihalovitch, held her ar
ms to prevent her falling. The three horses were galloping fast.

  "I said you ought not to have given her brandy," Vladimir Nikititch whispered to his companion with vexation. "What a fellow you are, really!"

  The Colonel knew by experience that in women like his wife, Sofya Lvovna, after a little too much wine, turbulent gaiety was followed by hysterical laughter and then tears. He was afraid that when they got home, instead of being able to sleep, he would have to be administering compresses and drops.

  "Wo!" cried Sofya Lvovna. "I want to drive myself!"

  She felt genuinely gay and triumphant. For the last two months, ever since her wedding, she had been tortured by the thought that she had married Colonel Yagitch from worldly motives and, as it is said, par dépit; but that evening, at the restaurant, she had suddenly become convinced that she loved him passionately. In spite of his fifty-four years, he was so slim, agile, supple, he made puns and hummed to the gipsies' tunes so charmingly. Really, the older men were nowadays a thousand times more interesting than the young. It seemed as though age and youth had changed parts. The Colonel was two years older than her father, but could there be any importance in that if, honestly speaking, there were infinitely more vitality, go, and freshness in him than in herself, though she was only twenty-three?

  "Oh, my darling!" she thought. "You are wonderful!"

  She had become convinced in the restaurant, too, that not a spark of her old feeling remained. For the friend of her childhood, Vladimir Mihalovitch, or simply Volodya, with whom only the day before she had been madly, miserably in love, she now felt nothing but complete indifference. All that evening he had seemed to her spiritless, torpid, uninteresting, and insignificant, and the sangfroid with which he habitually avoided paying at restaurants on this occasion revolted her, and she had hardly been able to resist saying, "If you are poor, you should stay at home." The Colonel paid for all.

  Perhaps because trees, telegraph posts, and drifts of snow kept flitting past her eyes, all sorts of disconnected ideas came rushing into her mind. She reflected: the bill at the restaurant had been a hundred and twenty roubles, and a hundred had gone to the gipsies, and to-morrow she could fling away a thousand roubles if she liked; and only two months ago, before her wedding, she had not had three roubles of her own, and had to ask her father for every trifle. What a change in her life!

  Her thoughts were in a tangle. She recalled, how, when she was a child of ten, Colonel Yagitch, now her husband, used to make love to her aunt, and every one in the house said that he had ruined her. And her aunt had, in fact, often come down to dinner with her eyes red from crying, and was always going off somewhere; and people used to say of her that the poor thing could find no peace anywhere. He had been very handsome in those days, and had an extraordinary reputation as a lady-killer. So much so that he was known all over the town, and it was said of him that he paid a round of visits to his adorers every day like a doctor visiting his patients. And even now, in spite of his grey hair, his wrinkles, and his spectacles, his thin face looked handsome, especially in profile.

  Sofya Lvovna's father was an army doctor, and had at one time served in the same regiment with Colonel Yagitch. Volodya's father was an army doctor too, and he, too, had once been in the same regiment as her father and Colonel Yagitch. In spite of many amatory adventures, often very complicated and disturbing, Volodya had done splendidly at the university, and had taken a very good degree. Now he was specialising in foreign literature, and was said to be writing a thesis. He lived with his father, the army doctor, in the barracks, and had no means of his own, though he was thirty. As children Sofya and he had lived under the same roof, though in different flats. He often came to play with her, and they had dancing and French lessons together. But when he grew up into a graceful, remarkably handsome young man, she began to feel shy of him, and then fell madly in love with him, and had loved him right up to the time when she was married to Yagitch. He, too, had been renowned for his success with women almost from the age of fourteen, and the ladies who deceived their husbands on his account excused themselves by saying that he was only a boy. Some one had told a story of him lately that when he was a student living in lodgings so as to be near the university, it always happened if one knocked at his door, that one heard his footstep, and then a whispered apology: "Pardon, je ne suis pas setul." Yagitch was delighted with him, and blessed him as a worthy successor, as Derchavin blessed Pushkin; he appeared to be fond of him. They would play billiards or picquet by the hour together without uttering a word, if Yagitch drove out on any expedition he always took Volodya with him, and Yagitch was the only person Volodya initiated into the mysteries of his thesis. In earlier days, when Yagitch was rather younger, they had often been in the position of rivals, but they had never been jealous of one another. In the circle in which they moved Yagitch was nicknamed Big Volodya, and his friend Little Volodya.

  Besides Big Volodya, Little Volodya, and Sofya Lvovna, there was a fourth person in the sledge—Margarita Alexandrovna, or, as every one called her, Rita, a cousin of Madame Yagitch—a very pale girl over thirty, with black eyebrows and a pince-nez, who was for ever smoking cigarettes, even in the bitterest frost, and who always had her knees and the front of her blouse covered with cigarette ash. She spoke through her nose, drawling every word, was of a cold temperament, could drink any amount of wine and liquor without being drunk, and used to tell scandalous anecdotes in a languid and tasteless way. At home she spent her days reading thick magazines, covering them with cigarette ash, or eating frozen apples.

  "Sonia, give over fooling," she said, drawling. "It's really silly."

  As they drew near the city gates they went more slowly, and began to pass people and houses. Sofya Lvovna subsided, nestled up to her husband, and gave herself up to her thoughts. Little Volodya sat opposite. By now her light-hearted and cheerful thoughts were mingled with gloomy ones. She thought that the man sitting opposite knew that she loved him, and no doubt he believed the gossip that she married the Colonel par dépit. She had never told him of her love; she had not wanted him to know, and had done her best to hide her feeling, but from her face she knew that he understood her perfectly —and her pride suffered. But what was most humiliating in her position was that, since her wedding, Volodya had suddenly begun to pay her attention, which he had never done before, spending hours with her, sitting silent or chattering about trifles; and even now in the sledge, though he did not talk to her, he touched her foot with his and pressed her hand a little. Evidently that was all he wanted, that she should be married; and it was evident that he despised her and that she only excited in him an interest of a special kind as though she were an immoral and disreputable woman. And when the feeling of triumph and love for her husband were mingled in her soul with humiliation and wounded pride, she was overcome by a spirit of defiance, and longed to sit on the box, to shout and whistle to the horses.

  Just as they passed the nunnery the huge hundred-ton bell rang out.

  Rita crossed herself.

  "Our Olga is in that nunnery," said Sofya Lvovna, and she, too, crossed herself and shuddered.

  "Why did she go into the nunnery?" said the Colonel.

  "Par dépit," Rita answered crossly, with obvious allusion to Sofya's marrying Yagitch. "Par dépit is all the fashion nowadays. Defiance of all the world. She was always laughing, a desperate flirt, fond of nothing but balls and young men, and all of a sudden off she went—to surprise every one!"

  "That's not true," said Volodya, turning down the collar of his fur coat and showing his handsome face. "It wasn't a case of par dépit; it was simply horrible, if you like. Her brother Dmitri was sent to penal servitude, and they don't know where he is now. And her mother died of grief."

  He turned up his collar again.

  "Olga did well," he added in a muffled voice. "Living as an adopted child, and with such a paragon as Sofya Lvovna,—one must take that into consideration too!"

  Sofya Lvovna heard a tone of conte
mpt in his voice, and longed to say something rude to him, but she said nothing. The spirit of defiance came over her again; she stood up again and shouted in a tearful voice:

  "I want to go to the early service! Driver, back! I want to see

  Olga."

  They turned back. The nunnery bell had a deep note, and Sofya Lvovna fancied there was something in it that reminded her of Olga and her life. The other church bells began ringing too. When the driver stopped the horses, Sofya Lvovna jumped out of the sledge and, unescorted and alone, went quickly up to the gate.

  "Make haste, please!" her husband called to her. "It's late already."

  She went in at the dark gateway, then by the avenue that led from the gate to the chief church. The snow crunched under her feet, and the ringing was just above her head, and seemed to vibrate through her whole being. Here was the church door, then three steps down, and an ante-room with ikons of the saints on both sides, a fragrance of juniper and incense, another door, and a dark figure opening it and bowing very low. The service had not yet begun. One nun was walking by the ikon-screen and lighting the candles on the tall standard candlesticks, another was lighting the chandelier. Here and there, by the columns and the side chapels, there stood black, motionless figures. "I suppose they must remain standing as they are now till the morning," thought Sofya Lvovna, and it seemed to her dark, cold, and dreary—drearier than a graveyard. She looked with a feeling of dreariness at the still, motionless figures and suddenly felt a pang at her heart. For some reason, in one short nun, with thin shoulders and a black kerchief on her head, she recognised Olga, though when Olga went into the nunnery she had been plump and had looked taller. Hesitating and extremely agitated, Sofya Lvovna went up to the nun, and looking over her shoulder into her face, recognised her as Olga.